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As the MTV programming, this book has a continuous flow in which each chapter looks like a new video clip, which is totally related with the preceding, and flows directly into the following. However, instead of creating these connections with complete paragraphs and nice connectors, the editors choose to throw isolated pieces of pictures, paragraphs and quotations. It is the inner most meaning of every written and visual piece what makes a unified theory out of this book. A new way of communication which McLuhan would define as "Any new structure for codifying experience and moving information, be it alphabet or photography, has the power of imposing its structural character and assumptions upon all levels of our private and social lives" (106). Therefore, a chapter named "Violence and Identity" will start with a two-page-black and white picture of a Ku Klux Klan's ritual followed by a quotation: "Violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence." On the next page, a picture of a ten-year-old child wearing latex gloves and a gun in each hand; then, McLuhan's theory is introduced with big blue letters: "IT'S WHY THEY HAVE TO KILL," and so forth. This continuous fluidity of meaningful images and writings, involves the audience in an exciting rhythm, making it interact and experience what McLuhan was trying to say by "The Medium is the Message."
Instead of having a defined introduction, body and conclusion, Forward through a Rearview Mirror is composed of three different types of writing: biographical information, writings by McLuhan, and writings on McLuhan. Each one of them is placed by the editors to ease the reader's understanding of McLuhan's speech. Information about his background, life, and surroundings is provided by a timeline that covers his most important years: his experiences at different stages of his career, the birth of his own family, and his social life. All these factors influenced his way of analyzing our culture. From interviews, speeches, and books, Benedetti and DeHart quote McLuhan to provide objective information about his insights. Because most of his citations are abstract aphorisms, the audience can read his words either superficially or deeply, stimulated by the adventure of discovering his hidden insights, always present in his works. However, the reader is not alone in this adventure. Other media theorists such as John Fraser or Lewis Laphom share their experiences when reading the philosopher. Moreover, as the biographical information, these media producers also help to guide the reader by providing him/her with different analysis and points of view towards McLuhan. Although the book doesn't follow the conventional three-part linearity, it seems custom made for the rushing reader of the nineties. It doesn't matter on which page we open Forward through the Rearview Mirror. It can always provide an interesting analysis of our own society.
However, Paul Benedetti and Nancy DeHart do not only keep McLuhan's organization and writing style, but also preserve his idea of convey insights using the visual medium. Therefore, Forward Through the Rearview Mirror is designed to the image of McLuhan's major works The Medium is the Massage and Global Village. These two books submerge the reader into a multidimensional medium of meaningful abstract and figurative visuals. For instance, the editors create the same type of metaphors that McLuhan employed in his publications, by explaining the world's current globalization with ten bottles of Coca-Cola all written in different languages. Moreover, as Marshall McLuhan's last works, the unconventional format of this book also stands out in the reader's library. While both the medium is the massage and Global Village are smaller than any standard size book, Forward through the Rearview Mirror is wider and shorter than any conventional book.
Forward through the Rearview Mirror shows the complete involvement of Paul Benedetti and Nancy DeHart in McLuhan's life and ideas. Following Marshall McLuhan's guidelines, they carefully place each element in their book to create an outstanding piece. From its outside cover to its inner most meaning, this book breaks all standards, thus, draws the attention from an audience willing to find a new and high-quality product. Guided by McLuhan's print media by juxtaposing significant images and phrases to create movement and rhythm. When experiencing this book, the reader combines the sound of his reading and the meaningful visuals inside his mind, creating an audio-visual medium out of Forward the through the Rearview Mirror. If this phenomenon is achieved, McLuhan's theory is confirmed: "It is man who is content of the message of the media, which are extensions of himself" DeHart and Benedetti understand McLuhan, preserving his thoughts alive, and honor him in their piece of art.
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While Oates offered his view of the 15th Alabama's fight to take Little Round Top, a great story is to follow written by Frank Haskell. Unfortunately, Haskell tends to waste the immediate structure of the battle like Oates had earlier. He tells the readers where such a corps was placed, who was advancing, etc. This boring non-relating story he tells doesn't tell about him or his action in the battle. After this quick and non essential tale of the battle of Gettysburg, Haskell finally gets to his involvement in the fight. This is where Haskell gets interesting. He is very fair on his descriptions and how he associates with other Generals during the conflict. His tale of Pickett's Charge and the carnage is excellent. I really liked Haskell's discipline in not reacting to telling about a battle on the field that he didn't take part in or had not witnessed. His graphic tale of Pickett's charge and the movements covered certainly placed myself right along with him on the field. He builds up Day #3 of Gettysburg very well and comes to a complete end to his story without dragging the reader.
For the novice reader of the battle of Gettysburg, I wouldn't recommend this book as it is not generalized enough to understand without reading more of the basic battles of the three day saga. For the advanced reader looking for more historical insight written by two soldiers that were actually there, this is an excellent book and I recommend it completely.
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Preface 1. Introduction to Psychology 2. The Biological Basis of Behavior 3. Sensation and Preception 4. Emotions 5. Motivation 6. Learning 7. Memory, Cognition, and Self-Esteem 8. Intelligence 9. Social Psychology 10. Child Development 11. Adolescent and Adult Development 12. Personality 13. The Psychology of Religion 14. Abnormal Psychology 15. Psychotherapy and Personal Counseling 16. Group and Family Counseling Afterword Appendix: Self-Change Projects Glossary Index of Names Index of Subjects
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Preface 1. What is Abnormal? 2. What Causes Psychological Problems? 3. Depression and Extreme Moods 4. Problems with Stress and Adjustment 5. Anxiety Disorders 6. Psychosis 7. Physical Problems 8. Addictions and Impulse Control 9. Sexual Problems 10. Child and Adolescent Disorders 11. Personality Disorders 12. Healing and Preventing Problems Appendixes A: Personality Types in Marriage B: Medications Used in Therapy IndexEND
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For many of us who have invested heavily in the AS/400 and are worried about its future this book should put those fears to rest and demonstrate clearly how this amazing machine and its even more incredible layered operating system will be the basis for IBM's future!
Bob C.
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Which brings us to Paul's commentary on Amos. This book is an excellent aid to one's study of the prophet.
Like all the commentators chosen for the Hermenia series, Paul is learned: the book includes a massive bibliography, categorized into numerous areas of inquiry. Because it is a very recent work, Paul is able to take advantage of ongoing advances in scholarship. (Hermenia also publishes an older, standard commentary by Wolff, but decided it was appropriate to provide an update.) Despite Paul's erudition, the commentary is readily intelligible to readers who do not know Hebrew.
Paul is a very clear writer. He summarizes various points of view in the main text but, when he interacts with other scholars in detail, he places that information in footnotes (which are extensive). Thus the reader can follow the exegesis of the text without being unduly distracted by academic minutia, or turn to the footnotes for detailed argumentation where that is desired.
Paul is conservative in his conclusions. Notably, he defends Amos's authorship of various passages which other commentators regard as interpolations: see his excursus on the doxologies in Amos (4:13, 5:8-9, 9:5-6). He also defends the authenticity of the message of hope which concludes the book. (Other commentators believe it was added for comfort only after the people of Israel had been carried off into exile.) Preachers and teachers will particularly appreciate this aspect of Paul's commentary, since their sermons and lessons are based on the text as it is found in the Bible, not on theoretical reconstructions of it.
In sum, the commentary is highly recommended.
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The narrative follows their discussion as they read, with Christopher asking questions that any child might typically ask -- "How do we know Jesus was really God?" "Why did they hang people on crosses, Dad?" "But if Jesus had a solid body and wasn't a ghost, how did he get through the walls?" Maier's format works well in this setting. Quotations from Luke tell the story, but the discussion between Christopher and his Dad explain the Easter story in a way that seems natural and easy to understand.
While the text of this book is quite good, what makes this book a excellent addition to the Easter collection is the outstanding artwork of Francisco Ordaz. Beautiful, full page pictures take up the right hand side of each spread. These realistic and detailed illustrations do a superb job of furthering the viewer's understanding of the Easter story. Especially well done is a portrayal of Jesus praying in the garden of Gethsemane and an illustration showing the women standing in amazement before the empty tomb. The Very First Easter is an wonderful book to share with a child, or anyone, who wonders what more there is to Easter than bunnies and painted eggs.