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Author Barbara Smith has organized this collection of eerie tales by the milieu each ghost haunts. The ghosts she writes about can be found in homes, public places, "ghost towns," inns, the Pacific Ocean, theaters, and as links to frontier history. The depth of the accounts provides little new insight or facts, but they do give a good shiver for those looking for something spooky.
Any book on California ghost folklore would be incomplete without reports on the Winchester House, Whaley House, QUEEN MARY, and Hotel del Coronado, and Smith faithfully supplies those tales for those new to subject. What makes this volume interesting is the lesser-known stories from around the state. In a haunted transfer station, a murdered attendant still goes out to the livery to care for the horses. The permanently-docked USS HORNET has apparitions of sailors who disappear as they walk around on board. The most malevolent entities can be found at Alcatraz. John Wayne is still sensed and seen aboard his beloved yacht, THE WILD GOOSE, despite selling it shortly before he died of cancer in 1979. (That's one thing about death, you don't have to worry about niceties.) Smith also includes a substantial chapter on the Hotel Roosevelt, which houses several celebrity ghosts including Marilyn Monroe and Montgomery Clift.
Of course, this book just touches the surface of California hauntings. A few that are missing that this reviewer has yet to find documentation on are a couple of hotels in the San Francisco Bay Area and the phantom seen along San Jose's Alum Rock Road. Some of the better-known legends that are also absent include the Moss Beach Distillery, San Francisco Art Institute, and Disneyland. Efforts to make a book that comprehensive would take ages to research and those who want to read the stories would never see them in print.
Anyone who wants to become better acquainted with ghost folklore of this state should really enjoy GHOST STORIES OF CALIFORNIA. The stories it covers are fascinating whether or not the reader lives nearby.
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A marriage of conveniece is forced by the debt of Gerald, brother of the heroine, Alicia. Drake has the mortgage to Alicia and Gerald's home. Drake has set the marriage up, to seek vengeance. In my view, this was the only "scoundrelous" behaviour on Drake's part.
Drake cares for Alicia's mother. He takes into his employment the needy people he encounters--a deaf maid, an accounts manager in a wheelchair, a drunken butler...and so on. The only conflict , is the original motivations for Drake's and Alicia's marriage. I think, because of that, this is a slow read, at times. Also, I felt somewhat manipulated. I felt the author tried too hard to get the reader to love Drake.
This book, has many pluses. I enjoyed the supporting characters; a secondary romance was very entertaining. The love scenes are very well done. There's no purple prose; but each scene, is uniquely sexy.
This book may not be a keeper for me. But, it was definitely worth my time and money!
Drake has a secret agenda and the lovely Alicia provides him with giant steps towards achieving is goal of attaining entrance into polite society. He also has the double satisfaction of knowing he possesses the woman his estranged father wants. However, against all his desires, Drake soon falls in love with his wife and in spite of his mistreatment of her she reciprocates those feelings.
SEDUCED BY A SCOUNDREL shows why fans think Barbara Dawson Smith is one of the genre's top historical romance writers. The story line centers on love conquering hate, but done in a fast-paced Regency format. Drake is an enigmatic character whose need for vengeance thrusts the story line forward. Alicia is a warm, intelligent, and brave person who sacrifices her own needs for her ailing mother. The secondary players provide a feel to the era, especially the gambling "hells" and the shunning of a person born on the wrong side of the covers. Ms. Smith imbues the plot with plenty of sexual tension, a move that will elate Regency readers who love a touching tale with lot of spice.
Harriet Klausner
Drake has a secret agenda and the lovely Alicia provides him with giant steps towards achieving is goal of attaining entrance into polite society. He also has the double satisfaction of knowing he possesses the woman his estranged father wants. However, against all his desires, Drake soon falls in love with his wife and in spite of his mistreatment of her she reciprocates those feelings.
SEDUCED BY A SCOUNDREL shows why fans think Barbara Dawson Smith is one of the genre's top historical romance writers. The story line centers on love conquering hate, but done in a fast-paced Regency format. Drake is an enigmatic character whose need for vengeance thrusts the story line forward. Alicia is a warm, intelligent, and brave person who sacrifices her own needs for her ailing mother. The secondary players provide a feel to the era, especially the gambling "hells" and the shunning of a person born on the wrong side of the covers. Ms. Smith imbues the plot with plenty of sexual tension, a move that will elate Regency readers who love a touching tale with lot of spice.
Harriet Klausner
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The hero is neither likeable nor intriguing, and the story leaden and choppy. Stay away from this one. Try her best stories instead, in my opinion, Never a Lady and Her Secret Affair (if you like the reluctant male lover type!).
Barbara Dawson Smith tells a fantastic historical story, full of intrigue, fun and of course, love.
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The difference comes in w/the characters, the way the tension builds, the sensuality between them, the predictability or, better, the lack of, and the hopefully well-done backdrops for each fantasy story. Because that's what a romance is meant to be: a fantasy whereby a reader can step away from her own reality for even a short time & feel drawn into this make-believe world.
Barbara Dawson Smith has fulfilled all the most important elements in ROMANCING THE ROGUE. The hero & heroine are beautiful. There is just enough tension between them without there being an overt amount of never-ending sparring. The timing is well-done, so that Michael & Vivien are brought together in increments, steps in time, building up to a rather believeable end. And the supporting characters are well-defined.
If I had any criticism at all, it would be minimal. Maybe the book could've supported a wee bit more sensuality. While I could tell the couple were very attracted to each other, the heat of such a connection could've been turned up just a notch. Also, I kept waiting to see Vivien reunite with Brand after she knew him to be her brother. That was a scene that could've held a considerable amount of emotion, & I really wanted to see it happen.