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Went online the first day I got it, using the links provided by the book. Six hours later I realized it was getting late and that I was only up to page 80 or so.
A fantastic source of hard to find info, with tons of URL's provided, when available.
The first book I have bought in several years, in which I feel I got the better end of the deal.
It provided much,much more value than the ...price.
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But, having said that, the prospective reader must be warned that the book is a love letter to Scott, and has been utterly eclipsed by Roland Huntford's The Last Place on Earth, a far more scholarly and accurate account of the race to the South Pole.
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This book is an absolute must for anyone interested in the history of the Antartic continent, Scott and, to a lesser degree, Shackleton. It is, without question, the most complete review of the Discovery expedition.
Although Scott's disaster in 1912 overshadows the Discovery effort, it could be said (and this is the point of "Unveiled") that there was much more meaningful work accomplished during this 1901-03 expedition.
Most readers will find "Unveiled" ponderous a times, although that is to be expected in a work of this depth and precision. I was disappointed with the occasional childish snipes at Roland Huntford's monumental "Last Place on Earth," a book that is a sore point with Scott's many fans. It's too bad that writers on Antarctic exploration feel as if they have to be one side of the fence or the other. Scott accomplished more than most other polar explorers -- but he also made many, many blunders.
But, in the main, "Antartic Unveiled" is worth looking into.
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Book itself was simple to read, well at least for me. There are lot of examples, but I found them inconsistent. You may want to try IBM's website to get more information on OVID if you don't want to buy the book.
"This book is of critical importance in our endeavors to leverage different world views in order to successfully develop software in combination with users, user interface designers, and programmers. I plan to incorporate this approach in my own work and hope you will see the worth of this in your work also."
Dr. Brad Cox, Author of Object-Oriented Programming: an Evolutionary Approach, George Mason University
"The effective translation of an understanding of the user into highly usable product design is one of the most significant challenges in the information technology industry. OVID directly addresses this challenge by defining a new, comprehensive approach that is based on solid, object-oriented methods."
Karel Vredenburg, Corporate Team Lead for User-Centered Design, IBM
"This is a very good book for introducing programmers to object-oriented GUI style, especially for applying programmers' object notations to OO GUI style. This is one of the rare sources on the critical topic of how to represent object "views" in those notations."
Tom Dayton, Senior Usability Engineer, Sun Microsystems Usability Labs & Services
"There has long been a need for a method which integrates Object Oriented Design of applications and their GUIs. This is it."
Paul Brebner, Software Research Engineer, CSIRO Land and Water, Australia
"Object-oriented interface design is an excellent way to bridge the gap between task data and fully realized systems. Object, view and interaction design (OVID) methodology provides indispensable guidance on bridging that gap successfully."
Christopher R. Hale, Senior Human Factors Engineer, Intel Corporation
User interface design has long been a mysterious area for many software developers. OVID blends the art and science of user-centered interface design and usability with the familiar and structured methodologies of Object-Oriented Design. I will use this book in my consulting work, seminars, and courses--and know its practical approach will be very well-received.
Theo Mandel, Ph.D., Interface Design/Usability Consultant, Interface Design and Development, Author of "The Elements of User Interface Design" and "The GUI-OOUI War"
"At the beginning of this decade, Don Norman characterized usability as 'the next competitive frontier.' Here at the end of the decade, OVID arms user interface designers for that competition, offering a series of proven design methods presented in a cogent framework, with the user kept at the center."
Randolph G. Bias, Manager, Usability Engineering, BMC Software, Inc., co-editor of "Cost-Justifying Usability".
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"Whether or not Schulz is a devout Christian I could not say," writes lexo-2. If he had taken the trouble to actually read Short's book, however, he would have found numerous quotations from Schulz himself concerning his religious views. Speaking of a Bible-study group he attended shortly after his return from the Second World War, Schulz says, "The more I thought about it during those study times, the more I realized that I really loved God" (quoted on p. 70). Or again, "I don't even like the expression 'take communion.' You cannot 'take' communion. You are a part of the communion. You are communing with Christ; you are a part of the community of saints" (p. 80). The rhetoric, complete with its anti-Catholic bias against the notion of "taking" communion, is clearly that of a born-again evangelical (in Schulz's case, Church of God). And lest there be any doubt of Schulz's authorial intentions, he is quoted in the very first chapter as saying, "I have a message that I want to present, but I would rather bend a little to put over a point than to have the whole strip dropped because it is too obvious. As a result . . . all sorts of people in religious work have written to thank me for preaching in my own way through the strips. That is one of the things that keeps me going" (p. 20).
Schulz was worried about being too obvious. Clearly he wasn't obvious enough.
Short's book is cogent and well argued; it certainly is not a collection of "homilies." Contrary to what lexo-2 implies, Short does not ignore the darker side of the Peanuts world. Indeed, of lexo- 2's "three phrases," Short uses two or them in chapter titles: "The Wages of Sin Is 'Aaaugh!'" and "Good Grief!" Good grief! Read before you review!
Yes, lexo-2 is quite right that the world of Peanuts is a "sunlit hell, in which the characters never grow, never change, etc." Where he goes wrong is in assuming that Short--a Ph.D. in literature and theology, a man who had taken the trouble to study the cartoon in depth and even write a book about it--couldn't see that for himself. Wrong, wrong, wrong. Short's whole point is that we all live in a "sunlit hell," suffering "unimaginable fears" and "wreaking appalling cruelties on each other," and that we will never escape that hell unless we can find . . . (you guessed it!) the saving grace of Jesus Christ. The salvationist message does not come across too strongly in the cartoon (Schulz did not want to be "obvious") but it just as surely is there, between the lines, in the occasional epiphanies of love and reconciliation that illuminate the otherwise bleak moral landscape of Peanutopia.
You can agree or disagree with the Short-Schulz analysis of the human predicament. Personally, I disagree strongly. But in a world in which evangelical and fundamentalist Christianity have so much influence and power, it simply will not do to be idly dismissive. Indeed, I particularly recommend Short's book to freethinkers of every stripe, if only that they may remind themselves just how subtle and persuasive evangelical discourse can be. There is more, much more, to Short's little book than "pious ramblings" and that is precisely what makes it, depending on your point of view, so inspiring or so insidious.
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"Silly" began about page five and reappeared frequently during the remaining 285 pages. We're looking here at "silly" at the high school composition level, and the plot is strained and worse even than the writing.
This was copywritten 13 years ago, and Littell has become a somewhat better writer in the interim. I just finished his latest, "The Company," and it was worth about 3 1/2 stars. I'll skip anything else by him.
The old phrase, "the book's not worth the candle," is too kind for "The Once and Future Spy."
Fellow fans, help me out. If you can, I may come back again and revise my rating upwards. If not, then let's let a 3-star rating stand for a good book make a little too complicated for its own good.
For the spy lovers there have been, "Walking Back The Cat", "An Agent In Place", and most recently, "The Company". Historically based fiction rarely gets better than, "The Sisters", and "The Visiting Professor", fills the relationship category. It's not an easy decision, but my favorite work of his is likely, "The Revolutionist". All of these books I would enthusiastically recommend.
"The Once And Future Spy", is akin to traversing a labyrinth that is made of mirrors instead of green hedges. I also walked through one made entirely of chain link fence once, and with all that it allowed you to see, that it "showed clearly", it too was especially, or perhaps unique in its puzzle.
And despite all that transpires in this book, when you finally put down, or it finishes with you, you are anywhere but at the end. Government conspiracy enthusiasts will love this book, for it not only is clearly modeled after a specific US Presidency, it also portrays a variety of players that are identical to that administration in all but name. The act contemplated has a logic in their world, but once outside of their tortured, groupthink, any ends justifies the means sideshow, what they contemplate doing is no less than a crime against humanity.
Mr. Littell plays a wonderful game of slight of hand, and three card monty novel writing. But he does it with such skill that it never seems contrived, and when you think you have finally found the correct card, he will turn over another, proving you wrong once again. Even when he appears to come clean at the story's conclusion, has he really? By my reading he has not. An uneasy truce based not on mistrust, or threats, but rather participants not knowing where they stand, seems to be the closest anyone can come to comfort.
If you have never read this writer's work, please do, you will find a variety of genres, all capably handled by an extremely talented, imaginative, and skilled pen.
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