...I had this man's collection! But, short of that impossible dream, this book is the next best thing. John Lanzendorf shares his more than impressive collection of dinosaur art with dinosaur lovers the world over. From some of the better know "paleo-artists" (James Gurney, Mark Hallett) to others I, personally, have only discovered thanks to this edition. It is an interesting expedition to discover the various interpretations of the same dinosaur by different artists; Tyrannosaurus, bulky or lean? Raptors with feathers? Amazing stuff...

Well,I did received this book for my birthday,and guess if I was happy!It is probably the best birthday gift I've ever received.
The title sounds exciting and suggestive,and so is the book itself. It features parts of the Lanzendorf Collection,which is the largest dinosaur art collection in the world. This 160-page book features about 20 per cent of the collection,but it is still amazingly much. Of course,it would be impossible to collect all dinosaur art beeing made today,but if anyone did,John Lanzendorf would be the one to do it. His apartment contains only dinosaur collectibles and artwork - no other decorations!That must be a really amazing home to live in!
With this book,I have the option to view some of the work hanging there. Although this book has some pictures of beautifull,triassic dinosaurs and jurassic ones as well,it focuses mainly on the cretaceous period,which is called "A Cretaceous End to A Lost World". And that is may be because most of the really fantastic dinosaurs lived during the mid-late cretaceous. There are a lot of pictures of T-rex,which is particulary my favorite dinosaur,and the most inspiring one in this book. Some of the other amazing dinosaurs featured here are Sinsauropteryx,Carnotaurus,Lambeosaurus,and many more.
It does have some inspiring,peacefull pictures of plant-eaters,although the pictures of theropods are the highlights.
Each artist has their own,unique style. John Sibbick has an immidiate sense of detail,and is one of the best. Luis Rey has a little sense of surrealism in his detailed,a little strange paintings. Mark Hallet has the classical style in dinosaur painting. John Bindon is the master of black/white dinosaur art.
Donna Braginetz always make it feel so real you believe they are really there!
Of course,the bronze sculptures makes a nice addition to the artwork,and they look very real. Must be nice decorations!
Over all,the combination of the artists`s different talents makes this book a wonderfull coffee-table book,and a unique collection of dinosaur art that should be a part of every paleontologist`s or dinosaur maniac`s library. I know it is quite expensive,but believe me,it`s worth every penny you spend on it!It has been very helpfull to me when learning to paint good dinosaurs,and the different talents makes me take little inspiration from every painting in the book.
So,if you like dinosaurs seriously,this is a must-have!No dinosaur artist should be without a copy of this book.

This is one of the finest dino-art books I've come across to date. Johns collection is by far amazingly complete in regard to his T-Rex's. Beatuful work by all the artists and excellent job of collecting them by John. Highly recommend this book for any collector.

The preservation of art history is often an under appreciated passion. Fortunately, film critic and animation historian Charles Solomon was "bitten" long ago, and throughout his career has maintained a devotion to appreciating forgotten animation source material.

In the long and illustrious career of Walt Disney, many projects never made the final step to the silver screen. Whether diverted due to shifts in popular demand, the intervention of a World War, or the changing priorities of a living studio, several early Disney animation projects were met with a similar fate. Some were shelved until the timing of the project was a better fit with studio production schedules (The Little Mermaid); while others were indefinitely postponed due to unresolved conflicts in visualizing the final product (Salvador Dali's "Destino").

The result was a wealth of animation treasure; all of it directly connected to the hand of the artist. Storyboards, sketches, original drawings, concept art and production backgrounds; most of which were created by artists at the height of their creative ability. Legendary Disney artists of the time included Marc Davis, Mary Blair, Ferdinand Horvath, Kay Nielsen, Mel Shaw, Bill Peet, Sylvia Holland, and Joe Grant.

Much of this art has rested silently for the past half century in the animation archives of the Walt Disney Studios. Solomon brings this magnificent art to light, allowing contemporary viewers to appreciate anew the talented men and women who labored at the studio during Disney's golden age of animation.

If you're like me, everytime you see the newest Disney picture, you can't help but wonder, "What are they working on now?" Well, this book might answer some of that longing (at least you'll know what they're _not_ working on). Although it only spans the years when Walt himself was alive, we are shown enough of the Disney might-have-beens to fill our dreams for a while. To be honest, I didn't read most of the text (so many books; so little time), but that didn't keep me from thoroughly enjoying the book, since more than 2/3 is pictures anyway. The captions are well-written and informative--probably for people like me who don't read the text so that we can get the main points anyway. It's really fascinating to see how ideas are developed and why they get scrapped even though the artwork is so terrific. A chapter on wartime Disney was very entertaining--seeing what Disney did to balance the desire to make a political statement with their particular brand of family entertainment. I recommend this book to anyone interested in art styles and the development of animation or films of any kind.

Disney is often considered to be the premiere house for animation. Yet in the course of creation, there will always be ideas that were rejected, or didn't gel, or just fell apart. Luckily, Disney kept everything - good, bad or unused, and created a bounty for the animation historian. This book allows a peek behind the creative process. We are familiar with what made it to the screen, but Solomon shows us what didn't make it. A combination of a history of Disney successess and failures, and a portfolio of hidden artwork, this book is a trove of Disney information that is usually overlooked. It is interesting, following the release of Fantasia 2000, to look back at actual work prepared for Walt's original idea of re-releasing Fantasia annually with different pieces, creating more than just a film, but an experience. Economics and logistics kept this from happening, and only 60 years later did a new attempt at this vision appear. There is so much more that did not make it, beause of money, lack of story, politics or more, and most of the parts rightfully finally get their day in the sun (some of the work should stay buried, but that's few and far between). A fascinating look at "the rest of the story."

Some time ago, I read QUARTERED SAFE OUT HERE, the wartime memoirs of George MacDonald Fraser concerning the time he spent in the Other Ranks of the British imperial army that recaptured Burma from the Japanese in World War II. In his book, Fraser mentions the high regard the troops had for the army commander, William Slim. I subsequently read DEFEAT INTO VICTORY by Field-Marshal Viscount Slim, a personal account by the man who commanded the Fourteenth Indian Army during its bitter retreat from, and its glorious return march through, Burma. In his volume, Slim mentions the unorthodox British general Orde Wingate's contributions to the Japanese defeat in Southeast Asia. Thus, FIRE IN THE NIGHT, Wingate's biography.

Co-authored by John Bierman and Colin Smith, FIRE IN THE NIGHT is the immensely readable life story of an incredibly complex man. In a nutshell, after several brief chapters on Wingate's early life, the narrative sequentially covers his postings in Palestine, Ethiopia and, finally, India/Burma, during which time (1936-1944) he rose in rank from Lieutenant to Major General. In the British Mandate of Palestine, Orde became an ardent Zionist while fighting Arab "gangs" with Special Night Squads, the armed detachments of British regulars and Jews which he himself brought into being. In Ethiopia, his was a key role in the British victorious military effort to drive the Italians from the country and return Haile Selassie to the thrown. In India, Wingate's ultimate triumph before an untimely death was to conceive, form, train and deploy the Third Indian Division, the "Chindits", as a Special Force to insert behind Japanese lines in Northern Burma to destroy the enemy's means of communication and supply.

To my mind, the strength of this book is that it gives the reader an excellent overview of Wingate the man and soldier without getting bogged down in an overabundance of detail. Certainly, the subject of Wingate's character, obsessions and eccentricities could fill volumes. He was admired and loved by the men he literally led into battle. (He drove them hard, but he drove himself even harder.) Conversely, he was loathed by many of his officer peers and superiors for his arrogance, outspokenness, rudeness and personal slovenliness. (He was on record as calling some of his more Blimpish superiors "military apes".) But, he also had his admirers in high places, most notably Winston Churchill and Lord Louis Mountbatten, the Supreme Commander of all allied forces in Southeast Asia.

Perhaps the most endearing of Wingate's traits were his eccentricities. For example, he carried a wind-up alarm clock on his person because he considered watches unreliable. And then there was his attitude to personal nudity best illustrated by an incident during the wide press acclaim following his first Chindit campaign. An Australian correspondent invited to the general's hotel room in Delhi wrote:

"I found him sitting naked on his bed, eyes buried deep in a book. He hardly glanced up as I entered and rather gruffly asked what I wanted. ... He wasn't interested in me or my requirements, but seemed most excited about the book he was reading ... a critical commentary of Emily Bronte and her work."

Can you imagine those media hogs of the Second World War - Patton, Montgomery and MacArthur - doing that?

This is a lucid, penetrating, balanced and entertaining analysis of one of the 2nd World War's underestimated and controversial personality---a latter day T.E. Lawrence without the romantic riddle and enigma. The authors skillfully grabs the reader's attention from the start, eliminating extraneous details.(e.g., initial statement: "Orde Charles Wingate entered the world as he left it, amid a flurry of urgent telegrams.")

The book makes one wonder what the outcome would have been if he was given far more timely attention for his, at that time, unconventional theories of long range penetration and supply. On the other hand, it makes one wonder if he would have amounted much in today's athmosphere of the 'politically correct society' with his "amazing success in his getting himself disliked by people who are only too ready to be on his side", with his abrasive way of getting things done. It may well be a classic example of the adage that 'genius is never appreciated in one's time.' But many exalted figures in history considered him a military genius--the authors made it plain and clear there were many detractors too, from the ordinary soldier to Field Marshall Slim's unjust inferences in his post war memoirs.

My only complaint: the maps in the book--one gets the impression they were done in a hurry; the places mentioned which are crucial to the events described cannot be found, and I found myself having to use different atlases.

In retelling this story, the authors proved once more the truth in the saying that two heads working together are better than one.

Bierman and Smith have done a fine job of portraying Wingate. And, what a great read!

Wingate has finally been given his due in this book. His true worth as an Army officer is finally exposed: As great as Lawrence but lacking the literary gifts.

A must-read for the professional Army or Marine Corps officer!

This book was given to me by a friend when my daughter died, as I could not forgive myself, my husband, or God; and as time grew so did my bitterness for life and towards others. This book offered me a chance to heal at my own rate, instead of lashing out at others who offered help. I would often make comments, while reading, like, 'Yeah right! Who are you kidding! I have every right to be a -----!' Over time, and upon highlighting and re-reading this book, my heart began to change.

Mr. Charles Stanley is very straight forward and honest in his writing. It seems that he holds nothing back. He offers steps to help us forgive ourselves and others, based on biblical principles and he offers us reassurance and comfort such as, 'Regardless of what you have done, you have not stretched God beyond his limits. His love knows no limits.

This book has become my bedside bible. I want to buy a copy for everyone I know. As a new believer, it clarified so much for me about having a relationship with Jesus, and His ability to help me overcome difficulty. I would encourage anyone whose spirit is not at rest, or who is seeking to have or deepen their relationship with the Lord through Christ to buy this book. There were very practical steps to lead you out of bondage and into His grace. It is the only book of it's kind I have read cover to cover - God Bless you if a copy falls into your hands

This is a must for all Christians....A MUST!! Liberating...The book deals with past hurts..the effects of bitterness...Instructions on how to forgive...FOR REAL!!

"The Dark Frigate" was the 1923 Newbery Award winner. However, as I read the first few chapters I was thinking to myself, "Boy, the Newbery standards weren't very high back then." My chief problem was that it was written in a very archaic and verbose style. I understand that the author was trying to recreate a feeling of 17th century language for his readers, but any child under the age of 12 is going to get frustrated and I doubt many children over age 12 will enjoy wading through its difficult prose either. Also, this is a strange childrens book in that the main character is not a child, but a 19 yr old man with an eye for comely barmaids.

However, if one can get through the rather awkward writing style and the cursory introductions to key characters, "The Dark Frigate" becomes a real page turner when the pirates enter the story and remains one until the last couple of chapters when the author tries to wrap everything up a little too quickly. The chapters dealing with the pirates, though, make for an extremely entertaining and exciting tale. It's those chapters that made me understand why this book won the Newbery.

Although, written for children, "The Dark Frigate" is a rather grown-up book with murders being described in grisly detail, implied torture, hangings, and female characters who aren't exactly chaste maidens. I guess children in the 20's weren't handled with kid gloves when it came to describing the seedier elements of life.

By: Charles Boardmen Hawes

In seventeenth-century England Philip Marshman was suddenly orphaned when his father died at sea. Growing up around ships Philip runs from London and joins the frigate called "The Rose of Devon." In the middle of the voyage to Newfoundland the ship is seized by evil men, from a floating wreck, saved by the Rose of Devon's crew. Now Philip Marshman is a pirate joining these men on there bloody journey. With only his hanging awaiting him in London. Will he survive? Or suffer the same fate as his father.

This book was winner of the 1924 Newbery Medal for best contribution to American children's literature (Unfortunately, Hawes died before the Medal was awarded). It focuses on an English lad named Philip Marsham in the 1640s who signs up for duty on a frigate. The ship is taken over by others and is converted into a pirate ship. Philip has to find a way off the ship and back to England. And, the adventures begin! Boy, I wish I had found this book when I was a kid. Iwould have loved it. Even now, as an adult, I enjoyed it.

I admit it: I am a sucker for time travel stories. They don't even have to be any good. I'll still read them, and probably like them.

This book, however, is quite good. It takes the time-slip convention and turns it into a scientific "fact" by giving it a fancy sounding name: dechronization. Just the fact that it uses a pseudo-term like that would make it a favorite with me even if it was written in gibberish, but I have a thing about neology. Since reading this book, I have started slipping the word "dechronization" and all its variants into conversation whenever possible. It is my hope that one day this word will be common koine.

The other notable point of this book the reaction of Magruder to the dechronization. Since he is a chronologist, he knows that the chances of his being re-dechronized are beyond impossible. So he has absolutely no chance of seeing another person. Ever. But he doesn't give in to the hopelessness that I know I would feel. He continues to live. He takes a lesson from Robinson Crusoe, and makes a good life there in the middle of nowhere (or in this case nowhen).

All in all, I think this is a must-read for wannabe time travelers like myself. Or maybe just anyone who likes the linguistic oddities inherent in time travel.

In the year 2162, the eminent chronologist Sam Magruder mysteriously disappeared while running an experiment. Some years later, while arguing about the possibility of being totally alone, the evidence is produced that Sam Magruder did not die in 2162, but was transported back in time some 80 million years! Engraved upon sandstone slabs, found in a bed of shale, is found the story of Sam Magruder's existence in the late Cretaceous period. Alone, with no hope of ever seeing another human being again, Sam survived, and this is his story.

The famous paleontologist George Gaylord Simpson penned this short story, apparently for his own amusement, but it is a masterpiece. Considering Dr. Simpson's field, I would have assumed that this story would be entirely about what Sam found in the Cretaceous, but that's only part of the story. As the opening chapter tells, this is the story of a modern (OK, future) man's coming to grips with his situation, one containing only danger and isolation.

I am sure that my words do not do justice to this story. This work is complex and fascinating beyond some lengthy works produced by noted authors. I recommend it to everyone.

The Dechronization of Sam Magruder is an intriguing story of science and adventure. It is about a scientist who constructs a time machine, is accidentally transported to the dinosaur age and is, as you may have guessed, unable to return. The story is an account of this journey through his eyes and the eyes of the future...

I have read different devotionals, but this is by far the best! What I love about this particular book~~it's two devotionals in one! In the morning I read a devotional and before I retire for the evening I can read more "refreshing" words penned by Mrs. Cowman.

Mrs. Cowman was "wise beyond her years". I cannot tell you the times I have read her devotional and felt like I had been in touch with heaven itself.

I had to order this as my old one is in at least 25 broken sections from reading and re-reading it! Not a day has passed that each particular page has spoken to me God's words of faith, encouragement, endurance, pressing on with a song in your heart and even the gentlest but firm discipline when needed. The authors and "selected" readings I know were directly from the Holy Spirit given to these saints of old. This book is a must for every believer embarking on the pilgrimage back home to heaven. (see Hebrews 11:13-16) Brings healing tears to the spirit, soul, and body.

After pouring out my heart to a woman I worked for, she gave me an old copy of this book. It has truly has been an answer to my prayers. I am a 21-year-old college student, who found myself in the words of Mrs. Cowman. She examines the heart's deepest troubles and exposes them to the promises of God, healing them from the inside out. I would recommend this book to anyone.

My only quibble with this book is that the plot verges on something out of Ludlum or (yikes!) Sheldon. But the narrative is wonderful -- smooth and well-paced -- and the characters are interesting and well-drawn. In a field crowded with wooden and poorly-edited clunkers, this was a refreshing find. I hope Mr. Mathes gets noticed by the paperback majors soon -- he deserves it.

This book was incredible. I've read it three times, and every time I get caught up in the story and the characters. My mother read the book, and also loved it. Emma is so well created that I start to feel like I'm living her story, and experiencing what she experiences. I definitely recommend this to everyone!

i read this book in one sitting and couldn't turn the pages fast enough! emma as heroine is alive, spunky and full of zest--her inquisitiveness makes the story happen...a clever title which ties the entire story together!