The author describes the life and work of two female and three male African American Inventors and Scientists, including the contributions of agriculturalist George Washington Carver and Nigerian-born computer scientist Philip Emeagwali.

The search engines contain a thousand supplementary references to Carver or Emeagwali.

The stories are filled with the themes of perseverance and overcoming obstacles.

The inventions described include massively parallel supercomputers, petroleum reservoir simulation and oil recovery, uses of peanut, lasers for eye surgery, and a new way to make rocket fuel.

Excerpts read: "Emeagwali programmed the Connection Machine to make 3.1 billion calculations per second.... This speed was a new world record in 1989.... The record breaking speed of Emeagwali's invention helped people understand the value of parallel computing."

The photographs of the inventors and the illustrations of their inventions make this a useful book for K-12 school assignments on inventors.

This book is a must for math, science and black history related school assignments.

Just having returned from 18 days in the UK two of those spent in jet and bus travel and eight more getting the most out of an eight day Brit Rail pass that we could I must say that even though I have stopped running I feel like I am still running in place. That is how I get some of my best ideas. Those of you who know me know that I sort hang at the margins of the formal academic study of literature. I do this because language and literature study are really sort games which you have to learn the vocabulary (lexicon) if I were presenting at a conference or writing for blue noses.

Well one of the hottest games now in the world of literature is the study of the postcolonial literature of the former European colonies, South Africa, Algeria, Vietnam, or what ever. If you were a young academic then it would be well to focus your study in this area. This is especially true if you want work in something other than the house keeping and food service industries as your ultimate career goal.

That got me thinking as I re-read and loved Rip Van Wrinkle by Washington Irving in this wonderful collection that I was reading perhaps the archetypal work of post colonial literature, old henpecked Rip (a subject of George III), has a few beers with some very serious 120 year old Dutchman as he falls in with them in their the secret Hudson River Valley meeting place.

Twenty years later he wakes up to find he is an American Citizen. I don't but know for sure but, I bet a lot of post colonials feel like that They share with Rip one very large hangover. Well I could go on and play the game further but I think you have the idea, and as a dear friend of mine once said sometimes Philip a little of something goes a long way. So let me get back to this wonderful book , as I urge you to add it to your collections

American Fairy Tales is a collection has something for everyone .It is a collection of American tales, which really serves three publics. First of course the adolescent reader who may miss or only seen fragments of these wonderful stories. Next the eternal Adolescent likes my self at age 55 who loves a good story. It also serves any serious students of children's literature, this medley of stories progresses chronologically across a century, from Washington Irving's "Rip Van Winkle" to Carl Sandburg's "How They Broke Away to Go to the Rootabaga Country." From the Maleficent Witch, Mother Rigby, in Hawthorne's "Feathertop" to the ethereal fairy in "The Lad and Luck's House," Book List had some good things to say about it "A patriotic-looking jacket with blue stars and red stripes adorns this collection of 12 stories drawn from an emergent American literary tradition that includes such characters as bee-men, goose-girls, kings, fairies, and wizards." Editor Neil Philip provides an introductory essay about the "American fairy" tale" and briefly introduces each selection.

I loved the variety of stories and the collection of famous writers, including Hawthorne, Sandburg, Alcott, and Baum. McCurdy's woodcut illustrations give the stories a sense of the past yet still allow plenty of room for fantasy, woodcuts have a haunting timeless look about them. Theses stories are made to read aloud. But it must remembered that because of the time they were written but a few contain language or allusions that now seem politically incorrect. But we must be careful not to throw out the baby with the bathwater. American Fairy Tales is a beautifully Illustrated book you may have to work a bit to find it.

Philip Kaveny, Reviewer

This is an excellent selection of classic BSI (Baker Street Irregulars) and other criticism on the Sherlock Holmes stories, with entries by such famous Sherlockians as Rex Stout, Vincent Starrett, Christopher Morley, etc. Most of the individual articles are available elsewhere, but as a compiliation of essential writings about Holmes this is hard to beat. Mr. Shreffler does a fine job of sorting the wheat from the chaff -- I have dozens of books on this subject, and if you are only going to purchase one Sherlockian book in your life (but who in their right mind would ever do that?), this book would be a fair choice.

Two potential caveats for newcomers: 1) I am not sure why this book is so expensive; perhaps the number of remaining copies is limited. When I acquired my copy a few years ago, it was substantially cheaper. If you're on a tight budget, you can probably get more Sherlockian bang for your buck elsewhere. 2) Keep in mind that this is almost entirely a compilation of SHERLOCKIAN criticism, as opposed to the more conventional brand. In other words, the articles proceed under the tongue-in-cheek assumption that Holmes & Watson were real people -- thus, this book will probably not help you very much if you are looking for sources for an academic, literary study of Doyle's work. If you are reading for personal enjoyment, though, and have the cash, it's great fun, and **highly** recommended.

A fine addition to this volume would be Shreffler's "Sherlock Holmes by Gas-Lamp", which includes highlights of the first 40 years of the Baker Street Journal.

This book follows the psychic disintigration of a middle-aged, working class haus frau of the WWII generation, and the machinations of her insidiously evil, alcoholic neighbor Betty. Both characters are wildly funny and instantly believable. At times while reading this book I felt like I was a six years old, sitting in the kitchen listening to my Mom and one of her friends gabbing away. At other times I saw an all too clear reflection of myself and people I know. Never has existential rage been so much fun while still retaining all its pathos. If you loved Mr. Galas' play "Mona Rogers" you'll love this too.

Djuna Barnes tops the scale for underappreciated writer of this century. She exhibits a masterful command of the language; fresh metaphors startle on every page, in every paragraph. Each story is different; each character stylistically flawless. For your own sake, please read this book!

It is a pity that Julie, or the New Heloise is neither better known nor more widely read. It is one of the great novels. Rousseau may be most famous as a philosopher and Julie includes many philosophical passages, discussing issues such as education, virtue and religion, but he shows in this novel that he was both a fine writer and an able storyteller. The ideas he puts into the mouths of his characters are interesting, the debates they engage in are continually fascinating, but it is the story he tells which is truly memorable for it is deeply moving.

The novel consists of a series of letters some quite short, some extending to many pages. The main characters are Julie d'Étange, a young Swiss girl of noble birth and her tutor who has the pseudonym St. Preux. They begin an affair and fall deeply in love. It is this initial relationship of pupil to teacher, developing into passion, which is supposed to remind the reader of the medieval lovers Abelard and Heloise. Moreover both pairs of lovers face difficulties and opposition from family. They experience the joys of love and suffer because of it. These parallels however, should not be overestimated, Rousseau is not retelling an old story and Julie's life is quite different from that of Heloise. The story has numerous twists and turns and many surprises along the way. Other characters interact with the young lovers write letters to them and to each other. Gradually over the course of a long novel one begins to care about these people. It is here that Rousseau's skill as a writer is most evident. I found myself emotionally involved in the story of Julie and St. Preux in a way which was quite unexpected. By the end I had felt much joy and not a little sorrow and had been touched by a novel that can bring forth tears.

The epistolary form works very well, and is used cleverly, even if sometimes a letter is so large it could scarcely fit into an envelope. It has to be said however, that this novel is difficult. It has to be read carefully as it continually refers itself back to previous letters, which means that one is constantly re-reading previous passages. Sometimes it is necessary to read a paragraph over again in order to fully understand it. This is not a novel that can be skimmed, but must be savoured and read over a period of weeks. This fact should not discourage anyone from reading Julie, for it is as rewarding as it is challenging. If it is hard, it is also a pleasure.

The edition of Julie published by the University Press of New England is scholarly and a stunning achievement. The translation of Philip Steward and Jean Vaché is the first full translation into English since the 18th century. It reads well and seems both accurate and fluent. There are over seventy pages of notes, which I found both essential for my understanding of the novel and interesting in the way they expand and explain the various obscure references in the text. Stewart writes a relatively short introduction, which is clear and comprehensible. It is neither overly academic nor dry. My only wish is that it were somewhat longer. Spread throughout the novel are twelve beautiful illustrations depicting scenes from the novel. Finally this edition includes a summary of each letter and a chronology of the events in the novel. I found these very useful as a means of finding my way through what can be a dense and complex correspondence. Julie, or the New Heloise is a truly great novel and this edition does it justice.

Forster is civilized in a way few people are or ever have been; it's a rare treat to peek into his personal scrapbook to read his favourite quotations and thoughts upon them.

You'll wait a long time to find another book stuffed with this kind of sheer intellectual value. Again, a rare treat.

For a British soldier, (Lieutenant) under the services of the Nizam of Hyderabad in the 19th century India, turned writer Philip Meadows Taylor certainly proves his prowess as a writer through this book 'Congessions of a Thug', no wonder the book turned out to be a 'best seller' in 19th century England.

The main character AMEER ALI comes to life at the outset and the story of this 'Thugee' unravels before the reader without much interruption from the author. The story is about plotting,murder and mayhem excuted with precison, conviction, with ease and without remorse for that is the way of the 'Thugee'. Though Ameer Ali and his merry men were social parasites and the very embodiment of evil, Taylor quite successfully managed to bring out the many facets of the man and his men as an impartial observer and master story teller. Lastly, the historical nature of the book can not be overlooked considering the fact that similar group of bandits (called Dacoits) still exists in certain parts of India, Chambal Valley comes to mind.

A fascinating book indeed and worth reading.

Simmons traces dominant social and political attitudes through the 20th century by following movements in literature. Readable, generous prose explores literary themes to outline how we've gone from romantics (idealizing some difficult to obtain truth) to deconstructionists (deciding there is no such thing as truth) and finally to a sense of provisional reality: while there may be no ultimate truth, we are finally grasping the complex need to negotiate collective truths. It's a fascinating book with profound implications for anyone thinking of politics, marketing, or culture.

This book is a 1997 NCSS Notable