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This volume, along with its companion, is an excellent introduction to the style and thought of this man who, while out of step with his times, possessed the insight to give those times an original critique.
Possessed of a lively style and free from the Marxist bagge that weighs down his Frankfurt School colleagues such as Adorno and Horkheimer (I think Benjamin owes much more to Heidegger than Marx), Benjamin will hook any reader who takes the time to spend an hour or two with this book. From here it's an easy step to purchase other Benjamin writings, a step I can almost guarantee.
When I think of Benjamin, I think of Emerson's famous line about Hawthorne - that he was a greater man than any of his works betray. The integrity and character of Walter Benjamin shines through his works, and is an inspiration to anyone who takes literature seriously.
This first volume of Bejamin's complete works is very attractive and welcome. Some of my favorite essays are present, such as his essays on children's literature, and the nature of language. I eagerly await the other two volumes.
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Witter Bynner wrote as "Emmanuel Morgan." Morgan's persona was full of bacchanalian, bardic blatherskite, a rhyming Whitman. Here is the opening of his "Opus 6:"
If I were only dafter
I might be making hymns
To the liquor of your laughter
And the lacquer of your limbs.
Arthur Davison Ficke wrote as "Anne Knish." The name was meant to be vaguely exotic and Eastern European; apparently not many Americans had heard of knishes in 1916. Knish is the archetypal poetess, sensual and enigmatic, vaguely scandalous. She writes free verse. Here is Opus 118:
If bathing were a virtue, not a lust
I would be dirtiest.
To some, housecleaning is a holy rite.
For myself, houses would be empty
But for the golden motes dancing in sunbeams.
Tax-assessors frequently overlook valuables.
Today they noted my jade.
But my memory of you escaped them.
By now, the basic flaw of the hoax should be obvious. Having endured much worse in the way of poetic experiment between now and 1916, the Spectric poems aren't that bad. In fact, they are rather consistently entertaining, and contain some pretty good lines. They rank among the more memorable work by Bynner and Ficke, and both writers acknowledged as much after the hoax had been exposed.
"Asparagus grows feathery and tall; The hose lies rotting by the garden wall."
What a couplet! Buy it! Read it! Give it to your teenager as an introduction to modern poetry. Before long he'll be reading Pound.
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This book presents a wealth of information on plant names: it lists 6000 botanical names and 3000 vernacular names, in addition to quite a bit of background information. It is limited to plant names of importance to gardeners, but this is not so limiting as might be, since by this is meant "gardeners worldwide", including those on the Southern Hemisphere. Although I wish it were slightly longer, this book surely gives value for money.
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1) His explainations of the properties, structure and applicaiton of various alloys is simple and to the point. (Many of them are somewhat out of date, but so is every other textbook in the world.) Excellent for metallurgists.
2) This book is so loaded with tables, you may never have to look any mechanical property data up in the library again. Excellent for mechanical engineers.
Although expensive, this book will replace a dozen others on your desk.
This is an excellent book for those interested in more than stress-strain curves and yield stresses of engineering materials.
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The book is written in an easy to understand manner, which follows the most important codes that are used in tax today. The only drawback of these books are the fact that since the tax codes are constantly changing, the books are updated about every year.
Oxford's Companion encompasses the traditional genres of poetry, fiction and drama but goes beyond them. It gives the same analysis to special genres such as Slave Narratives, Oratory, Folk Literature, etc. that you don't normally find in reference works of this kind. These special features and others give this book a unique spot in reference works of literature.
From the moment I got this volume in my hands, I couldn't put it down. Its numerous essays, brief biographies and analysis of the various hues of African American Literature was overwhelming and enjoyable. A referance guide such as this should be in every home. It is user friendly, informative and entertaining. Most of all it will give you a deeper appreciation of the vast types of African American literature produced throughout the years.