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The lesser known of the two novels, "Kidnapped," tells the story of a young lad who is orphaned and sent to live with an uncle he has never seen. The uncle is a treacherous character living in a gothic setting and harboring a deep family secret soon to be revealed to the hapless orphan. A sea and land adventure follow that will keep you turning pages in this classic adventure.
"Treasure Island" is another great adventure that was beautifully rendered in the film with Wallace Beery and Jackie Cooper. As I read the novel after a recent screening of the film, I could hear Wallace Beery in Stevenson's dialogue of Long John Silver.
These novels are often considered to be children's literature because the main characters are children. However, the language makes them more appropriate for readers from adolescence to adulthood.
"Arrrgh. Avast ye maties!"
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Forget Lana Turner and Ingred Bergman, there are no women in this book. Hydes' housekeeper makes brief appearance but is of no importance to the plot. This is not a childrens book.
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This is the 2nd in the Krull and Hewitt's "Lives of ..." series. The book contains 19 chapters on 20 writers in birth order: Murasaki Shikibu (973?-1025?), Miguel de Cervantes (1547-1616), William Shakespeare (1564-1616), Jane Austen (1775-1817), Hans Christian Andersen (1805-1875), Edgar Allan Poe (1809-1849), Charles Dickens (1812-1870), Charlotte & Emily Bronte (1816-1855 & 1818-1848), Emily Dickinson (1830-1886), Louisa May Alcott (1832-1888), Mark Twain (1835-1910), Frances Hodgson Burnett (1849-1924), Robert Louis Stevenson (1850-1894), Jack London (1876-1916), Carl Sandburg (1878-1967), E. B. White (1899-1985), Zora Neale Hurston (1901?-1960), Langston Hughes (1902-1967), Isaac Bashevis Singer (1904-1991)
This is a perfect book for young adolescents and pre-teens who as they grow and mature frequently feel awkward. Krull introduces us to the idiosyncrasies of the literary. Some of the authors were loners, eccentric, a wee bit peculiar. Michael Jackson's behaviors might seem normal when held in comparison. Some retreated into themselves. Some sought out adventures. Some as adults were unsuccessful at the ordinary.
Some worked at a young age to support the family. Some took daily walks, very long daily walks. Some were not healthy and therefore wrote in bed. There were some similarities and some differences, but they all shared a singular conviction to write and write they each did well.
Hewitt's delightful portraits of the writers are precious. My favorite portrait is of Frances Hodgson Burnett of "The Secret Garden" fame. Her hat is the secret garden.
Given the high price of the book, I was surprised that Krull did not include a list of the authors' books and/or poems and the publication years. END
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The rest is more familiar, made complex by innovative structure, ambiguous narration and a startling use of imagery. this is not a simple tale of man's good and evil side; in its admission of an ungraspable, shifting, multifarious existence, shown here in character, place and language, where metamorphosis is the only rule, we can see why Nabokov considers Stevenson a master. And yet the book also works as a lean, compelling thriller, even if, like everyone, you already know the twist. Emma Letley's introduction and notes are over a decade old, and need updating.
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The Black Arrow is not a very easy read at first, but once you get into it it really flies by. It is as entertaining, exciting, and intriguing book as you will find, and I would recommend it to anyone.
Dick Shelton, a boy of sixteen, is quickly thrust into the conflict of the War of the Roses. He battles against almost any kind of evil - bloodthirsty pirates, a murderous priest, and even his own legal gaurdian - Sir Daniel Brackley. Through the whole book Dick strives to become a knight, and to rescue his true love. The Black Arrow is a sure winner for 6th graders and up.
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This smaller, quieter version of Stevenson's poetry helped me finally, actually read all the Garden poetry. True, the illustrations are spare, but delightfully accurate. My children (7 and 10) were not as mesmerized by this book as they are by others with fanciful graphics, illustrations and larger type to accompany the poetry.
Still, this small book found its way into my purse to be used for waiting moments, e.g. at the orthodontist, doctor, and also to my bedside, where it's shear diminutive size did not dissuade me from reading "for only a minute or two." And within Stevenson's words and language lie the ferment of creative pictures. I liked to have my children close their eyes while I read short poems to 'force' them to use only their mind's eye.
I thoroughly enjoyed the adventures, moods, and images Stevenson conjures and at long last can understand why his poetry remains so classic.
You can't forget about the little toy soldiers (a poem) at your feet because when you are sick for days, you can imagine all kinds of things in your mind. The curtains billow like sails, the bedpost is your anchor. I sat there in bed and just floated away with the fun of having someone to share my illness. It seemed like a had a friend right there with me.
I loved the pictures too. The little kids are old fashioned and it made me laugh because the boys wore silly clothes, but they fit the time period, my mom said.
I love this book and keep it by my bed when I need to be relaxed.
Hayley Cohen
Isles uses an arsenal of utterly frivolous flowers, borders, insects, birds, kings and queens, fairies, and more to expand upon the imagination exhibited in Stevenson's poems. The children in these pictures are depicted as being in charge, being at one with their environment, and being delighted to be alive.
Some of the illustrations hint at the influence of artists more famed than Isles (Henri Rousseau appears to be a special favorite of hers--see the illustration for "The Unseen Playmate," in which a boy lies down in weeds that might have sprung from the edge of Rousseau's painting "The Dream"). Using both primary colors and pastels, Isles creates a world within the world of Stevenson's verse. The marriage of the two is a happy one.
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Dr. Jekyll and Mr. Hyde is one of the best books I have read. Even though it has a very dull setting, it is amazingly exciting. You always want to know what happens next. The changing between Jekyll and Hyde is made in a very good way, when the main character is Hyde, he always lives in danger, but when he's Jekyll he can live a perfectly normal life. One of the main points in the story is that you shouldn't use drugs to achieve things that you have always dreamed of, because you can really reach them by yourself. This theme really had an impact on me and got me thinking. Almost anyone can read this book because it is a classic and has been published in so many different versions. I would recommend it to almost anyone.
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Here's a bit of information you other readers might enjoy: the meaning of the pirates' song--
Fifteen men on a dead man's chest Yo ho ho and a bottle of rum!
The real-life pirate, Edward Teach (Blackbeard the Pirate) once marooned 15 of his men on a small island named Dead Man's Chest. He put them ashore with no weapons, equipment or supplies--just a bottle of rum.
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Dr. Jekyll and Mr. Hyde is one of those stories, like Frankenstein and Dracula, that seemingly everyone has heard of and believes they understand("mythopoetic " in the language of Joyce Carol Oates). Much like the aforementioned works, the actual details of the story may come as a surprise to those who assume they know the story based solely on the popular understanding. For that reason alone I think the book is worth reading.
Dr. Jekyll is a respected if somewhat reclusive London doctor who has, through the course of years of experimentation, managed to create a solution which brings to the fore his evil alter-ego. Unlike many gothic literary villains, Hyde is not imbued with superhuman strength or exceptional gifts of any kind. In fact he is of a smaller and less imposing stature than most men. What he does possess however is a complete lack of compunction with regards to others. Hyde for example ruthlessly runs down a small child who gets in his way. As is the case with Frankenstein, Dr. Jekyll creates something that he can't control and which eventually destroys its creator.
The inhumanity that the fictional Hyde displays can be seen in the non-fictious world on a daily basis. As such, there is a realism to the story which is missing from many horror stories past and present. The fact that such a short and captivating work exists in an attractively packaged edition makes this one classic that will be a joy to read for all.
He uses a very wide range of vocabulary. Stevenson uses many 19th Century terms that seem weird and different to me.
One thing bad about his writing is his punctuation. He uses way too many semicolons and comas. He makes one sentence out of six or seven sentences.
This book was not the best book I ever read, but was not the worst either. it was mediocre. however It was miles ahead of Dracula. Dracula is boring, whereas Dr. Jekyll and Mr. Hyde is fast paced, quick, and fun to read. its pritty morbid which is kind of a down side, but Since it is very short it is a good book on my list.
Joyce Carol Oates's introduction is worthwhile, especially for those readers who know the story, as most English-speaking people do, in its basic framework, but who have not yet actually traveled the dark road with Dr. Jekyll and his friends.
It is a pleasure to read a classic book in such a carefully crafted edition. Too often books such as this are printed in cheap editions with narrow margins and lousy type; this one fits comfortably in the hand and is easy on the eye as the reader is drawn into this allegorical nightmare.
This review refers to the University of Nebraska Press edition only.
This is the story of a young man overcoming adversity to gain maturity and his birthright. It moves right along, in Stevenson's beautiful prose. Read, for example, this sentence from Chapter 12: "In those days, so close on the back of the great rebellion, it was needful a man should know what he was doing when he went upon the heather." Read it out loud; it rolls along, carrying the reader back to Scotland, even a reader like me, who doesn't know all that much about Scottish history. Kidnapped is by no means inferior, and in many ways superior to the more famous Treasure Island.
Only two points I would like to bring up: I bought the Penguin Popular Classics issue, and have sort of mixed feelings. Maybe some day I'll get the version illustrated by Wyeth. I'm not sure whether this book needs illustrations, though. Stevenson's vivid writing is full of pictures.
In Chapter 4, David makes a point of saying that he found a book given by his father to his uncle on Ebenezer's fifth birthday. So? Is this supposed to show how much Ebenezer aged due to his wickedness? If anybody could explain this to me, please do.