Written by John Henry Newman in 1855, Callista is a fictional tale of life in the early Christian church. One of only two novels from his pen, this tale is set in northern Africa, near Carthage, about the year 250 AD, during the reign of the Emperor Decius. The talented and lovely young greek native Callista, along with her brother Aristo ply their handicraft in the shop of Jucundus, in the small provincial town of Sicca, by finishing and decorating the pagan images of gods, idols, charms and other items of superstition. Jucundus, appreciating her many talents, attempts to play the matchmaker between her and his poor befuddled nephew Agellius. This nephew, much to his continued dismay and consternation seems to be obsessed with the notion of Christianity, and worse, considers himself to be of their number. As the story unfolds, we become aware of the strange status Christians held in the Roman World. Rather than being hated for their zeal toward God, they are thought to be atheists, anarchists and traitors. Callista, though not a Christian, feels the emptiness and insufficiency of the Roman, and even the Greek world of morality and philosophy, and never did believe in their gods. Agellius, with much internal turmoil, because Callista is not Christian, wishes to propose marriage. But these are troubled times, natural disasters, Imperial edicts, demonic possessions and the breakdown of civil order bring this story to an exciting conclusion. Obviously Newman wishes to use this story as a sort of parable, while at the same time painting a picture for us of what the early Christian church was actually like. And while he may succeed in this aim, some may think the story occasionally bogs down in pedantics. For this reason I gave the story 4, rather than 5 stars.

John Henry Newman's CALLISTA, especially as introduced in this fine year 2000 edition by Alan G. Hill, stands on its own merits as a rollicking good love story, almost gothic in its plague of locusts, demonic possession of the young North African Juba, realistic depiction of mob violence, state torture and intolerance of the rising Christian religion whose adherents refused in the year 250 to worship the persecuting emperor Decius.

It is the story of a beautiful 17-year old Greek orphan who finds work as an artisan in Roman Africa, mainly fashioning statues and other adornments of various pagan cults. The evils of third century Roman imperial life depress her. She is tempted by the beauty of Christianity as hinted to her years ago by a Christian slave. Later she is wooed by the Christian Agellius who gives her another slant into his religion--though he fails to persuade Callista to marry him. Finally, Saint Cyprian, bishop of Carthage and the Gospel of Luke which he persuades her to read in a prison where she languishes falsely accused of being a Christian, tip the scales. She is baptized, confirmed and takes the Eucharist in one ceremony in prison. Shortly thereafter she is brutally martyred. The story stands on its own feet. It is a great read independently of any external impact or uses.

But CALLISTA is also, in my opinion, the most illuminating first book which any serious or prospective student of ALL the works of John Henry Newman should read (or now re-read). For CALLISTA opens the door to Newman's spiritual autobiography of conversion, APOLOGIA PRO VITA SUA. It also adumbrates DEVELOPMENT OF CHRISTIAN DOCTRINE, RISE AND PROGRESS OF UNIVERSITIES, his sermons and Newman's many musings on the echo of God's voice definitively heard in conscience. And what CALLISTA does not lead into, Newman's earlier novel LOSS AND GAIN most certainly does lead into: ARIANS OF THE FOURTH CENTURY, THE IDEA OF A UNIVERSITY, A GRAMMAR OF ASSENT and literally every serious thing the great Cardinal ever penned. Fortunately, the best edition of LOSS AND GAIN is by Alan G. Hill who gives us the best CALLISTA as well.

CALLISTA, perhaps the greatest of "Christian Romances," indeed deserves to be read both internally for itself and also externally as a first step into the huge ocean of Newman's essays, poems (e.g. "Lead Kindly Light"), sermons, histories, satires, educational theory, philosophy, theology and more than 20,000 letters. CALLISTA, set in Africa, paradoxically invites readers to step into the almost as little known spiritual world of 19th Century England, one of the most creative times and places the world has yet known.

-OOO-

This is a fairly good book on the subject of Yoruba masks and drumming. Contains good pictures of masks (Gelede) and is very informative with regards to ceremonies performed at the Gelede.

Is recommended reading for any of the followers of the Yoruba religion and to students as well.

I would have liked to have seen a more in depth review of the ceremonies and religious aspects of the Gelede, therefore I have not rated it a 5 Star.

Nonetheless, I would still read it all over again !

I do recommend this nice book to all those engaged in the practice of the Yoruba cult. The author gives a good persp- ective of what is behind the cerimony. Mo juba Iyami Osoronga!

After reading this heartwarming story of the ugly
horse who blooms and wins our hearts and
breaks racing records I wanted to stand up and cheer.
I was inspired to visit this living legend
and found him as mystical and charismatic in
person as related in this wonderful book.
A good book for the horse lover and for anyone
who loves the unconquerable spirit.

"John Henry" is book number ten in the Thoroughbred Legends series published by the Eclipse Press out of Lexington, Kentucky.

Steve Haskin, an award-winning writer for "The Blood-Horse" tells a lively tale of the dumpy little bay horse that was back at the knees and, "like a bargain-basement sale item, ...always seemed to be available at a dirt-cheap price."

John Henry was a demon in his stall---he hated to be confined. He passed through the hands of a number of owners and trainers who thought he showed some promise as a runner, even though he was in the habit of ripping his feed tub off of the wall and hurling it down the shed row. Once, when he was stabled at a track he didn't like, John Henry did the same thing to his trainer:

"After one of the races, [John Henry] returned to the barn and was given a bath. Marino [his trainer] started walking him, and before he knew it, his jacket sleeve was in John's mouth. John picked Marino up off the ground and took off down the shed row, dragging him along. Marino was being lifted in the air and was completely helpless...'Thank God I had a goose down jacket or he would have taken a big chunk out of me,' Marino said. 'That's how mad the horse was.'"

Then the trainer, Ron McAnally took in the gelding that vented his anger on his water buckets, feed tubs, and sometimes his groom, and turned him into a demon on the race track. How did the trainer do this? McAnally says it was by treating him kindly and earning John Henry's trust.

The ugly little demon-turned-race-horse repaid his trainer's kindness by earning an amazing $6.6 million in eighty-three starts and thirty-nine wins. His durability and courage became a legend, and he attracted record numbers of fans to the tracks where he ran. He won his second 'Horse of the Year' title and closed out his racing career at the advanced age of nine.

John Henry and his trainer, Ron McAnally were both elected to the Thoroughbred Hall of Fame in 1990, which was only fitting.

John is now spending his retirement at the Kentucky Horse Park, and is shown to his visitors three times a day during the season (March 15th through October 31st). Go see him soon, as he turned twenty-six this year. Just don't visit the grand, old gelding on a day when he's been given medicine:

"John also hates medicine, and whenever he's given a dewormer, which is a pasty substance, he keeps it in his mouth for hours and refuses to swallow it. One time, Roby [his groom] took him out to show him several hours after he had been given the medication. 'John was standing in the ring,' she said, 'and all of a sudden, he blows this wormer all over the audience.'"

John still knows what he doesn't like.

This is not quite as good as 1 or 2, but it is still excellent! Shakespeare grabs us with the dispute between Henry VI and York. While it seems to end peacefully it does not, and the war goes on! York's death in 1.4 is another landmark in Shakespeare's writing. The scene (2.5) where Henry finds true terror is horror, sorrow, and yet beauty and yet another moving part of the play. (The son that hath killed his father and the father that hath killed his son.) The war pauses in disaster for Henry and some comic relief is offered. But the horror starts all over again when Edward IV and Warwick have a falling out. The war starts over again, and the King of France gets involved! The scene where King Henry VI is reinstated is a scene of beauty and hope. While all of this is happening, Shakespeare carefully prepares the monstrously satanic character of Richard III. From here, the play just gets more and more bloody. A final moment of horror is offered when the eventual Richard III proudly compares himself to the one who betrayed Christ. In part 4 "Richard III," the real terror begins!

This was one of Shakespeare's earliest plays. (possibly his third) Yet, there is nothing to indicate he was only starting out. Right away he grabs our attention with the funeral of King Henry V. Henry V's brothers Bedford and Gloucester help us to see the virtues and strengths of the deceased king. The Bishop of Winchester is well drawn as a comical villain who plots and plans, but never succeeds in doing any real damage. (Not until the next play anyway.) Talbot is memorable as the selfless hero of the play. York is memorable as the hero who defeats Joan of Arc. King Henry VI himself is interesting. First we see him as a helpless infant. By the third act, we see that he has both strengths and weaknesses. He makes the mistake of dividing the command between the rivals Somerset and York. But also, we see that he does not tolerate treason or neglect of duty. There are also many memorable scenes. The garden scene that foreshadows the War of the Roses is well drawn. The scene where York comforts his dying uncle is tragic beauty. Bedford's death in 3.2 has almost a divine tone. The death of Talbot and his son is very lamentable. York's sudden rise to power is captivating. Perhaps Shakespeare's greatest achievement in this play is that he simultaneously shows us England's war with France and the dissension with England itself.

This is a difficult, but well written text of a series of lectures given by McDowell. Frankly, it required a lot of concentration on my part, but the effort was worth it. McDowell makes good sense of the problems of empiricism. He is also a good stylist.

This text with its new Introduction clearly demonstrates McDowell's prominence in American philosophy. McDowell is certainly one of the most important, careful, and creative minds in the field. Mind and World is crucial reading material on perceptual content, judgment, and experience.

Inspired by Sellars's Empiricism and the Philosophy of Mind, McDowell interrogates the notion of a 'logical space of reasons' as having location in the natural world. At times adopting an obscure and abstract prose style, McDowell nevertheless identifies specific anxieties concerning the realtion between mind and world: tensions between a Kantian sensible intuition (or 'minimal empiricism')--how our thoughts are answerable to and directed at the world--and the idea of receiving an impression (or Kantian humility) as a transaction with the world, placing it in a 'logical space of reasons.' So there is a tension between a normative context, that is, how the world 'impinges' on us, which is within the logical space of reasons, and empirical concepts that are supposed to be within the logical space of nature. But if we take Sellars seriously, identifying something as an impression--an economy of logical space of nature 'giving' or 'impinging' on the mind, then we are responsible to characterize just how an 'impinging world' is different from justifying or placing a verdict on empirical descriptions. McDowell's tension is between a 'minimal empiricism'--thought is answerable to a tribunal of experience--and how experience is indeed a tribunal, which attributes verdicts on thoughts.

Along the way, McDowell critiques the Myth of the Given, Davidson's coherentism, and argues for 'direct realism.'
McDowell has a flair for characterizing and 'exorcising' philosophical anxieties between empiricism and naturalism, and he employs creative metaphors that are extremely helpful, such as the 'seesaw' and a 'sideways on view.'

The first three lectures are most important, wherein he discusses conceptual and non-conceptual content. Here he engages the views of Sellars, Quine, Davidson, Evans, and Peacocke.

Mind and World is a masterful example of careful and thorough-going philosophy--at its best.

This is a surprisingly in-depth outline of how to grow great young adults from little rugrats. The authors are quite adept at explaining complex ideas in straight forward layman's terms which, considering that they are both board-certified psycologists, shows they have a unique talent for communicating.

The focus of the book is on character and spiritual development. Many examples from both Dr. Cloud and Dr. Townsend of real life (and biblical) situations helped me understand how to take my child from a self-centered kid to a caring, responsible young adult.

Several moms have not been able to put it down when they saw it at our house. It doesn't have the flashy layout and colors of many modern books, but apparently the message is still riveting for mothers looking for encouragement and ideas.

I wish this book had been around years ago when my kids were just starting out. Still, it has become an invaluable reference for my wife and I in dealing with day-to-day family life with kids.

I loved this book. As a mother of a six month old it was a blessing to find this book. It opened my eyes to areas in my life that I needed to work on so that I will be able to teach my child when the time comes. It also gave me an outline of what I need to be mindful of as a parent raising a child. Excellent!!!

I have worked as a jail chaplain for almost twenty years and this book has been both an inspiration and a clarifier. Not only is it important for me to set clear boundaries in the work place with inmates, but because of the nature of the work on my personal life, I've needed to set countless boundaries in my relationship with people who don't understand my love and concern for the incarcerated. I have asked all of my volunteers to read the book also because we've used it as a teaching tool for inmates, most of whom have never learned how to set boundaries. We have found it most helpful in dealing with battered and abused women, as well as those needing anger management. Because the text is filled with biblical principles, I believe it is in line with what God chooses for us, but allows us to make the choice for ourselves. Personally, I also have children and grandchildren and I'm using the guidelines to create a place of harmony in my home. Thank you, Drs. Cloud and Townsend for giving us a user friendly guide to boundaries and the happiness they give.

Most Christians struggle with the demands and frustrations resulting from their everyday relationships. Cloud and Townsend have produced a true classic in this volume, presenting Biblical concepts that address those demands and frustrations. I have just finished reading this book again for the second time, and chances are good I will read it again in the future.

The authors introduce their work with a short section entitled, "A Day in a Boundaryless Life." Most persons can easily identify with the young woman depicted in this typical life situation. The authors then describe the concept of boundaries in detail, and how boundaries are developed in our lives. They present ten laws of boundaries, and then proceed to describe common myths regarding them. These laws and myths, as well as the rest of the book's content, are very readable and easy to understand.

In the second portion of their work, the authors touch upon the areas of life in which boundaries can be helpful. I cannot think of any area that is unaffected. These areas are: family, friends, spouse, children, work, self, and God.

The authors conclude by describing typical resistance to boundaries. They also summarize the benefits to be gained as persons persevere through that resistance to a more ordered life. Before ending their book, Cloud and Townsend revisit the young woman depicted in the opening section. This time the title is, "A Day in a Life with Boundaries." She now has learned to incorporate boundaries into her own life, and the change for the better is amazing.

This book is a must-read for every Christian believer who wants a wealth of Biblical insight into Christ-honoring relationships. I have recommended it to others in the past, and after this second reading am even more enthusiastic about doing so. Buy it, read it, and allow God to transform your relationships for the better!

The authors state that this book is not for spiritual development but for giving people practical tools for life. Nothing could be more true. This book is very practical and biblically based. How the authors were able to draw such revelation from the scriptures regarding boundaries is remarkable.

This book came highly recommended to me, but I had no idea how useful it would actually be. Most people can identify the major boundary lines that they know others cannot cross. This book teaches the subtle ways that we can be manipulated through our lack of boundaries. The authors describe our boundaries simply as our property lines and they are in place to protect what is ours. The authors really make it clear why it is important to have our own boundaries and explains what their effects can be to ourselves and others.

This book should be read by all Christians because it presents a way for Christians to protect themselves against those that don't honor what they have. It is really too valuable not to have. There are some chapters where it's easy to get lost in the details but it's not too much. The authors give excellent insight as to how to raise children with healthy boundaries that will help them all the way through life and how childhood boundaries affect adult behavior.

Pastors and counsellors cannot afford to go without this book. When you deal with people on a daily basis, you need to understand the principles of this book.

I found myself, overall, agreeing with one of the reviewers when he stated specifically that "Walden" is not a book to be read purely for enjoyment, it is not a thrilling read or even a very deep one in general but then one must remember in which time we live and the style used by Thoreau is one of the mid 19th Century which was prone to the type of writing he uses. Anyone who has read other novels of the time or rather written in that period will find similar styles eg James Fenimoore Cooper, Charles Dickens etc. In addition this is not a novel but rather a retelling of experiences of one man in his own adventure as he would put it.

That is not to say that Thoreau does not illuminate or at times give remarkable insights especially when it came to some of the people he met who had fascinating ways of life eg the woodcutter. The book varies from downright mundane and tedious to being very insightful and beautiful. Its amazing how someone can do this as he writes, verging from one extreme to the other. But then it was written from journal notes as he lived his life in the woods over two years experience and during that time a person changes as he adapts to his new way of life. At first its very exciting and new, any new experience is always full of a kind of life shock whether it be painful or joyful, the thinking mind, the mind absorbed in everyday "safe" tasks which define the "normal" life are absent in this new environment which requires new creative energies to survive, after a while this way of life becomes the accepted one and starts to be drained of the vitality it possessed at the beginning as one is fully acclimatised to it and it becomes the norm, after this stage comes the usual safety associated with the walls created to keep life ordinary rather than really being alive. This is hard to do when living in the woods by yourself where you need constant awareness to survive unless its a little too close to civilisation which provides the safety net which Thoreau always had available to him. But still during the period where he was very much alive and aware, life is lived without need for too much unnecessary thought, and this is the place from where insights and great creativity burst forth.

If one wants to know what it is like to be really truly alive in the moment and you are afraid to try it yourself and would rather read about it then try the books "Abstract Wild" by Jack Turner or "Grizzly Years" by Peacock. Am I wrong to criticise Thoreau so much ? Yes and no, eg Yes:see the comments by John Ralston Saul on exactly this aspect of Thoreau's writing, No: look at your own life or mine for example, in each case we do not escape this ordinary life we ourselves create. For the purely lived life expressed in poetry look at the poems by Basho, no clearer or more beautiful expression of life has yet been written. I say written not lived, lived can't be written down in full only a brief glimpse or shadow of it is possible even with Basho.

As regards what is said it often betrays Thoreau's astonishingly well read mind, quotes from the Baghvad Gita or other Hindu texts surprise because in Throeau's day very few people would ever have bothered to read the Indian works, the average American thought his own life and European works to be far superior. Thoreau often quotes Latin, often without reference, and the notes at the end of the book are very helpful. Thoreau's experience becomes the one Americans want to live at least without being in too much danger as he would have been in the true wild still available at that time in the lives of say the trappers or mountain men of the Rockies or any native American. As such it is an in between way of living wild.

So Thoreau's work is definitely worth reading even for only the historical value or the literature it represents. It stands by itself.

After I crashed and burned in a college intro to philosophy course, I wanted to see if I could find a work by someone who was both a thinker and a writer.

Thoreau, in his book Walden, proves himself to be it.

Walden is the narrative of the author's two year stay at the aforementioned pond. He has decided to live life simply, and in a collection of loosely connected essays, he describes the people, animals, and the pond that make up his new home. If you haven't spent real time out in nature, you might think this book is ridiculous. But go into the woods, and stay there until boredom and longing for the city stops. Just then you'll realize the awe he felt when examining the ice bubbles and listening to vagabond squirells. Thoreau has rediscovered the patches of Eden that still exist in the world. And if we are open-minded enough to listen to his instructions, we can find our way back to them.

Even if his insights into the idyllic perfection in nature fail to sway you to live more lightly in the world, Thoreau will open your eyes to the benefits of philosophy. He understands the man who marches to the beat of a different drummer, and shows through his clear, crisp text the results that thought and contemplation can hold for anyone.

This book screams simplicity!

In this book, Henry David Thoreau takes an extended look beyond human nature and human habit. He brings forth a new and exciting view point on life and teaches how to live in happiness without the confusion of mechanical materials. I had to read this book for a 9th grade Language Arts assignment, and I had never heard of Walden or Thoreau before this project was assigned. When I completed this book, I felt very refreshed. It encouraged me to take a second look at my own life, and simply discard of the things which were causing complications or confusion. This book stretched past the limits and capacity of my mind as a 9th grade student. It forced me to think. Judging by the majority of my peers, I am convinced that anything that would force them to THINK harder, deserves 5 shining stars.

JOHN HENRY DAYS gives us John Henry, the icon, the mascot, the hero, the folktale, all wrapped up in this novel that bounces between Talcott, West Virginia for the U.S. Postal service release of the John Henry stamp and a number of times and place that show John Henry's importance in the fabric of America's history. Our protagonist in Talcott is J, a writer working on a non-stop jag of event after event, getting work from the omniscient List and living on free food and lodging, collecting receipts and rarely contemplating an empty existence. J's progression from this rather shallow being to a man who at least begins to question life's meaning is the main focus of the story. Too bad, it doesn't work. By the time J becomes interesting you just don't care enough about him. Whitehead creates such an emotional distance between the character and the reader that you really want to get back to the other stories contained within this novel.
The other stories are trips through America's past and John Henry's place in it, a bittersweet look at a young girl discovering the joy of discovering "The Ballad of John Henry" and how that doesn't fit in with view her mother has of a future member of the Sepia Ladies club of Harlem, a blues singer in Chicago cutting record sides and John Henry being his ticket to a few extra dollars, the destruction of Paul Robeson for not being what the American establishment wanted him to be; these are the stories that make this book worth reading. Best of all are Whitehead's takes on John Henry himself, the folktale comes to life as real human being.
Whitehead writes wonderful sentences. They are crafted beautifully and each seems to be placed with as much care as any master craftsman creating a work of art. The problem is that he spends too much time working with a creation that doesn't seem to warrant his attention. Read it for the beauty of its construction and the trips into the past, but the central plot left me cold.

They say laughter can extend your lifetime, if so, I'm going to live a long, long time as I laughed aloud over and over again when reading this book. Colson Whitehead has the sharpest sense of humour, and a knack for making perfect, sharp observations about people - their physial tics, their dress, their pretensions, their fears, their ambitions, their uncertainties. The journalists, Tiny and One Eye, were excrutiatingly funny, I reread some of the scenes in which they appeared, just to be sure I didn't miss a single barb. Whitehead knows how to convey something else rather piercingly too - loneliness. Pamela Street, a woman trying to decide what to do with the strange inheritance her father burdened her with (John Henry memorabilia, gathered obssessively, touchingly), reminded me of Lila Mae, the strong minded but deeply solitary woman in Whitehead's first book (called The Intuitionist, another stunning novel). And these are just a few of the secondary characters, I haven't even begun to describe the main guys, J. Sutter and the mythical (?) John Henry. And I'm not going to, this is a book that you just have to read for yourself, enjoy for yourself. And if you're anything like me, laugh while you're doing it.

Having read and loved Whitehead's first novel, I was waiting for his follow up with high hopes. All my expectations were met and surpassed by this extraordinary novel. John Henry Days is wideranging in its themes, characters, styles, you name it, clever as hell and ALWAYS funny. The journalist J., and the steel driving John Henry, couldn't be more different, yet Whitehead connects them in unexpected, thoughtful and often moving ways. I was mesmerised by this book, and there were some sections that, in the beauty and precision of their observation, could be read aloud as poetry. Now I can't wait to read his next book.

"Fish" is a parable that deals with Mary Jane who was assigned to the third floor of her company who had the reputation of being ineffective, unfriendly and labelled a "toxic energy dump." Mary Jane had to find ways to improve morale and basically changed the attitudes of some thirty employees under her supervision. She employed the tactics of fishmongers at Pike Place Fish, a world famous market in Seattle in order to learn from them how to make the workspace more fun and effective.

The four principles that Mary Jane learned from the fishmongers are "choose your attitude," "play," "make their day," and "be present." The book basically explains how these principles would improve morale in the workplace, making it fun to work even if the work itself is boring and at the same time, valuing both their internal and external customers. "Fish" is quite encouraging and it reminds me a lot of "Who Moved My Cheese?" as both books are short, concise and easy to understand.

A wonderful book that simplifies the steps to have the right atmosphere in any environment.

Mary Jane has been given the difficult task of turning around the 3rd floor inefficiency to be a productive and pleasant place to work. In helping her in the task she meets Lonnie, who works in the fish market, and who makes her see how he managed to bring the best out of his employees even though they work in a stinky place.

The four lessons learned to achieve such results are: Attitude, Play, Make their day, and Be present. Those simple words and how to carry them between the employees and be able to transmit them to the customers should be enough to turn the life around.

A great book, that also helps with our daily lives and how to approach life on daily basis, make the best of things, give it your best shot and the rest is history.

This is a wonderful little book in the tradition of 'Who Moved My Cheese." Fish! explores some of the trickiest and toughest concepts in management - employee motivation and performance improvement. The book introduces a parable that can be used, simplified, or made more complex, depending on your needs. All the ideas are simple and so are their solutions that will guarantee powerful results. The main premise is that you should:

1. Choose your attitude. Your attitude is your choice and is not dictated by anyone, or anything else. If you choose to enjoy your work, you will.
2. Make their day - Make someone day every day of your life. Do something extra, even if it is little or small.
3. Play. All work and no play makes for low morale and bad attitudes. So make your work routines playful and enjoyable for everyone.
4. Be Present. That's the same as saying as forcus on every moment of your life. Don't watch your life go by, BE THERE every minute.

This book should be read by everyone. I cannot think of a single profession or any situation where the lessons of this book cannot be applied with wonderful results. This is a must read for anyone who is tired of existing from day-to-day and has finally made the decision to LIVE.