The main contents of the book,please

This was the first great book I've read concerning aviation. With only moderate knowledge of aviation previous to reading this book, I was very pleased with the enormous amount I had learned. Though it is very informative and intended for adult readers, this is not at all a complex, hard-to-understand book. I read it a few years ago when I was about ten or eleven years old.

In this youthful - slightly impetuous - masterwork, Richard Norton-Taylor aspires to be the Tom Paine of his time; but he is somewhat more indebted to his long experience of espionage.

Let me just add my voice to the chorus of yea-sayers for both the first and second volumes of this wonderful biography. Holmes does a fantastic job fleshing out the human side of Coleridge's genius and of giving the low-down on his masochistic relationship with the inferior (and rather creepy) William and Dorothy Wordsworth. We find that Coleridge could have been a stellar performer in matters of British colonialism in Malta, had he only chosen to. We find that he was in love with Sarah Hutchinson (his beloved Asra) and that he had a fling with a beautiful opera singer, while penning poems to Asra all the while. And above all, we're given a key to Coleridge's bouts of dejection and depression: his near-constant humiliation because of his inability to move his bowels, brought on by his opium habit. Many of these items I'd heard of, or divined from the standard texts I'd read before--but that last item was a real revelation to me! This book is packed full of such revelations! Coleridge steps forth from the pages in all his grubbiness and all his glory! We must finally scratch our heads and admire such a rare creature that once roamed the fields of the lake district and the streets of London and environs. Read it!

While the story of "the man from Porlock" disturbing the opium reverie which fueled Coleridge's "Kubla Khan" is one of the best known pieces of literary historico-mythology, Richard Holmes plugs significant gaps in his fine biography. He covers the man's small but radiant poetical opus marvelously and, as the title suggests, does not shy away from dealing with the dark side of the drug-addicted genius. Coleridge's de Quinceyesque appetite for opium was problematic to say the least: it seems that the brawl with Charles Lamb in a Gottingen bierkellar in 1805 may have had less to do with a disagreement over interpretation of German Romantic aesthetics (as Dr Nattarajan suggests in her biography) and more to do with Coleridge's stash going missing. Holmes provides an intriguing insight into the context of the composition of "Dejection: An Ode" - by 1802 Coleridge was pimping a stable of 15 prostitutes in order to feed his habit, and was heartbroken when close friend and fellow leading-light in English Romanticism, William Wordsworth, poached 2 of his top-earning girls. At times a certain naivete of approach is evident, such as when Holmes attributes the poet's 1811 armed robbery of an alehouse in Putney to "a work of epiphenomena, or particular emanations, of a singular mind of visionary genius and the development of a then completely new and 'organic' form of creativity" rather than seeing the act as the cold-turkey induced stick-up it most surely was. But otherwise, this is a work of solid scholarship and penetrating insight.

Richard Holmes' marvellous book is the sequel to his Coleridge: Early Visions. For fifteen years, he has been constantly engaged with Coleridge's ideas, poems, plays and philosophical writings. He traces Coleridge's lifelong dialogues with the greatest of English poets, Shakespeare, Milton and Wordsworth, and also with the finest German writers, Goethe and Schiller.

Coleridge was that rare creature, a superb poet who could also grapple with the deepest of philosophers. He could brilliantly summarise the two basic possible lines in philosophy: "The difference between Aristotle and Plato is that which will remain as long as we are men and there is any difference between man and man in point of opinion. Plato, with Pythagoras before him, had conceived that the phenomenon or outside appearance, all that we call thing or matter, is but as it were a language by which the invisible (that which is not the object of our senses) communicates its existence to our finite beings ... Aristotle, on the contrary, affirmed that all our knowledge had begun in experience, had begun through the senses, and that from the senses only we could take our notions of reality ... It was the first way in which, plainly and distinctly, two opposite systems were placed before the mind of the world."

Although Coleridge adhered to Platonism, he honestly admitted, "All these poetico-philosophical Arguments strike and shatter themselves into froth against that stubborn rock, the fact of Consciousness, or rather its dependence on the body."

Like other notable literary biographies - one thinks of Holmes' earlier one of Shelley, Richard Ellman's of Oscar Wilde, Peter Ackroyd's of Charles Dickens, Tim Hilton's of John Ruskin, E. P. Thompson's of William Morris, and Leon Edel's of Henry James - this wonderful book arouses our enthusiasm for literature. It shows us again how a great writer's work can help us both to enjoy and to make sense of the world.

I had always loved Ralegh's poetry, I fell enamored of the fictional account of his life entitled "Death of a Fox" by George Garrett some 30 odd years ago, but had never really comprehended the sweep of Ralegh's life. In his own way, according to Lacey, Ralegh's household became almost the equivalent of our Jet Propulsion Laboratory, Draper Labs, or even NASA. The story about the cloak and Elizabeth is true, but the depth of his love for his wife was new to me.

Fascinating, well-written book. Truly fascinating man.

Like his later compatriate Sir Winston Churchill, Sir Walter Ralegh is one of those historical figures about whom virtually everyone knows something. From the old yarn about cloaks and puddles (though this actually happened), to his sponsorship of the tobacco industry (this happened too), to his tragic expedition to the Orinoco, Ralegh lore is a recurring theme in school history classes on both sides of the Atlantic. Lacey's great achievement is to blend these facets of his life seamlessly with the other, less familiar, episodes. One of the most interesting revelations is that for all the early and mid-life glories of his Elizabethan years - the poetry, the daring exploits and bon mots - his "finest hour" was in adversity, when (under sentence of death in the Tower) he wrote his brilliant multi-volume "History of the World." This is one of those rare biographies (Carlo D'Este's "Patton" comes to mind as another) where the reader is completely absorbed into the subject's mind and world.

To write a biography of a man with as much vitality and variety as Ralegh would seem at first sight a daunting task for any author: however well the tale is told, it will pale beside the real life exploits of this, the most remarkable of Englishmen.

The success of Robert Lacey's account is largely due to the way he reflects the multifaceted nature of his subject in the book's structure. There are some 50 chapters, divided into seven sections, each charting the ups and downs of Ralegh's uniquely chequered career. From country upstart to royal favourite, from privateer to traitor in the Tower, his life was never still - a continuum of change within a world that was constantly reassessing itself.

It is above all an account of a man who was almost uniquely human: capable of immense bravery and ingenuity, creativity and arrogance, one moment acquitting himself with a rare brilliance, the next with sublime recklessness. Ralegh was the epitome of man, warts and all, and a man who struggled daily to achieve ends that were destined to lie forever beyond him, whether they were glories of the gold of El Dorado or the love of his virgin Queen.

Far from being a trip down the honeysuckled lane of nostalgia, this is a book that is uniquely relevant to the present day. Many readers will be aware of the legends of Ralegh's bejewelled cloak, or acquainted with verses of his gilded poetry; many more will be surprised to learn that he was the founding father of the British colony, and that his experiments in Munster, Virginia and Guyana led directly to the vast empire that was only a couple of centuries later to cover one third of the globe. Yet he was in his explorations and expeditions a great philanthropist, and his treatment of the local inhabitants in the Americas was to earn him a respect that lasted many generations, as opposed to the legacy of mistrust and hatred that the Spanish pioneers engendered.

Ralegh was a man whose talents and faults, when fuelled by his rare energy, shone like beacons. He lived the kind of life that most of us only dream of, and few can live up to. Lacey's greatest achievement is never to lapse into the kind of starry-eyed hero-worshipping that often accompanies biographies of remarkable men. It is a profoundly moving book, particularly in its final chapters, when the voice of Ralegh in his final speech before his execution is allowed to resonate down the years with few embellishments and, as such, is all the more powerful. The book is a testament to the unique powers of one man: the man, to the powers that lie within us all.

This book has very good points and examples. However, for myself, there were many things to relate to. This is probably becuase of the difference of when it was written and when I was born. But even with the large time difference, there were many things that I could easily grasp and relate to how I live my life. More importantly than that, how I should/can live it.

Most people want to be disciplined, but cannot find the motivation. That motivation must come from a deep personal conviction. This book does a great job of teaching the reasons behind the principles. It starts with the ideas and moves to the practicals.
This is a must read for anyone wishing true discipline.

Richard Taylor writes from the Nazarene perspective which is rooted in Wesleyan Arminianism and the Holiness Movement. I have yet to find one book by Mr. Taylor that I haven't enjoyed and learned from. He has a style of writing that I like. Taylor's book is divided into two parts: 1) The Place of Discipline in Christian Living, and 2) The Path to Discipline in Christian Living. The first part contains five chapters the first of which covers the value of discipline in general for the attainment of power, national as well as personal. Chapter two discusses the marks of maturity in one's appetites, emotions, moods, speech, and priorities, and shows how we can adjust to authority. Chapter three covers the perils of discipline such as the danger of extremes and unchristian asceticism. Also included is an interesting discussion of "undisciplined discipline". Chapter four properly distinguishes and relates discipline and holiness and chapter five provides a defense of, and valuable insights into, imposed discipline. Part Two is the whole of chapter six which tells us "How to Become a Disciplined Person" and provides many words of wisdom. If I had to highlight one bit of wisdom from the book that sticks in my mind, it would be the importance of selection as the law of life (pg. 36). Taylor says, in effect, that we cannot join everything, we cannot participate in every good cause, we cannot give to everything, we cannot go to every interesting concert or lecture or meeting, we cannot read everything,... therefore, we must select! That last part about reading really hit home, especially since I LOVE to read and don't have alot of time to do it. Taylor expounds on this principle of selection as it relates to priorities and makes his points stick.

Other popular books on discipleship and the spiritual disciplines include the following: Celebration of Discipline by Richard Foster, The Spirit of the Disciplines by Dallas Willard, The Cost of Discipleship by Dietrich Bonhoeffer, The Discipline of Grace by Jerry Bridges, Spiritual Disciplines for the Christian Life by Donald Whitney, A Long Obedience in the Same Direction by Eugene Peterson, The Complete Green Letters by Miles Stanford, and, for those who like workbooks, the Navpress Colossians 2:7 Series on discipleship.

This book is good if you have your instrument rating, but it is not set up for trying to learn the techniques. Most of the book assumes that you know what it is talking about, but it does offer an entire chapter of a glossery.
Good reading, but not for someone wanting a headstart on their intrument ticket.

When I read this book I was already through with my instrument training, it does contain many great tips and is a very fun quick read. However, I wish I would have read it earlier in my training, the description of the book says it's great for both beginners and experienced but I found it to be written for too large an audience and was left hanging on certain aspects of the book. Overall I did enjoy the book and can see it being of tremendous value to someone who has become rusty, for those that are already sharp this is not a necessary read.

Taylor delivers strongly in this timeless book about IFR flight. Whether you are a strict stick and rudder pilot or a more procedural and technical pilot the author clearly spells out the basic premises of instument flight, from the cockpit to ATC. It should be required reading for all students seeking their instrument rating; it was for me.

But you need to have a few comercial plug-ins and this means spend money, instead of this you can learn many tricks other people learn with experience and time. I really don't know if the book isn't good enoght or 3D Studio is very incomplete, filling the holes with expensive IPAS.

First of all, I want to say that I'm from Sweden, so please be indulgence with my language. I've read the magnificant book of 3d Studio & Hollywood Gaming Effects. I used both 3d Studio and 3D max for the tutorials, and I was quite impressed. The book is based on examples and tutorials, made by pros'. The examples in the book are very detailed, and are understandble, even for an amateur like me. And the best thing is that, if you dont understand what they're talking about, just put in the CD-Rom (that comes with the book) find the chapter for the example, and run it. There you have it, step by step, all the exaples in the book on the CD-Rom are explained on the CD-Rom too. A book for both amateurs and proffesionals, that increase the flexibilaty you need to become a graphic artist. And even if you're using 3d Max, the examples in the book - and on the CD-Rom - works properly. Since Max and Studio are based on the same system. The examples in the books are well illustrated, and the layout makes it very easy to find and read. You learn new things every time you browse through the book. And just by watching the exapmles on the CD-Rom, you can load a project - and go through it - see for your self how it's build. And in that way learn some useful hints & tricks. A low cost educational book, that you can get useful hints & tricks from, that you cant get from anywhere else. As I said, my English is bad. I sometimes can't find a way to express my feelings in words. But it is a good book. I rated the book with a 9. Now that, is self explained. Happy rendering, Your Friend In The Jungle Of 3D.

When I first picked this book up I was expecting it to be another book on teaching the beginner how to do simple effects. I could never have been so wrong. Starting at an advanced level, the book assumes you not only have lots of experience with 3D Studio, but some additional software tools as well. Then, it shows you, in detail, how to create certain effects, all of which can be easily adapted to your scenes. Some of the effects include overlaying your animation with video so that it 'fits' together, or extended use of 'Bones Pro' and 'MetaBall Modelers'(which are plug-ins for 3D Studio) to create organic models.

For beginners, I recommend "3D Studio Special Effects/Book and Cd Rom" while this book is more for users with a solid grip on 3D Studio.

Although this is the official movie guide for children to the Two Towers, I found that it was helpful for adults who are not Lord of the Rings fans and/or have not read any of the books by Tolkien. It is lushly illustrated with gorgeous photos of all of the people/creatures in The Fellowship of the Ring and The Two Towers. There are also a few photos of how they developed CGI characters such as the cave troll and Sauron. Underneath each photograph is a sentence or two explaining who the person/creature is and how they fit into the story. The wording and the brevity of the descriptions make it perfect for younger readers or those looking for a quick and dirty introduction to the characters of Middle Earth including Hobbits, Ents, Easterlings, Haradrim, Uruk-Hai, Gollum, the Watcher in the Water, Dwarves, Elves, Wizards/Istari, Balrog, Gwaihir, and many more. The book also comes with a free fold out enlarged picture of Gandalf confronting the Balrog in Moria. I would recommend this book for those who are not very familiar with The Lord of the Rings trilogy and for children ages 8 and up. It is very short at app. 60 pages (most of which is taken up by pictures) and so is a great introduction. However, if you are a Tolkien fan and familiar with the stories or saw the first movie, there is nothing new for you here.

I do not know if there was a "The Fellowship of the Ring Movie Tie-In" version of "The Lord of the Rings: Creatures," but there really does not need to be because this book covers all of the creatures encountered in the first two films based on J. R. R. Tolkien's trilogy (although there is a special little section on the "lost" Tom Bombadil). The emphasis is decidedly more on the film than the original novels, with quotations from both the actors and the technicians who brought Tolkien's creatures to life. Within these pages young fans of "The Lord of the Rings" will find everything from hobbits and their hairy feet to the tree-like Ents. In between there are the forces of men, elves and dwarves allied in the West to face the dark servants of both Saruman in Isengard and Sauron in Mordor. Attention is paid to not only all the species but all of the major characters that appear in "The Two Towers." There are lush photographs from the films (I especially like the shot of Treebeard) but also production drawings and computer graphics, almost always accompanied by insights from the likes of director Peter Jackson, head of special effects Richard Taylor, and others. Older readers will find this book just whets the appetite for more information about these creatures and how they were developed from Tolkien's original descriptions into what we have seen in the films. But younger readers should find this official movie guide to the creatures and cultures of Middle-Earth to be suited to their interests. A fold-out chart is included (cannot know the creatures without a program), but hopefully young readers will put off pouring over this slim volume until after they have actually seen the film. Your first look at Treebeard, Gollum, and Shelob should be in the film, not the photographs of this book.

The epic movie trilogy "The Lord of the Rings" was the first exposure to Tolkien's work for a lot of the people who watched it. And the fans who haven't yet read the books should check out this book, to get the tips on who and what and where and why.

Basically, this "Creatures" book lets the readers know: What's a hobbit? What's an Elf? What's an Ent? Readers of the original fantasy trilogy by J.R.R. Tolkien will know all of this. On the other hand, newbies will like being able to look these things up -- especially since "Two Towers" has a lot of new material, with the Ents, Haradrim, Rohirrim, and others. The book is pretty short, and seems even shorter because it is composed mostly of photographs. These are clear, brightly colored, and great shots -- not just of stuff in the movies, but also from stuff behind the scenes.

What's especially nice are the quotes. Accompanying many of the smaller photographs are quotes from director Peter Jackson, special-effects wizard Richard Taylor, actors Elijah Wood, Ian Holm, Sean Astin, and pretty much everyone else. These quotes add insights into both the characters ("In their world, it's who you are on the inside that matters") and behind the scenes (complaints about the hobbit feet, from several actors). One of the best quotes is Peter Jackson revealing how the much-maligned Tom Bombadil almost made a cameo -- fans of the books will want to check that out.

Even if you've read the other books, this brief book will offer a few new insights and plenty of good movie and behind-the-scenes pictures.

When I started this book, I was looking forward to an explanation of how to use the Convergent Architecture to create a J2EE application. What I found was a vague, confusing, and repetitive discussion that often reads as if it was in a tragic accident with a thesaurus. The idea behind the Convergent Architecture is not that complicated. We need to create a model driven architecture above UML that can link design and actual code development. Too often in this book the Convergent Architecture is not explained in terms of what it is but rather how it is like designing cathedrals, diesel engines, or jet planes. The author tells us that using the Convergent Architecture can reduce time up to 70% and that these numbers are endorsed by neutral parties but he gives us no information about these neutral parties. And he doesn't tell us what the 70% is actually compared to making these numbers useless for doing any evaluation. The book promises to be a "step-by-step" guide but instead reads like a corporate white paper designed to sell a product. And there is a product in here that the author is selling. He is the founding director of the company that makes a product that takes up the last two chapters of the book. The only part of the book that is "step-by-step" is the tutorial on how to use the author's product. Overall, I was very disappointed in a book that I looked forward to reading.

When I got this book, I was primarily interested in MDA. The author provides is a clear outline of the concept of "IT architectural style", something that is greatly missing in the IT industry. Hubert's work is pleasantly different from other books in that it does not try to promote any specific technology as the exclusive solution to all IT problems. Instead, you get a generally applicable conceptual framework and one specific implementation of this concept. The book is of great value for a great variety of readers. IT consultants, CEOs and CIOs will find the more abstract descriptions on architectural style and IT architecture of particular interest. Project managers and IT managers will benefit from the chapters detailing the MDA approach. And even if you just want to know how to organize an IT department in a meaningful way, this book is what you should read.

The author provides a very detailed, readable explanation of model driven architecture, but better still, shows how to implement the concepts for J2EE applications. The book covers all of the steps for designing and building software systems using this approach. And the author clearly knows what he is talking about. Very authoritative and easy to follow.