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The book does come with 24 beautiful stickers, though. 12 go in the book, and the rest are for you. I love stickers and unicorns, so the book gets three stars. ...
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In this book his unique writing style has me wondering why such thoughts went through his mind. His wordy and elaborate writing style presented his strange subject matter in a style that could be accepted in his time. While it is sometimes difficult to follow the story it allowed James to express what would have been a controversial topic.
At times in this story you become anxious and excited, while at other times you are left picking and choosing what you think is going on, and when you least expect something to happen you become surprised, and become more interested in the book.
The ending surprised me. What I thought was going to be a happy ending turned into a perverse finale and a total tragedy. From beginning to end, Henry James wrote a book that is different from all other books.
The story itself is fairly simplistic on the surface. In the hands of a lesser writer, it would have been a simple "things that go bump in the night" ghost story of no consequence. However, the ambiguity of the narration brings the story a great deal of depth. Are we to trust the governess's story, or is the entire plot merely a figment of her imagination or a neurotic response to her sexuality? The brilliance here is in the wide range of interpretation. The entire novel can be taken either way (or both ways at once) equally well, which is fascinating.
Many reviewers have (unfavorably) commented on the writing style of Henry James, noting its complexity and verbosity. While his prose can be difficult to master (I had to read several sentences multiple times to decipher them), the complex language does not merely use extra words for the sake of making the story longer. Instead, every bit of detail in the sentences modifies and elaborates on the text, helping greatly to create the haziness that permeates "The Turn of the Screw." I thoroughly enjoyed the style of writing here, and this is coming from somebody who criticized the language in "Wuthering Heights" and "Tess of the D'Urbervilles." The complexity enhances the novel, rather than weakening it.
All in all, I was astonished by the great quality of "The Turn of the Screw." One last note - I highly recommend the Norton Critical Edition, featuring authorial commentary, reviews, and criticism. An excellent choice.
Although this book is short, its impact is nevertheless profound. The story's setting is surrealistic, leaving many factors open to speculation and debate. The end is at the same time chilling and mysterious. The enigmatic nature of the story adds to the mystery and terror and this book is sure not to disappoint any reader looking for a haunting and unforgettable story.
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~ Two massive terrorist acts have the detective protagonist, Win Bear, and his circle showing very little emotional reaction to them, beyond initial revulsion and bone-weariness. This rings false. Thousands have died instantly, and in a culture that is wholly unaccustomed to it. Win's lack of feeling undercuts one basic point Smith has made: that such mutual support flourishes, rather than wilts, in an individualistic and non-political culture.
~ The "stranger in a strange land" focus is weakened by a lack of vivid hints of the statist America(s) from which those in the "Zone" have escaped. Smith's stellar "Pallas" is clearly set in an alternate universe where that fact is never brought up, and his "Broach" makes this escape into one of high contrast -- and both novels are far stronger in that respect. This one is in a mushy middle ground.
~ Too many allusions are made to current American pop culture. These wrench us back too quickly to a dreary this-world present -- and we don't see how they're transmitted, nor from which alternate America.
~ The statist villains here are caricatures, introduced too quickly and pulled off stage too abruptly. Compare this to the luxurious portrait of John Jay Madison in "Broach," where you want to know him better, even while you mentally hiss him as in an old-time melodrama.
~ Names are too often tortured concoctions and are pulled too closely from "real" figures, without the intended satiric effect. "Bennett Williams" is made into a simpleton of an ideologue. William Bennett is not like this, despite his massive faults, and the point is lost.
~ Details of gunsmithery get in the way. In "Broach," they furthered the story without bogging down in a collector's zest for minutiae. Here, they end up diluting the vital point about weapons of self-defense adding to human dignity.
~ The main characters are undercut by our knowing that they show up in a half-dozen Confederacy novels set after this one. It's like knowing Anakin Skywalker is never in mortal danger in "Star Wars" II, when we realize he already was in IV through VI. (This is more distracting, though, for long-time Smith fans.)
~ The copyeditor and proofreader were out to lunch on this one. Misspellings, mispunctuation, shifts of tense, and over-repeated character backgrounds are constant and distracting.
Neither author nor reader deserves to have this highly flawed book discourage newcomers from sampling Neil Smith's talent and enjoying his utter passion for human liberty.
Yet in The American Zone we have a badly designed plot thrust into the background while the libertarian ideas are pushed to the foreground. What I would of enjoyed is less of Lucy jabbering, and pissing off people, and more of a real plot set in new areas of the Confederacy or other parts of the alternate world. Surely Europe and Asia have developed their own forms of libertarian governments based on their own ideas, culture and history?
I'm sorry but some of the chapters could of been removed from the book without hurting the plot at all, a sure sign of a book that was written for something else BESIDES the story.
Come on, your preaching to the chorus! Turn around and talk to the rest, deliver the ideas of freedom and liberty WITHOUT scaring the day-lights out of them.
Lets face it, Lucy is slightly forward, if not sometimes rude towards everybody and anything she does not like or believe in. I love her, but many people, even from the same political parties, sometimes don't see eye to eye, this is not the best way to present a Libertarian, even if she is a person of fiction.
I would suggest you start out with other books by L. Neil Smith.
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My other complaint was with the writing itself. There is a very large cast of charecters with little to distinguish them from each other. Even their names are unmemorable: Mike, Dave, Dan, etc. I had to make up a "dramatis personae" list just to keep track of who was who. And please... military officers on first name basis with their troops?
The only redeeming feature of the book was that it did have some interesting descriptions of life in the Coalition States and the world of the Rifts role-playing game. But I've read much better gaming fiction for free on the internet. Sorry... two thumbs down.
I had to deduct a whole two stars for the horrible and sloppy editing of the book, with all the spelling errors, fractured sentences, and misplaced words.
On the plus side, anyone who loves Rifts will enjoy the look into the Coalition States and the translation of the rules into a readable story.
The book also boosts a promising start into an exciting series and with many excellent and varied characters.
I still say this was an excellent book. The characters are true to the Rifts world and will bring new ideas to your game. read this and the other two in the series and you will not be disappointed.