All things considered, this is good historical fiction. The way it ends, however, was mixed. Raisha made the right decision. Some of the other characters did not. If you enjoy history, read it. If you are a Scott O'Dell fan, this is probably the best book that he could possibly do.

A fondly remembered book from my childhood. I highly recommend this and most other Scott O'Dell works.

The book My Name Is Not Angelica by Scott O'Dell is an intriguing guide through the slavery of African Americans. It is a brilliant story with descriptive characteristics of each specific individual and setting. Raisha, the protagonist of the book, was sold to the Van Prok family of Hawks Nest and throughout the story she gains her individuality. Mistress Jenna Van Prok renamed Raisha "Angelica" to try to make her forget her heritage. Raisha, sold in a trio with two of her friends from home, blossoms into an emotionally strong woman in tough times as this publication progresses. Her entire "career" as a slave she had dreamed to be free. It made it tougher for her when she dealt with the surprises of her new lifestyle and community. Can she escape this mind buckling experience? The inquiring minds of all that read this are to whom this will prevail.

I recommend My Name is Not Angelica because it is a somewhat brief anecdote that shows how Raisha deals with the slave revolt of 1733. It was admirable how Raisha gained her independence "waltzing" from location to location. After the unbearably treacherous happening of being removed from her home and in Africa at an age where she nearly understood the horror and details of the slave revolt. Although the heat of Africa was similar to that of St. John, the location of Hawks Nest, it seemed hotter to her to a scorching degree while suffering and slaving away. Even though her existent work was tending to Mistress Jenna. There were many sections of the story when Raisha found her self bedazzled by the new nature of her life. The strongest obstacle beyond her nature was when she constantly found herself looking upon a collection of white faces (especially in the market in the West Indies where she was sold). She also had to deal with the trauma of watching her friends suffer, and in one case die by the strokes of a whip. This 130 paged telling may seem like it is a children's book by it's length, but it has the potential of an award winning novel. It has been a winner of the Hans Christian Andersen Award in the past. But presently I'm sure it will tolerate many more awards to an utmost extent.

A negative characteristic of My Name Is Not Angelica is it was not as well organized as it could have been. An example is not having a directory of page numbers as most books do contain which made it difficult to find a concluding point when needed. It also could have added an adventurous twist to the beginning as well as midway and the end. That way in would have a forceful push to complete reading it. Most short story style "novels" are considered childish and don't dare to dream, but this author made a strenuous effort and greatly succeeded in executing it perfectly. This tale is a nail biter, not a head scratcher. This wonderful story has necessity for a sequel.

For those seeking the famous tale on which the recent film wasbased, this will sorely disappoint. This is Scott's tale of a youngEnglishman, son of a prosperous middle class businessman, who is sent to live w/distant cousins in the north of England (just below the Scottish border) because of his failure to live up to his father's mercantile expectations of him. Here he becomes involved with all manner of intrigue and gets pulled into a vortex of events involving rebellion against the English crown, a scheming cousin, a beautiful girl and that famous Scottish outlaw and freedom fighter, Rob Roy. But the outlaw, certainly the most interesting character in the tale, is only a side player, so to speak, and makes a number of appearances, often in disguises ( a favorite Scott motif), only to guide and/or rescue our blundering hero. This is most definitely not a tale of high adventure and derring do, and the complex and twisted intrigues of the plot do not sustain the book adequately. For those who like period pieces or the works of the masters (and Scott was certainly one), this book might be okay. But this is one of those rare instances where the movie, based apparently on Scott's preface to his book (in which he sketches out the life and times of the historical Rob Roy), is better. And frankly the movie wasn't half bad; far superior, in fact, to that other film of historical Scotland of the same vintage with Mel Gibson. Oddly enough, the Rob Roy film did worse @ the box office. Who can account for some people's taste? -- Stuart W. Mirsky

Sir Walter Scott is widely acknowledged as the creator of the historical fiction genre. His best known book is Ivanhoe, which I have not read. I instead decided to read Rob Roy, a book I became familiar with due to the 1995 movie of the same name starring Liam Neeson and Tim Roth. Rob Roy, written in 1817, takes us back in time to the 1715 Jacobite uprising.

Surprisingly, Rob Roy is not the main character of the book. Rob Roy's appearances in the book are spotty, at best. Instead, Francis Osbaldistone is both narrator and main character. Francis, we quickly find out, is more interested in poetry than in business. His father, who hoped for Francis to take over the family business, becomes angry with his son and banishes him to his brother's estate, Osbaldistone Hall. Francis's relatives are all country hicks, with the exception of Diana Vernon, an astonishingly beautiful "cousin" who stays with the Osbaldistones for reasons best left unrevealed here. Francis also encounters the treacherous Rashleigh Osbaldistone, the cousin who is to replace Francis at his father's business. Francis soon becomes embroiled in several adventures, usually with Scottish sidekick/groundskeeper Andrew Fairservice and Glasgow businessman Nicol Jarvie at his side. Needless to say, Francis falls in love with Diana Vernon and becomes entangled in the machinations of the Jacobite rebellion.

I found myself amazed at Scott's depictions of women in this book. Diana Vernon is not only beautiful; she's smart, self-assured, and a very dominant figure. Rob Roy's wife, Helen MacGregor, also is presented as strong and domineering. I find this fascinating in a novel written in the early 19th century. Even more surprising is Francis; he is depicted as weak and easily dominated. Between Rashleigh, Rob Roy, and Diana, Francis never seems to know what is happening and is easily brought to emotional frenzies by the other characters. You quickly begin to wonder how this guy can get anything done.

There are two minor problems in Rob Roy. First, I'll mention the Scottish dialect. Scott, in an effort to be authentic, makes liberal use of the Scottish accent. This isn't much of a problem in the first part of the book, but in the second half it becomes a serious issue. Even worse, Scott uses the Scottish characters to reveal major plot points. Therefore, if you can't read the dialect, you're in trouble. This wouldn't be bad if a glossary had been included in the book, but there isn't one. After awhile, I realized that "bluid" was blood, and that "muckle" meant much, but the inclusion of many Scottish idioms had me totally dumbfounded. Other Scott novels in the Penguin series include a glossary of Scottish terms, but not their edition of Rob Roy.

Second, the pacing of the book is most unusual. For some 200 pages, nothing much happens. I've read many novels from this time period, and most move faster than Scott. This doesn't make Rob Roy a bad book, but it does take patience to get to the end. Even when the plot starts to thicken, Scott still takes a lot of time to unfold events. In some aspects, this lends a distinct quaintness to the book. At other times, it can become annoying. It is easy to understand how many people would lose patience with the book and give up.

This is still an entertaining book, and I highly recommend it to those interested in historical fiction. Despite a few problems I had with the book, I would like to read more of Scott's work in the future. I shall certainly look for editions with glossaries so I can navigate the Scottish words. By the way, the man on the cover of the Penguin edition is William, 18th Earl of Sutherland.

Robert Louis Stevenson called "Rob Roy" Sir Walter Scott's finest achievement. I do not disagree. Set shortly after the unification of 1707, Scott tells the tale of the protestant Francis Osbaldistone as he bids adieu to his father's London commercial interests and enters, as an exile, the baronial home of his papist relations in the north. His cousin Rashleigh assumes the commercial role intended for Frank and uses his newfound access to stir loyalist feelings in the Scottish Highlands by ruining the far-flung credit of the Osbaldistone business. Frank, upon uncovering the conspiracy, sets forth to Glasgow with the mercurial gardner, Andrew Fairservice, as his guide to right the wrongs of the scheming Rashleigh. Ever dependent on the outlaw, Rob Roy MacGregor, to intervene in his behalf, Francis Osbaldistone leaps from one adventurous situation to another in his fight to clear his family name. Along the way, Frank meets and falls in love with the outspoken and beautiful Diana Vernon who aids him in his plight. Though a fair portion of this book is related in the Scottish vernacular, there is a glossary in the back of this edition that will easily point the way. Even so, the reader will confidently understand the vernacular when one-third through the book. This is a classic that can be enjoyed by anyone, particularly those interested in period and place.

I took the test last month (Dec '99). (scored 90% on DOS/WIN and 98% on Core). I realized that the book went into great detail on stuff that wasnt needed for the exam and didnt cover enough of stuff that was on the exam. The book was especially weak in the Win95 section. The Core section was good tho. If you are not strong in Windows (especially troubleshooting), you definately need another book.

This book gave me just the material I needed to pass the exam and skipped all the fluff that is in other 1000+ page books. It is lacking somewhat in modem coverage; and the EP Process labels in the chapter on printers follow the HP model rather than the IBM version, but NYC's review below is way off. If you get this book, pick up New Rider's A+ Top Score Software to test yourself. It matches up real well with the book.

If you have computer experience, this book is the one for you. It gets down to what you need to know to pass the test. Does not go in-depth so if you are a beginner, I would not recommend it. Also, there are a few topics that the book does not cover, but the exams do; modem strings for example. Still, it provides enough to pass the exam.

Mario Chakkour is not a household name but with "Virtual Pose", he is setting the standard in the combination of computer technology and artistic drawing of the human anatomy. With a wide variety of angled views of single poses, the lens of John Fisher brings the models alive and practically enables a three-dimensional guideline of what are impressive figures. Those wanting to have an educational experience in the art of drawing the human body will be immersed in material with the hardbound book and CD-ROM.

Mario Chakkour has taken the world of artistic drawing and the human body and created a significant multimedia project in "Virtual Pose". Drawing the human figure becomes a less dramatic artistic undertaking and more of an enjoyable (the CD-ROM comes complete with soundtrack!) experience. The overall work is distinguished by Chakkour's interpretations, numerous classic poses by the models and the companion CD-ROM. The lens of Welton Doby has provided the models with a natural aura, which aids clarity. The CD-ROM, another sign that art is utilizing mainstream technology at its edges, allows the artist to see the human form in its essential three dimensions. In its entirety, "Virtual Pose" is an attempt by Chakkour to blaze trails as he has done in his previous projects. The result is the illumination for artists of the "perfect creation".

Virtual Pose is a remarkable combination of technology, art, and aesthetics! I found this an easy way to approach drawing or sketching the human figure -- no concerns about a model getting fidgety or uncomfortable. The models are extremely well chosen and are a joy to contemplate. 360% rotation available through the CD makes it possible to capture any aspect of the figure and to appreciate it in a way no flat photo can match. For those who like music as a counterpoint to concentration, as I do, the CD sound track is a nice collection of themes which fit nicely with the poses. I have enjoyed this book and CD immensely. I especially like the notion that I can work at will, not having to wait until the class starts or the studio opens. This is an excellent means to study the art of the human figure!

I would doubtlessly recommend Ivanhoe to read. History may be often dull but Sir Walter Scott makes history extremely exciting by romanticizing his novel. It directly deals with hatred between the Normans and the Saxons, the discrimination of the Jews, chivalry, and politics--but it is a unforgettable tale of heroism, honor, and love. I felt that the characters were so fascinating and fun to read about. I was enjoying and cheering on the good characters like Ivanhoe, King Richard, and Robin Hood to beat the hated and evil villains. I liked the idea of love added in the story, like how Rowena and Rebecca were both in love with Ivanhoe. I even felt a little sorry for Brian de Bois-Guilbert who would do anything for Rebecca's love but is constantly rejected. I thought how it was appealing how the author questions Ivanhoe and Rebecca's feelings for each other. Suspenseful and action sequences also added entertainment to the story. This book may be a little too detailed for some readers, but I didn't mind. I felt that the details were brilliantly used to decorate the story in an outstanding fashion. The old English wording made me feel like I was actually in the medieval England. I have to admit that it took a great deal of persistence for me to finish this book and it was a challenge for me to read. However, I found Ivanhoe to be a wonderful pleasure. It is no wonder that Ivanhoe is such a well-loved tale!

I enjoyed this adventure yarn on many levels.

I was glad to learn about the Knights of Templer and that they were crusaders. I always wondered how Sam Spade in the Maltese Falcon knew that and it is because of this classic.

I was surprised that it talked so much about Robin of Lockesley. The story of Ivanhoe seemed to be the same only told by Ivanhoe's friends and not Robin's.

I thought that the DeBracyn and the Knight of Templer Brian de Bois Guilbert were pretty evil guys which made the story interesting. They were weasels when they had their backs to the wall but did preform with honor when required like when Richard gets DeBracy.

I guess I did not understand the prejudice of the time because they treated the Jews like dirt and they were so sterotypical. I really thought that the Jewish girl Rebecca was going to end up with Ivanhoe instead of that Saxon Lady Roweana. I guess you have to appreciate the times that they lived in.

It was a different look the Richard/Prince John history.

Not to put too fine a point on it, but this book, by Sir Walter Scott, was the progenitor of what was to become a venerable tradition in English letters (and in other European literatures as well): the historical romance. There have been many after IVANHOE, and frequently with a finer eye to the period in which the tale is set (for IVANHOE contains quite a number of anachronisms -- even Scott acknowledged it), but few have done it quite as well as Scott. He uses an archaic English to give voice to his characters, but one which is readily absorbed because of the speed & quality of the tale. So, though these people certainly wouldn't really have spoken as he has them speaking, they yet sound as though they should have. Peopled by many 'stock' characters and situations, this tale was fresh in its time & still reads well today -- a testament to Scott's skills as a teller of tales and a sketcher of marvelously wrought characters. In this tale of the 'disinherited knight' returning home to find the world he left turned upside down, young Ivanhoe, after a stint with King Richard in the Holy Land, must fight the enemies of his king and kinsmen anew. Yet the hero is oddly sidelined for much of the tale as events swirl around him and the brilliantly evoked villain, Sir Brian de Bois Gilbert, in the pay of Prince John, struggles to win treasure and the beautiful Rebeccah, who yet has eyes only for Ivanhoe, a knight she can never hope to win herself. There's lots of action and coincidences galore here and Robin Hood makes more than a cameo appearance, as does the noble Richard. In sum, this one's great fun, a great tale, and the progenitor of a whole genre. All those which came after owe their form to it. Worth the price and the read.

I still haven't finished reading this page turning book. I have 2 chapters left and so far I have not been disappointed. Winfield Scott served his country well and I would hope that he has not been lost to history. This book brings to life this mans place in history. I enjoyed the chapters concerning his role in the American-Mexican War and I would like to read this authors book on that conflict, a shame it's no longer available. Buy this book and enjoy, recommended reading!

Eisenhower has made an important contribution to American historical biography in this overdue story of the life of Winfield Scott. It was astounding to read about the wide range of events in which Scott played a major role from 1812 through the Civil War. Whatever the justification for the Mexican War, his campaign from Vera Cruz to Mexico City, after severing his lines of supply and communication and with a force the fraction of the size of the opposition, was one of the great feat of arms of any era. Eisenhower is succinct and exciting in his description of that campaign.

Outstanding biography about one of the most important figures in early U.S. military history by one of the finest military historians writing today. General Scott's engaging humanity in all its noblest -- and sometimes ignoble -- forms comes through very clearly in this much-needed biography. Author Eisenhower's wry comments, exemplary writing quality, and impeccable research make reading the story of Scott's life a pleasure from cover to cover. "So Far From God," Eisenhower's history of the Mexican War, 1846-48 (and Gen. Scott's triumphal campaign through Mexico), is currently out of print. This state of affairs should be instantly rectified, if for no other reason than to give this paramount moment in Winfield Scott's military career its proper place on the bookshelf next to John S.D. Eisenhower's wonderful biography of his life.

Some of the stories are quite similar to others. Of course, they all have to do with dragons, but several fall in the Hero goes to slay Dragon formula. The Orson Scott Card does not seem to fit in the traditional dragon formula and is the outstanding story. The Anne MaCaffrey is good but overwritten at points. I expected more from the Zelazny. It was very good, but Zelazny has done such mind-blowing work that this seems to be a bit trite. The Friesner is hillarious and the best of the funny stories in this book. The Martin and Tilton are quite good, but not estradordinary. The rest were merely okay, except for The Ever-After which had horrid prose.

This was a fairly good book. It gave a lot of information that someone might use while reading any of Anne McCaffrey's books. I liked this book because of that. Anyone who likes dragons could use this book.

I LOVED this book! I've never in my life read stories of this calliber!I couldn't put this book down.It was delightful from cover to cover.I highly recommend this book to anyone who has fallen in love with the world of dragons.

This book is written in installments: first-person narratives by people who know the main character. Most of them are only a few pages long, and few of the narrators repeat. Thus, it's impossible to really sympathize with any of them. The main character himself, gunslinger John Wesley Hardin, is hard to like: we never get into his head, and from the outside he looks like just another gangster. The reader sympathizes briefly when he's wounded and imprisoned, only to be put off when he commits his next act of mindless violence or drunken stupidity. The post-Civil War American West, as presented by the author, whacks the reader over the head with violence, lawlessness, and what I felt were rather gratuitous scenes of sex with prostitutes. I'm all for "gritty" historical fiction, but here it sometimes seemed like the author was just trying to show off. Without emotional content, grit is just an irritant. Having said all that, the book is intelligently written and apparently well researched, and it might be somebody else's cup of tea more than it is mine.

There was nothing like the American West in the history of the world and figures like Hardin exemplify it; deadly, brave, sad and foolish all at once. His death seemed a relief because by 1895 there was no place left for the bravado of a gunslinger who would draw over an insult.

I found the writing format, the telling through other's eyes, less engaging and certainly less tasty than Blake's current style.

This was some book ! Absolutely outstanding in every respect - as a story, in its style, very exciting, excellent dialect, really funny in spots, ..... Chapter by chapter I went from hating the arrogant ... (John Wesley Hardin), to wanting to be a Hardin. If he really was as portrayed in this book (which I doubt), he was mostly the kind of person I respect - leave him alone and he'll buy you drinks all night long and otherwise give you the shirt off his back. Meddle in his business, get in his face, or harm his family and he'll whip you or kill you. Now don't get me wrong. Any reader would try to see where they fit in, in that day and time and I am pretty much left with the sad conclusion that I would have probably been a sorry, boot-licking peddler of some kind . . . . not a Hardin.

Some wonderful and successful writers gather their thoughts in this book to bear light on the magic of Tolkien's writing. Being a fan myself, I enjoyed the individual tales of discovering "The Hobbit" and "The Lord of the Rings" for the first time. I related to the same sense of awe and dread, of wonder and inspiration. Surely, Tolkien has inspired many.

Unfortunately, the praise gets to be redundant and--may I say it?--almost hollow, without the balance of some thoughtful criticism. Personally, I wouldn't have much negative to say regarding Tolkien's work, but I found very little that was genuinely fresh or enlightening in this collection of "meditations." I did discover an interest in some of the authors included (not a bad reason for their involvement in the project) and in earlier 20th century writers that I have never familiarized myself with. Lord Dunsany, E.R. Eddison, Fritz Leiber, and Mervyn Peake are only a few of the old standbys mentioned repeatedly.

Although interesting, a quick read, and well-written, this collection might best serve those curious in unearthing the inspiration beneath some of their favorite authors. I was hoping for something with more vitality, but overall I'd recommend the book.

MEDITATIONS ON MIDDLE EARTH is a collection of essays focusing on J.R.R. Tolkien's works, especially the Middle Earth saga. Some of the more renowned fantasy authors of today evaluate the series that made fantasy a household name. Surprisingly, though everyone agrees that Professor Tolkien opened up the genre to the middle class, not all of the contributors are fans of the actual novels. Insightful and entertaining, each essay is well written with the writer's particular spin. However, this anthology will be loved by those readers analyzing the various cultures in a way that cultural anthropologists would envy or by those fans who cherish Beowulf, which Tolkien felt is the forefather of the genre.

Harriet Klausner

I borrowed this book from the library and enjoyed it so much I asked for it for Christmas (and got it). The different authors writing about the influence LOTR had on their lives reminded me of the first time I read the story and the effect it had on me. The drawings that illustrated the book were very well done. I think this should be in every fan's collection and is a must for anyone contemplating following in Tolkien's footsteps and writing a fantasy novel.