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Jolie is no stranger to murder or homicide investigations (having been involved two others). However, this one is too close and personal, especially since the prime suspect is her ex-lover, a man married to the boss' daughter. With things in a tizzy at the office, Jolie is asked to temporarily return to do some copy writing, forcing her go back to work with the one person she wants to avoid.
Meanwhile, something dangerous is occurring at her sister-in-law's home with a little boy being the center of it. Ironically, this problem converges with the office mess, forcing Jolie to simultaneously deal with a traumatized child and a cold blooded killer.
MISTLETOE FROM PURPLE SAGE is a breezy, witty, and warm cozy starring a character who symbolizes every woman. This makes it easy, especially for women, to identify with her joys and concerns. The who-done-it is well done as it flows with many plausible suspects who have ample motives to have committed the deed. The sub-plot involving the heroine's nephew adds depth and intensity to a compelling tale.
Harriet Klausner
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With a very personal interest in solving the crime to absolve herself, Jolie begins to poke around. Soon she discovers motives for many of her writing group, but still the solution seems elusive--and the danger seems to be getting closer to home. With a son to protect and an ex-husband trying to protect her (and threaten her independence), Jolie finds that her efforts to solve the crime are not entirely consistent with her efforts to maintain her small family.
"Writers of the Purple Sage" is Barbara Burnett Smith's first novel in the Purple Sage series, and it is a most enjoyable read. Smith juggles a traditional cozy mystery in the Christie sense with a domestic tale, and it is the latter that really gives the novel its strength. Jolie Wyatt, as a single mother, is a very sympathetic character who is afraid of losing the life she has provided for her son and who has become an island unto herself. The events surrounding the murder threaten her and her son, and she fights back bravely. While the everyday citizen investing a crime so thoroughly can be problematic (and is indeed a problem in many of the novels of the cozy mystery genre), Smith seems well aware of this problem and has made strides toward explaining Jolie's sleuthing. Jolie investigates in self-defense. I'm not sure that this justification works completely, and there are times when Jolie seems a bit too brazen for either her own good or common sense, but overall the novel works well and is a pleasure to read.
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The question to ask of any self-help book is: can it really help? Yes, definitely, if you approach Sher's book without any expectations. If you think it's going to make you get up and quit that job you dread going to day after day, forget it. Sher's work here is to adjust your thinking not your life - that's up to you. As stated in the Upanishads: "As one's thinking is, such one becomes. " After reading this book, you just might appreciate that "dreaful" job you have and see how it actually helps get on with the work you really love to do. On the other hand, you might also find that the lifelong work you have been dreaming about can truly be a nightmare. It's all a matter of perspective as Sher points out so effectively.
I would recommend this book to anyone who felt it was time for a change and a little introspection. Whether you are highly creative or down-to-earth and practical, everyone can learn a lesson or two from Sher's revealing insights.
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*A feisty determined female reporter who has recently divorced her no-good husband who has subsequently married her sister.
*A gorgeous but icy cold FBI criminal profiler who may have had something to do with her husband's (also an FBI undercover agent) murder. Her husband, COINCIDENTALLY, was having an affair with above mentioned reporter.
*A rough and rugged FBI agent, a former cop, whose partner was killed mysteriously, and the father happens to be the father of the aforementioned reporter.
*A sneaky, yet sexy, FBI agent, who may have been having an affair with above mentioned criminal profiler, and who also may have helped in killing her hunky husband.
*A serial killer who kidnaps and then murders little babies.
*A dog who you know will somehow play an important part in a climactic scene.
So, with all that above, what happens? Well, to Smith's credit, she pulls off an interesting narrative, some nice characterizations, and a somewhat surprising climax. We can forgive her for some of her really mundane dialogue, and the plot contrivances that border on incredible.
But, and here's the point, it's a good read and one that entertains. That's what it's all about.
RECOMMENDED FOR GUILTY PLEASURE.
Claire was like a dog with a bone! She was out to prove Laurel a murderer. However, Michael's ex-partner, Dan Sprague, kept getting in the way.
***EXCITING! No John Grisham or Patricia Cornwell here, but well worth your time and money to read. Some stores have put this under Fiction, others Thriller, and still others as Romance. Well, the first two make sense. The last does not. Romance is such a small portion of this story. It is all Thriller!***
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The best political organizing is not done for material or financial gratification, it is done for the betterment of all segments in the same society.
But it simmultaneously attacks it's own strong points through oversimplification of the facts regarding queer organizing in the late 20th and early 21st century.I feel that she is too quick to dismiss the contributions of groups such as HRC to the public policy table in favor of a romanticized version of policy making where radicals are the only ones doing any type of work to stop prejudice.
The HRC has attained and sustained numerous criticisms from people who believe the group's policies are a form of "sanitized" politics: because the group tends to court the more moderate politicians, it constructs a narrow context of gay rights suggesting that GLBT Americans are no different from their straight counterparts and can fit into the existing structures of society, only if they are allowed to.
In the fall of 2001, I worked on a local campaign that sought to halt passage of a ballot initiative prohibiting the Houston City council from even considering the offering of domestic partner benefits to GLBT municipal employees. The group I was with was a multicultural coalition of activists whose strategizing embraced the very radicalism Smith claims will bring true change.
Furthermore, HRC sent their representatives down to follow the agenda that we had already confirmed-although I realize much of the strategies and tactics differed from what they would have done in a similar situation without an existing radical coalition.
Even though I am personally more in line with Smith's idelogy, I also recognize that moderate civil rights groups provide a stepping stone for people new to political organizing---those who remain content with the level of analysis will stay with the organization, whereas the more politically assertive will look for other organizations who can fulfill their needs and address their issues in an appropriate manner as they begin to make deeper connections between their lot in life and the very structure of society itself.
"The Truth That Never Hurts: Writings on Race, Gender, and Freedom" brings together Smith's own non-fiction prose writings from the 1970s, 80s, and 90s. In this collection we can see her development as a thinker. The pieces include her groundbreaking 1977 essay "Toward a Black Feminist Criticism," her tribute to James Baldwin, and much, much more.
Smith discusses the work of such Black women writers as Zora Neale Hurston, Alice Walker and Toni Morrison. Particularly interesting is her exploration of the work of other Black lesbian writers like Pat Parker and Audre Lorde. She also writes about such volatile political issues as Black-Jewish relations, the Rodney King verdict, and the police brutality case involving Haitian immigrant Abner Louima. And she doesn't shy away from taking on other critics and public intellectuals. Smith doesn't discriminate on the basis of race, gender, or sexual orientation in her feisty quarrels with such figures as Darwin Turner, Elaine Showalter, and Andrew Sullivan.
As I write this review, I can hear the cynics and scoffers sneering, "Hey, if she wasn't Black, gay, and female, she wouldn't have anything to write about." To such a statement I would reply: Read Smith's writings with an open yet critical mind, and with an appreciation for the historical context of each piece. I believe that she has important insights for all people, regardless of our own ethnic or sexual self-identification.
In her tribute to James Baldwin, Barbara Smith writes that she loved him "because he made me want to shape prose with a clarity and fire that gave it the power to make people change." I believe that, in the course of her remarkable career, Smith has indeed changed our world for the better with her passionate writings. Read "The Truth That Never Hurts" and experience her own "clarity and fire."
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It is Brighton, 1815 and war veteran Joshua Kenyon embarks on a duel with Pankhurst to settle a long-standing feud where Joshua was rumoured to have abandoned Pankhurst's sister Lily and seduced Lily's best friend. The duel was sabotaged by a mysterious intruder who shot his opponent - and what was even more astounding was that his opponent was a female - identified later to be Miss Anne Neville. She had substituted Pankhurst to rescue her beloved friend from a brush with death.
Who could have wanted Miss Neville's life? Could it be her cousin Edwin who bears a seated grudge when she is the recipient of her uncle's fortune? Could it be the enigmatic Samuel Firth who had intended to shoot Joshua but ended up hitting the wrong target? Barbara Dawson Smith takes readers through a labyrinth of red herrings and paranoia as suspects surface with cloaked shenanigans. The mystery is intelligently plotted and cogently structured to deliver a rousing epilogue.
Even more stirring is the romance. Joshua and Anne complements beautifully in wits and intelligence as well as heart. As the veteran plagued with darkness, Joshua is determined to portect the innocence of Anne by maintaining his distance. Yet as danger approaches his desire to protect Anne stems from a deep yearning of wounded souls. The couple evokes an emotional gravitas that is searingly tender in the face of treacherous miscreants.
With a romance that is equally measured in the intensity of its mystery and mayhem, I gladly proclaim Ms. Smith a maverick tale-spinner- with all my heart.
Seven years ago Lord Joshua Kenyon abandoned his bride-to-be on their wedding day and returned to the Peninsula to carry on fighting Napoleon (Joshua was a captain at that point). His fiancee, the incredibly beautiful and vivacious Lily Pankhurst, went into decline because of his desertion and died soon after. And Joshua has been reviled ever since as a scoundrel and a cad. The wars are now over, and Joshua has returned to England to pick up the pieces of his life. But barely has he set foot on the island when Lily's brother, David, seeks him out and challenges him to a duel. Except it is not David that Joshua faces that fateful morning, but rather Miss Anne Neville, a good friend and neighbour to David Pankhurst.
The only daughter of an incredibly large family (Anne has 9 brothers), Anne is used to taking care of everyone around her. And knowing that David is not at all proficient with guns (while she is actually quite a skilled shot), Anne decides to take David's place at the duel. What Anne hadn't counted on was that someone else would be at the site, and that that person would shoot her, thus putting and end to the duel and unmasking her masquerade to Joshua. And while Joshua is understandably furious at Anne, he also resolves to uncover what is going on. Why would anyone would seek to kill universally liked Anne Neville? Or was David Pankhurst the real target?
Anne is equally determined to discover who tried to kill her, and so although she despises Joshua almost as much s David does, Anne is determined to work with him in order to get to the bottom of what is going on. But the more time she spends with him, the more she realises that there is more to Lord Joshua Kenyon than meets the eye. The Joshua she is getting to know may be a tad dictatorial and reserved, but he is also kind and compassionate. How could this Joshua be the same man who jilted Lily so callously? On top of it all, this sober and thoughtful Joshua is beginning to affect her in a way that no man has ever done before! Could spinsterish and firmly-on-th-shelf Anne be falling for the silver-tongued cad?
A word of warning: while the bulk of the book does not revolve around the should-she trust-him-even-though-he-is-a-cad motif, there is a fair amount of this going on as Anne tries to reconcile the Joshua of the scandal with the Joshua she knows. So, if you really hate those kinds of plot devices you might want to take note of this. However, because this plot device is actually an integral part of the novel, and because Barbara Dawson Smith handled the whole thing rather well, this plot device did not become quite so tiresome as it might have. Another small detraction was that the language was a tad too modern for my taste. But again this was a minor enough annoyance.
On the plus side however, the authour has created two rather memorable principal characters who did engage my concern and fancy. When I first met Anne Neville, she came across as being incredibly rude, bossy and confrontational. But as the story progressed, and I got to see all the different sides of her personality and character, I couldn't help but grow to like and approve of her wholeheartedly. Joshua is pretty much the usual run-of-the-mill angst-driven hero -- but a likable one at that! What I esp liked about this novel was that you get the sense that while Joshua is totally appreciative of Anne's charms, that it is her character and personality that captures and holds his interest. As such, the romance that develops between Joshua and Anne turns out to be a touching and poignant one as well, and one that one cannot help but root for.
I rather liked "With All My Heart." It was a satisfying read. The first two books in this series weren't exactly memorable, but this one definitely was. The book ends with the hint that there are two more books (at least) in the series. And on the strength of "With All My Heart," I will be checking out these forthcoming two.
Josh learns that Anne Neville, fearing for David's life, drugged him and replaced him at the duel. Though she thinks he is the enemy, Anne admires the way Josh took charge. As she reluctantly agrees to work with him in uncovering her assassin or perhaps David's, their pretense of courting turns into love. However, for years she thought the worst of her beloved and finds it difficult to believe otherwise.
WITH ALL MY HEART is an engaging Regency romance that sub-genre fans will enjoy due to the mystery investigation that provides freshening suspense to the story line. Though readers will wonder why Anne behaves out of character for the period by risking her life in the duel and tire of her shrilling accusations, the audience will admire her courage and fully appreciate the fortitude and moral fiber of the honorable Josh. Barbara Dawson Smith renders a wonderful historical romance that will send the Regency crowd seeking her novels starring siblings of the lead male protagonist.
Harriet Klausner
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BEAUTY AND THE BRUTE by Barbara D. Smith was the next best, but I felt the story went on too long and the heroine had the patience of a saint. A WEDDIN' OR A HANGIN' by Jill Jones was marginal because I felt that the feuding between the clans wasn't believeable. I did not like Brenda Joyce's story, IN THE LIGHT OF DAY, at all.