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Anyone interested in the Arctic exploration and early Native Americans will enjoy this book. The author, Sir John Franklin, was a fearless explorer who died on a subsequent Arctic mission. He descibes his meetings with the traders and local inhabitants in great detail. He relied in large part on local Native Americans as guides and hunters. It was his intention to meet with the Eskimo people, who avoided all contact with his group. The Native Americans refused to accompany the group all the way north due to their fear of the Eskimos. I highly recommend this book.
The Monmouth rebellion got off to a quick and bumpy start in the marshlands of Sommerset where various discontented elements of local society were willing to support the Protestant Duke. This support proved fleeting however, as the greater gentry never came out to support him. With time running out, James II managed to put together an effective response. Monmouth was counting on the Royal army diserting the king. There was some reason to be hopeful in this regard, as Monmouth had served as Capitan-General of the Royal army until recently. James was fortunate to have staunch support by such men as John Churchill, Ogolthorpe and Percy Kirke.
With popular support never reaching beyond 5,000 or so in Sommerset and adjoining counties, Monmouth knew that he must win quickly if at all. He gambled on surprising the Royal army at Sedgemoor with a night attack. Unfortunately Monmouth's men were not up to to the task of mounting an effective night assault, and despite the Duke's solid plan, the attack fell apart in the morning light. Sedgemoor became a late 17th century firefight with matchlock muskets popping away ineffectively at each other. The superior discipline of the Royal army under the firm hand of Churchill would ensure defeat of the rebels when the final push of pike took place later in the morning. The Royalist cavalry would further rout and destroy the rebels as they fled the field. The disparity in casuclaties tells the sad story. Nearly 1,300 rebels for less than 300 King's men. Monmouth would see his own end at the Tower in London where exicution awaited. Yet, Segdemoor might have been Monmouth's victory if circumstances and luck had turned a little differently for him.
This book combines social, biographical and military history. Parts are a bit dry at times, but the portrayal of Monmouth's character and the description of the 1685 rebellion are certainly worthwhile. This late 17th century battle holds fascination as a transitional moment in warfare as the matchlock and pike eventually gave way to the plug-bayonet and flintlock musket. Those interested in the period should find this book interesting.
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But probability alone does not a great novel make. Darsie Latimer's character is even less probable than his semi-historical counterparts, such as Edmund Waverley and Henry Morton. And this is strange, since moving further into fictionality, one could argue, a writer might allow themselves more latitude to make a character interesting, even if certain circumstances remain historical. Is this a conscious effort on Scott's part to show, after the fictionality of history, the fictionality of fiction?
Scott disturbs narrative conventions even further when the conspiracy against the Hanoverian King George III completely fails to materialize--ironically, for what seems to be the silliest of reasons: the Pretender (or the Chevalier if you're a Jacobite), Charles Stuart, refuses to give up his mistress. Thus, the main plot of the novel sizzles out and really not much happens in these 400 pages. Mind you, I personally don't need much to happen, but the 19th century novel did. Scott as a postmodern writer? That is pushing it too far, but this novel awaits a postmodern critique enlightened by a reading of Eco and Bakhtin.
That said, there are some really interesting things going on. Apart from the "regular" set of characters of Scott's Scottish novels, this one features an orthodox Quaker who is the epitome of anti-militant mercantilism. The form is also quite new for Scott--the novel is an epistolary, a set of letters between Darsie Latimer and his friend Alan Fairford. Thus, the novel's first-person point of view is split, and this provides for interesting contrasts.
For me, Scott sort of shot himself in the foot with this novel. His earlier novels ("Redgauntlet" is the last of the Scottish novels, written eight years before his death) lead one to expect a major action to happen before the denouement, and this one avoids that a bit too artificially. It seems that Scott was at pains to stick to history, and his own political convictions, a bit too much: a fictitious Jacobite rebellion is OK as a narrative vehicle, but it shouldn't interfere with the peaceful Great Britain (in which Scotland was in many respects subsidiary to England) that Scott himself inhabited and advocated. And so narrative excitement has to give way to Scott's pacifist politics--an honest choice, which Scott consistently maintains in all the Waverley novels--and character development and politics take precedent.
A final note: Scott has always proven himself a masterful and honest critic of royalty and nobility, especially of those characters he seems to love. "Waverley"'s Mac-Ivor is chastised for his political obstinacy, in "The Fortunes of Nigel" King James I (a Scot) is rebuked for his fickleness and corruption, and in "Redgauntlet" the formerly charismatic Stuart proves effeminate and tragic (dying an impoverished alcoholic, in the footnotes). And often enough, these tragic characters are of more interest than the somewhat ineffectual and sometimes foolish main characters: something for readers of literature to sink their teeth into.
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The one thing I didn't like about this book was the fact that it's a slight bit shorter than Exalted: the Dragon-Blooded, although it does cover the Lunar Exalted in much detail.