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Jason Alster MSc
Author
BEING IN CONTROL : Natural Techniques for Increasing Your Potential and Creativity for Success in School
If we as a society would read this book (and others like it), our eyes would be opened to the real problem with our schools, and we could take the first steps to transforming our society.
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This is one of my favorite books. It was one of James Stevenson's books. I think he is a pretty good writer. I like how he worded the whole book. He really makes things interesting. There really wasn't anything I didn't like about his book. It isn't a very long book either, that's something I like. I like the types of book that are interesting but not a very lengthy book. Most of the books I've read have been real long and don't get interesting. That's why I like books from Stevenson. I would recommend this book to anyone over any other book in the library.
NOT ONCE GETS BORING!!!
This is the best book Ive ever read!!
If you like mysterys READ THIS BOOK
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"Emma Woodhouse, handsome, clever and rich, with a comfortable house and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her."
At the same time we have to disagree with Miss Austen. Readers have fallen in love with Emma (both novel and heroine) since the novel was published, and with good reason
Ronald Blythe states in his introduction to the 1966 Penguin Classics edition of "Emma" that it is "the climax of Jane Austen's genius and the Parthenon of fiction." I do not dispute it for a second. This novel is my favourite work from my favourite author.
The book has a plot so timeless than even translating it to modern day Hollywood and casting Alicia Silverstone in the lead still gets you a hit movie, Clueless. OK, it's obvious from the first chapter who is destined to marry Emma but our dashing hero, Mr Knightley, is still the only person who ever criticises Emma, indeed he spends a large part of his time in the novel telling either Emma or her friends about her flaws.
Austen wrote to her niece Anna (writing a novel at the time) that "Three or four families in a country village is the very thing to work on" and stayed close to this for most of her own works. Yet at the same time, in a letter to her brother Edward (another incipient novelist) she played down her concerns as "the little bit (two inches wide) of ivory on which I work with so fine a brush, as to produce little effect, after much labour." 'Emma' is certainly the novel on the smallest piece of ivory with the finest brush, yet it pokes as much fun and wields as savage a knife on the social conventions of Austen's England as any other novelist of the time.
Austen was capable of writing novels with genuine popular appeal at the same time as she flouted the conventions of fiction. 'Emma' is a marvellous example, an easily read, enjoyable novel with a heroine who is in charge of her own destiny and who marries for no other reason than she loves a good, strong man.
Everyone deserves to read a novel this good. Just because teenage girls will adore this novel and swoon over Mr Knightley doesn't mean the rest of us should be stopped from this marvellous read. I enjoy Austen immensely and this is my favourite. I probably read it once or twice a year.
When you come to choosing the edition I once again find myself recommending the Penguin Classics edition for its Introduction. This time it is Fiona Stafford who does such a good job (though I think the '66 edition Introduction by Ronald Blythe was a fraction better.)
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Dr. Jekyll and Mr. Hyde is one of those stories, like Frankenstein and Dracula, that seemingly everyone has heard of and believes they understand("mythopoetic " in the language of Joyce Carol Oates). Much like the aforementioned works, the actual details of the story may come as a surprise to those who assume they know the story based solely on the popular understanding. For that reason alone I think the book is worth reading.
Dr. Jekyll is a respected if somewhat reclusive London doctor who has, through the course of years of experimentation, managed to create a solution which brings to the fore his evil alter-ego. Unlike many gothic literary villains, Hyde is not imbued with superhuman strength or exceptional gifts of any kind. In fact he is of a smaller and less imposing stature than most men. What he does possess however is a complete lack of compunction with regards to others. Hyde for example ruthlessly runs down a small child who gets in his way. As is the case with Frankenstein, Dr. Jekyll creates something that he can't control and which eventually destroys its creator.
The inhumanity that the fictional Hyde displays can be seen in the non-fictious world on a daily basis. As such, there is a realism to the story which is missing from many horror stories past and present. The fact that such a short and captivating work exists in an attractively packaged edition makes this one classic that will be a joy to read for all.
He uses a very wide range of vocabulary. Stevenson uses many 19th Century terms that seem weird and different to me.
One thing bad about his writing is his punctuation. He uses way too many semicolons and comas. He makes one sentence out of six or seven sentences.
This book was not the best book I ever read, but was not the worst either. it was mediocre. however It was miles ahead of Dracula. Dracula is boring, whereas Dr. Jekyll and Mr. Hyde is fast paced, quick, and fun to read. its pritty morbid which is kind of a down side, but Since it is very short it is a good book on my list.
Joyce Carol Oates's introduction is worthwhile, especially for those readers who know the story, as most English-speaking people do, in its basic framework, but who have not yet actually traveled the dark road with Dr. Jekyll and his friends.
It is a pleasure to read a classic book in such a carefully crafted edition. Too often books such as this are printed in cheap editions with narrow margins and lousy type; this one fits comfortably in the hand and is easy on the eye as the reader is drawn into this allegorical nightmare.
This review refers to the University of Nebraska Press edition only.
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This book explains how this author and illustrator's life was and what he liked and what he disliked. Or in his terms: Fun or No Fun. The book explains his colorful imagination. He made a go-cart from an old sled. He wasn't a couch potato and just sat down and watched TV. He was active; he liked to run and jump and do all sorts of things. One thing I don't like about this book is it leaves me with some unanswered questions, such as when he is talking about what dogs are fun and no fun, Mrs. Kellogg's dog doesn't really say anything. I would like to know why he never went near the dog.
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Set at the turn of the 19 th century, this story is a visual delight with a light-hearted message for kids and adults alike. Little mouse Hubert and his rather straight-laced parents vacation at a seaside resort (a beautifully pictured Victorian). Hubert discovers that he's the only kid there, and that the other animal guests are not very interested in him.
Then, Hubert has the good fortune (and the curiosity) to meet Alf, the hotel groundskeeper. He shows Hubert that "there's plenty to do around here...but you have to keep your eyes peeled." Together they enjoys some unexpected joys of nature, and Hubert takes a thrilling ride in Alf's homemade glider.
My five-year-old and I enjoyed this very much. The pictures of late 19th century houses and trains are richly detailed, from the candelabras to the stenciled ceilings.
Stevenson effectively conveys how joy can be found in seemingly boring places. It takes some curiosity,and sometimes some adult guidance to discover that joy. A fun book for kids and adults: Highly recommended!
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The book gives a behind the scenes look at what really happened with the F-18 and how it became an aircraft less than it could have been.
Anyone who wants to feel good about the F-18 should avoid reading this book. This tome is for those looking for what really happened and want a basis for understanding the process by which the military provides systems that often fall far short of their claims.
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