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This is what sets Professor Wolf's book apart from the others, for it is Louis the soldier, not Louis the lover that is explored here. If one wants to understand the workings of 17th and 18th century France and indeed Europe, one can not do better than this outstanding book. Unfortunately, this book is not widely available and this is tragic, since it is one of the best works of scholarship in the 20th century. I would recommend, if one is seeking to understand the dynamics of France and Louis (and the two were much the same during the period in question), to seek out a second hand version of this book. While the text can at times be demanding, it is well worth the effort.
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The MITIM is one of the enduring mysteries of French History, in itself fascinating even without the secret that has been hidden for 350 years. Will someone ever solve it? Perhaps.
For just one example: The reason a city might deserve to exist is not due to packing a lot of warm squirming bodies into a small cubic footage, but rather to be a place where persons can explore things that interest them beyond the requirements of reproduction of individual and species life which determines peasant (and other non-urban) life.
A city is a place where a young person, as they walk through it, observing various master craftspersons at work, may find something they *want* to do for their whole life (not just something they *have* to do to earn a "living").
This is remarkable stuff, especially when we compare it with the ethical vapidity of postmodernism. Read this book and then see how the "world" you live in and the architects who designed it shapes up. Do you live in spaces which nurture creative human association? Or do you live and work in "decorated sheds" that put sugar coating on places that make you and your loved ones be banal?
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I believe the issues raised by this book are instructive in understanding the possible future course of those engaged in the fight against abortion.It is not inconceivable to imagine another "John Brown" rising up in the quest to bringing about justice for the unborn.
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This is an excellent biography of a Napoleonic commander. The book covers Davout's military career from when he entered the Ecole royale militaire in 1779, through the Revolution, the Napoleonic Wars and finally his death in 1823. The narrative flowed along faultlessly although I would have liked more detail in regards to Davout's battles. However the author has covered these battles well enough and provided eight maps to assist the reader in following the action. Davout fought in numerous campaigns from Egypt to Russia and was successful always, his most famous battle being at Auerstadt.
Mr Gallaher has also supplied the reader with some insight into Davout the man with details of his relationship with his devoted wife and the tragedies of his children. You leave this book with a feeling that Davout was a man who did his all for duty (France and the Emperor) but never forgot his family. I loved reading this book and I felt it was not long enough (420 pages). I fretted about finishing, I wanted more, I did not want to put the book down nor finish it!
I would recommend this book to anyone who loves reading about the napoleonic period or anybody who enjoys a decent military biography. This is a great book about a great commander.
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Written in a well researched anecdotal matter, this book documents the man who was one of the biggest selling artists of his time. His movie shorts managed to inspire an entire generation of artists who would later take his formula and create rock and roll. In his own biography James Brown (The Godfather of Soul) rants and raves about Louis, mentioned the influence that Caldonia in particular had on his life, especially the way he'd go up and shout real high, just like Little Richard (only long before Little Richard.)
In this book you will meet many legendary entertainers (now virtually forgotten) and find out what it was like to be an entertainer of color in some very difficult, yet changing and turbulent times... and in particular the riff between him and many of the younger musicians who's music he absorbed but often accused him of being an "uncle Tom" for his whimsical style of performing.- - You'll find out about life on the road, the difficulty of holding together bands, and touring the chitlin' circuit in the days of segregation... and suddenly those silly songs like "Ain't Nobody Here But Us Chickens" and "Iz You Iz" will take on a whole new meaning.
The book contains a nice discography, about a dozen pages of pictures... including one with Dottie Smith, a member of his group who's still singing and performing here in Philadelphia, Sunday Nights at Barber's Hall and that I've sat in with on occasion. - - John Chilton is a superior Jazz historian who's as good as collecting the facts, as telling the stories they represent ! ! !
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