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The book is full of interesting anecdotes of the following periods of Hancock's life:
1. Early childhood and life leading up to West Point.
2. West Point years.
3. Service in the Mexican War and just before the Civil War.
4. Excellent leadership at the Civil War battles of Antietam, Williamsburg, Chancellorsville, Gettysburg, Wilderness, Spotsylvania, and Petersburg.
5. Role during the Reconstruction Period.
6. Political aspirations and almost presidency.
7. Final years.
As I read Jordan's book, I came to appreciate Hancock more and more. Jordan is able to keep the reader's interest throughout the text. For instance, while I was much more interested in Hancock's Civil War service instead of his politics, Jordan was able to keep me interested in Hancock's run for the presidency.
The only reason I did not give the book 5 stars is because the maps were few and of mediocre quality. When reading a Civil War book, I like several maps to enable me to better understand troop movements. Adding more high-quality maps would have done much to better clarify Hancock's movements during a certain battle.
Despite this minor complaint, I highly recommend this book as the definitive biography of and excellent leader!
Phil Sheridan called him "Hancock the superb", and the man so well fitted the appellation that it stuck forever. A splendid professional soldier and sterling personality, Hancock was involved in all the military activities of his time, from the Mexican War through the great Railroad Strike of 1877, performing nearly flawlessly and garnering the respect and affection of practically everyone he met. He was so well regarded that he almost beat Garfiend for the U.S. presidency, losing only because of political machinations of corrupt New York politicians.
Hancock's story is beautifully researched and well told here by an author who understands not only the man but also the times through which he moved. As a bonus, Jordan has the rare ability to bring to life military tactics and battlefield maneuvers, giving a remarkably clear vision of Civil War battles.
Highly recommended for the Civil War buff, student of military history, and as exemplary biography.
(The numerical rating above is a default setting within Amazon's format. This reviewer does not employ numerical ratings.)
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Besides that, there's folk magick galore, and ideas ranging from useful to 'interesting'. Much humor, and doesn't get too hung up on Feng-Shui the way many many books of this ilk do. (not bashing it, it's just not for me. You can't do Jack with Feng Shui in an apartment) Something for everyone but the High Magick minded.
It's basically a compendium of folklore surrounding houses and various household activities. It covers doors and windows, kitchens and cooking, bathing and dressing, candles and fireplaces, and a dozen other categories, supplying plenty of superstitions, celebrations, small rituals, and interesting thoughts for each. Some of the items are fun to incorporate into everyday life, others are good for special occasions, and many simply as folkloric knowledge. It doesn't say where most of the traditions come from, but it's informative all the same, and the information is packed in, so reading with a highlighter may leave you with pages entirely covered in neon yellow!
In general, Llewelyn books annoy me, but some of them are quite good -- choose by author;Cunningham is always a good choice. Be sure to take this one with a grain of salt (which Cunningham advises in the beginning) and enjoy.
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I was glad to learn about the Knights of Templer and that they were crusaders. I always wondered how Sam Spade in the Maltese Falcon knew that and it is because of this classic.
I was surprised that it talked so much about Robin of Lockesley. The story of Ivanhoe seemed to be the same only told by Ivanhoe's friends and not Robin's.
I thought that the DeBracyn and the Knight of Templer Brian de Bois Guilbert were pretty evil guys which made the story interesting. They were weasels when they had their backs to the wall but did preform with honor when required like when Richard gets DeBracy.
I guess I did not understand the prejudice of the time because they treated the Jews like dirt and they were so sterotypical. I really thought that the Jewish girl Rebecca was going to end up with Ivanhoe instead of that Saxon Lady Roweana. I guess you have to appreciate the times that they lived in.
It was a different look the Richard/Prince John history.
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No wonder Mr.Card is a great writer; whatever he writes he writes it good. Unfortunately Xenocide serves the purpose of bringing up a number of muddled ideas rather than telling a story. As a matter of fact there are so many ideas (overcoming an intelligent virus, how to save Jane, the Godspoken, Novinha's frustration against Ender, Ender's "split" personality, piggies' rights, virus rights, Bugger's way of thinking, Inside and Outside, faster-than-light-travel and some more minor things) that all comes to frustrating complexity and since the author does not have enough "time" (number of pages) to devote to each idea, almost everything except a few becomes muddled.
At the end, since the author creates more problems than necessary for a book - that can be handled in a single book - in order to neatly tie all that mess up, he has to resort to deus ex machina by means of hard sci-fi. Well Mr. Card is a great writer of characters, but he's not that great in hard sc-fi; thus his attempt makes you feel kinda cheated.
Overall this is an inescapable book. If you've started Ender Saga you'll have to read this. Thanks to Card's writing, it is still a fun read but especially with its ending it is unsatisfactory.
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However, somehow the Battle School children in this novel are less believable than previous novels... In "Ender's Game" and "Ender's Shadow", Ender, Bean, Petra, and even Achilles were presented in a manner that I thought was believable, and somewhat representative of the more brilliant children I have met. However, in "Hegemon", while Bean and some of the other children are still well written, Achille comes across rather two-dimensionally, and it's rather hard to actually accept this character as Card wrote him. However, this is a minor flaw, the storyline and discussion of politics and war are interesting by themselves.
If you've read the rest of the "Ender" novels, and like "Ender's Shadow," you'll probably like this novel. If you're new to the "Ender" books, I certainly wouldn't recommend starting with this one, however.
Card's handling of politics between countries makes the book engaging, as it revolves around a kidnaping of Petra by Achilles and Bean efforts to save her. We even get to see what Battle school graduates are doing after Battle school. They are at the heart of military strategies in the book, sometimes to the chagrin of adults. It you truly believe in the child geniuses being brilliant strategizers then the books work. People who have read Ender's Game and accepted a six year old killing another bully of a six year old seem surprised with the maturity of battle school graduates. The whole point was to make them grow up faster and draw out strategies for war. It stands to reason that they could plan wars on planets or space since their training would have started with the history of wars on Earth and then branched out into space.
Bean is more human in this book. He shows more emotion for people and he interacts more with his environment. Peter's role in this book was surprisingly small, but he is sure sure to play a larger role in the future books.
It is well worth the read. It continues in the Ender tradition, but it 100% new events as opposed to Ender's Shadow.
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As the title suggests, the book follows both the errors made when Gandolph was convicted in 1991 and the discovery of new evidence and witnesses. But the story is not really about Gandolph, but about the three of the people who were central to the original story and current defense attorney Raven.
Raven works with the judge at Gandolph's original trial, Gillian Sullivan, in getting the new evidence. Sullivan, recently released from prison for taking bribes and a recovering drug addict is drawn to Raven, a hard working attorney who is unable to sustain personal relationships. The unlikely couple, a beautiful ex judge in her late 40s and an awkward driven attorney in his 30s, develop an unusual kinship. This is one of the two key relationships at the core of this story. The other relationship is that between the prosecuting attorney of Gandolph's case, Muriel Wynn, and Larry Starczek the original detective on the case. Wynn is now married to a wealthy but aloof businessman and running for DA and is put into contact with Starczek with whom she had a long term affair at the time of the Gandolph trial. Both question what happened over the years and whether they made the right choices. Wynn and Starczek have different motives for ensuring that Gandolph is executed for the murders.
The first third of this book alternates between flashbacks to the original events in 1991 to reveal what happened at the arrest and trial and 2001 when the new evidence is presented. This part of the book is somewhat tedious but the pace picks up nicely in the rest of the book. The relationship between Raven and Sullivan becomes central to the story and is as much a part of the redemption theme as is the work to free Gandolph. The final resolution of the story tests that relationship as well as Raven's core beliefs in the legal system.
Be aware that this is not a traditional legal thriller due to the key focus on relationships but it is still a very satisfying story.
Turow's latest hardcover skips back and forth in time between 1991 and 2001, comparing and contrasting the arrest of small-time pickpocket Rommy "Squirrel" Gandolph for a notorious triple-murder on the 4th of July, with his subsequent last-ditch appeals from Death Row. The main characters in this drama are helpfully laid out, in chart form, on the book's opening page. Out to bust Gandolph are Detective Larry Starczek (a WASPy version of "Law & Order"'s Lenny Briscoe) and assistant prosecutor Muriel Wynn. Out to save Gandolph a decade later is depressed corporate lawyer Arthur Raven, and disgraced trial-court judge Gillian Sullivan. Naturally, each pair becomes romantically linked, even before you can mentally cast them. You can chart Gandolph's fate in the novel by the direction in which each romance heads. To reveal who's together at the end of the book, and who isn't, is to spoil whether or not Gandolph is spared the death sentence.
"Reversible Errors" features several interesting, flawed characters, each acting in what they believe to be their own best interest. Turow never passes judgment, even on his characters who end the novel at rock-bottom. The zealous cop and the earnest defense attorney are basically portrayed at equal footing. The sex is... well, not glamorous at all. Both Turow and Grisham tend to shy away from the boudoir, but when Grisham goes inside, the results are a lot more Hollywood.
For all the intricate plotting and layers of surprise revelations, Turow still doesn't hide the ball exceptionally well. The name of a character introduced midway through the book is such a transparent pseudonym that, for 100 pages, I thought the big revelation would be that it wasn't a pseudonym at all. Following up on the up-close look at Lou Gehrig's disease in Turow's previous "Personal Injuries" (an excellent novel), this book features characters with terminal cancer and schizophrenia. I found myself feeling a bit hypochondriac by the end.
However, when complex characters earnestly discuss law and ethics for 400 pages, it's hard not to get drawn into their intricate worlds. The law is realistically portrayed, and the few courtroom scenes are believably intense. These are attorneys with ideals, with ethics. Compared with Grisham, who hardly ever ventures inside the courtroom at all these days, it's clear that Turow is still the champ of the true legal thriller.
Problem is, it usually doesn't, and that goes especially for cases involving the poor or retarded. If you're not a regular reader of Turow, don't fret; you can read this one as a first book if you want, since the story is intact inside this novel. What you'll find is Turow's knack for creating very vivid characters. For example, there's the tough, smart detective named Larry Staczek and an ambitious (is there any other kind?) young prosecutor Muriel Wynn who work together to get a confession and conviction of the mentally retarded thief (Rommy Gandolf) of a particularly vicious murder at a diner. But just 33 days away from his execution, Gandolf is insisting that he did not commit the murders.
Turow manages to capture the spectrum of damaged souls that inhabit the legal system, as well as interdepartmental rivalries that exist in every organization, but more so in bureaucratic ones: the angry, underappreciated cops on the front lines, the ambitious and politicized prosecutors, the important DNA and ballistics technicians, the remote and egomaniacal judges, and dragged along by the unspoken undertow of race. What we find is that mistakes are sometimes made, and when they are by the legal system, it often ruins not just one, but multiple lives. I think this is one of Turow's best, so of course I heartily recommend it.
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Like all of Scott Cunningham's books this is very basic and geared toward the beginner. It has good direction that can lead to a better understanding for the beginner of the mindfulness and intent that makes putzing with stuff into a Craft that is magically satisfying, useful and fun.