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With the current catastrophic pest outbreaks in Southern California this is a book that everyone living in the forested areas should purchase, read, and follow up with the other references. It lists which agencies are involved and how to contact them.
A long overdue publication!
Brian Barrette, Staff Chief
California Department of Forestry and Fire Protection
Retired

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Historical narratives, while full of useful and interesting information, are typically a little monotonous. That is not the case with this book. Mr. Makinson's obvious passion for the work of Greene and Greene, and for this house in particular, is evident. His description of the removal of 53 light fixtures from the house in 1985 left a lump in my throat. I could not put the book down until I read the happy ending about the house's restoration.
I had the privilege of visiting the Blacker House on October 6th, and viewing firsthand the results of the restoration effort. While nothing can quite compare to walking through this masterpiece and touching the magnificent woodwork, I can assure you that the marvelous photography of Thomas Heinz and Brad Pitt comes very close. The collection of photographs in this book is absolutely wonderful. The interplay of light and shadows, the warmth and depth that the colors bring to the images, and the visual compositions themselves cause me to rank these among the best architectural photographs ever published.
This is a must-have book for anyone interested in Arts and Crafts architecture. The contribution of Charles and Henry Greene to the American architectural vernacular can never be overstated, and this house is certainly one of their most important contributions to the art. Thank you Randell, Thomas and Brad for supplying a valuable addition to my library. I hope this is the first in a series of books about the "ultimate bungalows."

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However, most botanist may not be pleased to know that little attention was paid to plant viruses. Again, many potential buyers may be demoralized by the rather high price that this virology-set demands.


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Unlike the "all-English" edition referenced..., the Everyman/NYRBClassic edition gives the Latin tags as Burton scattered them through his work and translates each and every one, either in brackets immediately afterward, or (sometimes) in an endnote to each of the three volumes (now bound as one). I've tried to read the "all-English" edition, and it's disappointing, because it turns out that Burton wanted readers to read the Latin tags whether they could understand them or not. He included their syllables in the rhythm of his prose, so as you read this edition, you can almost hear him quote, then translate, then continue onward.
No booklover should skip this one, and this is the edition to have.

Burton is not a writer for fops and milquetoasts. He was a crusty old devil who used to go down to the river to listen to the bargemen cursing so that he could keep in touch with the true tongue of his race. Sometimes I think he might have been better off as the swashbuckling Captain of a pirate ship. But somehow he ended up as a scholar, and instead of watching the ocean satisfyingly swallowing up his victims, he himself became an ocean of learning swallowing up whole libraries. His book, in consequence, although it may have begun as a mere 'medical treatise,' soon exploded beyond its bounds to become, in the words of one of his editors, "a grand literary entertainment, as well as a rich mine of miscellaneous learning."
Of his own book he has this to say : "... a rhapsody of rags gathered together from several dung-hills, excrements of authors, toys and fopperies confusedly tumbled out, without art, invention, judgement, wit, learning, harsh, raw, rude, phantastical, absurd, insolent, indiscreet, ill-composed, indigested, vain, scurrile, idle, dull, and dry; I confess all..." But don't believe him, he's in one of his irascible moods and exaggerating. In fact it's a marvelous book.
Here's a bit more of the crusty Burton I love; it's on his fellow scholars : "Heretofore learning was graced by judicious scholars, but now noble sciences are vilified by base and illiterate scribblers."
And here is Burton warming to the subject of contemporary theologians : "Theologasters, if they can but pay ... proceed to the very highest degrees. Hence it comes that such a pack of vile buffoons, ignoramuses wandering in the twilight of learning, ghosts of clergymen, itinerant quacks, dolts, clods, asses, mere cattle, intrude with unwashed feet upon the sacred precincts of Theology, bringing with them nothing save brazen impudence, and some hackneyed quillets and scholastic trifles not good enough for a crowd at a street corner."
Finally a passage I can't resist quoting which shows something of Burton's prose at its best, though I leave you to guess the subject: "... with this tempest of contention the serenity of charity is overclouded, and there be too many spirits conjured up already in this kind in all sciences, and more than we can tell how to lay, which do so furiously rage, and keep such a racket, that as Fabius said, "It had been much better for some of them to have been born dumb, and altogether illiterate, than so far to dote to their own destruction."
To fully appreciate these quotations you would have to see them in context, and I'm conscious of having touched on only one of his many moods and aspects. But a taste for Burton isn't difficult to acquire. He's a mine of curious learning. When in full stride he can be very funny, and it's easy to share his feelings as he often seems to be describing, not so much his own world as today's.
But he does demand stamina. His prose overwhelms and washes over us like a huge tsunami, and for that reason he's probably best taken in small doses. If you are unfamiliar with his work and were to approach him with that in mind, you might find that (as is the case with Montaigne, a very different writer) you had discovered not so much a book as a companion for life.

But in fact, Burton uses this arcane subject to go off on a profound and lengthy meditation on the melancholies and misfortunes of life itself. The author, it seems, was easily distracted, and his distractions are our gain. The passages on the Melancholy of Scholars, and the Melancholy of Lovers, are themselves worthy of the price of admission.
His prose is unlike anything before him or since him. It has some kinship to the paradoxical and simile-laden style of the Euphuists, but his individual sentences are often pithy and brief.
This seventeenth-century classic ought to be read by anyone interested in the period, in early psychology, or in the history of English prose.

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