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It is much more interesting however, when read in light of the other accounts that tell us there is much more to Scott's character and this story than you'll find in this journal.
This wasn't Scott's first journey to the Antartic, events on an earlier expedition shaped his views and gave an indication of what was to come when he returned to the South.
I read it after reading Huntford's biography of Shackleton and Shackleton's own book "South". To be frank I really grew to despise Scott for repeating the same mistakes he'd made on an earlier expedition. It's really only in his last few notes when he realised it was the end that Scott gave any indication that he might have "got" what it was all about.
There is also speculation (Huntford) that his journals were edited by his wife and friends to ensure Scott was portrayed in the right light - it wasn't appropriate they acknowledge scurvy or any suggestion of incompetence.
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The template library offered did not link under Visual C++ - some files were just missing from the disk!! There is an executable given that tests the library - but so what!! I assumed the author tested his code!
Despite its serious flaws, this book contains a number of useful ideas and techniques, and emphasizes numberical techniques that are ignored by many C++ books. I recommend it as supplement to the experienced programmer's library of C++ books.
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There are also some books which vehemently deny that a white American could ever have committed an atrocity. These are equally politically correct; their palatable lies just service a different audience.
This book falls into the latter category. Sorry, but Scott plainly ignores a vast body of evidence against Chivington. Were all the thousands of people who reported seeing children's body parts displayed as trophies in on the great conspiracy? How about the dozens of oral histories provided to the descendants of soldiers, which mesh reasonably well with those of the Cheyennes?
There are plenty of historical acts of aggression, against Native Americans or anyone else, which could be reasonably argued to have been at some level justifiable. Scott chooses not to take any of them on. By refusing to accept that ANYTHING a white guy did could possibly be evil--even killing pregnant women and keeping the fetuses as souvenirs--Scott effectively puts himself in the same boat, if the opposite end, as the misty new-age folks who refuse to believe Native Americans knew what evil was before the Europeans got here.
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This book is a dream if you are involved within Analysis and even looking at the new DTS Analysis functions has helped me.
Comparing this with other books, by far this is the one that is well written and doesnt just come out with the obvious.
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How many more books have to go over the same old java vs. C++ stuff, OOD, and the Internet (hello, this book is for "intermediate programmers who know the basics of Java" - they already know about the INternet). Perhaps these sections should be replaced with real content. THis is not a Java Primer - it lacks the content required for that, yet it covers ground that would be covered in any Java Primer (which would be a prerequisite to this book). No coverage of database access, e.g. ADO...yet surely Active suggests dynamic websites, which are often/primarily used to provide database access.
The examples were...poorly chosen IMHO. ..and the paper seemed cheap and yellowed! (How about a webpage accessing a database as a more relevant example?)
Part 1, Object-Oriented Programming, provides an overview of Java and its role for Internet-based and full-blown applications. I liked the overview of Java class design and the comparison between Java and C++. Part 2, Component-Oriented Java, using Java for components, both for Web applications and standalone apps. The author spends a fair bit of time talking about ActiveX and COM (this is a Microsoft Press book, after all), but includes a chapter about JavaBeans and how you can mix and match them with ActiveX components. The last part, Application Java, focuses on creating standalone applications with Java, with discussions of the Abstract Window Toolkit, user-interface design, building and using components, and security issues. Over the course of several chapters, the author develops some simple but complete Java programs with VJ++.
I found the book to be generally well-written with light humor but with an inconsistency that was sometimes distracting. The author excels when describing general concepts but sometimes gets bogged down in detail. The chapter on the AWT, for example, consists mostly of the various classes listing their methods and properties (using Microsoft's terms, not Java's) with a couple of sentences explanation. I think this chapter would be more useful with a broader overview of the AWT serving as an introduction to the following chapters. Several of the diagrams look to have been hastily drawn with a marker then poorly reproduced.
Normally I don't like code listings in books that go on for several pages, but here it works. The examples are short enough to let you grasp how it works but without going on forever. The CD, of course, includes all the code.
But these are minor niggles. If you know either Java or C++ and want to use VJ++ to write anything from simple applets to full applications, this is a very good place to start.
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This book is the only full scale biography of Johnson to be written so far. As such it is a valuable addition to our knowledge. It was originally written as a senior honors project at Yale, and although expanded, still bears signs of its origins. It is strong on the development of the Harlem stride piano style and has a good chapter on Johnson's pianistic approach.
However, it also has some flaws: it is based largely on secondary sources, has little to say about Johnson's "serious" music (most of which was not rediscovered until after 1986), is unbalanced in its emphasis on the 1920s while neglecting Johnson's jazz revival in the 1940s, and offers only limited analysis of his recordings.
Bob Hilbert's discography is a very useful addition, although it is now 15 years out of date and therefore omits both CD releases and some recent discoveries.
For Johnson fans or those interested in the history of stride piano or in the New York jazz scene of the 1920s, this is well worth getting. However, it is not the definitive scholarly biography that Johnson's stature ultimately deserves.