It's the most devastating thing to happen to Sweet Valley yet! Liz and Jess are seventeen! But something happens during the Bash of the Century. EARTHQUAKE!! Enid is barely alive. Todd, Lila, Ken, and Olivia are missing and thought to be dead. Elizabeth and Jessica are separated with no way to contact each other.

Who will live? Who will die? Will the Twin's seventeenth birthday be their last?

To get all the romance, action, and terror...read Last Wish!

Last wish is the best book I've ever read!!!!
I'ts Jessica and Liz's seventeenth Birthday,they both are in for a shock when they feel the earthquake shaking Sweet Valley....
But what else can go wrong on Friday the thirteenth.....

I thought the book was very well written. I almost cried at the end but you can almost figure out will will live and who won't. Todd, Lila, and Enid will be fine because they show up in the Sweet Valley University books. But Ken and Olivia might not survive. I can't wait till Earthquake comes out!!!

I love listening to books on tape, so I like to look for reviews by people who have LISTENED to the book on tape because it's a fundamentally different review than just the book itself. As far as the content of the book, you can review the other readers' reviews. This audiobook was top notch! Well written and read with great skill on tape. The reader has an excellent range of voices, accents, and dialects to use for each of the different characters in the book. It didn't matter if a couple of days passed in between listening to parts of the book. As soon as I pushed [play], I could tell which character was speaking based on the voice. I also liked that they played a short segment of music at the beginning and ending of each side of each tape so you could tell when the side was over - not a BIG deal, but a detail that shows how much effort the producers put into making this a good book on tape to listen to. It's a fascinating story of a very critical time in American history, and I would highly recommend the AUDIOBOOK (and I'm sure the non-abridged print version is of equally high standards).

Citizen Washington is not your typical historical novel. While it is held together by a single voice, it is broken up into many short perspectives that lend the story of George Washington a varied examination. At first I found this inconvenient, but once I got to know the people speaking, I welcomed them again and again as they returned to add their view of an event. The story is told without sentimentality or heroics. In fact, the battles fought (or retreated from) are described very simply and directly. It's been a long time since I studied American history, so it was refeshing to read how the Revolution was fought and won from a "novel" point of view. Citizen Washington is definitely worth a read. I found the Federalist vs. Republican debate especially helful, told, as it is, from characters near the debate.

This novel was one of the most informative books I have ever read. Not only did we get a run-down on the usual suspects of the era, Jefferson, Adams, and Washington, but the insight gained on the characters which history misses sometimes, like Alexander Hamilton, Henry Knox and Martha Washington made the book very hard to put down. The way Martin intermingles fictional and non-fictional characters is a work of genius. This novel is a fast-paced, fast-reading tale which NEVER bogs the reader down with an endless string of statistics and facts. The story is always the most important part of the book, and Martin hit a home run spinning this tale. I would recommend this novel, obviously to any Martin fans, but also to anyone who has wondered what historical fiction is like. I can not wait for his next novel!!!!

Open the book. Chase County, Kansas has U.S. Route 50 and the Kansas Turnpike running through it. The Flint Hills are the last remaining grand expanse of tall grass in America. The population of Chase County is 3,013. This is clearly William Least Heat-Moon's masterpiece. The closest reading experience I can summon is that of Barry Lopez's ARCTIC DREAMS.

Chase County, Kansas is an empty area in relative terms. The arrangement of the book is to follow a sort of geographical grid. The author introduces new concerns with a series of paragraphs and quotations from other works. Individual stories are inserted for interest and historical verisimilitude. For example, Gabriel Jacobs was a Dunkard preacher from Indiana. He and his wife arrived in Chase County in 1856.

The book is filled with maps. Cottonwood Falls, State Lake, Spring Creek, Den Creek, Rock Creek, Cottonwood River, Sharp Creek, Roniger Hill, Landon Rocks and Bazaar are shown on the map of the Bazaar Quadrangle. Chase County is tall grass country. Beef is the major pursuit. It absolutely depends upon grass. The work of Chase is to turn soil and cellulose into humanly digestible carbohydrates and protein. Tribal people took their health from prairie plants. Antelope are returning to the Flint Hills through a restocking program. The author observes that the land in Chase County is like a good library, it lets a fellow extend himself. Common Chase properties of the land are the vales and uplands through which the author enjoyed traveling.

A review by me cannot do justice to this book. The work is as multi-dimensional as EXECUTIONER'S SONG by Norman Mailer. Vachel Lindsay traveled down the Cottonwood Valley. A student going to high school in Chase County thinks there is no privacy, no opportunity to be one's self. A grade school teacher told the author she hoped that people in Chase County could learn to love themselves less and the children more. The largest cottonwood in Kansas has a trunk 27 feet around. The Timber Culture Act of 1873 gave 160 acres of land to the settler who would plant ten of these acres in trees. In 1931 a Fokker plane carrying the famous football coach Knute Rockne crashed in Chase County near Bazaar.

People ariving in Chase County after 1862, the Homestead Act, were limited to taking a quarter section, 160 acres. Most county bottom land had been claimed by 1870. Absentee land ownership has been a fact of life in Chase County since the 19th century when the English aristocracy and the railroads owned large tracts.

The author says that for him writing is not a search for explanations, but a ramble. He believes that Chase County is the ideal place to develop a prototype of a new agricultural community. The book began when the author arrived at Roniger Hill with an image of a topographical grid in his head. Of the dozen settlements in Chase County, three or four can still be called villages and two are towns. The significance of prairyerth is that Chase County lies among it. "The Prairyerths and Blackerths are deep soils, lightly granular, relatively nonacid, unleached, with full stores of humus and minerals."

I first picked up this book when a job change brought us into the Tallgrass Prairie region of Kansas. As it turns out, we settled in Cottonwood Falls, Chase County, Kansas! It was extraordinary to read PrairyErth, knowing that we would soon be experiencing this place first-hand.

There is truly nothing like living in this community and experiencing the sights, places and people described so richly in PrairyErth. William Least Heat-Moon knows this place well, and paints a picture that is as vivid and timeless as Chase County itself. As a "local", I've returned to this book time and time again.

Unfortunately, my job is now taking us away from here. If you've read the passage about Spring Street in Cottonwood Falls, then you know our home. This is truly a beautiful and extraordinary place; unique in the world. If you would like to experience the sense of community that my family and I have been so blessed with, give me a call.

I have just spent 2 days exploring Chase County, Kansas. I had read the book PrairyErth and found myself drawn to explore it for myself.

Driving along I50, I rejoiced at crossing the Chase County border. I had fun exploring the Chase County courthouse, eating at the Emma Chase cafe and meeting folks that have met Heat Moon. Seeing the small towns of Matfield Green, Bazaar and Wonsevu were particularly interesting.

The historical museum in Cottonwood Falls was a highlight for me, Pat, who is one of the volunteers there was extremly helpful and I found everyone I met and spoke too in Chase County as well as the whole of Kansas, a joy to meet and talk too.

I plan to read the book PrairyErth again and relive my 2 days spent in Chase County. I congratulate you Bill on a great book that placed in my soul a want to travel and discover Kansas for myself.

In the past 2 years I have read EVERYTHING there is to read on the subject of hitting preperatory to teaching my gifted 8 year old son and while I tell you that in virtually each and every book there exists some gem that you can apply to help increase chances of success THIS BOOK is the definative work on hitting.

What amazes me the most is that Williams, only a HS graduate, but yet possessing of an incredibly gifted intellect, as is exhibited by his becoming a fighter pilot etc, taught himself through trial, error and DETAILED analysis what the incredibly complex physics of the swing are. Recently, with the publication of Rob't K Adair's THE PHYSICS OF THE SWING we have the definitive confirmation of what Williams came to understand himself but now from a scientific and scholarly source. Williams doesn't articulate it in his book but he employed a law of physics called The Law of Conservation of Angular Momentum. Simply stated as it applies here it means that when you hold the arms close to the body and start the swing with your hips rather than your arms you will generate greater bat speed. Williams stated this simply in his book when he talks about starting the swing with the hips and holding the hands back as long as you can.... the farther the hands get away from the body the slower the bat speed. It's a law of physics that simply cannot be overcome. The hands, wrists and arms add nothing to the speed of the bat. They are mere conduits through which the power which is generated by the legs and the torso are transferred to the bat. Williams was intelligent enough to figure this one out on his own. Well, as he stated in his book, Rogers Hornsby's immortal words: "great hitters are not born, they are CREATED by study, hard work and fault correction" probably provided him with the spark he needed.

He was an amazing man who had problems with his pears when he played as super intelligent people often do. Fortunately now he is getting his just due and respect.

Thank you and rest in peace Teddy Ballgame!

This book and Robert Adair's _The_Physics_of_Baseball_ are essential to being the best player, executive, or fan possible. This book is timeless, and focuses on the 'real playing field' of baseball -- the strike zone where the hitter and pitcher battle it out. This book covers technique well, but more importantly, it teaches approach, and the earlier in your life you can learn that, the better you will be.

Williams' emphasis on plate discipline and mental approach, combined with his teaching of how to analyze your own swing gives you the basic tools you need to be an excellent offensive player. For pitchers, this book is a must to understand the weapons available to the batter.

For fans, this book will help you understand what's important and what's just filler by the broadcast team. If you're under 14 years old, buy this book, or go get from your local library, and study it on a field with a tee and a bag of balls. Then read it every day before you do your hitting reps.

This book turns bad hitters fair, and good hitters great. You just need to put in the work.

This book is perfect for anyone looking to expand their knowledge on how to hit a baseball. Everything from pitch recognition to a smooth swing are discussed and analyzed. Ted Williams also includes some of his stories from when baseball was a lifestyle. This book allows anyone to see the time and hard work that must go into becoming a good hitter. Becoming a good hitter does not mean picking up a bat and taking a few swings. It starts before you ever get to the ballpark. He walks you through ways to pick up pitcher tendencies, and stresses patience at the plate. This book provides helpful diagrams, which show what pitches are good ones to take a swing at. But he doesn't stop there, he goes into great detail about what you should try and do with that pitch that is in the zone. Also included are tips for making your stance comfortable yet effective, grip on the bat, and improving your power for maximum effectiveness in every at bat. Ted Williams also provides insight on knowing the situation, and doing what is best for your team. A must read for players of all skill levels. This book will grow with you as your hitting experiences expand. Ted Williams deserves more stars than I am allowed to give him for this book.

Victor Carl, the protagonist of "Hostile Witness," is one of the most enjoyable characters to appear in suspense fiction in quite some time. Far from being the embodiment of the idealized American lawyer, Carl is full of flaws and frailties that make him all the more enjoyable to follow in this fast-paced, suspense-laden thriller that has humor and heart. The book may be set in modern-day Philadelphia, but its roots lie in the California-based film noir classics of the 1940s and early 50s. "Hostile Witness" is easily the most enjoyable book I've read in a long, long time. I hope it is the just the first of many such books from newcomer William Lashner.

I adored this book!! It was a really meaty story. Just like the ones I love to sink my teeth into! I don't think I have come across a lawyer protagonist I liked quite this much since Rudy Baylor in John Grishams's "The Rainmaker". You can't help but adore Victor Carl in this story. Perhaps some of his goals lack sensitivity but you know that deep down, Victor is an honorable man and sure enough, by the end of the book even he realizes it. The suspense of the story is riveting, the characters are very real and there are enough twists and turns in the story to keep you intrigued. But the best thing about this book is it's depth and it's quality. I can't fully explain it, but it makes most lawyer type thrillers seem shallow in comparison. Sometimes I had to reread a passage and just stop to think about what was going on, but that is a sign of a great read, in my opinion. It is a delicious story and a one you just want to savor,so to speak. When you are done you sure want more of Victor Carl and I can't wait to read the next in the series. I hope Mr. Lashner is working hard on a third!!

This is one of the best legal thrillers I've read - including Grisham, Turrow, R.N. Patterson. Protagonist Victor Carl is so human - flaws and all - I found his character as complelling as the mystery itself. Don't read any synopsis of this book! Get to know the characters and the story one page at a time.

I devoured the book during a recent vacation - and on the 6 hour plane trip home. Couldn't wait to check for additional titles by the author and was glad to learn that Carl's not-so-illustrious legal career continues in Lashner's next novel.

Any animator looking for a book to help them improve their craft knows that most books on animation usually fall short in so many ways, it's easy to think it's impossible to write a comprehensive and accurate book on the subject (don't even get me started about the abysmal state of computer character animation books). Williams is the penultimate animator's animator and he tells it like it is. Williams systematically demystifies virtually every aspect of animation from simple walk cycles, to breaking joints to dialogue and acting. Along the way, he corrects or eliminates information that is inaccurate or practices that distract (lose the headphones and the rad tunes when you work and watch your quality and quantity improve). Williams also is a great storyteller and writer. His accounts with Milt Kahl, Art Babbit and Ken Harris are gems, giving real insight into the personalities of these ingenious men. Since so much of the book is gleaned from his tutaluge under the now-gone "greats" of animation, any price for this tome is a steal. His gift to the world is this book.

If you want learn to REALLY animate characters with life and believability, get this book.

Richard Williams is a man who is largely responsible for the revival of the art of animation in the early 1970s. Williams had Disney animator Art Babbitt and Warner great Ken Harris working in his studio in London and training a new generation of animators in the techniques of good character animation, which was not taught at the time in any school or considered an art form.

Williams' long awaited book on animation technique is the logical successor to Preston Blair's CARTOON ANIMATION and it successfully updates some of the weaknesses of that book, particularly in handling dialogue animation. He covers a lot of the same ground that Frank Thomas and Ollie Johnston did in their now out-of-print THE ILLUSION OF LIFE.

There is some history, but that's available in other books. What is unique about this book is that Williams writes how surprised he, an Academy Award winning animator with a successful professional studio, was to learn that he needed to learn just about everything over again from Harris and Babbitt. Fortunately for us he is now sharing these priceless lessons with the public.

The most important thing that an aspiring animator will get from this book is: that animation IS an art form, and good animation has nothing to do with whether it is done on computer or on paper. Williams exhorts his readers to 'draw whenever possible' and even though there is a computer modelled figure on the cover of the book, there is not a single piece of computer generated imagery in it. The book is about the bare bones, about creating life in art. Animation is the twentieth century's contribution to world art and deserves to be taken very seriously.

Buy this book.

I'm a graduate of a one year animation certificate program in classical animation. In many ways, this book covers a lot of the ground of Preson Blair's classic bible "Cartoon Animation", as well as Tony White's excellent "Animator's Handbook". However, it also deals with practical examples to extend the lessons from these initial books. The whole section on 'walks' has lessons on acting, character and animation that deal with all areas of acting in animation, not simply walk cycles.

It's also more practical than the Illusion of Life, in that it has a logical progression of lessons and enough custom illustrations to more precicely demonstrate these points. In many ways, It's the intermediate book between the intellectual aspects of the Illusion of Life, and the basic principals of Cartoon Animation.

For me, this was like a second year of school: I had learned all the concepts and basic principals I needed in that first year of school using Tony White and Preson Blair. Richard William's book expanded on those concepts, and has already started to improve my work in the first two months of receiving it. I highly recommend this book to any animation students out there, as well as graduates looking to increase their skills.

Having just finished reading it for the third time, I believe that Cancer Ward is a very fine novel, rich at many levels: in its depiction of Soviet provincial society in 1955, a poor society just emerging from Stalinism; in its portrayal of many separate characters (doctors, nurses, patients, hospital workers) in that society, many of whose lives have been permanently damaged by the terror and the GULAG, but in different ways; and, as I know from personal experience, in its depiction of the isolated world of the cancer patient, from which the rest of society is seen dimly, as though through dirty glass. In spite of all medical progress, the basics of this world have not changed much in 50 years: the core treatments are still surgery, radiation, and chemotherapy, and the side effects both long and short term can still be brutal.

The ending of the book will disappoint those who want a happy ending, or just an ending with all the loose ends tied up. In real life, though, loose ends usually stay loose. My thought is that Solzhenitshyn intended the reader to understand that for the characters and the society who are so damaged by the past there can be no happy endings; the best they can hope for is to continue from day to day, grasping at whatever happiness briefly comes their way.

Cancer Ward is often overshadowed by its predecessor, One Day in the Life of Ivan Denisovich, and its successor, the immense memoir, The Gulag Archipelago. While the worldly impact of those two works is perhaps greater, the aesthetic power of Cancer Ward is stronger than both of those works. The story is poignant and powerful, reaching out and probing deeply into the essential questions that are never answered by not only Soviet society, but western culture as a whole. The religious message that emerges is stunning and unique, recalling the works of Dostoyevsky. Overall, this is an excellent book, and any reader who enjoyed One Day or Gulag will be blown away by this work.

Those were the words that Dorothy used to describe Oz after waking up in the bosom of her family. The same intense feeling came over me while reading this book, a task that spanned several years, as I often put it aside for other things, always returning, drawn by the power of the author's prose in opening his world to us. The realness of Solzhenitsyn's worlds makes him perhaps the most accessible Russian novelist. As he described the village where Kostoglotov, the protagonist, lived, or in recounting how Ruasov, the villian/fellow victim ruined lives while justifying his actions, a vivid portrait fills the reader's imagination.
The human struggle to find hope and beauty in the most tragic of settings is what this novel evokes so well. Soviet medicine, cancer, a Zek fresh from the Gulag, and in a twilight turned dawn, Solzhenitsyn finds for his semi-autobiographical protagonist happiness, not only in winning victories against a malignant tumor, but in thoughts of perhaps one more summer to live, with nights sleeping under the stars, of three beech trees that stand like ancient guardians of an otherwise empty steppe horizon, a dog that shared his life there, and of a young nurse and spinster doctor, both of whom he hoped at times to love.
The picture one often got (accurately) of the Soviet Union was of greyness, gloom, uniform drabnes, and of a totalitarian police state. This book serves to remind the reader that, despite such circumstances, even desparately sick human being might still seek, and find, happiness in his own, private world. Along with that, Solzhenitsyn never lets us forget the utter corruption of the Soviet state, often in the person of Ruasov, an ailing bureaucrat who has managed to turn personnel management into an exquisite art form, as an instrument of psychological torture, slowly administered.
Of all Solzehenitsyn's works, this is my favorite. The people one encounters are vividly real, and the ending isn't what one would think (or hope), but is fitting, nonetheless.
-Lloyd A. Conway

Last year, I had the pleasure of meeting and attending a reading by Terry Tempest Williams, author of Refuge: An Unnatural History of Family and Place. At the time, I was unfamiliar with her work, but I was nevertheless astounded by her presentation. Immediately, I bought two of her novels-- one of which was Refuge. When I read it a few months after meeting her, I was amazed at the tone and emotion in the text. Williams' book can be a source of peace or healing to many whether you have experienced cancer, a loss, or just adore nature. The language is rich yet gentle. The structure of the narrative is such that, during reading and after, a reader feels she has experiences a unique marriage of nature and family issues. The way in which Williams weaves the Great Salt Lake and its inhabitants with her own family's suffering is not only amazing but especially touching as well. Just as the waterfowl and other creatures are evicted from their home during the great rise and flood of Salt Lake, so does William's mother fight for the domicile and dominance in her own cancerous body.
This is a must read. A wonderful story of love, hardships, and more love, REFUGE is a truly breathtaking piece of art.

An intimate telling of family and loss, courage and humor, honest confrontations with mortality, a deeply spiritual tone, and chapter titles introducing us to over thirty different birds, this beautifully descriptive and authentic tale leaves us with tears and a search for binoculars and a bird guidebook. Terry Tempest Williams weaves with great detail the heart breaking and life affirming events of the simultaneous devastation of her mother's body and the migratory bird sanctuary that has been her refuge. She skillfully keeps from dramatizing this innately powerful story. Williams had me deeply attached to pages I knew would be increasingly painful to read. Yet, as it became more painful, I would never describe it as depressing. I am struck by the powerful way she honors her mother, their family's reverent yet human journey through a particularly virulent cancer, and the ultimate power of nature, and equally important, humanity's thoughtless interference with nature, to turn one's life into a personal desert that used to be called home. She is a master storyteller and a poweful activist. This must read challenges the reader to enter a world where solutions are not simple, and life is exposed at its most vulnerable while courage and passion abound.

Now that I have read Terry Tempest Williams' excellent book on finding refuge in the areas around the Great Salt Lake, I find I want to visit, to see for myself the stunning landscape and myriad of birdlife. I also find myself drawn to this courageous woman who lets us into this difficult part of her life, as her mother passes into the shadow of cancer. Not for the first time, we learn, and not such a rare occurrence in her family, we discover; a discovery that, for me, evoked anger at the unfairness of exposing human beings to atomic bomb test fallout. There is so much in this book: the detailed descriptions of the birds and their habits, the extraordinary unfolding of the progression of cancer and its effect on the family, the interplay of three women -- grandmother, mother, daughter -- and through it all, the gentle and exquisite writing carried me nearly effortlessly, yet with great strength. I can find no fault with the writing, the evocative images, the revelation of relationships, and the treatment of this undoubtedly amazing place. Thank you, Terry, for writing this book.

Among all the textbooks I have seen in economics, I have found Mankiw's to be the best. It is clear and concise, addressing all the important intermediate issues in macroeconomics. The description of concepts is simple, and the book benefits from a three pronged approach to teaching - graphical, mathematical, and anecdotal. The student is free to choose whichever one he feels most comfortable learning from.

As an instructor of introductory macroeconomics, I often rue the fact that we do not utilize this textbook. I borrow material from it INCESSANTLY and without shame.

It presents the "Keynesian" viewpoint on macroeconomics in an extraordinarily clear and interesting fashion. Frankly, I consider the introductory (read literally - first semester macro books) texts to be a waste of time. There is absolutely no reason this textbook should not be used for a first semester macroeconomics course (assuming one has already taken an introductory microeconomics course).

Suggested plan of study for those interested in a fairly serious study of macroeconomics (without an INSANE amount of mathematical preparation): this book and Barro's book with the same title. Barro's book presents the real business cycle theory approach in a clear manner (though the book is somewhat dull in comparison)...then decide for yourself which 'camp' is making the most sense.

I have read at least one hundred textbooks for my undergraduate and graduate courses and this book is the BEST text book I have ever read. In general, I never liked economics, but this book made me think, understand, and like economics. The true triumph of this book is its simplication. Instead of explaining the details of Macroeconomics (which most econ textbooks tries to do) the author brilliantly pulls the reader into thinking about economics in more detail than what the book presents. Makiew is not only a consummate economist, but he is a consummate writer as well.

I like the cover art on this paperback as well as the description of it as "Dracula meets the Godfather". I figured it would be good for some cheesy vampire action; you know, one of those books you have to read because it's so laughingly bad. I'm pleased to say I was completely wrong!

The novel begins with Chris Csejthe trying to find a cure for the mysterious disease that started to plague him shortly after the deaths of his wife and daughter. Chris, who narrates the story, then finds himself in the middle of a bizarre life-or-death situation while two powerful vampire "families" (in the mob sense) fight over him. Turns out Chris is in the middle of vampire transformation; neither human nor vampire, Chris begins an adventure of discovering who he is, testing his new powers, and solving the mystery of the tragedy that took the people he loved. Along the way he meets Dr. Mooncloud, Bassarab, Lupe, Suki, Elizabeth, and a whole slew of other-worldly creatures such as elves, goblins, dryads, nagas, knockers, sprites, and many others. All the while, he narrates the events around him with sarcastic humor, literary references and some healthy wariness. Any vampire novel that can weave an enchanting tale of an alternate history such as this while quoting Sappho, Yeats, Victor Hugo, Donne, Wordsworth, Oscar Wilde etc. deserves more recognition! Simmons has created a fascinating world filled with funny, intelligent characters. The dialogue is snappy, the plot is filled with twists and turns, the story is suspenseful, and the book itself is impossible to put down. I am so pleasantly surprised by this novel, and I sincerely hope that Simmons will revisit these characters and give us a sequel! I found this book in the fantasy/sci-fi section, but it easily crosses into horror, humor, drama as well. It has something for everyone: humor, action (you'll find lots of weapons and methods of killing without intense graphic gore), suspense, mystery, fantasy. Buy it, you won't be disappointed.

Very little drives me crazier than authors who rely on literary convention, who are self-indulgent in any of the several ways possible for fiction (for example, if the main character is righteous, or if the author uses the book to promote his or her pet ideas, or if it's a historical makes the characters of the past have the sensibilities-- feminism, for example-- of the present). Wm. Mark Simmons does NONE of these things. One Foot belies its somewhat lurid cover art by asking the readers to believe only one thing-- these "supernatural" creatures do exist-- and goes on to tell a story that keeps my interest and never rings false to my internal B.S.-meter (and I read a lot, so it's finely tuned). The once-human "monsters" are still very human in their hearts and minds (which are sometimes monstrous, like those of some humans); their situations have scientific bases. Add to this "keeping-it-realism" a literate quality, thoughtfulness and a significant portion of humor, and you wind up with a work which is at the same time intelligent, funny, and very rereadable, which is my standard of measure for quality fiction. Or to put it another way, most of my paperbacks stay awhile and then get traded in. Not this one. I look forward to its sequel(ae).

I've read many different vampire myths, but this one is wittier and more intelligent by far. Told from the viewpoint of a man experiencing the change between humanity and vampirism, this novel makes the reader feel the impact of the shift from a mundane life to a supernatural undeath. The dialogue is splattered with allusions to literature, history, and most especially - movies and pop culture. The arguments on the question of free will between our hero and the vampire leader are like an episode of Politically Incorrect. This is a well-researched novel with enough fact included to make you wonder how much of it is fiction. The fight scenes are more than enough to slake any bloodthirst. Sardonic retorts, exasperated vampyr and a sexy wolfgirl make One Foot In The Grave an apetizing read!