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It's not, however enough on its own to be used as a guidebook. Maps are too small, listings too brief and it lacks sufficient practical advice on coping with day to day life. For people coming to Japan to live or travel I would recommend this book as part of a selection of books to take. If you don't have the luxury of choosing several books then this may not be suitable. On the other hand if you're just sat at home wondering where to spend your next holiday - it would be a good buy.
If you are coming to live in Japan then I recommend: Being a Broad in Japan (by Caroline Pover) which is aimed at women, but probably useful for all travellers, to give you the practical side of things.
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There's something a little "off" in this novel--even saying the title out loud requires an odd caesura. The plot has a feeling of artificial inevitability. Early on, it's easy to sympathize with Patch, even to root for him, but at times his thought processes and actions are so maudlin that one wants him to just *fall* already. Gloria is a fine and interesting character, but by and large the peripheral characters are closer to caricatures.
The book's strength is its prose, natural and authoritative, never self-consciously clever to an annoying extent. Fitzgerald's pacing is steady; occasional meandering narrative passages are fished quickly out of the water with dialog and plot events.
All in all it's a fairly good book, worth a read if you're NOT looking for the near-great Gatsby.
The book was very well written, interesting, and very entertaining. It's difficult for me to read a large portion classic novels because of the older syntax, grammer, and slang used to write them, but with this book I could easily understand it and get involved with what's going on. As much as it can be said to be a love story it also, to me, is a life story. It's Anthony's life experience of finding love, not simply falling in love. I enjoyed this book very much, but must give it a 4/5 star rating. (You know the old grading technique - never give a perfect grade unless you know for sure it takes the cake and nothing can top it!)
If you are a Fitzgerald fan read this one after This Side of Paradise. If you are someone with a passing interest in the Twenties read this. If you are someone with just a passing interest in Fitzgerald then read this one last, after any of the other Fitzgerald novels.
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The author's analysis of Day Two of the battle is a refreshing look at the many controversies surrounding the battle and Lee's battle plan. Their analysis of President Davis's decisions prior to the Gettysburg Campaign and Stuart's famous and controversial "ride" also were refreshing and compelling.
In addition to forcing readers and historians to reassess traditional concepts about Lee and Gettysburg, this work is well researched.
Most important, it is well-written. The text flows easily and in many instances it reads like a novel.
I could not put it down.
This book is a must buy for any serious student of the Civil War or military history. It is also approachable for those new to the Civil War and Gettysburg.
Whether you agree with the authors' final conclusions or not, you should read this book. You will never think the same way about Gettysburg and Lee again!
1) The description of Lee's art of war, and the explanation of what Lee believed had to be done in order to give the Confederates the best chance to win is rooted in the lessons of the Great Captains, and has never before been presented this clearly;
2) Lee's vision of victory and how he could accomplish same through his operational objectives for the campaign, along with the military, logistical and political forces at work that combined to influence his decision to transfer the defense of Richmond out of Virginia and into the North, and how these continued to bear upon his decisions once the battle was underway, are laid out clearly;
3) The Lee-Stuart controversary is dealt with in unprecedented clarity. Bowden and Ward's presentation of the facts and analysis provides, for the first time, a clear understanding of what all the principals involved knew and understood at that time, and how Stuart, once he reached Haymarket, made a decision that violated Lee's restraining orders and resulted in him compromising his command and the trust placed in him by Lee;
4) The entire issue of how and why Lee concentrated the Confederate army in the Cashtown-Gettysburg area is explained in
detail. The timeline provided by the authors concerning when and where Lee received information, his resulting orders and more, demonstrate the continued implimentation of his operational plan and goals;
5) Thank goodness, that for the first time ever, we have two authors that have deleved into thoroughly and explained properly Lee's role in the July 1 fighting. What's more, Bowden and Ward present, for the first time, the entirety of all the issues---and there are many of them---involved with Lee's pursuit orders to Richard Ewell following the battle that day. Further, the authors demonstrate, conclusively in my military opinion, why so many past and present writers. along with so-called students of the battle, are confused over this issue. These are just some of the reasons that the chapter dealing with July 1 is impressive;
6) As impressive as the book is up to the battle of July 2, it is my belief that the best part of LAST CHANCE FOR VICTORY are the two chapters that deal with Lee's initial plan of battle, and the actual fighting on July 2. In spite of all that has been previously written about Gettysburg, Bowden and Ward are the first authors I know of that PROPERLY explain Lee's initial plan of action, AND how and why it was modified to the en echelon mode of attack once the Federals realigned their positions on the South end of the field. Lee was present to scout the enemy positions, ascertain those changes, and issue a change of orders accordingly that took into consideration the new relative positions of the armies that was consistent with the best way to accomplish the mission for that day. Moreover, the description of the fighting on July 2, COUPLED WITH the explanation of how the en echelon plan of attack was being implemented and how and why it broke down and what that meant to the detriment of the Confederate cause, can only be described as just superb;
7) Lee's plans for July 3, how these had to be modified, and how the attack that did take place that afternoon did not materialize as had been planned, are covered in a succinct manner that helps the reader identify how the attack failed and the multiply people responsible for its failure (including Lee);
8) The summary of the book ("Reflections") provides additional insight (including more analysis than what has already been given) to the most important issues that contributed to Lee's defeat. It is a powerful conclusion to a hard-hitting book.
Are there any drawbacks to the book? Yes, given the reality of today's short-attention span public, and those with their minds already made up, there are. And after reading two recent so-called "reviews," I am more convinced than ever. THIS IS NOT A BOOK THAT CAN BE ABSORBED BY "BROWSING THROUGH" AT A BOOK STORE. THIS IS NOT A BOOK THAT CAN BE CLAIMED TO BE READ BUT THEN CRITICIZED IN A SPECIOUS WAY BECAUSE THE READER HAS NOT READ THE BOOK CAREFULLY ENOUGH IN ORDER TO GRASP THE TOTALITY OF THE
AUTHORS' ARGUMENTS. This does not mean that everyone who reads this book should AGREE with the authors. What this means is that there are legitimate criticisms and those which are not.
LAST CHANCE FOR VICTORY is a highly detailed book that provides in-depth analysis never before presented involving very complex historical and historigraphical issues. As such, it reveals the strengths and weaknesses of Robert E. Lee at his greatest trial by combat. The testiment to this book is in its accomplishments, which to date are:
Winner of the 2001 Douglas Southall Freeman History Award
Winner of the 2001 General N B Forrest Southern History Award
Winner of the 2001 Grady McWhiney Award of Merit
Winner of the 2002 Bonnie Blue Society Literary Award
and, arguably the most telling accomplishment, part of the curriculum at the US ARmy Command and General Staff College.
Buy the book; read and study it carefully; enjoy it.
JS
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I am surprised that there are not more raves over this collection, but perhaps that is the nature of the post modern era. I on the other hand -rave. Story, resolution, all those little formulas that separate the artist from the amateur in the impossible short story form. Fitzgerald, except for perhaps in Gatsby, never achieved such form and plotting in his novels. His youth too, can be sensed in the humorous and rather light-hearted manner by which he casts his characters and those obstacles that they encounter.
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Ward, a former real estate salesman, started with a vague desire to "get into television" during the medium's infancy in the late forties. Through his lifelong friendship with animator Alex Anderson, he drifted into the pioneering field of made-for-TV animation. Anderson, nephew of Terrytoons founder Paul Terry, had been knocking around a "comic strip for television" for some time with no takers. Once teamed with Ward and armed with a wicked sense of humor, he introduced the world to Crusader Rabbit, TV's first animated star.
Scott (no relation to Bill Scott, legendary voice of our favorite moose) has penned a winning addition to the ever-growing number of behind-the-scenes books on animation. It is far more detailed than another recent history of the Jay Ward studio (the name of which escapes me). Too detailed, perhaps--the long, convoluted legal battles Ward fought with the "Crusader Rabbit" distributors (and those of "Bullwinkle" and other Ward creations) are spelled out in excruciating detail, and can get more than a little boring.
The book, however, does give us a glimpse inside the wackiest animation studio since Termite Terrace. The only studio (in the words of head ringmaster Ward) approved by the Food and Drug Administration. This, by the way, turns out to be no joke: Ward had popcorn, peanut, and cotton candy vendors stationed in the lobby. Ward himself occasionally could be seen decked out in a ridiculous uniform that made him bear more than a passing resemblance to Cap'n Crunch. That may well have been the inspiration for the character, as Ward's studio produced those commercials until 1984.
Scott recounts for us the sometimes silly, often hilarious promotions (Ward parading with girls in mock Salvation Army uniforms, exhorting "sinners" to "watch the Bullwinkle Show," for one). And, of course, the infamous "Statehood for Moosylvania" campaign which, in a classic example of lousy timing, Ward brought to the doorstep of the White House at the height of the Cuban missle crisis. See Ward go apoplectic in the face of too-tight budgets and incompetant Mexican animators. See Ward battle idiot censors and executives (when one such network "suit" objected to a scene with Rocky and Bullwinkle in a cannibal's pot, screaming "You can't show cannibalism!" the response was typical Ward. "Is it really cannibalism," he asked, "to eat a moose and a squirrel?")
The book also tells us of lesser-known projects, such as "Fractured Flickers" and "Hoppity Hooper", as well as those that didn't quite make it (one abortive project, a puppet show called "Watts Gnu" seemed quite promising). We also get a rare glimpse of Jay Ward behind the public facade--the nervous, insecure, giggling, shy individual racked with chronic pain from a near fatal injury. It makes the brilliant legacy he left all the more remarkable.
This is the best reference guide to Jay Ward and "Rocky and Bullwinkle," and it includes a full list of episodes of all of Jay Ward's cartoons, which includes voice credits (as you know, Bill Scott, June Foray, Paul Frees, and Daws Butler did many a character on the Ward cartoons).
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By far and away best are the 2 chapters on Data Manipulation and Presentation, although these are let down by poor editing - in the form of a few missing source code listings. Another good chapter is the one on code-behind ("Separating Code from Content"). Also very good is the one on XML ("Using XML"). Although a single chapter on XML is not going to be sufficient for anyone, you will be happy to know that the writer of this chapter (Dan Wahlin) has published a worthwhile book of his own. There are also some rather useful chapters on areas that are usually left out of books of this type, and they deal with Error Handling ("ASP.NET Error Handling") and state management ("Managing State").
The chapters that are really awful and could do worse than being re-written are: "Web Services" and "Application-Level Programming" simply because they simply do not have enough in the way of quality code. One thing that I find quite curious is the chaper on "Enabling Better Browser Support" - which doesn't really have a place in .NET, which aims to reproduce uniform browser behaviour.
All code samples are in VB.NET with some consideration for the C# public, but certainly the source-code is not eqally bi-lingual- which I hope gets addressed in the future.
Overall a good book, although be prepared for some ups and downs in quality.
A mistake was made, by giving the framework sdk in the cd instead of the sample code, wich you can find in a million zip files in the web.
They also failed in telling the sample code is intended to follow your progress in the book. That means you won't see quality code untill chapter 16 (separating code form presentation). I think they made a good desicion, so if your looking for a source of sample code this is the wrong place (Go to the web).
I don't think this will become a reference book for me. As soon as you become proficient in the platform the book becomes shallow but this is the first time i'm happy with a book since i bought "Hitchhiker's guide to visual basic and SQL". This book succeds in having all the Tips, Tutorials and Code you need to get serious into ASP.NET today!!!!!!!!!!!!!.
I have found the SAMS Teach Yourself series very useful in spite of their beginner level content. This book is part of a newer series from SAMS (blue spines with glossy photos of the galaxy) that are intended as in-depth resources for professionals. SO far the six that I have rank with the very best professional series from Apress and seem a bit beyond the always timely and usually useful WROX books.
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While nothing in this book is offensive (the reason I gave it 2 stars), this is extremely light, non-engaging reading. In fact, is seems to be written for young readers rather than adult mystery readers. One author would surely be better than the "as told to" collaboration attempted here.