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I am a fan of the Kit books, but must admit to feeling somewhat disappointed by this one. A part of what I like best about them is the life lessons that they teach, but this one is a little thin on the lesson part. But, that said, my daughter loved the book, and we both liked the illustrations. The final chapter was a look at baseball in 1934, and a project for personalizing a baseball cap, which my daughter is already planning out right now. So, overall I would say that this is a very good Kit book, but certainly not one of the best.
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The Gentiles who read the story consider it a noble proclamation for religious tolerance. But the blood that spilled in the two thousand years since the death of Jesus has been the blood of Jews, hideously, brutally murdered by Christians believing they were doing the word of their lord. Roth attempts to create a totally false impression that he alone among the Jews is sufficiently wise and broad-minded to preach respect for tenets of other religions. But in fact it has always been a first principle of Judaism that any religion teaching belief in one God and charity and requiring just dealings among mankind is a valid religion. {These are the laws that the Jews' God imposed on the sons of Noah.) Christianity, by contrast, historically has deemed itself the one true faith, and many non-believers suffered awful deaths as a result.
Roth wrote this story to broaden his readership beyond the small population of Jews in America -- who would find his charicatures of themeslves funny--so that he could sell his work to wider audiences. For Roth, the royalties he sought justified his trashing the truths about his people and supplying ammunition to those who would ridicule my brothers and sisters. I detest him.
The narrator's point of view is dramatic. The theme is both illustrative and moving. The style is connotative of much deeper meanings. The diction is creatively suggestive. The characters are plausible and consistent.
I think this is a masterpiece! The conclusion is strong and symbolic. Throughout the story, Roth saturates and consistently reinforces his theme in a satire of religious hypocrisy. I give you ten stars for this one! **********
Patty Stroe
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I found these stories to be amazingly good probably on my top three list of short stories.
I liked them all but my favorite has got to be(get name of story) Where Davy Crocket hoping to refight the Battle of the Alamo learns that there is no profit in revenge.
Also there is (get name of story) Where an actor pretending to be Robin of the Hood helps Julies Vern to recover his Utopia from Al Capone.
Now I realize that the two stories I've mentioned sound like a bad acid trip but you must keep in mind that all things are possible in Riverworld. Saint mingles with Sinner, Viking could fight Monguls, Elvis could run for president if he wanted to and these are just a few of the possibilities.
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Somehow I missed the first edition of COLOSSUS. This 2nd edition has two extra, previously unpublished stories and some interesting photos.
First the bad news: I don't know what kind of poet Wandrei was, but as a writer and plotter of prose fiction, he had some severe limitations. Almost all of his sf was published between 1930 and 1936, and it is archaic even by the standards of that day. He has three basic story ideas, which he uses over and over: (1) something from outer space plays havoc with human society. (2) Uncontrolled scientific curiosity plays havoc with humanity and the earth itself. (3) A lovers' triangle becomes displaced in time, space or both.
His best known story, "Colossus," is an example of type (3). It is also Wandrei's worst written story, in fact one of the worst written sf stories I have ever read, and I speak as a reader of "The Blind Spot," by Austin Hall and Homer Eon Flint. Typical sentence: "His accumulated hopes, tragedy and undertaking of the day were above rational analysis." Do what?
There are no real neglected gems in this collection; in fact, I had to force myself ot keep reading. Wandrei seems at his best when he can throw plot, characterization and dialogue (none of which he can handle) to the winds, and spin wild prose poems describing the breakdown of "space, time, matter, energy and consciousness." This makes "Finality Unlimited" (he wasn't much for titles either), "A Trip to Infinity," and the previously unpublished "If---" the best stories in the book.
Wandrei ceased writing sf just before the dawn of the Golden Age of Science Fiction in 1939. He tried to make a few sales to John W. Campbell's ASTOUNDING, but his archaic output had no hope of publication in a magazine newly emphasizing realism in science and characterization.
Here is a very minor talent. He shouldn't be forgotten, but don't go into this volume expecting something wonderful. If Wandrei is remembered only as a publisher and friend of Lovecraft, maybe that is only justice, and his just due.