Rudolf Wittkower is a pioneer in the interest of Baroque art. He favours Caravaggio, the Carracci's and Bernini, to name a few.

This volume is one of three. Originally, all in one book it was more roughly 7" x 6" in size. Being 8.5" x 11" makes the reproductions bigger, but unfortunately, the majority are still in black and white or not there at all. Many works mentioned, are not included in this (or older editions). What good is mentioning a work of art, the reader is likely not to be familiar with, and have a hard time finding elsewhere? This makes the text, frustrating.

Starting with Rome in the first chapter, following with Caravaggio, the Carracci, Caravaggio's followers, Painting outside of Rome, and ending with Architecture and Sculpture. An introduction giving a brief biography of the author and enlarged bibliography has been added.

Wittkower is an important art historian and gives a comprehensive analysis of this time period which is essential for anyone interested in Baroque art. If it had all colour reproductions and included more of them, I would give it 5 stars.

This is one of the most intelligent book I've ever read about art. It's simple, complete, full of original point-of-views. In asingle word: you can't miss it if you like the Art History!

My son has a passion for Ancient Egypt. As a homeschool mom I have tried to encourage this, however, I felt that he should understand that history did not come to a screeching halt in Egypt after the death of Tutankhamen. In reading this book we not only enjoyed a page turning adventure that we couldn't put down, we also opened up an entirely new line of study. My son even wrote mock news paper articles in the, "Language of the time," bearing the sad news of the defeat of the Gallant Gordon. This book was invaluable in our study.

My son has a passion for Ancient Egypt. As a homeschool mom I have tried to encourage this, however, I felt that he should understand that history did not come to a screeching halt in Egypt after the death of Tutankhamen. In reading this book we not only enjoyed a page turning adventure that we couldn't put down, we also opened up an entirely new line of study. My son even wrote mock news paper articles in the, "Language of the time," bearing the sad news of the defeat of the Gallant Gordon. This book was invaluable in our study

Okay, it's not totally 'PC', but this book is true to the spirit of childrens stories. Along with the classics (e.g. Jack the Giant Killer and Tom Thumb) there are lesser-known tales full of real suspense, action, ghosts, magic, realy wicked stepmothers, love lost, imps, and fairies. And no guns. It provides the little stressors that Disney doesn't, so that the effect is genuine - real anxiety, and real relief at the point of resolution. You can never be sure that there will be a wedding at the end of any story.

The book has beautiful word-play and rhythm, along with classic sketched illustrations - A keeper for all time.

I'll let you in on a little secret. This is actually two of Jacobs' books published together in a nice hardbound edition from the Everyman Library. This edition includes both "English Fairy Tales" and "More English Fairy Tales." Jacobs collected and adapted many tales in his lifetime and made contributions to the field of fairy tale studies. This is one of the most popular of his collections. Variations of well-known and lesser known tales are available in this book such as Cinderella and Tom Tit Tot (similar to Rumpelstiltskin).

This collection of papers on the Family in ancient Israel covers the various periods of Israelite history. From pre-monarchy to second temple Judaism the chapters discuss many aspects of the family. The various authors discuss the members of the family, divorce, inheritance, and other issues that families of old as well as modern families experience. The ancient Israelite family was similar to those in the ancient Near East in their work ethic, structure, and culture.

This book helps the American family redefine their concept of family, extended family, and household as a source of strength for their cultural development.

This is the book for anyone who has ever wondered about the political homage paid to the "biblical family" in recent years. Profiting from recent breakthroughs in the study of Hebrew scriptures, this book, one of a series produced by the Religion, Culture, and Family Project of the University of Chicago Divinity School, argues that the family in ancient Israel should be understood as a complicated, multi-generational "household" system organized around a core "covenant" between father and mother, parents and children, households and land, and families and God. The ancient Hebrew family was hardly the "nuclear family" of today. Codes of hospitality insured that even outsiders and marginal members of the community were included when necessary. Indeed, the ancient Hebrew family resembled more the "village" concept, not only for raising children, but for building up community. Religious ideas in ancient Israel gave order and significance to the practical realities of family life, and were closely connected to the realities of household labor, land, wealth, procreation, inheritance, economic profit and loss, sickness, and dependency. This book is the only recent comprehensive review in the English language of the family in ancient Israel. It is well worth reading for anyone who wants to understand the biblical families of the Old Testament.

This book is a fascinating way to help children connect with the natural world while teaching important environmental concepts. It comes with a guide to use the book effectively, and is divided into sections of special topics. Each section contains a Native American story, discussion ideas, interesting questions, and related indoor and outdoor activities. These activities can be accomplished without expensive materials, often in or near the home or school. Oh, by the way, adults will learn from this book also!

I am a homeschooling mom and I bought this book to use with my kindergartener. This is an amazing book that combines social studies and science wonderfully. It contains alot about american indian beliefs and practices, distinguishing between the many tribal groups and traditions instead of lumping them all into one large culture. It uses indian legends as a jumping off point to study the environment, how it affects us and how we affect it.

I would like to find out if you have a CD-ROM or on-line of the newest version "Principles of Geriatric Medicine and Gerontology"?
Thank you in advance for your response.

The fourth edition of this classic text is now available and it is even better than previous editions. Many chapters have been rewritten and new authors add significantly to the current edition.

The Scepter and the Star by John Joseph Collins is an in-depth study of the complex problem of messianism and the varied messianic expectation(s) and speculation(s) during the time of Second Temple Judaism. The subtitle of the book, "The Messiahs of the Dead Sea Scrolls and Other Ancient Literature" is important because Collins does not restrict his study to the Dead Sea Scrolls. He goes through the Pseudepigrapha (a large, open-ended collection of biblically-related and biblically-dependant literature that is not a part of the Bible), the Apocrypha, the Hebrew Bible/Tanak/Old Testament and the messianic ideas contained within those works. Collins also deals with Jesus and the New Testament in this work, although it is on the side that these discussions take place.

Collins' knowledge of the Hebrew Bible is extensive on both theological and historical levels. His knowledge is also useful because in the Hebrew Bible are the roots of the problems with messianic interpretation - the scriptures themselves. Once Collins places particular scriptures in their historical context, he then goes on to show their influence(s) and interpretation(s) in various post- and extra-biblical works of literature. We find a pre-existent, heavenly messiah, a priestly messiah, a kingly messiah, and a militant messiah in the works Collins analyzes. At least one messiah was expected and possibly and two, depending on who wrote the work. Collins also deals with the history of the word "messiah" and its various uses in the Hebrew Bible.

In reading the book, the reader will gain some insights as to how and why the writers of the New Testament understood Jesus the way that they did, but the goal of the book is not to connect these works to Jesus. The book is, in many ways, a survey of the messianic thought during and before Jesus' time.

This book is not an introduction by any means. It is an in-depth study; some previous knowledge of the Scrolls, the Pseudepigrapha, and Second Temple history will be useful to the reader. A glossary would have been nice and helpful and would have opened the doors for less knowledgeable readers to read and understand the book. Overall, this is an excellect read. However, previous knowledge will enable - and perhaps even be necessary - for reader to grasp the many insights in Collins' work.

The Scepter and the Star is an excellent and indepth study of the controversy between Judaism and Christianity. In this book we find substantial support for the reasons that many Jews did not accept Jesus as their Messiah. The Jews were looking for two Messiahs- not one. There is scriptural support, which is well documented by John Collins that points to two Messiah figures of the Apocalypse. Collins also references Dead Sea Scroll material that specifically points out two figures- a Davidic and a Priestly Messiah . This book explains how two diverse religions came and stayed- Judaism and Christianity- over these differences. It shows how the Bible was more than a religious book, but a history book as well. This is an excellent, well written book that should get people to look again at the Bible and perhaps read it with insight instead of letting others TELL you what it says!!

At this side of the millennial threshold, wading through the deepening waters of change, the issue of reexamining the nature and future of the church is foremost on the minds of theologians, church educators, ministers, and denominational leaders. What will the church look like at the midpoint of the next century? Will the structure of the church require change to survive? Will the mission and functions of the church change? Will the institutional church survive its own success or succumb to a structure too rigid to adapt to the winds of change? Understanding the Church sidesteps contemporary conversations of the sociological dynamics of the church or the usual speculation as to generational shifts within the body. Being a compilation of papers presented at a 1997 colloquium at Grace Bible Chapel in St. Louis, Missouri, the book reviews basic questions about the nature, structure, and functions of the church. The seven essays that make up the chapters of the book do not stray far from the biblical text for interpretations and prescriptions on rudimentary questions about the church from a strictly Protestant theology. The book begins with an almost apologetic chapter on the necessity of maintaining the primacy of Scripture in understanding the nature of the church and any interpretations as to her form and function. This foundational chapter limits its understanding of the church not only to a Protestant theology, but more, to that of the Brethren Church (and even narrower, the Open Brethren, at that). This self-limited understanding of the nature of the church is the book's greatest weakness. The following chapters explore further the nature of the church from a strictly biblical theology, and issues of the identity, nature, and character of the local church versus the universal church. The final two complementary chapters examine issues concerning the autonomy and the interdependence of local churches. Rather than providing a new vision for the church in the 21st century, the book offers up a 19th century conservative evangelical biblical theology of the church typical of what would be found in a sophomore year systematic theology course at a Bible college. The "biblical ideal" for a 21st century church that appears in the book's subtitle seems to be a call for a return to an idyllic "first century church"-the yearning to return to the days of a fabled ecclesiastical Camelot. Some will find comfort in the certitude that a propositional systematic biblical understanding of the church provides. Unfortunately, such a stance is inadequate in helping churches deal with the overwhelming complexities that the church faces in the 21st century.

In Understanding The Church: The Biblical Ideal For The 21st Century, Joseph Vogl and John Fish effectively collaborate to address such fundamental questions as what is meant by "the church" within a Christian context, the purposes of the Christ in founding the church, what resources were endowed with its creation, and did Christ intend that the function of the church be essentially connected with its nature and purpose. With scripture having primacy in exploring these issues, Understanding The Church then addresses the nature of the church, the character and life of local churches, as well as the autonomy and interdependence that govern interaction between the churches and within the broader Christian community. Originally presented as a series of essays for a colloquium sponsored by Grace Bible Chapel in St. Louis, Missouri, Understanding The Church is a welcome addition to contemporary Christian studies reading lists and reference collections.

I'm not sure how to feel about this book. While reading it, I really could not become absorbed by Conrad's dense prose, though, while occasionaly eloquent, is very thick, and, well, British. But now that I am finished with it, I can not get the images the novella invokes out of my head. The conquest of Africa by the Imperialist on the surface, and the corruption of man's very morality underneath. The story is deceptively simple, merely a man working for an Ivory trading company, ominously called "The Company", going up the Congo river to meet up with Kurtz, the archetype of Western Imperialism. During this trip, we are shown the inner workings of man and his heart of darkness. The novella is not perfect though. Conrad's condemnation of Imperialism is uneven. Yes, the only discernable cause of Kurtz's descent into evil and madness is the imperialist ethic of master-slave, and it is fairly clear that Marlowe (conrad) is condemning that ethic, but at the same time, he doesn't work very hard to elevate the view of the African natives any higher in the esteem of his western readers. Anyway, as the novella is only about 100 pages, it is something that can be read in a day. Invest an afternoon in it, and decide for yourself.

Heart of Darkness is a novella that really needs to be read more than just once to fully appreciate Conrad's style of writing. The story is an account of one man's simultaneous journey into the darkness of a river as well as into the shadows of a madman's mind. There is a very brilliant flow of foreshadowing that Conrad brings to his writing that provides the reader with accounts of the time period and the horrible events to come. Through Conrad's illuminating writing style we slowly see how the narrator begins to understand the madness or darkness that surrounds him.

I recommend this particular version of the novella because it contains a variety of essays, which discusses some of the main issues in the reading and historical information. Issues like racism and colonialism are discussed throughout many essays. It also contains essays on the movie inspired by the book Apocalypse Now, which is set against the background of the Vietnam War. I recommend reading Heart of Darkness and then viewing Apocalypse Now, especially in DVD format which contains an interesting directors commentary.

You can sit in your office on your lunch break and read Joseph Conrad's Heart of Darkness while, perhaps, eating a chicken salad sandwich. And while sitting there with an air-conditioned breeze blowing from a vent, you can imagine you are vicariously experiencing a trip up the Congo River in nineteenth century Africa. You can suppose your imagination is powerful enough to project you mentally into the circumstances Conrad relates. It is true Conrad's power of description is such that the reader can almost feel the thick, hot gush of blood fill Marlow's shoes as his assistant dies at his feet -- on his feet. Reading this story in the dead of winter will bring sweat to your brow. The torrid heat of the African night drips from every sentence. But more than anything, this story fills one with a sense of mortality -- it beats bluntly like an indefatigable drummer between every line. Lives like waves crashing against the merciless rocks of time. No man able to escape the malignant truth of his inevitable demise. Not even Kurtz, who wielded the reaper with such dexterity that it seems impossible he would ever have it turned in his own direction.

Heart of Darkness -- heart of virulence. Conrad takes us to a land of death -- a hundred-page trip through a tropical tumor. "The horror -- the horror." Yes! The horror fills every page, every twitch of every character. All is corrupt and dirty, like slime on the edge of a desecrated grave. It is the genius of Conrad that he can so deftly deliver his reader from the most opulent ivory tower of modern comfort, to where the darkest places in nature meets the darkest places in the human soul.