"Inside Photoshop 7" is one of the most complete and still approachable books on Photoshop available. It is well organized with the core topics at the beginning of the book followed by specific areas of interest. For example, you might want to move from the core concepts to the section for photographers, or to the section for artists, or the section for the web. The choice of how to proceed is up to you and your interests.

This is Gary Bouton's 13th book on Photoshop. To say that he has learned not only the details of the program but also how to impart that knowledge to a reader is an understatement. Throughout the book he explains what he is trying to accomplish with a project, how he is going to accomplish it and then walks you through the process. The end effect is that you actually learn how to use Photoshop 7 to create the effects that you want.

Feature rich and full of examples, it covers the basic and advances features of Photoshop 7 in detail. Complex concepts are explained in detail in a very easy to understand writing style. If you want to become a Photoshop expert this is the place to start. A highly recommended read.

Gary Burton and 5 contributors have put together a comprehensive step by step reference guide to Photoshop 7.0. The book is well thought out with practical tutorials in a user friendly format and in such a way that anyone can follow along.

My reference to this being a "reference guide" is demonstrated in part one, for instance, the author gives you a detailed list of definitions of Photoshop's Blending Modes and throughout the book this same practice is applied. In part two you're guided through Photoshop's Core Concepts such as, Preferences, understanding Photoshop's Color System Management and the importance of Scratch Disks and so much more. I could simply go on and on, as there is so much valuable information in this book. To top it off, on the accompanying CD ROM are, resource files for the chapters examples, a inside Photoshop e-glossary, fonts, textures, tiles and 6 software demos.

All in all, the author makes sure you walk away with a deeper understanding of how the application works, along with being able to create, touch up, restore and materialize digital imagery like never before.

This is a must have!

Once again the Inside Photoshop 7 book has outdone the previous version. Just when you think it can't get any better they update and bring in additional authors adding to the tremendous value. There are some authors which joined in on this version making it a blockbuster of a book. You'll learn all the core techniques of Photoshop by performing the many tutorials throughout the book. There is a section that allows you to "Get Your Feet Wet" where you can get creative even when you have no idea at all of what you're doing. But don't worry, it's all covered in-depth through the book.

Not only do you learn all the core functions of Photoshop but there are specialized sections such as, Photoshop for photographers so you can get to making money faster! I like goals like this. Some of the other special sections are Photoshop for Artists, Special Effects with Type and Animation scripting.

The authors present a task then they determine what needs to be done then provide steps to accomplish the task. By understanding what the task is and what needs to be done to accomplish is you are armed with the methodology to apply to your own work.

Book is a great reference of scents. It begins with the use of scent and how inhaling certain herbs and essential oils can effect our moods and outcomes in life. It has different methods and techniques to gain specific results with aromatherapy. Includes recommended aromas for days of the week, seasons, lunar cycles, elements, planets, and zodiac. It also contains a list of oil and plant distributers for your harder to find items. Also includes a pretty big reference guide of the aromas and their uses. Very handy to have around. I know I will be referring to it time and again.

This is the only book I know of that deals with the magical use of aromatherapy. Scott Cunningham gives a huge list on diffrent scents. He tells you if it should be used as an oil, dried herb, seed, or fresh. He also tells you the precautions of each herb/seed/flower/oil. he also gives you an idea of how little or how much these oils will cost you. He also gives you the planetary power of each of these scents. Also in the back of this book you will find a few recipes of diffrent oil blends to use in your aromatherapy magic. This is a great book that deals on the subject of aromatherapy for magic.

For the price and the size this book wins hands down. It is a very thorough little book, and would be a great addition to anybody's magickal library. It is a wonderful section that is a mini encyclodedia of different plants and herbs used for aromatherapy, which lists the parts of plant used, ruling planet, and magickal uses. I do however, like any specific topic, think you should also read and refer to other sources if you are serious about persuing something. However, this is an excellent choice for a start.

If your idea of love is limited to visions of puppies and balloons, The Thing About Love Is... probably not for you. In Polyphony Press' first effort, the heavy topic of love is tackled in gritty, gutsy pieces that cut to core of this complex emotion. Sometimes it's bliss, sometimes it's bizarre, and quite often it hurts, but regardless of its form, love is always intriguing. This anthology is in keeping with that notion. With a variety of styles and voices, the works featured here are unanimous in their ability to draw the reader in and keep him hooked. It is truly a great read that may challenge one's personal definition of love. Call it an enjoyable experiment in mind expansion!

It's difficult to find an anthology that has as much stopping power as this one. Reading it, I was impressed not only by the diversity of the authorial voices, but also by their veracity. Each story, poem and play seems to have come straight from the gut. What's more, the contributing writers help to remove our blinders; particularly when it comes to matters of the heart. Love, they argue, is nothing less than a battlefield on which each of us daily chances victory or defeat.Those seeking to enter the contest fully armed would do well to buy this book.

Anthologies are not my usual choice of reading material, but as this was recommended to me, I decided to give it a try. I was pleasantly surprised. While I could not relate to some of the pieces here, I enjoyed the underlying topic immensely. The poetry, drama, and short stories were a good blend. The Thing About Love Is... an enjoyable and fast read, but has a peculiar lingering effect that required that I return to it for further exploration. It's a perfect book to read from the relative comfort and safety of your best chair, where you know that you can dip into the joy and angst of love and for once, walk away unscathed.

The Big Liddell is a very valuable resource, as a number of other reviewers here have observed. It truly is the premier work of its kind. But it has a few drawbacks.

1 - The sheer weight and bulk of this tome makes it a dedicated desk reference. In fact, you might consider building a special shelf or desk just to hold the book.

2 - The offset printing flaws mentioned by other reviewers is a significant problem. Portions of some entries are not even legible.

The Big Liddell is the kind of book that would be much more valuable in digital format than in print. There's been talk about an electronic version for some time, and it looks like we might finally get one soon ...

The "big" Liddell & Scott is the one to buy when you're about to do your doctorate. Until then you would be better off with the Intermediate, and not just because it's only about a third the price and much easier to carry about. The Intermediate has a much clearer typeface and many students find its material more easily accessible.
The ninth edition of the "big" Liddell & Scott has been offset so many times that the print is faint and verging on the illegible. My copy actually has pieces of print missing. The Clarendon Press ought really to have the whole thing revised and reset. But what a daunting task! (It will probably end up being republished on disk.)

This review is for the Abridged Liddell-Scott Lexicon...

I own the Intermediate sized Liddell as well, and I must say I actually prefer the smaller one. When I took a class where we read "The Apology of Socrates" by Plato, my professor recommended avoiding the Intermediate edition. At first I thought perhaps he was wrong, and I used it to translate some passages. After spending a lot of time sorting through it, I found that I agreed with him. The Intermediate Liddell does have locations of word use in original sources, and has slightly more vocabulary, but for the beginning and intermediate Greek reader, the Abridged Liddell is preferable. Navigating through the abridged edition is far easier and it often assumes a lesser knowledge of Greek, thus it includes some conjugated forms, which then point you to the correct verb. So as you can see, the abridged edition should suit the needs of most classical Greek students. Also, the editors took care to make sure that virtually every New Testament word is included.

Are there drawbacks to the Liddell-Scott? The Victorian English often gets frustrating. We rarely use words like hither and thither anymore. Also, when more morally explicit Greek words are defined, their definition is in Latin. Also, the original printing abnormalities, such as certain parts of letters being cut off from words, remain.

Learning Greek is a rewarding, but daunting task. The task is often made more difficult by grammars and lexicons that assume the reader knows more than he or she does. The abridged Liddell is perfect for the average student. When you want to dive in deeper, learn word origins, search sources, or just want to say you own the most complete Lexicon out there, you should buy the full size Liddell-Scott. Until then, the abridged edition works!

This book is really good. You can learn a lot about overclocking your pc by reading this book. I would recommend this book to everyone.

Collaboratively written by PC hardware enthusiasts and experts Scott Wainner and Robert Richmond, The Book of Overclocking: Tweak Your PC To Unleash Its Power is a vital and enthusiastically recommended guide to tweaking the processor of a personal desktop computer to run faster than originally intended by the manufacturer. Showing how to overclock and improve the speed and performance of a personal computer, as well as keeping older hardware viable and competitive for longer, The Book Of Overclocking also includes an overview of why the computer industry tries to discourage overclocking, how to overclock, keeping one's PC cool, overclocking specific to the hardware of Intel, AMD, or VIA/Cyrix, troubleshooting, benchmark testing, and more. The Book Of Overclocking is a unique and "must-have" do-it-yourself guidebook that should be careful read before opening up a personal computer and seeing what can be done to make it faster and better.

This is a well written and comprehsive book on overclocking that can help the beginner or the advanced person in getting the most out of their computer systems. There is a ton of info on how to work with almost every piece of overclockable hardware out there.

They finally assert what is already know in the trenches, they have finally recognized that the manufacturing metaphor is wrong for software development, so CMM and ISO-9000 were built over the wrong foundation about software. The development process of goods made of atoms can not be applied to goods made of bits; the same principles cannot be sustained, except for entropy.

But they insist talking about analysis, design and programming as sequential activities, they are lost about the nature of software development, that is, a design activity all the way through.

Like most academic people, always behind the times.

I found this book to provide some very practical advice on a very difficult problem--dealing with the myriad versions of COTS products and the problems integrating them while dealing with dead-line driven schedules. Unlike other software engineering books Building Systems from Commercial Components takes a practicioners view and details out specific techniques that can be used in evaluating and integrating COTS products. I highly recommend this book.

I found most of my projects are more or less concerned about system integration since last year, and found some difficulties. Depending on the components from other vendors became a great challenge, for my experience was mostly based on designing/implementing components from scratch. This book provides a new point of view to look at the development process. The authors suggest how designs should be adapted to face the fact that the components we are to assemble are in control of others' hands, and describe several techniques for component-based development. A case study (which is a really big one) are provided for the readers to see how these techniques can be applied. The authors are true software engineers, and their in-depth knowledge and experience are presented now in their precise writing style. Software development is changing its face now. Components are everywhere, and computing is moving on the way to ubiquity. I am sure this book is a good guide for the managers and developers in this trend.

As a lawyer, when I am asked about proper procedure at a meeting, my first question is: What rules do you use? Is there an applicable statute, or bylaws or rules that the organization has adopted? Nine times out of ten, the answer is: "Robert's Rules of Order." Robert's is the most widely used parliamentary manual in the United States.

General Henry M. Robert published the original "Robert's Rules" in 1875 and 1876 and, since the copyright on that edition (and the next few editions) has long since expired, there are numerous unofficial editions on the market. The third edition, published in 1893, is still marketed in paperback by more than one publisher as the "original" Robert's Rules. With the copyright expired, even the name "Robert's" has passed into the public domain, and many imitators have slapped the name "Robert's" on books of parliamentary procedure that bear minimal relation to General Robert's work (much as many dictionaries claim the name "Webster's" without any connection to Noah Webster or the Merriam-Webster brand that carries on his work). This book is the real Robert's, composed by an editorial board appointed by General Robert's heirs (including his descendants Sarah and Henry III, both eminent parliamentarians). Now in its tenth edition, published in 2000, this book "supersedes all previous editions and is intended automatically become the parliamentary authority in organizations whose bylaws prescribe 'Robert's Rules of Order' . . . or the like, without specifying a particular edition."

Robert's is not necessarily the best parliamentary manual on the market: "Modern Parliamentary Procedure" by Ray Keesey is far more logical and user-friendly, and "The Standard Code of Parliamentary Procedure" by Alice Sturgis (commissioned by the American Institute of Parliamentarians as a contemporary alternative to Robert's) is more readable and more rooted in modern practice. But no other book has gained as much as a toehold in Robert's dominance in the market. If you are interested in parliamentary procedure, or figuring out how most organizations work in the twenty-first-century United States, this Robert's is indispensable.

Question: Which edition of Robert's Rules is official? Aren't they all the same? Which one do professional parliamentarians refer to? Answer: The National Association of Parliamentarians, and the American Institute of Parliamentarians, only recognize one book as the current official parliamentary authority: Robert's Rules of Order Newly Revised [1990 edition, Scott, Foresman] Everything else is old, or a variation. The bible of parliamentary law, it is this edition that your bylaws probably mentions, not the 1876 original text, like some publishers are selling. Be forewarned, it is literally a book of rules, and not easily absorbed. -- You may have to learn what's practical for your average meeting by a simpler beginners book. If you want simple, go elsewhere; if you want complete, this is it. No other book is ADDING things to Henry M. Robert's original classifications & rankings (it's 700+ pages!), only shortening & simplifying & rephrasing.

While there certainly are other options to understanding parliamentary procedure, "Robert's Rules of Order (Newly Revised, 10th Edition)" is a traditional key to knowing the ways things are done.

True, true... this isn't exactly the sort of book you bring to a coffeehouse on a Saturday. However, it is also true that if you are part of an organization that has organized meetings, 'Robert's Rules' is a great place to start. The liturgy of meeting procedure starts and finishes with the rules set forth in 'Robert's Rules.'

Get this book, but consider getting one of the plain English versions as well. If you are new to parliamentary procedure, you'll find both books in tandem quite helpful.

I fully recommend, "Robert's Rules of Order (Newly Revised, 10th Edition)" by Henry M. Robert III.

Anthony Trendl

The original version of the story Lost Boys (later expanded into an inferior novel) is to be found here, and it is truly a frightening story. The events unfold, and before you realize it, you discover that the story is autobiographical. Also here are: CLOSING THE TIME LID--a wildly delicious time travel story--KING'S MEAT--a touching, and ironic tale of life on a planet that has been taken over by wierd squid-like aliens, who prey on human flesh--and of course the CLASSIC short story, UNACCOMPANIED SONATA. Words fail to discribe how touching and beautiful, how sad, and wonderful is this story of a future time when everybody gets to do whatever makes them most happy.

A must for Card fans and highly recommended to those attempting to understand the appeal and celebrity of this prizewinning and acclaimed American author of science fiction, fantasy, and magical realism.

Card's short fiction has always exceeded in power, beauty, and universalism the long fiction which he produces at such a prolific rate. This is mainly due to his tendency to explain nuances of his characters in his longer works literally, rather than allowing the reader to understand them through diligent observation. In his short fiction, however, he routinely abandons this "lowest common denominator" method, much to the empowerment of his prose.

The appeal of Card's work is similar to that of film wunderkind Steven Spielberg. At his worst, he is unflinchingly manipulative, such as in the story "Lost Boys," the original source for his later popular novel (cf. "The Color Purple"); at his best, his narration remains remote enough not to overpower with sentimentalism, as in "Unaccompanied Sonata" (cf. "Schindler's List"). A few works seem to be unnecessary literary exercises taken to extremes ("Damn Fine Novel") but, as is Card's trademark, a constant theme of sin/redemption runs through most of the stories. While drawing upon the Mormon experience, Card is unafraid to avoid simple moral chiaroscuro in favor of the gray areas for which good fantastic fiction is so well tailored.

The perfection of some of these tales lies in the simplicity of the telling. Card seems to have adhered to the ethic that informs Native American and Far Eastern oral traditions, wherein the narrator becomes only an instrument for the audience, and never intrudes as either arbitrator or alibi. It is in their peculiar mixture of triumph and tragedy that Card's stories delight, whether described through whimsy or dread.

The book's five segments, roughly described respectively as horror, science fiction, fantasies, parables, and miscellanea, comprise most of the author's published (and some unpublished) works up from 1977-1990. Particularly recommended: "Unaccompanied Sonata," "Quietus," "The Porcelain Salamander," A Plague of Butterflies," "Gert Fram."

It was a crime to let this book go out of print! Fortunately, one of my friends, also an OSC fan, lent his copy to me "for a short while." Because I am an honest person, I returned it. Eventually. And only after seriously considering changing my name and moving to Alaska, all to avoid losing these stories.

The book is divided into sections, each with a unifying theme: horror, classic science fiction, fantasy, parables, religion & ethics, and a mix of miscellaneous works. "The Changed Man," "Flux," "Maps in a Mirror," "Monkey Sonatas," and "Cruel Miracles" were also published as individual paperbacks, but "Lost Songs," which contains, among other things, the original short version of "Ender's Game," is only available in the comprehensive hardcover edition.

Every facet of OSC's brilliance is displayed in this collection. His longer works, while also brilliant, have an unfortunate tendency to lag at points, but in short form he shines. Though not all the stories are of equal quality (hey, everyone has bad days), none are bad, and many are things of beauty and power. My personal favorites include "A Thousand Deaths," "Freeway Games," "Saving Grace," "Kingsmeat," "The Porcelain Salamander," "The Best Day," "I Think Mom and Dad Are Going Crazy, Jerry," and, of course, "Unaccompanied Sonata."

Be aware: some of these stories contain graphic and disturbing images. They also contain disturbing ideas. But no one writes speculative literature better than OSC at his best, and this book has a lot of his best.

The book is not reasoned well and poorly written by a fairly arrogant author who seems only interested in building up his own reputation. The book is not practical, and its theories stir up more questions than they answer.

Wise, comprehensive, practical, and extremely well-written. Whether you are negotiating deals or disputes, whether you see yourself as a gladiator or a problem solver, this book is indespensible.

This is a book that should be read by every lawyer. It offers practical, useful advice for an approach to negotiation that moves above and beyond the game playing and posturing that too often characterizes a negotiation. The book also offers a useful discussion of the issues raised for a lawyer in negotiating on behalf of a client. All in all, this is a must have, must read for any lawyer.

Huge disappointment. Chapter 1, page 1 starts with "Those
companies that succeed at new product dvelopment are the future
Mercks, HPs, 3Ms, and Microsofts; those companies that fail to excel
at developing new products will invariably disappear or be gobbed up
by the winners. .....". Despite this quite promising catch
phrase you will not find a single word on how the above mentioned
companies develope new products.

Things actually get worse. What you
will find in this book are random generated case studies on various
portfolio models the authors encountered in the few firms willing to
meet them - no theoretical framework is given on portfolio management,
criteria to be included and best practices in various industries.

As
a major disappointment I found the fact that not a single case/best
practise study came from the pharmaceutical industry and the software
industry, those industries where portfolio management/selection are at
the very heart of the strategic management process. It would have been
a huge (and logical) opportunity to cover in this book how Merck or
Pfizer steer their new product development processes. But don`t look
for clues to this questions in this book. The case studies you will
find in this book are about a small Canadian bank, a small US chemical
company, and about Hoechst US. The last case study offered at least
some ideas useful for improving the portfolio management process (that
is the main reason for the second star).

Somewhat disturbing are
platidudes widely used throughout the book (e.g. " ....Remember:
understanding the problem is the first step to a solution!
.... (p. 184)). If esclamation marks after platitudes make you
nervous, then you will probably throw this book away before reaching
page 100.

The only bright side of this book are the first 20 pages,
where the authors discribe present shortfalls of the portfolio
management process currently used in some firms (i.e. in the firms
they interview, and these firms are underperformers). It helps to get
an idea of what effective portfolio management should do - and these
points are very agreeable indeed (e.g. value creation, balance,
strategic fit). That these questions are inadequeately and only
empirically adressed in this book, is a source of frustration for its
readers. I would give only a very very weak recommendation for this
book....

databaseU

In this text, the authors thoroughly review the methods currently being practiced in companies to make decisions about their investments in new products and technologies, and the success of these various methods. They recognize the difficulties of making such decisions, especially by relying on simple processes without understanding shorfalls of the process and the robustness of the data. They focus on the goals of maximizing value, achieving a balanced portfolio and linking the decisions to business strategy. They tie this process into other key processes in the company, including the product development process and the new product strategy. By far the most valuable aspect of the book, however, is the link between process and real operation provided by the "Points for Management to Ponder" commentary which runs throughout the book. This is a current, encyclopedic and practical guide to this very difficult business process.

The resources invested in producing and supporting new products in markets provide, on average, a poor return on investment (see the research of Cooper and others on this topic). Managing across a portfolio of products adds a degree of complexity to the task of being successful with each individual product. This book provides the essential information for management to understand the fundamentals of a rational, process based approach to managing new products.