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It is a very Scottish novel, with large portions of it taking place in the Scottish countryside, with clan relations, etc. and with most of the dialogue in Scots.
Some of the characterisation is excellent, and if it had been finished with Stevenson's usual ability along the suggested storyline, it would have been a very moving novel indeed.
The story is one of want and envy. Although it ends happily, the narrator comes perilously close to living eternally with the devil--all for his envy. There is poetry in this prose, love, and of course magic.
The tale opens as Keawe the Great--a poor, brave, mariner, a reader and writer, shipped on a vessel to San Francisco where he saw a house "smaller than some others, but all finished and beautified like a toy." Its steps shone like silver, the borders of its gardens bloomed like garlands and the windows shone like diamonds. Keawe could see the man who lived there "like a fish in a pool upon the reef."
Of course the owner's life was perfect in every respect, except that he owned a magic bottle which must be sold for less than he bought it, or else in death he would be condemned to hell. He was ill, and therefore desperate to sell the bottle. Keawe bought it.
Small children may not appreciate this story, which seems best suited for independent or sophisticated readers of 11 and up.
But the tale (beautifully illustrated) is as much a treasure as Stevenson's most famous classic, Treasure Island. Alyssa A. Lappen
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The chapters written by the four professors have a strong academic/pedagogic orientation. Dealing with basic issues in extreme analytic detail, they frequently belabor the obvious and often come across as though they have all the answers (chapters written by Sahlman were especially bad for this). The book does, however, provide some thought-provoking discussion and a reasonable introduction to the issues of assessing viability, planning and managing a new business, and of attracting resources. Some of the chapters not written by the professors provide a good "textbook" reference for subjects such as patent law, raising venture capital, and management technique in checklist style.
I give the book three stars for its rigorous analysis but not five because of its presumptuous tone and the fact that too many of the chapters lean toward the hypothetical. It lacks the genuine, practitioner-based input this subject deserves.
However, I often felt that it was missing more on the practical side. For example, there are a few case studies, but only on certain topics. It was missing more of the "been there, done that" perspective. Definitely there were stories, but in those there was more of a strategic analysis rather than visionary or inspirational.
Overall, this is a very good book to use as reference to certain topics, especially in an academic environment.
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Given that Stevenson was writing when the genre of horror fiction was not recognized as such, it is surprising that "The Strange Case of Dr. Jekyll and Mr. Hyde" is cast in the form of a mystery novel. Stevenson invites his readers to try and get ahead of the story, to put the clues together and come to the conclusion. Today it is nearly impossible to pick up this story and not know the "secret," but if you think back to the late 19th-century when this story was written you can get a sense for how Stevenson used the biases and limitations of his readers to his advantage in keeping them from what we might consider to be an obvious conclusion.
More importantly, Stevenson is writing several decades before the writings of Sigmund Freud revolutionized the whole idea of human psychology. Yet we can certainly find evidence of the conscious and subconscious mind of which Freud would write. Stevenson reinforces this metaphor with the block of buildings that divides this particular part of London, with one side representing the civilized world of a respected physician and the other side the squalor of the world inhabited by an inhuman creature who gives in to his every earthly desire. The novella also speaks to the topic of evolution, with Hyde being described as "ape-like," reinforcing the idea that our most human attributes remove us ever further from the category of mere animal.
Of the three classic horror novels, "Dr. Jekyll and Mr. Hyde" is the most accessible. Not only because of its shorter length, but also because its evil is more realistic, even in terms of our imagination. We might be unable to reanimate the dead or to become the walking dead, but we can certainly relate to the idea of unleashing the beast buried with us. Even if we could not, we can recognize the "werewolf" in the real world in the form of serial killers who try to show a civilized face to us in public. This is not to say that the novella is simplistic, for Stevenson offers a sophisticated narrative. If this is one of those literary you have never read because you already know the story, then you should take out an evening to sit down and finally get around to reading it.
When I was nine years old I spent months struggling through this book for the first time. The old style language made for rough going, but I persevered. In the end I was rewarded with more than a classic tale marvelously told; I discovered a love of books and earned self-respect for tackling a tough read.
If I was a teacher whose task it was to introduce students to classic literature, I would skip Dickens and use this book. Kids love adventure, animals, and action. Swiss Family Robinson has it all. It's really a thriller disguised as a literary classic. All book lovers should read this one at least once.
And please don't watch the Disney movie and claim you've "been there, did that" on this story. The movie is totally different and in no way compares.
Our third grade teacher read to us from this book every day and I could hardly wait for the next installment. Finally I got my own copy for a birthday gift, sat on the couch and read it cover to cover in one go. I still have this book, decades later.
From the opening, thrilling tempest scene to the very end and the "rescue", this book has plenty of action as well as creative solutions to problems. There is a lot of material for discussion, how the family solved problems, how they handled disagreements, adversity, disappointment, building of character.
This book definitely teaches values along with the adventure and the values are linked in such a way as to be an integral part of the story.
And Swiss Family Robinson is never boring. There is always an exciting new beast to be discovered, a new plant to use for food or clothing, a new machine or tool to be built, a new part of the island to explore. This is a wonderful book to read out loud to kids until they are old enough to enjoy reading it themselves. If you are bored with re-runs on TV, turn off the box and spend a half-hour or hour every evening reading this aloud. Everyone will have a great time, and kids who are read to, become readers themselves.
I thought "The Swiss Family Robinson" was a spectacular adventure/survival book. You can say that the book is pretty much a long diary that is kept by the father of the family of everything that happens to them on the island. The book I read did have many references to God unlike some of the abridged editions. The only thing I didn't like about "The Swiss Family Robinson" is that when the family starts collecting and taming many animals that they find on the island, it gets a little tough to keep up with all the animals' names, but that wasn't bad enough to take anything away from the book for me.
I recommend anybody who likes survival or adventure books, especially if you like reading the classics, to get "The Swiss Family Robinson." I would recommend getting an unabridged version of the book if you can so you won't miss a word.
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In novels such as this, an author will customarily throw in everything up to, and sometimes including, the kitchen sink, to titillate fans of the original work. "Bryan" proves no exception...
Jim rejects her plea, but that fails to stop menacing thugs from harassing her and him forcing the retired adventurer back into the action hero role. This time Jim kills a noble, and is forced to flee for his life when the law accuses him of murder. Accompanied by Grace and her preadolescent son, they begin a trek that will take Jim back to the "accursed island" that he last stepped on a decade ago in search of the meanest of Long John Silver's former associates.
THE CURSE OF TREASURE ISLAND is fast-paced and loaded with action, starring a mature Jim as a young adult whose potential relationship with Grace adds a romantic flavor to the adventure. The story line is very exciting, but the flaw remains that men risk their lives, but none know why as Grace keeps secrets that everyone seems to allow her to do while they blithely venture to death or near death. Still Francis Bryan furbishes a strong tale that pays homage to the grandmaster Robert Louis Stevenson while setting the seafaring further adventures of Jim and company.
Harriet Klausner
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