Barry Windsor-Smith has long been my favorite "comic book artist," and this collection traces his evolution as such quite admirably. Indeed, not other collection could better serve that purpose. A simple comparison of the covers from Conan #1 and Smith's swansong issue #24 ("The Song of Red Sonja") evidences the transformation from artist to illustrator. For that matter you can also consider Smith intermediary style (e.g., #13 "Web of the Spider-God"). This transformation is as impressive because of how quickly in took place while he was drawing Conan as it is for the artistic growth. But even in his work today you can see how it is grounded in the style he developed while working on this comic.
These reprinted stories are presented in black and white, which is certainly better than nothing, but I look forward to Smith's work being presented in color as it originally appeared. I notice this most particularly in the Epilogue to Conan #20, "The Black Hound of Vengeance," which was originally presented in muted tones of gray, blue and brown. Smith abandoned panels in an interesting change of pace that underscored the emotional impact of the sequence. Without color that impact is most decidedly lost. One of the things that is still discernable is the increase in the number of panels per page from issue to issue through Smith's tenure as he became more comfortable with using art rather than dialogue to advance parts of the story. The best example of this is the hanging sequence on page 14 of Conan #10.
From a writing stand point it should be noted that there is a nice balance between stories adapted from Robert E. Howard's Conan work and original stories by Roy Thomas. For the former "The Tower of the Elephant" (#4) is usually considered the high point. The appearance of Michael Moorcock's Elric in issues #14-15 seems a bit forced, while the Fafnir character (original a quick tribute to Fritz Leiber's famous pair of thieves) becomes a wonderfully integrated character into an ongoing story line.
Of the 25 issues included in this collection not all are drawn by Smith. Several issues are drawn by Gil Kane because Smith had missed a deadline or took a hiatus from working on Conan. Thomas' ability as a storyteller capable of crafting bigger and longer storylines would continue to grow, and while John Buscema's artwork on Conan was quite excellent (especially when inked by Ernie Chan), Barry Smith's work will always stand on a plateau. Jim Steranko cracked open the door on stylized illustration in color comics, but Barry Smith was the one who gets credit for busting all the way through.
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His recent pictorial essay embodied in this new publication chroniclizes Lee throughout his lifetime in vintage photographs. When I met Lee's great grand daughter Anne Carter Zimmer, I realized that some rather poignant pictures existed, but this book supports the fact.
This book should be purchased as a bedtime companion to Thomas's brilliant biography of the icon we know as Lee. The layout and selection of photographs in this publication truly satisfy one's soul in meditative reflection. Don't miss.
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If you are a professional who works with Windows 2000, you will need this work on your shelf next to Comer, Stevens, Liu, and Albitz.
Hats-off to Thomas lee, Joseph Davies, and Laura Robinson for putting together a fine work.
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For western Christians who find their church's teachings no longer speak to them this is a wonderful book. I find myself very influenced by eastern teachings, they speak to beliefs I have always held and had no name for.
If you are easilly offended or feel that no religious teachings should ever be meshed this book is not for you. As the authors would say, "teachings and dogma are only useful if we are not attached to them. As soon as we become afraid to change them, examine them, or modify them they become a stumbling block." So for those who are more interested in finding a universal truth than blinding clinging to teachings this book will truely be a "taste of water".
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Inflammation is, as the authors make clear, a critical component in many other disease processes, a fact prominent in recent medical news. The core of their book, though, is the well-argued claim that the remarkable improvement over the likes of aspirin, ibuprofen and other NSAID's achieved in the last year or two by new COX-2 inhibiting drugs (such as Celebrex and Vioxx) is also attainable via a number of herbs that have been used for centuries and whose "biochemistry ... is infinitely more complex, balanced, effective and safe than the silver bullet approach of using one synthetic molecule."
I found their general explanation of the paradoxically helpful/harmful nature of the body's natural inflammatory response to injury very clear and most interesting for understanding my own particular case. I also enjoyed the rather bold analogies frequently employed in their explanations as well as the literary quotes and herbal drawings. In general, this is a book that anticipates and pleases a skeptical reader.
For the record, I took their advice and found a highly concentrated source of several of the herbs they mention. The very substantial and rapid reduction in swelling and pain in my ankle impressed and delighted me. The product I used (Zyflamend) is actually produced by Newmark and Schulick, but is not even mentioned in their book!
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This book helps a person to understand how history evolves in the process of retelling over a period of several generations.
While this book doesn't always stick to the Conan stories continuity-wise, for the most part it fits in, filling little gaps in between those stories. Also, several of howard's better stories are adapted to comic format here; Tower of the Elephant, Frost Giant's Daughter, and Rogues in the House to name a few. We get the first comics' appearance of Red Sonja as well.
Overall, this is a fun, quick read, and although it's only in B&W, for the sheer amount of materiel included herein it's definitely worth the cover price.