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I first came to this book through the published endorsement (hence, not personal) of the great C.S. Lewis, who made his first reading of the Well in November of 1914. He read it many times thereafter.
In my ONE reading of the two volumes, I can attest to the fact that this is a beautiful story, a rich fantasy, a vibrant fairy-tale with no fairies. Among other things... a love story. Strictly speaking, as regards genre, it is a "romance". The chivalric, bardic story of Ralph of Upmeads, the least likely of the King's four sons, who devotes his life to the quest of the Well at The World's End... a fabled well which promises to reward its discoverer with perpetual youth.
If you are in love with Tolkien's The Lord of The Rings (and who isn't) you should definitely consider having an affair with The Well At The World's End. Let me defuse the daunting issue of Morris's use of archaic language. Be ye warned, in every sentence you will constantly encounter words such as forsooth, hitherward, quoth, whither, rideth, erstwhile, deem, draweth, betwixt, and I wot not else. At first I thought this would be really intolerable. But I quickly adapted to it, and even found it kind of "not vile".
Remember... Volume 2 is essential. It's NOT a sequel, it's a conclusion. Get both volumes, and escape the world of car horns and remote control for a bit.
I applaud this new re-issue of what is definitely a fantasy classic. Previously, one had to search a hundred used-book stores to find it. Now it's a click away.
And as regards it's place on the bestseller list? I am reminded of the wise words of the great Henrik Ibsen, who once suggested that "the solid majority is always wrong."
The Well at the World's End is a good read even for modern readers. It is an excellent example of "romance." It is also good just as a curiosity read. Fans of Tolkien, Lewis, and Eliot should visit William Morris's writings. Personally, my favorite thing about the book was the archaic prose. For the first twenty pages I thought it would be bothersome. After that, I was used to it and the book flowed nicely. It is sad that few people read William Morris today.
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Ww first meet the Mahoney clan at the Jersey Shore as the Mahoney parents wait for each of their four children arrive to celebrate Christmas. Each of these children have past histories with each other and themselves and as in any family there are many emotional dynamics at work. The oldest daughter, a doctor, is coping with her demanding lifestyle and a reliance on alcohol to get through her days. The second daughter, who is married, is dealing with an emotional illness and her reliance on drugs to "keep her normal." The third child, a chef in England, longs to be with his girlfriend and is most content living far from his parents and siblings. Finally trhere is the youngest daughter, a vetenarian who can't bear to be separated from her woman lover whom she met in college. And presiding over this holiday reunion are the Mahoney parents who aren't quite sure who these adults belong to.
As the name of the book implies, readers are offered verbal vignettes about this family which serve as literary snapshots of this family. The book ends when the children are quite young and have spent the day at the Jersey shore with their parents. As they pack up and head for home all is before them but already one senses that some of the seeds have been planted for their futures. And while we as readers know most of the future, it is intriguing to see the children evolve and to put the puzzle pieces together till we finish the book.
This was a poignant novel especially for anybody who has raised a child and wondered "what if" or "why?"
This was a fine first novel to read and savor. And now I look forward to another book by William Norris.
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The first of the Asterix books , it is a very clever and witty piece of work on the Roman occupation of Gaul in 50 BC-with a fair amount of Latin quips in too -read Asterix and you'll soon become familiar with 'Quid' , 'Vae victo , vae victus' and 'Morituri te salutant'.
It begins with the familiar scene of well thumped Roman legionnaires reporting their defeat to an incensed Roman centurion (in this case Crismus Bonus) who then hatches a plan to deal with the Gauls which our heroes always in the end foil.
It also includes such recurring themes as Cacofonix and his hated singing , the magic potion (and why Obelix cannot have any ) and a guest appearance by Julius Caesar.It ends as always without he Gauls feasting their heroes 'under a starry sky...victorious over their enemies , thanks to magic the protection of the gods and low cunning'.
Unlike all of its successors in this book , Obelix does not even offer to accompany Asterix on his adventure (which is so unlike the Obelix we know from all of the other Asterix books).
There are some gaps in the dialogue and there is unusually not one woman or girl in the first book . drawbacks which will be made up for in the other Asterix books.
Nevertheless it is a great start to your Asterix collection and an amusing little book.
The very names provide example of brilliant use of dialogue. Asterix- a small, seeming addition. Obelisk, who delivers menhirs. Getafix, the Druid. (Remember, this series began in the 60's.) Cacaphonix, the Bard, and Vitalstatistix, the chief. In the same vein, the authors use contemporary differences between cultures and play them upon the ancient Gaulish-Roman dispute. This is about the only place one can find swearing in Latin- "ipso facto", "sic", etc. Or the taking of Toutanis' name in vain.
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My only complaint is with the author's desire to open the book with political-correctness and apologies for Patton's frank language.
This book will spark you up and fill you with pride, boldness, and audacity! I have found my Covey books and Minute Mangers have collected dust where "Patton on Leadership" is starting to look like a well worn Bible.
It may seem trite to some that this book merely takes quotes and extracts from Patton's life and writings and develops them to highlight various aspects of leadership, yet the study of leadership is deceptively simple in this regard; leadership is taking people where they must go, focusing on what is truly important and worthwhile. And the great leader is always one of the troops, not some invulnerable sage from On High. It should be noted that prior to reading this book, the reader is strongly advised to read Carlo D'Este's superb biography, "Patton: A Genius for War" in order to appreciate who Patton was as a man before he was, well, George C. Scott. Suffering from severe dyslexia, he struggled to get through West Point and VMI. His tortured efforts to memorize the works of great historical military leaders apparently left an indelible mark on his thinking, yet what remained throughout his life was the underlying principle that it is leadership that wins wars and not abstractions like courage or heroism.
Military units are like spaghetti, he said, which must be pulled rather than pushed. And this man lead from the front. So when you read in these pages that a leader must endure what his/her minions endure in order to earn (earn!) their respect, he knows what he is talking about.
I once worked at a computer software company that specialized in healthcare programs, and our V.P. of Sales gave a long-winded speech about how we must all "tighten our belts and stay focused on lean expenditures!" The very next day the S.O.B. drove into work in a brand new BMW 700 series car (company car, of course). Just what kind of leadership is that?! Leadership by example, or by arrogant authoritarianism?
Want to hold the reins and lead with certainty and conviction? Here's the manual!
First of all, this book reads well and fast, and it's hard to put down. Mr. Axelrod tells a great story, conveys the essence of Patton's Generalship and Management styles, and along the way adds some very good history. Axelrod clears up the legends and myth surrounding the famous slapping incident, and details the campaigns into Bastogne and to Berlin in short, clear and entertaining fashion. It was truly enjoyable to read this book.
To keep the record straight, the format of the book allows for a 3 - 4 hour total read time due to the fact that many of the pages have only 18 - 25 lines of print on them, where as others are in standard layout. The stories will excite, entertain, and cause "out-loud" laughter. The language is harsh sometimes, but perfectly appropriate to the original situation.
I say get the SOB book and read it "...every God damn night", and smile.
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Comparing his comments to the actions of present day politicians, I don't think there are many differences. Everyone does a little grafting and civil servants are still "civil servants." Understood?
As with any politician, Plunkitt "seen (his) opportunities and (he) took 'em." This is a must for anyone interested in any realm of politics.
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The depth of description about a bird, and its daily life, is described here in a way I have come across before. But thats not what its all about. There are many concepts discovered here, and it makes the reader ponder. Issues such as war, friendship, love, dreams, insanity and sanity.
I especially got involved in Birdy's dream. I am a bit of a dreamer too. He goes onto explore the fact that maybe we living now, is a dream. And the dream that both you and I will have tonight, is actually our real life. I liked this view.
Buy the book, its very much out of the ordinary, and I hope you really enjoy it as much as I did! Happy Reading!
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The book is immaculately researched and thouroughly footnoted. It is a must read for anyone interested in the history of New England or even just in how people interact with their eco-system in general.
These changes seemed very subtle at first. In order to trade for metal utensils, the Indians killed more and more beaver (83). In this way the Indians started to view nature, or their environment, as a commodity instead of a gift to be shared (92). Cronon does not assume that the Indians had no effect upon their native environment (viii) nor that the colonists came to a pristine wilderness (11). What Cronon does enumerate is how the two sets of ecological relationships, Indian and colonist, came to live upon the same land (15). Early in the affiliation, the European settlers came to disrespect the Indians, because although the Indians lived in a land overflowing with natural "wealth," the Indians looked like the poor back in Europe (54). Marshall Sahlins is quoted by Cronon, "there are in fact two ways to be rich, [. . .] Wants may be 'easily satisfied' either by producing much or desiring little" (79-80). The indigenous residents of New England desired little, while the European colonists seemed economically motivated to produce much from the land and introduced the Old World concepts of value and scarcity, using cost as the only constraint to consider (81) (168).
Unfortunately, neither the land nor the Indians could withstand the monumental alterations to come: an Indian "money" system in the form of wampum (97), epidemics which wiped out entire villages (85-90), the severe reduction in native animal populations (98-101), domesticated animals that grazed wildly on indigenous plants and even ocean clams (128-150), deforestation (109-126), the surface of the earth responding more drastically to climatic changes (122-123), flooding (124), the "drying up of streams and springs" (125), land ownership and pastoralism replacing shared land conservation (137-141), soil depletion (147-152), and the introduction of weeds and migrant pests (153-155). The New England landscape went from forests and freedom to "fields and fences" (156). This book vividly correlates the significant and divergent relationship between the New England Indians, the colonial settlers, and the environment they could no longer share. Changes in the Land by William Cronon, winner of the 1984 Francis Parkman Prize, serves as a fine academic example in cross-curricular historical documentation.