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Let me say that first, Stephen Fried's book is an excellent overview of the circumstances of adverse drug reactions to quinolone antibiotics. And with the increased visibility and use of Cipro, and the ease with which doctors dispense heavy-hitting antibiotics like Levaquin and Tequin, I'm sure I'm not going to be the last person to suffer a reaction and end up being "Floxed" and needing the information and reassurance provided by this book.
But it is also much much more. It's an expose of the pharmaceutical industry's fast and loose way of dealing with drugs, drug safety and the American public. This is not a rant -- it's an impeccably researched and detailed presentation of the intricacies involved in drug approvals and tracking of adverse reactions that exposes the limitations of the system, and the dangers those limitations present to us as patients and consumers.
As a patient advocate and spokesperson for thyroid and autoimmune disease patients, I know all too well the feeling of being held hostage to big pharmaceutical companies at the expense of my health and wellness.
Stephen Fried has finally exposed and explained -- clearly and without rancor -- how the drug industry really works, and his book, including the excellent appendix on how to contact pharmaceutical companies, report adverse reactions, protect yourself against bad drugs, and generally protect yourself as a consumer -- is must-reading for every empowered patient or health consumer.
I highly recommend this book to doctors, patients, and anyone who prescribes or takes prescription drugs.
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One can easily learn through following the authors' simple instructions how to heal themselves and also others of many common health problems. I personally have used these same techniques shared in this book on others to effectively alleviate problems ranging from backpain/neckpain, headaches, ulcers, minor injuries, burns, asthma, all manners of aches and pains, to even mild anxiety and depression and more. The focus of this book is showing us how to heal ourselves quickly and effectively, to make us proactively aware of the mechanisms by which our negative thoughts and emotions can create disease, and give us effective tools to counter these. However, the same techniques can easily be applied to others without additional references needed. More importantly, step-by-step routines are included for practically and incrementally incorporating the book lessons into our daily routine with time management being a priority. If you have never done or experienced any form of "energy medicine", this book is designed for you. You will not receive any misinformation within these pages. Skeptical minds are also welcomed by the authors. You will be able to learn these techniques properly from the book alone. If you are a Master of Reiki, Qigong, or some other form of energy healing, this book is designed for you as well. It will take your healing abilities to the next level, and allow you in many cases to perform successful healings on yourself and others where your current modality has failed. Your clients will find the pranic healing modality non-invasive, as no contact with the physical body is involved.
For all readers, regardless of experience level, you will greatly benefit from the powerful energy generating breathing exercises and meditations provided within. I have personally found through experience that these are of the highest caliber and return the greatest benefit for the amount of time invested. Some of these techniques take as little as 5 minutes a day to produce tremendous results. Not only do they increase my physical energy levels, vitality, and endurance, but they also cleanse my mind of negative thoughts and emotions allowing me to experience a greater sense of inner peace and well-being. I've found that this leads to increased work productivity.
Now please, don't take my word for anything I've said here--these are my experiences and those of my pranic healing clients. I highly recommend you buy the inexpensive "Your Hands Can Heal You" book, practice the techniques, and experience the truth of what I've written here for yourself through your own eyes. I'm sure you will find it to be one of the best investments you've ever made.
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It's fascinating reading the screenplay after seeing the movie, then reading the changes made in to the screenplay and why. For example, in scene 36, Andy approaches Red to buy a rock hammer and they agree on ten dollars. In the movie, it just happens and we overlook the question on how Andy would have gotten the money in the first place.
In the screen play, we find out in scenes 40 and 41 where he got the money (brought in with him ... internally). However, later, the book explains how the scene read well, but didn't work well on the screen. In retrospect, we don't really *care* that he had money anyway, so the scene is easily dropped without sacrificing clarity.
The book adds some interesting "inside" information. For example, when we first see Red meeting with the parole board, the file has a picture of him when he was younger. This photo is actually a cameo by Morgan Freeman's son, Alfonso, who also provided some of the background voices during the "Fresh Fish" taunting in the early part of the movie.
Overall, the book adds depth to an already excellent cinematic experience.
Glittering Images is the first book in the series. I had already read all five of the family sagas before I had the courage to start on Starbridge; I was afraid that a whole series of books set in the Church of England could not help but be stuffy and priggish. But this of course is Susan Howatch, a master storyteller. And these books are considered by many to be an enormous development fromthe sagas.
In fact, I found the depth of character found in all the Starbridge even more impressive than in the sagas. She shows not only an extraordinarily deep understanding of the human condition, she also shows great compassion and warmth for all her characters so that even if they have weaknesses and make mistakes, we can nevertheless forgive and love them.
IN the first trilogy of books, set in the 1930's and 1940's, each of the three narrators is stripped down and turned inside out, so that the reader knows all there is to know about them.
In this first book we first meet Charles Ashworth, who will be a major player in the series. Charles has conservative leanings and a Middle Way churchmanship. As ever, Howatch succeeds in giving us an in-depth portrait of a very likeable and sincere man, and sets him in the middle of a story that simply pulls you through, unravelling secret after secret. A wonderful book, which made me immediately want to start on the next one in the series - Glamorous Powers!
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First, if you have less than one year of folding experience, hands off! Rather try out some of the less complex origami books out there, e.g. "Origami from Angelfish to Zen" by Peter Engel.
Second, ordinary origami paper as you can buy it in craft stores won't get you very far here. For several models in this book, standard paper is simply to small in size for the elaborate folds. Rather go for florist's paper or tissue foil (my personal favorite).
Third, this book contains SOME OF THE VERY BEST ANIMAL FOLDS out there! The Praying Mantis, of course, which is improved a lot over Lang's first Mantis that is published in the internet. But there are a lot of other great folds in here, e.g. a very realistically looking Bear, a Rabbit, several nice color-contrast explorations like the Panda and the Skunk and one of the best crabs out there.
A must-have for any serious folder!
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DC's Vertigo line, the Sandman series, and very likely, Watchmen all would have likely never happened without the series of comics reprinted here. There is some truly frightening material in here that is unlike most comic fare aimed at younger readers (or at least sanitized for younger minds), but the writing was revolutionary for its time and holds up well today. The artwork maintains the high standards of excellence Moore establishes. The partnership of Alan Moore and Stephen Bissette is one of those magical pairings that occurs so infrequently in comic history (I compare it to Stan Lee and Jack Kirby on the Fantastic Four, Chris Claremont and John Byrne on X-Men, and Marv Wolfman and George Perez on Teen Titans). This is truly a treasure to add to your collection.
How did he do it? By chucking all conventions and expectations. His first issue in this volume, "The Anatomy Lesson" (reprinted from Saga of the Swamp Thing #21), gives Swampy an entirely new origin and background, and outlines Moore's plans for the character; a complete dissection and rebuilding, from the ground up.
In successive issues, Moore continues to defy expectation, with his poetic method of writing becoming the reference point for everyone who wanted to prove to their buddies that comics "weren't just for kids". Coupled with the wonderful artwork, this volume should earn a place on even the most discriminating of bookshelves.
Granted, Saga lacks the the sheer genius of Watchmen, the power of V for Vendetta, or the disturbing atmosphere of From Hell, but its a smorgasbord of Moore, with attributes and positive characteristics entirely unique unto itself.
If only the rest of his run would be collected as well...
SAGA OF THE SWAMP THING is a reprint of Moore's first story arc of the series (issues #20 through 27), the groundbreaking series that shook the entire comics industry. This was the first mainstream series to defy the archaic, outdated Comics Code (Marvel had done it earlier with Spider-man's drug issues, but this was the first series to abandon the Code completely); it was the first step towards "serious" mainstream comic books that catered more towards adults (and gave birth to DC's "Vertigo" line); it took an old has-been DC character that no one knew what to do with and breathed new life into him; and it also gave us a pair of wicked stories that are a sheer delight to read. Swamp Thing discovers his "true" origin in the saga of "The Anatomy Lesson," and he meets a horror from beyond death in "The Monkey King," while encountering several "minor" DC characters who had never been cast in the way they appeared in this series. (Moore's virtual re-writing of Etrigan the Demon sparked a new interest in the character, leading him to several spin-off books of his own.) And we mustn't forget the fantastic, haunting, beautiful, terrifying artowork of Steve Bissette and John Totleben, who made the pages fairly glow with life, as they turned the "swamp" world of the Swamp Thing into an eerie, beautiful, mysterious realm where life and death hide in every pool, waiting to spring out at you.
This book comprises the first half of an unforgettale comic book saga, laying the groundwork for a horrific tale that would cliax with a journey into Hell itself. When paired with the second reprint volume of the saga, "Love and Death," SAGA OF THE SWAMP THING shines as an early example of the genius of Alan Moore, the man who nearly single-handledly took the genre of mainstream comic books and turned it into a "serious" literary art form.
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What a fantastic gift to pass on to one's children.
Fried is to be congratulated for doing a very accurate job with a minimum number of accusations. I did not find a single technical error in the entire book, and I have about 12 years exploratory drug development and teaching about it as a professor of medicinal chemistry.
Even Fried may not have realized how many drugs not discussed in his book shorten life, because they are tested and accepted based on surrogate endpoints for short periods. This may not be so bad for antibiotics that are taken for two weeks, but can be very destructive for drugs intended to be taken for 20-40 years.