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I have recommended this writer to many friends and have bought the soft cover prints for several.
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This highly influential work has a very simple message: live like Christ. Presented in this book, it is a very strict message. Thomas takes a very strict interpretation of following Christ and the message is very much rooted in the idea of works. It is the actions that one must perform, and not so much the inner state (though he does stress that the inner state is important). This would be a difficult message to take or to give, but again, we must consider the audience: monks living in a monastery. They must live a harsher life and because of their vows, this devotional makes perfect sense.
This can be read as a historical document in Christianity or as a devotional. Either way, one can find great value and and some illumination of the words of Christ through this volume.
The "Imitation of Christ" is divided into 4 books, each undertaking a basic theme for development. They are, respectively, the Spiritual Life, the Inner Life, Inward Consolation, and the Blessed Sacrament (i.e., the Eucharist). In turn, each book is sub-divided into numerous chapters, each a page or two long. All of which makes the "Imitation of Christ" a useful book for daily devotionals. One can skip around freely within the book, dipping in as the mood strikes. Yet, I think one is well-served by reading it through at least once. Only then does one see Thomas' thought in its fully-developed form. Do be sure to get a good translation. I am fond of the one by Leo Sherley-Price.
The "Imitation of Christ" is divided into 4 books, each undertaking a basic theme for development. They are, respectively, the Spiritual Life, the Inner Life, Inward Consolation, and the Blessed Sacrament (i.e., the Eucharist). In turn, each book is sub-divided into numerous chapters, each a page or two long. All of which makes the "Imitation of Christ" a useful book for daily devotionals. One can skip around freely within the book, dipping in as the mood strikes. Yet, I think one is well-served by reading it through at least once. Only then does one see Thomas' thought in its fully-developed form. Do be sure to get a good translation. I am fond of the one by Leo Sherley-Price.
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Tuchman obviously regards Stilwell as the hero of the tale. It's hard to come to any other conclusion about this deeply humble but brilliant, unwearying but always frustrated man. Yet she is quite fair in assessing the difficulties faced by Stilwell's close-to-home antagonist, Chiang Kai Shek. She is also not sparing in describing the courage, success and tactical genius of Claire Chennault, whose (clearly wrong-headed) conception of the War was opposed to that of Stilwell.
The story of America in China in WWII and its aftermath is so fascinating, so HUGELY important - and still so relatively little publicized - especially in relation to the affairs of MacArthur, Nimitz and Halsey in the Pacific or Eisenhower, Bradley and Patton in Europe.
I long for a movie that will show the fascinating struggle among Stilwell, Chiang, and Chennault in relation to the Japanese and Mao's Communists. It can be said that America's foreign policy in 1943-50 has far less immediate impact in post Cold War Europe today than in Japan, China, Burma, and Indonesia. America's two costly wars since WWII have been in Asia. This book gives a wonderful background to anyone interested in how did the existing state of affairs in China come to pass?
America was intimately involved - particularly two Americans - 1) Claire Lee Chennault, a maverick Cajun from Louisiana who resigned from the American Air Force in rage at their refusal to adopt his revolutionary views on fighters and bombing - and became the head of China's Air Force in 1937; 2) Joseph Stilwell, an upper middle class WASP from a family that went back to the early 1600s, who had been intimately involved with China since the 1920s.
It's just a great story, and it's unlikely you know much of it.
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Typically, Brady obsesses over the Willie Horton episode, even though he does dislodge the pervasive myth that Atwater was somehow the prime mover behind this over-hyped episode. Still, these pages would have worked better as a more detailed account of the strategy behind the '88 campaign. (That's why I bought the book -- not to read more re-hashing of the Horton claptrap.) After enjoyable and vivid accounts of Atwater's early South Carolina campaigns, Bad Boy starts to disappoint and doesn't shed much more light on the politics of the 1980s and beyond.
Atwater may be called the master of negative politics, but after watching the latest episode in Florida and recalling the impeachment ordeal, I doubt that this is what will distinguish him in the pantheon of political masterminds in years to come. Atwater's legacy will be that of a strategist who had a unique sense of what was really going on in his generation, and one of the first to recognize the current transformation of politics from a battle between left and right to contest between libertarian-minded thinkers who relish progress and freedom and traditional populists who want to control it.
Still, the book is well-crafted and does an excellent job of chronicling Atwater's life. It is especially admirable for revealing the truth about Atwater's alleged deathbed renunciation of hardball politics -- which never really happened. The real story is far more interesting.
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Conrad's works have, of course, been reviewed to exhaustion; the only thing that I could hope to add would be my emotional response to the novel as a reader.
Personally through the majority of the novel I found Heyst to be the only truly well defined character. Much of what we learn of him is revealed indirectly through the observations of others, but somehow Conrad manages to use this method to flesh out a complex and intriguing figure in Heyst. The remanding characters, while interesting, serve mostly as scenery. The villains Jones and Ricardo, while interesting, struck me not so much as human characters but as forces of impending doom; they could have as easily been an approaching storm or a plague or any other brand of natural disaster. The girl Lena in the end is the one exception; perhaps the one thing that I found most gratifying is the way in which her character developed as the novel neared its climax.
The Penguin Classics version is well footnoted for those of you (like me) that would have missed some of the more obscure Biblical references and allusions to Paradise Lost. The notes also comment on the narrator's shifting viewpoint, and on revisions Conrad made to subsequent editions. For those readers interested in an insight into Conrad's thinking I'd recommend this version.
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The meat of this book begins with chapter 4, "Wine from Concentrates." And what a chapter it is, covering 13 specific white wine concentrates (Chenin Blanc to Vino Blanc) and 13 specific red wine concentrates (Barbera to Zinfandel), with recipes and step-by-step instructions for each (all suspiciously similar, but if the shoe fits....).
Chapter 5 is "Wine from Juices," and it does a superb job with 15 white grape juices (Chardonnay to Vidal Blanc), 15 red grape juices (Barbera to Zinfandel again, but many in between are different) and one blush.
Chapter 6, "White Wine from Grapes," covers 20 great grapes, from Aurora French-American Hybrid to Vidal Blanc French-American Hybrid, with some real classics in between. Chapter 7 is predictably "Red Wine from Grapes," covering another 20 grapes from Alicante-Bouschet to--again--Zinfandel, but the in-betweens are both classic and unusual.
Chapter 8, "Wine from Fruit," offers up 14 classic non-grape wines--from Apple to Strawberry. I found some of the ingredients thought-provoking(Epsom salts, for example, in fresh-crushed apple juice), but I found their choices of yeast less than inspiring (their heavy reliance on sweet mead yeast was a bit unimaginative, in my opinion).
Chapter 9, "Sparkling and Fortified Wines," offers a very good primer on these subjects, with more emphasis on the latter than the former. Chapter 10 is "Trouble-Shooting," but this, like the first three chapters, has been done better by others.
Criticisms aside, this book is a valuable adjunct to any winemaker's library. Where else can you find recipes for Cayuga French-American Hybrid, Lemberger red or Morio Muskat, all in the same volume? You can bet my copy is already well-thumbed....
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Despite the magnificence of this novel, it has been banned to due certain reasons that were very controversial. The constant swearing, violence, and the setting of bad moral to others lead to the banning of this novel. The swearing starts as early as page 3. "He [George] said angrily," ... 'Jes' a little stretch down the highway... God damn near four miles... Didn't wanta stop at the ranch gate, that's what. Too God damn lazy to pull up."" On this page, notice how the word "God damn" was used repeatedly. This word is especially offensive to people who love and respect God, such as devote Christians. The violence that occurs in Of Mice and Men also got it banned. The killing of many innocent animals due to Lennie's love of petting soft things is a good example. Using the theme of weakness of the human mind, Steinbeck sets a morally bad example for other people. Steinbeck sends a message to the reader saying anything (and I mean ANYTHING) in the world that gets in the way of living a nice, normal life should be eliminated.
Speaking of worlds, Of Mice and Men is both positive and negative to the literary world. It's negative because it sends the reader the bad message that was previously stated above. On the other hand, the novel is positive to the literary world because it clearly depicts how hard life is when living with a mentally retarded person that must be monitored constantly. The reader can actually feel the frustration and anger inside of him/her as he/she reads about Lennie doing something stupid again. I know I did when I read about Lennie continuing to pet a rat that he has already killed. A lot of respect and recognition should go to the people who have to deal with people such as Lennie. Also, the novel is positive to the literary world because it's a dang good book. Don't be fooled by the minute size of the book, it's definitely well worth the time to read. :)
The book is mainly about two men named Lennie and George and their travels to reach their dream of building a great farm and "livin' off the fatta da lan." I like this book because just by reading it you know that John Steinbeck put his heart and soul into this book. If "Of Mice and Men" were a food I would describe it as rich and satisfying. The only thing I didn't like about the book is that especially in the beginning it would go away from the story and describe the landscape it in great detail. Don't get me wrong! I like detail but it took too long to get back to the story. Speaking of detail. When the detail in then book was focused on the story it gave it an amazing effect! The character development in this book was also very good. From main characters like George to main characters like Crooks, John always let the reader know lot about the character. Finally, the dialogue in the book is excellent. Everything is said right and right at the correct time. WOW! I would recommend this book to anyone who enjoys an enriching story but can handle a little tragedy.
This concludes my review of the book "Of Mice and Men" by John Steinbeck. For all of you who decide to read it... ENJOY!