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This book showed me some bad mistakes i made in programming just by doing the first three tutorials(the mouse follower, fire, smoke,fireworks)
I'm taking it step by step, but one thing is sure this book is the book for me.it explains things i like and in a way i want to see it explained.
In some of the first examples in the book one of the authors explaind emitters, particles movement, waves and amplitude.
this are some of the things in the first chapter and i really like likelikelike IT.
This book isn't a good book 4 people who don't know nothing of flash(as), but you really don't have to be a flash(as) or math expert to understand a lot of the things.
(i havent got through the whole book though, i trying to learn the examples one by one and i want 2 make sure i don't go through it to fast)
Very Good book, buying it is definitely no mistake
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As in most of Chesterton's biographies, the story of the subject's life is of minor interest here, compared to a philosophical and artistic description of the subject's works in the context of his time and "modern times." Chesterton is interested in the writer as a thinker, as a creator, and as a moral agent. In defending Stevenson and Chaucer, he argues for his view of Christianity, poetry, love, and artistic humility. If you want his religious views in a purer form, go to the brilliant Orthodoxy or Everlasting Man. If you want a detailed narration of the lives of the writers in question, look elsewhere. And even for this style of biography, I think his book on Dickens was the best I've read. But I found his opinionated description and defense of Chaucer and his times also very interesting. And while he does not scatter brilliant sayings like rose petals at a wedding, as in his best books, (reading Everlasting Man, I wanted to copy every other sentence) a few blossoms do flutter down, like the following, which also explain Chesterton's method:
"The truly impartial historian is not he who is enthusiastic for neither side in a historical struggle. . .The truly impartial historian is he who is enthusiastic for both sides. He holds in his heart a hundred fanaticisms."
"The greatest poets of the world have a certain serenity, because they have not bothered to invent a small philosophy, but have rather inherited a large philosophy. It is, nine times out of ten, a philosophy which very great men share with very ordinary men. It is therefore not a theory which attracts attention as a theory."
Author, Jesus and the Religions of Man (July 2000)
d.marshall@sun.ac.jp
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Pavane is alternate history (also alternate-timeline, though that's subtle.). Queen Elizabeth was assassinated, and the Catholic Church has maintained tyrannical control of Britain and Europe. Only limited technology is allowed, and Roberts' descriptions of the steam trains and the semaphore signalling stations are beautiful.
This is not a book with a linear plot -- the title gives a clue to its structure. Its parts work together to form a gorgeous whole, but we don't follow one character throughout, which may throw some readers. In addition, elements of worldbuilding exist -- the long description of the semaphores, for example -- which don't directly support the plot. Some readers will be bothered by that, but I wasn't. I found the world, the Signallers' Guild and all the rest, fascinating; the sort of world in which multiple wonderful stories could be told.
Though we see each character for a limited period of time, Roberts keeps them sympathetic and interesting. The whole book has a mythic feel. Though written in '66, I found nothing dated about it. The only thing that might perhaps change from a modern standpoint is that I think Roberts intended the end to be entirely happy. From the perspective of 2002, it's bittersweet, with the beauty of what was lost shadowing the bright modernity with a dark counterpoint.
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It also does a good job explaining which CSS properties will work in certain browsers, like Internet Explorer, Netscape, and Opera and on various platforms - Windows, Mac, and Unix. Although keep in mind that this book was published in 2000. At that time Internet Explorer was at version 5.0, Netscape was stuck at 4.x, and Opera was at 3.6. During those days, CSS2, and some properties of CSS1, were considered bleeding edge technologies and didn't work well in all browsers and all operating systems. But today, most new browsers are cross-platform and will work with the CSS1 and CSS2 examples in this book without any problems. So even though this book is more than two years old - an eternity in Internet time - the content is even more valuable today than when it was published. Now it's time to get rid of those tables and tags and start stylin'!
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Following the standard Osprey format, the book starts with a good section on the origins of the Civil War (although the accompanying illustrations in this section are not very supportive), followed by an excellent campaign chronology. The next section, on opposing leaders, is broken down into sub-sections not only by Roundheads and Cavaliers, but also by foot, cavalry and artillery. There is no separate section on opposing plans, but strategic perspectives are addressed in the section on the opening moves of the campaign.
In a surprising but welcome departure from standard Osprey format, the authors devote 23 whole pages (a quarter of the volume) to the section on opposing armies. This section, entitled "Raising the Armies," details a number of germane issues, such as the difference between contemporary Dutch, German and Swedish tactics (with excellent diagrams). The organization of foot, horse and artillery units is discussed, as well as unit structures and formations employed. Two points of relevance to the battle are discussed herewith; first, that the armies were about equal in strength, but second, the Royalist forces were hampered by equipment shortages and poorly-trained infantry.
The four battle scenes that accompany the section on the battle are excellent, as well as the 2-D and 3-D maps. The result of the battle was mixed, with the Royalist cavalry routing their opposite numbers, but the Royalist infantry was smashed by a well-timed Roundhead counterattack. Both armies pulled back to lick their wounds. Although King Charles made a thrust toward London after the battle, he withdrew to Oxford after it became obvious that he lacked the numbers to storm the capital. Probably the only criticism of this volume is the lack of a separate appendix on order of battle. The information is included in several diagrams and the maps, but there is no comprehensive list. Also, the information on casualties is a bit vague. Otherwise, this is a welcome addition to any collection on 17th Century warfare.
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In this book, Henry Reed returns to rural New Jersey for his third summer with his aunt and uncle. Each summer, Henry and his friend and partner-in-chicanery, Midge Glass, embark on a business scheme that results in humorous twists and moderately successful outcomes.
This summer, Henry and Midge want to produce some sort of entertainment show, but when a music festival and medieval tournament prove to have insurmountable obstacles, they settle on a rodeo. New Jersey being fresh out of stallions and bulls, they improvise and settle on sheep-roping and Sardinian donkey-riding. As always, there is an unexpected funny disaster, but a happy outcome.
Like the previous three books, Henry Reed's Big Show is entertaining and completely G-rated. The writing is compelling and through Henry, who lives overseas during the school year, the author passes along obscure facts about the world interesting to children and adults alike.
The downside, unfortunately, is these stories occur in a world that no longer exists. I grew up in an area of New Jersey close to the fictional Grovers Corner in which these books are based, and the rural idyll is long-gone, replaced by shopping malls and developments of McMansions. Similarly, it is hard to imagine today's young teens relating to the two characters whose activities, while hair-brained, are squeaky-clean and occuring without the presence of TV, the Internet, etc.
I highly recommend this and the other Henry Reed books in the series to children aged 10 and up. There is no objectionable material for a parent to be concerned about, but the cultural world in which the story is set may cause confusion.
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The final chapter is a wonderful look at school in 1774. Indeed, my daughter (eleven-years-old and still an American Girls fan) and I loved this book. I especially liked the way that the author artfully combined the story of the simple life of a young girl, with the happenings of the greater world around her. This is a wonderfully entertaining and educational book, one that my daughter and I both recommend.
She disobeys her parents for bringing the guitar and showing it to her friend Elizabeth Cole.
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