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This book provides a primarily pictorial presentation of that history, from the original drawing by Ub Iwerks back in the 1920s through to the latest fashion in Mickey Mouse watches today. In between, you will see Mickey during his cartoon career (including a list of his appearances) beginning with his speaking role in Steamboat Willie on November 18, 1928, through the three different versions of the Mickey Mouse Club (I was disappointed that there were no large photographs of Annette!), his role as a greeter as the Disney theme parks (you'll be fascinated by how the costume evolved), to his evolution as a drawn figure (pupils within pupils made him more appealing).
The book is loosely themed around Mickey's initial appeal as a brainy, underdog hero . . . a sort of mouse David versus Goliath. There are brief references to the other Disney characters, including Minnie, Donald Duck, and Pluto.
Clearly, the picture's the thing in this book. You will see ads, balloons, comic strips, lots of watches, wordworking projects, flower and topiary representations at the theme parks, movie posters, movie stills, story boards, every conceivable kind of merchandise, photographs, conceptual art (including Andy Warhol), Mickey Mouse ears, magazine covers, and sketches.
Although the book has some exposition, it is on the light side. Serious fans of Mickey would want to know a lot more. So the ideal recipient for this book would be a young person who likes Mickey, but doesn't know very much about him.
Fans of Minnie will be very disappointed. She is almost totally ignored in the book. Since my daughter likes Minnie much better than Mickey, this would be a poor choice as a gift for her.
Those looking for the ultimate visual experience with Mickey will also find this book to be disappointing. Although it has a lot of attractive material, it could have had much, much more.
Like most compromises, the book fails to fully satisfy. I graded the book down accordingly although it is perfectly executed for its concept of providing a little background with a lot of images of Mickey.
After you finish enjoying this book, think about who you favorite cartoon character is. Why do you like that character? What traits of that character do you wish that you embodied? What other traits would make that character even more desirable?
Look for role models wherever you can find them!
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This book provides a truly stunning account of familial love. It reveals in a most personal and engaging way the evolution of a relationship between parents and son, under the most painful of circumstances. And it does so with a warmth, a compassion, and a spiritual dignity that would move any reader.
Moreover, given the tragic march of the still-growing AIDS epidemic, this is a book that must receive the widest possible readership. Every grandparent and every parent is at risk of finding themselves in the position of Brenda and Robert Hopkins. The spiritual and emotional strength which they, as well as Sean, brought to this trauma is not something every one will be able to find within. And that is one of the many powerful contributions of the book--it will provid! ! e an inspiration to so many who might otherwise be at a loss to cope with the discovery of AIDS in their midst.
As a piece of literature that is difficult to put down, SEAN'S LEGACY is impressive enough. But as a source of elegant example and a guide to a loving response to loss, the book shows us how families can grow even closer and more expressive of their love, when faced with impending tragedy. Moreover, the generosity of spirit revealed in this work sets an example not only for the way in which families must cope with this disease, but also for the way in which different generations of Americans must recognize and respond caringly to this tragedy of lost youth.
Peter J. Luciano President National Alliance of Senior Citizens Foundation
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This is not a novel or in-depth review of the subject so don't appoach it looking for any insight into the inner workings of a railroad. The extensive biliography gives plenty of sources to find that material. It is, however, a detailed overview of all aspects of L&N passenger service, from train equipment to dining car staffing. The writing is crisp and well paced with only a few dry spots. Many personal tales and anecdotes abound adding dimension to the topics.
My only complaints about the book are that the authors should have focused on each train such as the Hummingbird and Cresent in seperate, detailed sections rather then covering them in a chronological manner (which can be confusing and tedious for those not familiar with the railroads many routes). Also, more color photos would have been appreciated, especially for those of us who model L&N equipment in their model railroad layouts.
Again, a fine reference work put together by authors who definately love their subject.
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The book assumes a familiarity with the works of Merton, but readers who have encountered only two or three Merton books need not fear: Waldron's style is accessible and congenial, sometimes surprisingly, pleasantly conversational. He speaks as one reader to another, one spiritual explorer to another, confident that we will catch his enthusiasm not only for Merton, but for poetry in general.
As we see Robert Waldron sift through the compendious opus of the celebrated monk, making choices about which poems to present in his lecture, which portions of the prose to incorporate, we see him remembering when he first encountered Merton, we get brief commentary on how the work affected him (we echo his praise for the poetic prose in "A Vow of Conversation" and share his befuddlement at the attempted innovation of "Geography of Lograire"); we receive a sense of Merton's influences, and are pointed in the direction of his kindred spirits. He is compared, briefly and sagely, to another Catholic author and diarist, the late Henri Nouwen -- the differences being highlighted, as well as the similarities.
The life of Merton is generously assessed: the monk is lauded, justly, for his refusal to abandon his Cistercian life at a time of much turbulence for Church, nation, and the monk himself. His explorations into Buddhism are seen as evidence of a magnanimously ecumenical spirit; his affection for a Louisville nurse, as a humanizing moment that broadened and made tender the heart and soul of the monk. (We are offered a small but moving excerpt of one of the "Eighteen Poems," written during the days when monk and nurse were often in each other's company. It might be worth noting that "Learning to Love," volume 6 of Merton's journals, contains three or four excellent poems from this time.) Merton's sometimes uncritical enthusiasm for the politics of the left is not dealt with extensively, as Waldron's concern here is with the contemplative, creative, and poetic aspects of Thomas Merton's life-work.
"Walking with Thomas Merton" is the culmination of a lifelong enthusiasm for Robert Waldron, and he manages to convey, charmingly and disarmingly, why Merton's poems and prose fascinate him, and just might fascinate us. Merton's poems (and all fine poetry, as Waldron can attest, being an English teacher) cause us to pause from the hustle and hullaballoo, and gently urge us to pay attention to the minute particulars we often overlook, to go with the poet to a quiet space and re-create ourselves. Waldron baptizes (literally, immerses or plunges) himself in the poetry of Thomas Merton, that he might better speak forth the word (praedicare verbum) to his September retreatants. That we are allowed a glimpse of the retreat via the book's final pages, and to be alongside Waldron as he prepares for it, is a significant blessing. Waldron has given us a triune ode: to Thomas Merton, to the art of writing, and to those grace-filled moments of regenerative serenity that, please God, happen in the lives of us all.
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