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Yes, it takes time, work, and drill to learn shorthand. Yes, it's worth your while! Once you know shorthand, you will never have to hide your gift list again
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This (an earlier edition of the one offered here) is one of my most treasured books--not so much for the poems within, but for what Louis Untermeyer offers--an access to opportunity missed. Frost 'doubted if [he] should ever come back,' to where the roads diverged; yet, Untermeyer offers us a second chance, and this time (for all who think they know enough of Robert Frost), it may very well make 'all the difference.'
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As in most of Chesterton's biographies, the story of the subject's life is of minor interest here, compared to a philosophical and artistic description of the subject's works in the context of his time and "modern times." Chesterton is interested in the writer as a thinker, as a creator, and as a moral agent. In defending Stevenson and Chaucer, he argues for his view of Christianity, poetry, love, and artistic humility. If you want his religious views in a purer form, go to the brilliant Orthodoxy or Everlasting Man. If you want a detailed narration of the lives of the writers in question, look elsewhere. And even for this style of biography, I think his book on Dickens was the best I've read. But I found his opinionated description and defense of Chaucer and his times also very interesting. And while he does not scatter brilliant sayings like rose petals at a wedding, as in his best books, (reading Everlasting Man, I wanted to copy every other sentence) a few blossoms do flutter down, like the following, which also explain Chesterton's method:
"The truly impartial historian is not he who is enthusiastic for neither side in a historical struggle. . .The truly impartial historian is he who is enthusiastic for both sides. He holds in his heart a hundred fanaticisms."
"The greatest poets of the world have a certain serenity, because they have not bothered to invent a small philosophy, but have rather inherited a large philosophy. It is, nine times out of ten, a philosophy which very great men share with very ordinary men. It is therefore not a theory which attracts attention as a theory."
Author, Jesus and the Religions of Man (July 2000)
d.marshall@sun.ac.jp
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The lesser known of the two novels, "Kidnapped," tells the story of a young lad who is orphaned and sent to live with an uncle he has never seen. The uncle is a treacherous character living in a gothic setting and harboring a deep family secret soon to be revealed to the hapless orphan. A sea and land adventure follow that will keep you turning pages in this classic adventure.
"Treasure Island" is another great adventure that was beautifully rendered in the film with Wallace Beery and Jackie Cooper. As I read the novel after a recent screening of the film, I could hear Wallace Beery in Stevenson's dialogue of Long John Silver.
These novels are often considered to be children's literature because the main characters are children. However, the language makes them more appropriate for readers from adolescence to adulthood.
"Arrrgh. Avast ye maties!"
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Forget Lana Turner and Ingred Bergman, there are no women in this book. Hydes' housekeeper makes brief appearance but is of no importance to the plot. This is not a childrens book.
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The plague (H.F. writes) arrives by way of carriers from the European mainland and spreads quickly through the unsanitary, crowded city despite official preventive measures; the symptoms being black bruises, or "tokens," on the victims' bodies, resulting in fever, delirium, and usually death in a matter of days. The public effects of the plague are readily imaginable: dead-carts, mass burial pits, the stench of corpses not yet collected, enforced quarantines, efforts to escape to the countryside, paranoia and superstitions, quacks selling fake cures, etc. Through all these observations, H.F. remains a calm voice of reason in a city overtaken by panic and bedlam. By the time the plague has passed, purged partly by its own self-limiting behavior and partly by the Great Fire of the following year, the (notoriously inaccurate) Bills of Mortality indicate the total death toll to be about 68,000, but the actual number is probably more like 100,000 -- about a fifth of London's population.
Like Defoe's famous survivalist sketch "Robinson Crusoe," the book's palpable moralism is adequately camouflaged by the conviction of its narrative and the humanity of its narrator, a man who, like Crusoe, trusts God's providence to lead him through the hardships, come what may. What I like about this "Journal" is that its theme is more relevant than its narrow, dated subject matter suggests: levelheadedness in the face of catastrophe and the emergence of a stronger and wiser society.
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I rated it four stars rather than five because Robert Florence wrote another book called New Orleans Cemeteries. Much of the introduction of this book is almost word for word in the New Orleans Cemeteries. That made it redundant for those of us who have read the larger, more complete book about all the cemeteries in NO.
I enjoyed this book. It was filled with a lot of good information. The authors appreciation of cemeteries and their buildings and history shows in this writing. I particularly like that there are stories of some of the people buried in this cemetery. I would have liked to see more of that (Another reason for the four rating.)
Overall, I'd buy this book again and take it with me on my tour of this cemetery.