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This is one of those rare story collections where there absolutely NO bad stories. Each one is a well-written and interesting piece; some have a dark humor, others are utterly horrifying, but each one is good or great in its own way.
Written in the 1950s, these stories are a refreshing change of pace from some of the more banal sci-fi pieces to come out of that era. The emphasis here is not on the science (which is often unexplained) but on the fiction: the characters, the mood and the plot. Adept at the plot twist, Dick often resolves his stories in logical but unanticipated ways.
From evil toys and malicious butterflies to trolls and lethal towels, Dick puts us in a number of worlds not far removed from our own and entertains us from first page to last. I look forward to reading the other four volumes in this set; some of the stories I have read before and others I haven't, but I'm sure I'll have a blast with all of them.
1. He constantly asks the (most important) question, "What is the nature of reality"?
2. He repeatedly states and offers evidence that the answer to the question "What does it mean to be human?" is the ability to feel empathy.
3. His plots involve such "ordinary" people, and have excellent character development - so you quickly get to understand them. Meanwhile, the story involves some bizarre science fiction device , idea, or condition, that he makes a part of this very normal human's world. You're quickly drawn in by the master.
PKD spent a significant amount of time thinking and writing about philosophy. In a way, reading his stories is an entertaining way of doing a survey of his take on the world's philosophical history without having to read (and understand) endless tomes of the great philosophers. You can see how this changes in PKD as you read different books in the Collected Stories series.
Philip makes it abundantly clear that he hates much of the stupidity that mankind inflicts on itself. War is a commonly expressed example of this. Of course, with the science fiction plot theme, he can easily spread examples of this through time, through the galaxy, and beyond (even to gods, other sentient races, etc).
As is tragically true so often with deep thinkers, Philip's life was far from carefree...As a consequence, and the fact that he's obviously a man bent on searching for TRUTH, his writing often has a dark underlying feeling. Comedy is sprinkled through the stories, but it too has a dark quality. Even the moments of greatest joy provide a somewhat bittersweet feeling, due to the background of the plot worlds. But again - reading PKD is not a dose of happy-pills, it is about TRUTH, whether pretty or not.
No matter who you are, these stories will make you think and I suspect learn a thing or two. They cover such a variety of plots that almost everyone is bound to be pleased by some, alarmed or saddened by others, and to feel a surge of empathy for some situations and realize that (bizarre as the situation may be) - this too is human.
I think it would be truly impossible for any thinking person to read and reflect on the 118 stories in the 5 volume series and come away completely unchanged. And for the vast majority of us (to borrow a PKD novel title) "Cosmic Puppets" with empathic capabilities, I'm betting the change will be for the better...
Lisa Wright, LPC
Elissa Gifford, LPC NBCC
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The final chapter of this book is a fascinating look at women's rights in 1824, both in Mexico and in the United States. (Plus there are directions for making apple empanditas, and delicious apple tart!) And, as always, Jean-Paul Tibbles' illustrations are excellent, and help to make this a truly wonderful book.
This is an excellent story, and a wonderful addition to the Josefina stories. My daughter and I both enjoyed the story for itself, and I like the lesson it taught, both for children and the ones who love them. My daughter and I both highly recommend this book.
Josefina is torn between wanting to please her Abuelita and wanting to be herself. At a party, Tia Dolores plays her piano while the friends and neighbors dance. She urges Josefina to show them the new dance that she has learned, but Josefina is too young to dance in front of others. Abuelita is shocked at Tia Dolores's suggestion, and claims that Josefina is too shy. But dance is exactly what Josefina wants to do, and ends up doing, to Abuelita's disapproval.
Then, her skirt button pops. Abuelita had given the skirt to Josefina because it was the skirt of Josefina's deceased mother, and Abuelita's oldest daughter. Josefina tries to give Abuelita the skirt back, because, like Abuelita's image of Josefina as being shy and obedient like her Mama, it just didn't fit. In the end, the skirt button can be adjusted to fit, just like how Abuelita sees Josefina can be changed to accept Josefina as "Just Josefina".
This book is my favorite out of the Josefina short stories because of the clear, dignified portrayal of Abuelita as a traditional Spanish matron. I also enjoyed this book because Josefina learns that she can communicate who she is without compromising her relationship with her grandmother.
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The greatest strength of the novel is that it shows rather than tells. Thus we are presented by the insanity of a crowd after a football match, the insanity of a mother after a lifetime of poverty and hardship as a single mother, the fevour of organised passionate religion and the eccentricities of different characters within the novel. It is left to the reader to decide how much of these, and all the suffering and death the child witnesses throughout the novel affect his future state of mind.
In addition to insanity the novel deals with the empty hypocripsy of organised religion, the intolerance of a small community, poverty, the loss of innocence, guilt, the Oedipus complex, the psychology of a child.
The main character is particularly well drawn and the supporting cast are all interesting. Since the novel draws heavily on Caradog Prichard's own life the events themselves feel alive, especially the scene where the child's mother is sent to an assylum.
If you dislike ambiguous novels however this may not be the best novel for you. For example an ever present destructive earth pagan goddess seems to dominate the present of the main character. She may be an embodiment of the main character's guilt, a mother figure he yearns for or a lost love. It is difficult to be sure. Otherwise I would highly recomend that you read this book.
One moonlit night is a first person narrative which follows a man through a north Wales village on a moonlit night having been away for many years. On passing through different memories come to his mind. So far so conventional.
The man is insane, he speaks with the voice of a child. Stuck in a never never land inside his head he finds it difficult to tell the difference between happier times as a youth and his current more troubled state. The narrative does not follow a conventional timeline but jumps to and fro between different times in his life as they come to mind ever leading towards the climatic downfall.
The village like the character and the novel itself is shrouded by a dark atmosphere. In the first chapter alone we are introduced to insanity, illness, suicide and sexual immorality made all the more poignant since they are seen through the eyes of a child.
The main theme of the novel is insanity. The novel deals with insanity in it's entirety whether the insanity of a crowd engulphed by football passion in a game or engulphed by intense religious passion; or an individual's insanity as he confronts death, sexual passion or following a lifetime of suffering. The mother in the novel breaks under the strain of illness, poverty and being single parent.
Other themes discussed are the loss of innocence of youth, the pressures of poverty on a rural community, suicide, religion and the empty hypocrisy of organised religion, the destructive power of sexual desire, the relationship between men and women, the Oedipus complex and guilt.
Caradog Prichaard used a great deal from his own life in writing this novel therefore the characters are rounded and interesting and there is a real sense of gritty realism to the events. However this novel is not for those who intensely dislike ambiguous novels. There is some ambiguity about what happened to the boys father for example. Otherwise buy this book.
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The final chapter of this book is a wonderful look at bicycling in 1904. We found this so entertaining, that we had to share it with the whole family! This is a great book, with very good illustrations, and an excellent lesson. My eleven-year-old daughter and I loved reading it, and we think that you will too!
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The final chapter is a historical look at Lincoln's death and its aftermath, and then a nice quiz on Mr. Lincoln. (My eleven-year-old daughter got 8 out of 8!) Once again, Connie Porter has produced a great Addy book, one that shows what life was really like, and teaches a lesson. We highly recommend this book!