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Not only was the story both uplifting and heart-wrenching all at once, it was extremely well-written. I thought I would have an immensely hard time reading and comprehending this nineteenth-century best-seller. Much to my surprise, however, I got into the writing without much difficulty. Because of this, I was able to fully understand (without totally believing) what pains were inflicted upon those of African American blood in the days of slavery.
Stowe's characters are almost implausibly good or evil. This extremity helps to make her point more clear to the reader, and helps them to relate to Tom, Eliza, Harry, George, and all the others all the more. I also thought interesting the way that Stowe speaks to the reader directly, asking them what they would do in such a situation. The fact that the author would express her passions in such a time of national turmoil makes me respet her tremendously. It is one thing for one to write a book on the tragedy of slavery today, when all is said and done, but quite another for one to tell such a tale when friends are fighting friends, families even dividing over the very same issue.
Uncle Tom's Cabin, or Life Among the Lowly is a novel that is most definitely not novel. I would highly reccomend it to anyone with the capacity to feel for the poor people, who, had their lives not been chronicled, may still be enslaved and part of such a terrible system. I don't think anyone's collection of knowledge of slavery or that era in general would be complete without knowing of the triumph of Eliza, George, and Harry and the story of Tom's physical defeat, and spiritual prevail.
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well, i don't want to digest any example with large codings except in case study.
although the book comes with no cd-rom, and the diagram on P. 273 is incorrect (maybe more), i still recommend this book. i'm on the way to build a content management website based on the knowledge learnt from this book.
if you want to learn more features, pickup ASP.net Unleashed by the same author.
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While it's certainly tricky business getting within a country mile of "rehabilitating" a Nazi, she puts a very human face on a very complex situation. The insanity of Nazi Germany is not moralized as much as it is displayed as an idealogical and political free-for-all where Darre finally was all but totally marginalized for his idealistic vision.
Again, I'm left wondering about Darre. Bramwell doesn't seem to be all that familiar with Green philosophy or environmental history, which cripples her presentation of what she asserts are the roots of modern Green politics. Obviously, Darre was Green, but why? How did his personal vision of a pastoral, de-urbanized Germany develop? Was he the idealogical posterboy of the Nazis? Or simply a political tool used and discarded? Would a victorious Third Reich have eventually gotten back to his Blut und Boden message? I believe monumental, centuries-in-the-making forces flashed momentarily to life under a swastika, but in such a twisted form that we'll forever be wondering how and why.
To me Nazism was just one possible mushroom popping up over a broad field of underground mycelia, and a very poisonous mushroom at that. This field is not gone, it's growing, and the mycelia will produce many more mushrooms, hopefully not as poisonous. Darre represented an outcropping that might have been, and probably will be again. Perhaps these issues need to be covered in another book.
Richard Walther Darre (1895-1953) was Hitler's Agriculture Minister until 1941. He was also a major figure in the Nordic racialist movement, and was one of those people who was responsible for the "pagan" wing of the Nazi Party.
I got hold of this book expecting it to be just another book on the "evils" of the Nordic Renaissance. I was surprised, however, to read a book that shed light on the fact that the Nordic movement was far more complicated than the "blond hair-blue-eye-let's-breed-superpeople syndrome" so often found in the American press.
Ms. Bramwell writes about many figures in the movement, such as Paul Schultze-Naumberg a nd his wife, Hans F.K. Gunther, Bernhard Kummer, Johann van Leers and L.F. Clauss. I learned a lot about how the Nordic ideal was just that, an ideal, and that not all Nordics were supposed to be blond, for instance. Nordicism encompassed more than just a "racial" stereotype. It was a temperament, a way of life, a philosophy. It was a back-to nature movement, that stressed temperance and healthy living.
It is interesting that many of the Nordicists regarded the Nazis as "un-Nordic", i.e. loud, showy, aggressive, and a few even went so far as to suggest that the Nazis were "mediterranean", "middle-Eastern" or "oriental" in their outlook and actions.
In short, this book is valuable to me because it got me on a new path of reading, and I have come a long way since I first laid hands on this book back in 1992. There is an interesting bibliography at the end. Some people will not agree with this book, probably because they, for some reason or another, do not think they are "Nordic", and they may say that this book is seriously flawed, or even repugnant. But, Hans Jurgen Lutzhoft, in his monograph Der Nordische Gedanke in Deutschland 1920-1945, wrote that the Nordic movement was more international and liberal in scope, and the Nazi Party could never completely contain it.
I strongly recommend reading this book, for the education about a misunderstood movement, and about a possible new way of living.
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As a book, Life on the Mississippi lacks a truly coherent story line after the half-way point; it tells the story of Twain's training as a Mississippi steamboat pilot, then, when he returns to the river years later as a successful writer, it drops off into anecdotes as Twain travels down the great river, and can be a deadly bore for some readers.
But, oh, what a picture of Twain it draws! There are great tales of characters he meets along the river, told in his inimitably funny style, wonderful bits of his childhood - like the tale of his insomniac guilt and terror when the match he loans a drunk ends up causing the jail to burn down, killing the drunk - and insightful portraits of the towns and villages along the river.
This is a characteristically American book, about progress and independence as well as the greatest American river, written by this most characteristically American writer. It is a true classic (a thing Twain despised! He said, "Classics are books that everybody praises, but nobody reads."), a book that will remain a delight for the foreseeable future.
Twain is of course humorous in this book, but his lesser known quality--insight--is very keen in this book. Twain's style is at once sophisticated and simple. It is pure mastery.
While this may not be up there with some of other Twain's writings, it is certainly worth the time and money. Definitely recommended.
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I would highly recommend this book to anyone interested in the outdoors.
:-)
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Foote's primary weakness as a novelist is that he seems to be unable to find his own voice. Although the book is skillfully structured and well written, the plot is somewhat tired and predictable. There are very few surprises. Foote has somewhat adopted the structure used skillfully by his mentor William Faulkner of telling a little bit of the story at a time from the point of view of different characters. Foote's steamy descriptions of sex and lovemaking and rivalry among two men for the affections of the same woman are reminscent of Erskine Caldwell.
For all it's failings, "September, September" is an excellent novel. Shelby Foote, the excellent American historian, is also an outstanding American novelist.