List price: $25.95 (that's 30% off!)
Used price: $9.45
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The most fun I've ever had, I have to confess, is opening this book to the pages featuring the Wizard's famous hot air balloon. The set piece, shiny and with its own basket holding the wizard, jumps quite literally off the pages, then swings back and forth in front of you. The amount of joy I experienced with this book at that moment was immeasurable.
What's fun about the book, which also has this huge, swirling cyclone in its opening pages that jumps out at you, is that it also remains surprisingly faithful to L. Frank Baum's original WONDERFUL WIZARD OF OZ, keeping much of the text intact (though, for obvious reasons, the book is not taken and reprinted verbatim) while having the pop-up art serve as a variation upon the original illustrations when possible.
I got one of these for myself, one for all the little girls in my family and one for a friend in my office who just needed cheering up one day. It inspires you to read the great story. It inspires you to play with the emerald-colored glasses and all the pop-up images in the side flaps.
I was a fan of pop-up books as a kid, but this is the best, most accessible and most beautiful one I have ever held in my hands.
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My oldest son is a Boy Scout and the same age as Jimmy, so he was particularly touched by the story. Some of the language is a little dated (swell and keen, a boy with a handkerchief, a girl wearing an apron) but my boys easily overlooked that in favor of a story they couldn't wait to hear.
I give this story as many stars as it's possible to give!
List price: $22.00 (that's 77% off!)
The book is about a young boy and six of his marvelous adventures. The stories take place in the 1930's. The setting is the small town of Centerburg. Homer has adventures with the Sheriff, his Uncle Ulysses, and friends Freddy and Louis. They meet unusual people like Mr. Murphy, the Super-Duper, and Miss Terwilliger.
Here are some things our class liked about the book. We liked the stories because they were funny and interesting. The class liked all the Sheriff's spoonerisms. We liked how the stories were short. A lot of people thought that Aroma was a really neat pet. The class liked how all the stories were mainly about Homer.
Here are some things that our class did not like about the book. Some of our class did not like how old-fashioned the stories were. Some of us are more interested in contemporary stories. Some of us thought the stories were a little too long. We found some words were very long and complicated. It was kind of hard.
List price: $12.15 (that's 20% off!)
Until I ran across The Girl with the Silver Eyes. To my third grade mind, it was painfully long, kind of hard to follow, but extremely interesting. It is the sole thing that piqued my interest in all things scifi.
Now, as a high school senior and avid science fiction fan, I reread The Girl with the Silver Eyes. For a child's book, it is extremely intriguing. It's science fiction and a suspenseful mystery all in one. It can most easily be compared to a junior version of The X-Files: weird, eerie, yet disturbingly accurate. However, when I was younger, I found the plot boring in many spots, not enough action. At the time, I merely blamed this on my youthful impatience. But even today, I still find the storyline a bit thick in parts, and nearly impossible to continue to the next page. For me to say that reading this book was an intellectual chore is not an exaggeration.
Any child reading this book will quickly lose patience with it, it has so many slow sections. Its surreal plot and wonderful scifi appeal is for the extremely patient only.
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maggie is the oldest child having been raised in a home with no family love. she is close to her father and sister, but her mother is a different person all together. because of this lack of love from her, maggie is determined to make something of herself if only to prove her mother wrong. breaking the outer shell shes developed as a form of protection wont be easy, but rogan intends to do just that.
a lovely story with enough mystery to leave the reader hoping they have their copy of born in ice sitting nearby once they close the last page of this one ::smile
"Born In Fire" sets the whole tone for the 2 books that follow. While the relationship between temperamental glassblowing artist Maggie and upper-crust gallery owner Rogan is obviously at the forefront of this tale, the larger tale being told is that of 2 sisters and how they are coming to grips with the death of their adoring father and the reality of the long, loveless marriage he shared with their cold, bitter mother. The relationship and interplay between Maggie, her sweet-natured sister Brianna, and their shrewish mother provides some of the best dialogue in the book.
Maggie is a very well-developed character, who is so flawed and yet so wonderful that she is as human to the reader as one's own best friend might be.
Where else do you get to meet Imps, from Imper? Deveels, (not devils) from Deva? Pervects (not Perverts if you want to keep all of your limbs and organs in their proper location, as in attached to your body and all that) from Perv? Klahds, (unfortunately, that would be us, or close to it) from Klah? And of course Gnomes, from Zoorik? (don't ask me, I didn't write it)
Skeeve's myth-adventures are wild, unpredictable, and funny.
In this, the first in the series, Skeeve meets Imp assassins, a demon hunter named Quigley, an ex-assassin with green hair named Tananda, a Pervect nameed Aahz, a Deveel named Frumple, and a laughing madman caled Isstvan, among others. Add the war unicorn(Buttercup) and the dragon (Gleep) and let the insanity begin.
It's nice that the magik in this book follows rules, of a sort, and nothing is ever quite what it seems.
And one of my favorite parts would have to be the quotes at the beginning of each chapter, from such notables as Darth Vader, Robin Hood, Thomas Edison, Benedict Arnold, Gengas Khan, and a pair refered to as Lor L. and Har D.
A quick read, but... All in all, if it doesn't make you laugh out loud, it will at least make you smile.
List price: $13.00 (that's 20% off!)
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List price: $15.00 (that's 30% off!)
Used price: $8.95
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This book is the incredible tale (told in excerpts from Rodriguez's diary) of how Robert Rodriguez went from submitting film shorts to small-time film festivals to travelling to Hollywood, getting an agent, and finally winning an award at Sundance. (And you can see the epilogue of the book, as Rodriguez's most recent film, "Spy Kids" has almost reached $100 million domestically after only five weeks).
Since Rodriguez wrote his diary as his life was being radically altered, the reader really gets to make the journey with him from medical guinea pig to camera jockey to the most sought-after person in Hollywood... it's amazing.
The best part is that Rodriguez is also a teacher, and his book manages to be massively instructive as well as encouraging. Rodriguez gives practical advice about things like cameras, lighting, and films, as well as advice on more ephemeral topics, like staying true to yourself in filmmaking. Like a more-experienced older brother, Rodriguez tells us how to deal with the junk that Hollywood metes out, and how to emerge personality intact.
It's clear that Rodriguez is emerging as a Hollywood maverick and leader, much like other indie-turned-studio directors such as Steven Soderbergh ("Sex, Lies and Videotape," "Erin Brockovich" and "Traffic"), and this book is a veritable how-to manual. A roadmap to filmmaking, if you will.
Yes, it's a must-read if you are a filmmaker ("So you want to be a filmmaker?" asks Rodriguez. "First step to being a filmmaker is to stop saying you want to be a filmmaker... you don't want to be a filmmaker, you ARE a filmmaker.") But if you love stories of excruciating hard work mingled with blood and sweat, David taking on Goliath, and a super-big payoff ending, then this is a story you won't want to miss.
When's your next diary coming out, Robert?
Readers who aren't dying to make their own movies will still find this a tremendously good tale of how an ordinary, middle-class, almost-a-dropout can become a success. Rodriguez's formula for success is a true homily: 10% inspiration + 90% prespiration, and a little blood donated to science. Oh, and a whole lot of chutzpah.
For aspiring independent film-makers, this book is truly a must-read. For everybody else, it's a ripper of a true tale, well told and likeable.
Oh, and don't forget to pair it with the video of "El Mariachi", the film the book is all about. It shows how stylish a "cheap" film can be, and it's a lot of fun, especially when you know all the "inside jokes": cheat sheets, wheelchair dollies, why everybody always gets shot in the chest, etc.
Used price: $24.99
Bringhurst does an excellent job of laying out a series of rules and guidelines, while making it clear that these are a starting point, a foundation for good type design, not a set of limitations. He is a poet as well as a typographer, and his eloquence pays tribute to the field as no one else has.
The book features a good deal on the evolution of typography and includes great side-by-side comparisons of typefaces to illustrate specific points. He also deals extensively with punctuation marks, diacritics and the duty/joy of designing type with languages other than English in mind. I find myself returning again and again to the section on the subtleties of page proportions. He also achieves the nearly impossible balance of singing the praises of the old masters while not being afraid of the best of what's new and experimental.
To be fair, this is not a quick, to the point text-- it was written with the serious professional/enthusiast as the target audience. There is no list of rules to follow within. Bringhurst instead explains with detail and enthusiasm the very purpose and history of typesetting, all the while furthering the reader's appreciation and style.
A must buy for anyone who ever has or ever will deal with the printed (on paper or the web) page.