The most wonderful collection fo illustrations by Sempe

ABOUT gEOMETRICAL CONSTRUCTIO

This is really a great book: it is exhaustive and concise at the same time. Starting with the foundation of the theory of choice under uncertainty, it covers the topics of information structure, general equilibrium under uncertainty, and the typical asymmetric information topics: moral hazard and adverse selection. Given its completeness can be naturally used as a reference manual. And given the author's clarity of exposition can be also used as textbook.

With creativity and compassion, the reader comes to realize that man's "renewable resources" -- the wildlife of Africa -- is being threatened by human ignorance and inhumane treatment. Nagomo grows from a nasty boy to an enlightened environmentalist. Kind of a '90s version of "My Fair Lady" with the guidance of one very clever and enchanted wizard. p.s. My kids were ages 4 and 2 when we started reading this book and they still enjoy it... as do my older nieces, ages 11 and 12!

A consummate professional in his field, as well as a diligent and thorough deliberator on political issues, Johnston steps outside of the conventional and offers a view of Rousseau unparalleled by that of his contemporaries. Standard notions of Rousseau are illuminated with unique jewels of obscure ironies and tragedies in Rousseau's work. Hence, Johnston's keen observation of hidden ideological meaning in Rousseau is an imperative addition to any political literary collection. This book is recommended as required reading for both scholars and avid followers of theory who wish to augment political discourse with the decorative nature of Johnston's perspective. A must-read for political science students, and a necessity for those academicians possessing a dire need for flair in their lecture discussions. A brilliant achievement!

"From Grizzly Bear to Teddy Bear: Gorbachev and his Illusion of a 'Common European Home'"

Jacques Levesque, The Enigma of 1989: the USSR and the Liberation of Eastern Europe (Berkeley: University of California Press, 1997). 267 pp. trans from French by Keith Martin.

Although Jacques Levesque's book The Enigma of 1989 contains few startling revelations, it highlights succinctly the larger ironies of Gorbachev's foreign policy in the last years of the Soviet empire. This highly readable book consists of three parts: one dealing with "the place of Eastern Europe in Gorbachev's political project; another examining individual East European countries; and the third part focusing on German reunification and the end of the Warsaw Pact. Since the book seems to be more about Gorbachev and the USSR than Eastern Europe, the original French title, La Fin d'un Empire, captures the book's essence a bit better than the one provided for the English translation: [The End of an Empire]. One irony that Levesque articulates to some degree concerns Gorbachev's motives for perestroika, and novoe myshlenie [new thinking]. Was Gorbachev truly inspired by these new ideas, or was he merely making a virtue out of a necessity? In the beginning of his book, Levesque points out how the USSR was lagging behind economically, despite its success in projecting military power in the 1970s. The war in Afghanistan in particular was draining Soviet resources. NATO officials had decided to place Pershing II missiles in Europe, and Reagan initiated the Star Wars project, with which Soviet leaders knew they could not compete. By withdrawing from Afghanistan, initiating bold disarmament proposals, disavowing the use of military force to solve conflicts, praising and paying dues to the United Nations, Gorbachev could score great public relations successes and put Reagan on the defensive for dubbing the USSR the "Evil Empire." Gorbachev was saavy, probably the most highly educated Soviet General Secretary. He was no doubt conscious of the practical advantages of his ideas. Yet later events indicate that Gorbachev may have begun to believe his own ideas too intensely, to the point of naivety .For example, in a 1997 speech at Rice University in Texas, when former Secretary of State James Baker awarded him the Enron Prize for Public Service, Gorbachev explained that perhaps the Soviet Union actually "won" the Cold War because it first understood that 21st century problems require global efforts and that the superpowers' arms race was suicidal. As Levesque points out, from 1985 to 1987, Gorbachev focused most on improving Soviet-American relations, by building the United States' trust in the USSR, by initiating arms control proposals, and other measures. He spoke repeatedly about "replacing the balance of power" with a "balance of interests." But in focusing on the United States-Levesque argues-Gorbachev "neglected" Eastern Europe, the traditional Soviet sphere of influence (p. 90). By claiming repeatedly that the Soviet Union would no longer "interfere in the internal affairs of sovereign states" and no longer use military force to settle conflicts, Gorbachev won the admiration of many Americans, but also undercut the authority of the communist regimes throughout Eastern Europe. How could Gorbachev genuinely have believed that after forty-odd years of maintaining hegemony over Eastern Europe by the use or threat of military force, that Moscow could retain that power without such pressure? Did he really believe, to quote Levesque, that "perestroika could co-opt a significant part of the opposition through its progression," so that "the [communist parties in each of the Warsaw Pact countries], acting through the Popular Fronts, could become their own opposition?" (p. 82). At other times, Gorbachev behaved contradictorily: sometimes pressing for more reform, at other times temporizing (p. 84). Levesque also reminds his readers that Gorbachev and some of his colleagues may have already decided to relieve themselves of Eastern Europe, which had become a financial burden-costing the USSR perhaps $18 billion per year since the early 1980s (p. 88). END

"The Essential Rousseau" is an edition of, as its name suggests, Rousseau's most essential works, including his "Discourse on the Arts and Letters" and "Discourse on the Origins of Inequality" in their entirity, as well as excerpts from other major works, including "The Social Contract" and "The Savoyard Priest". The translation is clear and accurate, the selection of tests is appropraite and accurately reflects what I would consider to be essential. There's a good brief sketch of Rousseau's life and work in the beginning, and a quick introduction to each work. All in all, this is a fine edition for assignment in the classroom and for students.

Europe through the Prism of Japan: Sixteenth to Eighteenth Centuries by Jacques Proust (Professor of History, University of Montpellier) is a careful, detailed, scholarly analysis of how Japan perceived Europe from the mid-sixteenth to eighteenth century. Japanese-European interactions during this era are expertly scrutinized, and range from encounters with Dutch merchants to Spanish Catholic missionaries, as well as the German and Portuguese Jesuits. A brief insert section of color plates with relevant works of art illustrates this remarkable cross-cultural study. Expertly translated into English by Elizabeth Bell, Europe Through The Prism Of Japan is a strongly recommended addition to East-West and Japan-Europe cultural history studies supplemental reading lists and academic reference collections.

This book is perfect to bring the practioner or researcher up to date with the state of the art in the field of GAs. Because each chapter is authored by different contributors, the style varies a lot. However, the book succeeds in its unifying theme. Probably the most useful thing accomplished here is to introduce the research community to the reader so that one can pick up reading directly from the fast evolving literature. Enjoy.

Anybody who has every experienced that odd feeling of fascination while watching a Tati film will find Chion's cinematic psychotherapy a beautiful treasure. Chion is a wonderful poet and a brilliant film theorist; I would expect nothing less to pay tribute to Tati's magnificent artistry.