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The book is highly readable and brings to life the Golden Era of aviation -- canvas dope-covered wings, dead-reckoning navigation, and seat-of-the-pants flying, and delivering the mail by airplane like the pony express. This was quite an exciting time, and the book brings this era to life.
The book is also significant in other respect -- setting goals and achieving them. Even this seemingly impossible task can be achieved with hard work, careful planning, and determination. If Lindbergh can do this, then you will get the feeling that you can achieve your own goals, however difficult they may seem.
In the flight across the Atlantic you get to know Lindbergh in the various stories he tells. The book's afterward tells much about his landing in France, the accolades he received, and actual technical flight and test data, as well as log book entries.
In the book's foreward his daughter says Lindbergh often said 2 things: 1) that he wrote the book to "Set the record straight". He achieves that, and a whole lot more, the book won the Pulitzer Prize in 1954. 2) that he often said to people who asked about his flight "Read the book". He spent something like 20 years writing this meticulously researched account. And who besides him would know more about this flight.
All I can say is to reiterate Lindbergh's own words -- read his book. It's fantastic!
THE SPIRIT OF SAINT LOUIS is an extremely well written book by an American icon. It not only chronicles Lindbergh's famous flight, but also faithfully tells the story of his early life as well. The book provides insight into the early history of American aviation and does so in an entertaining yet compelling format.
A few years ago, Scott M. Berg's biography of Lindbergh chronicled the life of the famed American figure. That book delves into the entire life of the aviator, including his darker days when he was accused of being a Nazi sympathizer. THE SPIRIT OF SAINT LOUIS offers a different, more exuberant vision into the author's more youthful soul. I would recommend reading both books for a complete portrait of the man.
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The girls in Elvgren's paintings not only come alive, but seem more warm and human, innocent with a twinge of spice. So this is what they meant by "sugar, spice, and everything nice." Maybe because most of them are smiling, with those pearly whites showing. I could spend hours looking through those pages, forming stories around the paintings.
Many look like celebrities. In "Let's Go (1957)," the blonde getting out of a white car looks a lot like Marilyn Monroe. The girl in "True To You (Sitting Pretty) (1950)" also resembles Marilyn but with brown hair. And the honey in "Evening Out (1969)" reminds me of Geri Halliwell.
Okay, so many of the drawings can be construed as sexist. The particular theme on that being girls who get their skirt lifted up by well handles, pipes, fence rails, ladders, and elevator doors, revealing two very shapely legs.
Equally interesting are paintings that were repaints of earlier work. "In For A Tanning" featured a sitting nude girl holding her bikini with a black dog to her side. "Dumb Pluck" featured the girl in the same pose, except she was wearing a candy-cane striped bathing suit and holding a shovel, the dog still on her left.
Some were risque even for their time and the more amusing ones are beach shots where the girls get into distress, such as having their beachware stolen by a dachsund (Taking Ways, 1950) And his nudes were never full frontal, only seen from the rear or side, the sole exception being "Harem," an undated painting of an innocent maiden captured by Arabs.
It's when looking at his work during the 1960's and 1970's, that yes, the models have changed with the times and despite having Elvgren's signature style, their hairstyle are with their times.
Other notes: the paintings are clearly better than the real-live model replications hands and legs down.
So, my favorites? That's a difficult one, as the models are oh so cute, but I'd have to settle for "Well Picked," of a girl in yellow dress wading in a pool and picking up a lily flower, "Golden Beauty," of a Diana Dors-lookalike, "Surprise Package," where the girl wrapping the X-mas present is clearly the title object, and "Lazy Days," of the girl lying leisurely on the summer grass.
Proof that too much of a good thing is better, and that too much cheesecake can be good for one and not be fattening. And with all apologies to the Beach Boys, "I wish they all could be Gil Elvgren girls!"
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contributors. Saul of Tarusus or better known as Paul the apostle is truly a man of grit. Born in a Jewish family.
A devout follower of Judaism. A man devoted to Jewish law and persecuting Christians. Swindoll fleshes out Saul from the book of Acts
in great detail. Saul persecuted Christians as Hitler persecuted Jews during the 1940's. Saul was a man who violently
opposed to Christ, his teachings, and his followers. He hunted them down. Tried them, and stoned them.
Odd that such a man would end up not only worshipping Jesus, but also writing some of the most beautiful words in the New Testament and spreading the gospel.
How strange that such a man who spewed forth such hate toward Christians would turn around and write such a beautiful
testament to love (Letter to Corinthians).
Swindoll's Paul is presented in 22 chapters, that cover everything from Paul's beginnings, meeting with Christ risen, to his ministry, and finally his death. Each chapter refers and reflects to appropriate bible passages, mostly those from Acts.
What was surprising was that each chapter also ended in a reflection. For example, chapter 2: The violent capture of a rebel will, covers Saul's encounter with Christ. Here a violent man is converted into a spokes person for the very person Saul hates the most. Amazing really.
Swindolls refers to this change as "Kicking against God's goads". "To kick against the goads" was a common expression found in both Greek and Latin literature, which rose from the practice of farmers goading their oxen in the fields. Goads were typically made from slender pieces of timber, blunt on one end and pointed on the other. Farmers used the pointed end to urge a stubborn ox into motion. Occasionally, the beast would kick at the goad. The more the ox kicked, the more likely it would stab into the flesh of it leg, causing pain.
Saul's conversion may not have been quick, but with Saul's previous violent lifestyle and Christ haunting words, those words may
have been the "goad" that pushed Saul into Paul and a past of hate into a future of preaching the gospel. Swindoll ends the chapter on a wonderful reflection on what "goads" you? Is God goading you perhaps?
Are you holding onto some rebellious attitude that perhaps the Lord is goading you to let go of?
Each chapter has a reflection like this. Each chapter not only brings us closer to how Paul lived, but also asks us to examine our relationship with God, our loved ones, and even ourselves.
This book is # 6 in the series. I'll have to pick up the previous books, and sincerely hope that Charles Swindoll adds a #7 in the series.
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The basis of the book is a story of pagan religion & magic in France -- it is told from the point of view of the main character (a child) who grows up seeing horrible violence and wonderful magic. He learns about life and love and the wonders of magic and the world. Ann Chamberlin tells the story with such clarity that you can picture what it was like during that century, you can picture the fantastic situations as they happen -- a wonderful writer! Any fantasy enthusiast will enjoy this story. Wonderful book!
I look forward to book two with great enthusiasm!
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By virtue of being so comprehensive, this book provides an excellent starting point for assessing the importance of pinup art in our country's recent history. No matter what you might think about the moral implications of its racier subject matter or its value as "serious" art, you cannot deny the stunning achievement of the artists represented in this volume. Almost without exception, the women depicted in this volume are endearing, sexy and spunky. The author and the publisher are to be commended for bringing this unprecedented volume to print.