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However, in writing about topics in colonial American history, one must heed the ever-present danger of Euro-centricity. Most of the non-Europeans who took part in the creation of colonial societies (e.g. Africans and Native Americans) are all too silent in the available sources. Because of this, many scholars tend to rely too heavily on European perspectives. On the other hand, some have adopted the opposite extreme and have relied almost solely on non-European accounts when available.
Richard Price, in examining the early history of the Saramaka maroons of Suriname with his 1983 work First-Time: The Historical Vision of an Afro-American People, is fortunately able to find the mean between these extremes. The strength of Price's book lies in its respect for non-European views, its impartiality, and its truth-seeking. Price makes explicit the extant importance of the Saramaka's oral history, not only the history itself, but also the manner in which the Saramaka preserve it. However, while he uses the Saramaka versions of events as a framework, Price is always sure to corroborate these accounts with "documentary" or "archival" evidence, and when he is unable to do so, he candidly alerts the reader. Price has a hunger for the truth. He often researches the most subtle details of Saramaka stories in order to provide the reader with a fuller story. These details are often also linked by Price to historical realities and conditions that are easily overlooked in a reading of the Saramaka accounts.
Finally, I was impressed by the structure of the book- each page divided into two halves: the top sections containing a piece of Saramaka oral history, the bottom halves analyzing and critiquing these accounts using all other available sources and discussing their importance in Saramaka history and to the Saramaka people despite their flaws and inaccuracies.
Overall, Price's work is a valuable asset to the collective history of colonial America, and a seeming treasure for the Saramaka people today.
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It is very informative with stock numbers, correct colors, # of banks issued, year of issue and approximate US & Canadian values.
Do not buy or sell another bank without checking this guide out first!
You may be sorry.
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Richard Price has painstakingly arranged his research in such a matter that you get 4 different perspectives of life in Saramaka (Maroon colony located in the interior of Suriname): German Moravian (religious sect), Dutch Colonist, Saramaka, and his own. It is neatly arranged so that the information flows like a captivating story in which you follow these historical characters and get caught up in their lives, motivations, changes...
Because he has made one character the focal point, you get a more centralized view of what it was like in 18th century colonial Suriname and you can take away more detail from these individualized accounts.
I have discovered a great source for Maroon history in Suriname and will be seeking out all of Richard Price's titles to get the complete story about the Maroons.
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--George Lamming, author of In the Castle of My Skin, Natives of My Person, The Pleasures of Exile, Season of Adventure
"A wonderfully readable fusion of anthropology and memoir about culture, colonialism, and madness in the Caribbean. Price practices what a lot of postmodernists preach; the book's graceful writing and innovative form, tossing the reader back and forth in time and space, is supported by solid and original scholarship."
--Lucy R. Lippard, author of Mixed Blessings: New Art in a Multicultural America
"By beautifully crafting elements as disparate as biographical data, sociological studies, literary sources, and archival documents, Richard Price's research is more fascinationg than a piece of fiction."
--Maryse Condé, author of I, Tituba, Black Witch of Salem, Crossing the Mangrove, and The Last of the African Kings
"An engrossing and compelling book. . . . Richard Price continues to build a body of work that in seriousness and self-revelation goes beyond even the work of Clifford Geertz. But he is more than an anthropologist and stylist; he is a moralist, one who demands to be taken seriously. He enters the discussion of modern culture with Lévi-Strauss' Tristes Tropiques but he is able to carry it further than the master, because he has kept his intellectualizing anchored in the experience of cultural and social difference."
--Roger D. Abrahams, author of Singing the Master and Afro-American Folktales
"Price does it again. Mixing eras, genres and voices, he carries the reader through the contradictory streams of historical consciousness in the Caribbean island of Martinique. The result is as complex and as enticing as the sea it evokes."
--Michel-Rolph Trouillot, author of Silencing the Past