I think this is a wonderful seires for lots of people to read I first found the seires on a book shelf at home and started reading Clan of the Cave Bear because I didnt have anything else to read. At once I was caught up in Alya's life I couldn't put it down untill I finished it. Since then I have bought the other three books and am waiting for number five I found this series fasinating. Wonderful detail I felt that I was watching Alya grow throughout the seires. I realy liked Baby and Wolf

The best series of books I've ever read. I can't wait until the 5th book comes out - hurry hurry please!!

Have read all Jean Auel's books in the Earths Children series. I could not put them down. Please tell me when the 5th book will be out!

Jean Craighead George describes how wolves survive in the wild and what the wolf pack goes through to survive. This is a great book to learn about wolves and their actions and the relations they have with humans and other animals. I thought it was a little slow moving and it didn't keep my interest going very well. It dragged on about the wolves' lives and was very repetitive. There wasn't a lot of descriptive writing to keep the interest flowing. But learning about the wolves was interesting and I enjoyed that.

If you loved Julie of the Wolves and Julie you will love yet another sequel. Julie is not really involuved in this book , It focuses mainly on the wolves themselfs. I loved this book and I hope Jean Craighead George will continue the Julie and the Wolves trilogy!

This book about Julie's famed wolf pack really caught my eye in the bookstore. I had recently read Julie of the Wolves and was about to buy the sequel, Julie when the final episode in the trilogy caught me. I decided to buy both Julie and Julie's Wolf Pack. This proved an excellent choice. I loved reading about the wolf pack's struggle to survive against disease, hunger, and cold. In the end, I was almost in tears. It is a wonderful book worth reading, full of beautiful descriptions of a wolf's hard life.

The Adventures of Winnie-the-Pooh...in his 100 Acre Wood Eden...are celebrations of friendship and loyalty. Maurice Sendak's WHERE the WILD THINGS Are, startlingly glimpses into fun; adventure and beckoning unknown dangers inhabiting the seemingly guileless imagination of children. THE VELVETEEN RABBIT might be thought to complement these major modern works of CHILDREN MYTHOLOGY. "How Toys become Real..." is subtitle and theme of this superbly crafted fable about LOVE: its promise; pain and overwhemling power to miraculously transform. Like all great fairy-tales, cuentoes and parables, the story is Once-upon-a-Time simple. It can be read to any child over three, and read by any child eight or older(3.5 g/e). It is told from point of view of a "really splendid, fat and bunchy Velveteen Rabbit...with coat spotted brown and white...real thread whiskers...and ears lined with pink sateen." The toy rabbit "quests" the love of his playmate master(BOY)that can...according to Mentor and friend THE SKIN HORSE...grant REALITY.
"When a child loves you for a long, long time...not just to play with...but REALLY loves you, then you become REAL."

Adorning this story is the wonderous art of illustrator Donna Green. In this 1995/98 edition, the "picture book" is illuminated with beautiful oil, acrylic, and lush pastel paintings that glow, and shimmer Life-like and LOVE-like. It is beautiful art work intrinsically conveying Margery Williams' mythical message to the young and young-at heart. (10 Stars)

Daughter Anna (now 19 years old) loved this book. It was her favorite above all others. As we sorted through some old kid things for give-away purposes, we stumbled upon this old, well worn copy of "The Velveteen Rabbit." She insisted we keep the book for HER children.

This was her book that Mama (me!) had to read to her again and again and again. As soon as the last word was read on the last page, it was "Mama, please read it again!"

(how I miss those days, by the way!)

The book also has a powerful message about Love that children understand and cherish.

This is a wonderful book. No child should be without their own copy of "The Velveteen Rabbit."

This is a heartwarming story about a toy rabbit filled with sawdust that wants to be real. He realizes what the meaning of "real" is when his owner, a young boy, gives him the answer for which he searches. My wife bought this book for me last month. I missed it as a child. I've learned the lesson in this book in traditional ways, by trial and error. I would have loved to have this treasure as a child and thank my beautiful wife, Lori, for giving it to me, now. Only real love has any meaning or longevity, at all. I ask you readers to not pass up this gem of a book. It is a must for children and adults alike.

We have an inexpensive paperback version (see our reviews) of this classic poem, and we said that's enough for us. That was before we looked through this beautifully illustrated (by Bruce Whatley) edition of The Night Before Christmas.

The lyrics are the same, from book to book, but the fanciful illustrations in this one are enough to engage adults and children as they read this book together.

The perfect gift for any family whose Christmas tradition includes reading this classic!

I discovered this book 31 years ago, for my daughter and it is still loved by all the family. The illustrations are wonderful, warm, charming and delightful and bring a special meaning to the story. We still read it to all the young children on Christmas Eve and for adults we read the story and pass a grab bag gift every time the word THE is mentioned. It would not be Christmas without this book. It is magical.

This beautiful book was in my family as a hard cover edition for many years and was a Christmas Eve tradition for my four sons when they were growing up. It's poor battered body disappeared some time after the last of my little ones went off into the adult world. I am so delighted to see it back again, though this time as a nicely affordable soft cover. Clement C. Moore's enchanting story poem already provides an atmosphere filled with warmth and joyful expectation and with the addition of Tasha Tudor's quaint, nostalgic water-colors from an antique New England the Christmas magic is complete!
The winter landscapes fill our senses and Tasha's own gray tabby cat and Welsh Corgi welcome us into this charming world.
Tasha's Santa that you will meet in this book has been portrayed as the poem describes him...a right jolly old elf. He's not that much larger than the corgi and his team really consists of eight "tiny" reindeer. His pointy ears and his Eskimo mukluks add to the delightful ambiance of the book. He dances with the toys and with the happy animals and we can truly believe it will be a happy Christmas for all.
I hope this book becomes a Christmas Eve tradition for many, many more families.

I was given this book by a friend and was surprised at the well-balanced combination of story, locale and apt descriptions of riding events.

Buck Jones: a rodeo cowboy who becomes seriously ill and must get rid of his beloved horse. I liked Buck a lot, and so did his friends in the story. He raised Old Black from a colt and only became a rodeo star after Old Black came on the scene as his roping horse. The day he got rid of his beloved pal was a heart-rending scene.

Small things impressed me. The arrival at the Bradley's farm with Jim's new horse -- he so wanted to show him off to the old black couple down the lane, but he had to wait. Things to do on the farm. Getting on the horse took some imagination for 10-year-old Jim Bradley, but he solved THAT! Then got an extension for his stirrup. Small things, but so important to the story.

Jim's first real horse show was an adventure for me. The hospitality suite he and his mother came upon, and got acquainted with the Robertsons and their daughters. Jim's performance in that western riding class was beautiful, as written.

I adored little Alexandra Meridith, her father. Her grandparents, Oscar and Ruby, were fine old people, and dearly loved by that little boy.

The series of chapters dealing with the rescue of the sheriff out in the woods was as stirring and exciting as could be. And it reeked of realism. That long episode was brought to a perfect conclusion, even if some concerns still were left dangling. But they were wrapped up later.

The funeral of a black lady was a fine piece of descriptive writing, touching.

The ending of the story was purely satisfying. The indignant lady in the stands was a good, good touch. How she finally came around to applaud Old Black after accusing him of hurting her daughters chances in the class. The unlikely but understandable award to Old Black. Then, something I can't tell because it would ruin the ending for readers, but it was just exactly what should have happened. Even if it caught be completely by surprise.

A great story.

Old Black is the most wholesome, absorbing, exciting, touching book I have ever read! And that's going back through a lot of books! Everything in the world that should be in it is there. Old Black the horse was as wonderful as his master, Jim Bradley.

I loved the old black couple, the Jacksons, who lived on the lane to the Bradley's little weekend ranch, and was truly touched by the genuine friendship between that couple and the Bradley family. All of the characters in the story, and there are quite a few, come vividly to life. You never have to think back and ask yourself, "Now just who is this walking on stage?" You know every one of them as if you had known them a long time.

The chapters involving the visit of Jim's Aunt Hazel and Uncle Harry are precious. Aunt Hazel has Alzheimer's disease and Uncle Harry is allowing her condition to get to him. It took the intuitive therapeutic interaction of a boy with compassion for his ailing aunt to show Uncle Har! ry, by examples, how to mitigate her suffering, how to lift her spirits. There was hilarity galore in those chapters, much of it at Aunt Hazel's expense, but it was never once in bad taste.

The rescue of Sheriff Martinez in the woods by Jim and Old Black, which consumed several chapters, was an endless stream of excitement that continued to escalate right up to the very last page of chapter 24. It was a tough job for both the boy and his horse that almost proved to be impossible, but every bit of it was entirely credible.

Old Black is a beautiful piece of creative writing. The story moved. It had a start, a middle, and definitely an ending, an ending that swept along through several chapters in such a rewarding way for the reader. Briggs never takes the writer's easy way out of a single scene or event, but works his plot with fascinating detail and excellent execution. The story was a fine blend of happiness, sadness, tragedy, and humor. Every aspect of the ending was perf! ect -- all the little loose ends that had collected along t! he way were neatly tied up in the most satisfying ways one could imagine -- even better than I ever imagined.

Without giving away the REAL treat at the very end, I will say I loved the way the jealousy toward Jim by the boy on the flashy horse was disposed of. That scene was a magnificent stroke! Then there is a very nice vignette involving that same boy at the very end that had best be left for the joy of reading it first hand. At that last horse show in the Astroarena, I swear I could hear the bawling, cackli! ng, mooing, crowing, grunting . . . of the animals, I was aware of the constant announcements over the loudspeakers, I smelled every aroma of the place, saw and heard the hay carts buzzing around, felt the presence of the activity going on all about -- I was THERE!

Old Black is a fairly long book --387 pages of text -- but I flew through it way too fast to suit me. We should be able to give an extra star to special books for appearances. This one is a beauty, with a nice oil painting for the cover, a pretty full-color map of "Old Black Territory" on the front and back endpapers, and at least five dozen gorgeous illutrations, which is why I presume the book was printed on such fine paper.

When you buy Old Black, you may as well buy two and get it over with. You'll just HAVE to let certain friends read it, and you'll sure not want to part with your own special copy.

(This review was provided by the reader, who does not have a computer, to the publisher for sending on to amazon.com.)

A wonderful story, and told in just the right voice. When I began the book I thought it was only a contemporary boy-and-his-horse story. But unlike most of the genre, it is much, much more. The boy and his horse are the cornerstone, but the story expands way beyond them to involve an interesting variety of people. This is not a children's book, but my 11-year-old daughter was soon captivated and sailed through it in good time. ("Is Old Black going to die?" she asked, teary-eyed. "Read on," I said.) One does not need an interest in horses to love this book. Readers with a keen eye will savor the precious little clues planted along the way, like Easter eggs hidden for the purpose of being discovered. The dozens of illustrations are simply marvelous. Early in the story, Old Black, the horse, is being readied to go off to his new life with the boy Jim Bradley. The part where the cowboy Buck Jones (I just loved him!) is stoically, silently bidding farewell to his dear, longtime friend, the horse displaying his own feelings about their parting, is as touching as any scene I've ever read. It was some minutes before I could go on. You will not miss the absence of profanity, sex, or unnecessary violence here, although that long, dreadful scene in the woods ends with violence aplenty. I found it completely called for and applauded when the criminals got what they deserved. I was drained at the end of the ordeal in the woods, and Aunt Hazel and Uncle Harry strolled onto the scene just when I needed an uplift. I still laugh when I replay that scene in the bathroom: a furious, hissing snake, two grown men and a boy "overcome by the most sustained and idiotic laughter Norma had ever heard." Like another reader, I felt that the scenes arising from Aunt Hazel's Alzheimer's disease were handled with sensitivity and good taste. My grandmother had the disease and I really believe I could have applied some of Jim Bradley's instinctive strategies to bring her some happiness if I had read OLD BLACK while she was still alive. Uncle Harry's exasperation with his wife's condition, his inability to deal with it effectively until Jim showed him the way, was sadly familiar. I feel sure that the author has experienced the anguish of being close to someone with Alzheimer's, to write about it with such delicate insight. The scene at Richter's store where likable old Walter Mehlmann gleefully rehearses how he will waltz through his theoretical last days was a fine piece of humor. Walter's influence on the other men present was hilariously realistic. So realistic, in fact, that after reading that part I found myself rummaging the kitchen for junk food, the more cholesterol laden and otherwise unhealthy the better! I wish I knew where to get some real country cracklings. Fat ones, Reinhard. I like FAT ones! Every character in the book played an essential role. They were so well developed that I could clearly see them in my mind as they came onstage, always true to their distinct characters in actions and speech. Old Black was not a superhorse, as so many fictional horses are. He had limitations and faults, which only made him more "human". OLD BLACK breathes with vibrant life, and did so even while I cried during that sorrowful part with the death and the funeral. It was an experience that gave Jim Bradley (and me too) a better, if bitter, understanding of life. The story is uplifting, happy, dreadfully sad and hilarious, and the ending is just perfect. Throughout, this intricate novel is entirely credible. I agreed to some extent with one critic below - that the book suffered a little in organization. But that defect was overwhelmed by a superb plot, clearly drawn characters, vivid action scenes, settings (I was right there in every scene: seeing, smelling, feeling), and the author's often touching insight into people and horses, especially that lovable Old Black. This is the kind of literature (I call this book literature) that can put a teeny edge on the reader's good side. It is the kind of story (too rare, today) that can open the eyes of young people to the reality that being good, responsible kids can be rewarding, and they can still have fun. This story is much too special to be confined to adult fiction. I would love to see an edition of OLD BLACK written especially for young readers.

I have loved Peanuts since childhood, and have an almost complete collection of Peanuts books. Charles Schultz has always been an inspiration to me in my work as an occasional professional cartoonist. Not only is Schultz unsurpassed as an artist, he is also one of the great philosophers of twentieth century life in America.
This book is, first and foremost, a celebration of the comic strip. It is a work of art in its own right. All the cartoons in the book are photographed from either their original drawings, or directly from the newspapers. The reader can see the artistic details that Schultz has used in creating each frame in photos of the originals. And the use of the original strips, with their rough paper and newsprint lines, brings back the joy of reading the comics for the first time in the funnies. The Sunday comics are complete with the little color dots that created the color images. There are literally hundreds of comic strips, both daily and Sunday, in this book, and they give a good overview of Schultz's long career.
There are many photos of Schultz's doodles and rough sketches, of his desk and his artist's tools, early cartoons 'Sparky' sold to the Saturday Evening Post, early drawings of certain characters, some of which pre-date 'Peanuts' itself. One can actually see the characters develop, artistically and as human beings. Interspersed with the cartoons are textual explanations and stories about Schultz and his characters, including many insightful comments by Charles Schultz himself about the evolution and personalities of his characters. Also included are photos of early Peanuts toys and dolls, and even these are photographed lovingly and with attention to detail and shadow.
This is a magical book, and any Peanuts fan would love it and treasure it. It is a book one can return to over and over to enjoy. Leave it lying around the living room where everybody can enjoy it and relive the joy Charles Schultz and the Peanuts gang gave us for over fifty years. Better yet, introduce a new generation of kids to the strip. The Peanuts gang is a microcosm of us, and reading it reveals much about ourselves and helps us to look on life with tenderness and humor.
Buy this book, read it, and share it. It would make a wonderful present as well. It is the best Peanuts book to date.

This posthumous collection of the work of Charles Schulz could easily have turned into a rehash of other works, such as the Peanuts Golden Celebration that came out in 2000. It never fell into that trap. Focusing both on the strip and the way it evolved, this feels like (if possible) an even more thorough telling of the Peanuts story. It has rarer strips than "Golden Celebration" as well as comments made by Schulz at various points in his career that help shed insight on how he crafted these stories.

There are lots of sidebars in this book -- pictures of "Peanuts" merchandise and the stories behind the items abound, for example. There are also photos of things like Schulz's drawing board and art tools, just as he left them after finishing the final "Peanuts" strip.

Jean Schulz, in the introduction, starts by saying that Sparky was a genius. I think most of us who want this book already knew that, but it's beautiful to have this reminder. Every "Peanuts" fan simply must read it and treasure it.

I first came across this book one night in a bookstore, and soon, i just had to get my own copy.

This book chronicles the art of Schulz in a collection that utilizes Chip Kidd's graphic design mentality and the art of Charles M. Schulz. Contained herein are thoughts that Schulz had about his characters, as well as many other classic items.

Most notable are the early comic strips, including art never seen by the public before. There are also incredible comic strips dating back to the very beginning. Here it is interesting to see the Peanuts' world when Linus, Lucy, Peppermin Patty and Marcie didn't exist. In the early days, characters like Patty and Violet were fascinated with dolls and making mud pies. Shroeder was a hairless little baby, who was already exuding his wisdom of Ludwig Von Beethoven. Snoopy was still a "normal" dog, but Charlie Brown. Whoa. There was a revelation. Charlie Brown was not quite the mellow guy he is today. There really was very little dislike towards him, and the weirdest thing was hearing a comic strip where Patty and Violet are fighting over who likes Charlie Brown better!

Well, I think I've rambled enough there. There are also the things included, such as:

Pictures of Schulz's workplace. His drawing table, the pen tray where he stored his art supplies, and much more.

Rare pictures of Peanuts Memorabilia, such as a Snoopy doll, suited up for a landing on the moon, LEGO figures of the Peanuts characters with "bobble" heads, and Peanuts comic book covers.

Rare comic strips and drawings, including: A Sunday Comic Strip, where Lucy and Charlie Crown play golf among a sea of adults (you only see their legs, nothing else), the only known image of Charlie Brown's "Little Red-Haired Girl," and even failed or scrapped drawing ideas.

After this book came out, I did get a chance to meet and talk with Chip Kidd at an autograph signing in Chicago, IL. He seemed very pleased with the book, and I could understand why. Just look at the cover for this book at the top of the page. The cover hearkens back to the youth of many. Charlie Brown and his friends were a constant read during my elementary school years, and because of them, I also took up an interest in drawing. This book is both a testament to Schulz's work, and the characters that we all know and love.

I think Roald Dahl is the best children's author ever! I'm 20, and I still read his books. Matilda tells the story of a little girl genius. Matilda taught herself to read from the newspapers lying around her house when she was a baby and she practically exhausts the local library's collection before she even begins school. She is an extraordinary child, but she's not just smart. She has a daring vengeful streak... She gets excellent revenge on her father for horrid things he says to her. Once, he even tears up her library book. You really can't help but laugh and cheer for her when she gives the bad guys a dose of their own medicine!

Dahl's gift for inventing extraordinarily horrid characters is exercised beautifully in this story. Matilda's father is a cheating used car dealer, and her mother regularly leaves 4-year-old Matilda home alone all afternoon so that she can play Bingo in the next town. The Headmistress Trunchbull even throws a small girl across the playground by her pigtails! Matilda's parents ignore her, the Headmistress is a holy terror, and Matilda's only comfort is her kind teacher, Miss Honey. After the Headmistress, AKA the Trunchbull, does some particularly horrid things to the students and Miss Honey, Matilda uses her extraordinary brain to take back some of their own...

Like most of Dahl's books, there is an undeniable element of cruelty woven into this story-- but this is the best kind of cruelty! When the good guys win, like they always do in Dahl's books, kids cheer on the fall of the real evil.

Matilda is my favorite Roald Dahl book, but The BFG and The Witches are close runners-up. I highly recommend all of his books!

The book Matilda has the characters Matilda, her brother, her mother, her father, Mrs. Honey, Mrs. Trunchbull, Lavender, and Amanda. Matilda is the main character. Her parents took her as a mistake. They didn't like her at all. In fact when they got home from the hospital, they forgot her in the car. But Matilda is very smart. She learned how to take care of herself when she was about 4 - 6 the way that people would take care of themselves in their early 30's. In the morning her parents would go off to work and leave her nothing but cold uncooked soup on the stove. She would dump that and make herself pancakes. Then she would take the long trip to the library to read some books. Her parents had miserable jobs. Her father sold cheap old cars that weren't worth what he charged them. Her mother went off and played bingo. Matilda's father finally sent her to school. The principal at the school was very mean. She put children in a closet called the chokei and there were nails sticking in it and she locked it so they couldn't get out. Since her parents were very mean to her at the end Matilda's teacher Mrs. Honey adopted her. They both lived very happily for the rest of their life's. This book takes place in the present and most events occur when Matilda is in school. She acquires almost the entire school as her friends, even the older kids. When she was in school Mrs. Trunchbull made a boy called Bruce Bogtrotter eat a whole cake in front of an assembly of kids. Matilda cheered him on the whole time. along with everyone else. All together this book is a very good book,. and very, very exciting.

I'm out of the country with my 6 years old daughter for a week. When we travel together we always bring enough reading stuff, and our main book this time is Matilda - a fantastic book about a fantastic girl. I have read all of the Roald Dahl books for my kids several time, Matilda has always been and still is my favorite :-)

Matilda is a small girl with extraordinary talents. Already when she is three years old she starts visiting the local library and reads all the books there, starting with the children's books, keeping on with the world classics. Matilda's parents are very neglective, and refuse to see any of Matilda's talents. But Matilda is a fighter and finds her own very creative and very funny ways to get revenge.

Matilda is a funny book, showing a girls fight for her individuality, in a typical RoaldDahlish way. I love it, and all my kids have loved it as well. My youngest daughter is only six, and should be a little too young for the book. But still the book works perfectly for her. The chapters are quite long, but none of us manage to stop after just one chapter. Being on holiday, we can sleep long in the mornings, and can read for a long time in the evenings.

An extra pluss with the book is all the fantastic recommandations of future books it gives us. Dahl has made a wonderful list of the books Matilda read at the library.

Britt Arnhild Lindland

This autobiographical condemnation of the south's Peculiar Institution puts a face on the suffering of the enslaved. American history is full of accounts of slavery which tend to broad overviews of the institution, whereas this book is written by an escaped slave who does not flinch at sharing every detail of her miserable life. Unlike other narratives which distorted the slave's voice through the perspective of the interviewers/authors who were notorious for exaggerating the uneducated slaves' broken english, this book is largely Ms. Jacobs' own words. She was taught to read and write as a child by a kind mistress, so she was able to put her thoughts on paper with clarity that surprised many. Ms. Jacobs had an editor, but this book seems to be her unfiltered view of the world.

It is one thing to hear about how slaveholders took liberties with female slaves, it is quite another to read in stark detail about women being commanded to lay down in fields, young girls being seduced and impregnated and their offspring sold to rid the slaveholder of the evidence of his licentiousness. The author talks about jealous white women, enraged by their husbands' behavior, taking it out on the hapless slaves. The white women were seen as ladies, delicate creatures prone to fainting spells and hissy fits whereas the Black women were beasts of burden, objects of lust and contempt simultaneously. Some slave women resisted these lustful swine and were beaten badly because of it. It was quite a conundrum. To be sure, white women suffered under this disgusting system too, though not to the same degree as the female slaves who had no one to protect them and their virtue. Even the notion of a slave having virtue is mocked. The author rejected the slaveholder's advances and dared to hope that she would be allowed to marry a free black man who loved and respected her. Not only was she not allowed to marry him, she was forbidden to see him or speak to him again.

The author shows us the depth of a mother's love as she suffers mightily to see that her children are not also brought under the yoke of slavery. Though she was able to elude her odious master, she does take up with some other white man in hopes that he would be able to buy her freedom. Her "owner" refuses to sell her and tells her that she and her children are the property of his minor daughter. Her lover seems kind enough as he claims his children and offers to give them his name, and he did eventually buy them, though he failed to emancipate them to spare them from a life of forced servitude. Ms. Jacobs noted that slavery taught her not to trust the promises of white men. Having lived in town most of her life, Ms. Jacobs is sent to the plantation of her master's cruel son to broken in after she continues to refuses his sexual advances. She is resigned to this fate until she learns that her children -- who were never treated like slaves -- were to be brought to the plantation also. It is then that she takes flight.

After enduring 7-years of confinement in cramped quarters under the roof of her grandmother's house, the author escapes to the North which is not quite the haven she imagined. Still, it is better than the south, and she makes friends who buy her freedom leaving her both relieved and bitter that she is still seen as property to be bought and sold like livestock. In New York Ms. Jacobs is reunited with her children and a beloved brother who'd escaped a few years ago while accompanying his master -- her former lover -- to the free states.

There is no fairytale ending to this story because the author endures plenty of abuse and uncertainty even after she makes it to the North. She is hunted down by the relentless slaveowners who were aided by the Fugitive Slave Law of 1850 and "The bloodhounds of the North." This is a wrenching account of this shameful period of American history, and should be required reading for all.

Intended to convince northerners -- particularly women -- of the rankness of Slavery, Incidents in the Life of a Slave Girl presents a powerful autobiography and convincing writing that reads like a gripping novel but is organized and argued like an essay.

Incidents follows the "true story" (its authenticity is doubted in some places) of Linda [Jacobs uses a pseudonym] who is born into the shackles of slavery and yearns for freedom. She lives with a depraved slave master who dehumanizes her, and a mistress who mistreats her. As the novel progresses, Linda becomes increasingly starved of freedom and resolves to escape, but Linda finds that even escaping presents its problems.

But Incidents is more than just a gripping narration of one woman's crusade for freedom, and is rather an organized attack on Slavery, intended to convince even the most apathetic of northerners. And in this too, Incidents succeeds. The writing is clear, and Jacobs' use of rhetorical strategy to preserve integrity is astonishing.

Well written, convincing, entertaining, Incidents is an amazing book.

Harriet Jacobs' (1813-1897) "Incidents in the Life of a Slave Girl" is one of the few accounts of Southern slavery written by a woman. The book was published in 1861 through the efforts of Maria Child, an abolitionist who edited the book and wrote an introduction to it. The book had its origin in a series of letters Jacobs wrote between 1853 and 1861 to her friends in the abolitionist movement, notably a woman named Amy Post. Historically, there was some doubt about the authorship of the book and about the authenticity of the incidents it records. These doubts have largely been put to rest by the discovery of the letters.

The book indeed has elements of a disguise and of a novel. Jacobs never uses her real name but calls herself instead "Linda Brent." The other characters in the book are also given pseudonyms. Jacobs tells us in the Preface to the book (signed "Linda Brent") that she changed names in order to protect the privacy of indiduals but that the incidents recounted in the narrative are "no fiction".

Jacobs was born in slave rural North Carolina. As a young girl, she learned to read and write, which was highly rare among slaves. At about the age of 11 she was sent to live as a slave to a doctor who also owned a plantation, called "Dr. Flint" in the book.

Jacobs book describes well the cruelties of the "Peculiar Institution -- in terms of its beatings, floggings, and burnings, overwork, starvation, and dehumanization. It focuses as well upon the selling and wrenching apart of families that resulted from the commodification of people in the slave system. But Jacobs' book is unique in that it describes first-hand the sexual indignities to which women were subjected in slavery. (Other accounts, such as those of Frederick Douglass, were written by men.) The book is also unusual in that Jacobs does not portray herself entirely as a hero but describes the nature of the steps she took to avoid becoming the sexual slave of Flint. Thus, when Flint subjected her to repeated sexual advances from the time Jacobs reached the age of 16, she tried to avoid him by beginning an affair with a white, single attorney with whom she had two children. When Flint's advances persisted, Jacobs formed the determination to try to secure her freedom.

The bulk of the book describes how Jacobs hid precariously in a cramped attic for seven years waiting for the opporunity to secure her freedom. There are also accounts of her prior attempts to leave slavery, including a particularly harrowing account of several days in a place aptly named "Snaky Swamp."

Jacobs describes her relationship with her grandmother, a free black woman who was probably the major inspiration of her life. She also describes well her love and concern for her children, conceived through the liasion with the white attorney.

This book offers a rare perspective on American slavery as it affected women. It is also a testament, I think, to the value of literacy and knowledge as an instrument for winning and preserving free human life. Although this story is not pretty, it is a testament to human persistence in the face of adversity and to the precious character of human freedom.

I know that Jean Sasson writes books that makes people think. I read all of her previous books after a friend forced me to read PRINCESS, which is one of my all time favorite reads.

Importantly, Ms. Sasson is on the cutting edge of so many issues that are now affecting all Americans. Her PRINCESS books were one of the first that told the plight of women in restrictive Muslim cultures. Now everyone in the media is repeating what Ms. Sasson said years ago about women who are forced to veil and unable to enjoy the simple pleasures of making one's own decisions.

Now with her latest book, ESTER'S CHILD, this writer gives the reader a look into the world of Arab/Jewish hatred that has been building for a hundred years. Sadly, the pot is now boiling over, hurting so many innocent people, including Americans who are guilty of nothing but going off to work in a effort to support their young families.

I was pleasantly surprised at how Ms. Sasson handled the telling of this very compelling story. Anytime in the past I have read a book about the Arab/Jewish conflict, the writer took one side or another. If a writer in sympathy with the Arabs took pen in hand, every Jew ended being thoroughly unlikable. On the flip side, if a writer wrote in sympathy with the Jewish side of this issue, they made every Arab a throat cutting fanatic. That sort of writing does nothing but hurt the cause of peace.

Now, Ms. Sasson takes the side of humanity, weaving a beautiful story featuring a Jewish family and an Arab family. I learned so many details of the daily lives of both groups--I learned that the world is not good or bad, but somewhere inbetween, and that most people in that region are simply trying to make the best of a terrible situation.

I get the feeling that Ms. Sasson is trying to tell us what we all should know--that most people are good--that few people are evil--and that we must keep fanatics from determining our ideas.

Admittedly, the book ended too soon for me. Now I want to know what happens to the characters and I only hope that Ms. Sasson sees fit to write a sequel to this very compelling book.

I recommend this book to every American--you will learn so much in the most enjoyable manner. The world needs more writers that do not use their writing ability to make us hate--Ms. Sasson makes us see both sides of an issue and I admire her for this.

Ester's Child, Jean Sasson's latest book and first attempt at fiction is a must read for anybody who is interested, baffled, and confused with the on-going and never-ending conflict between the people of Israel and Palestine. I have read most of Ms. Sasson's other books, all of which are nonfiction. How she was able to make the switch from writing nonfiction to fiction leaves me in awe of this incredibly talented author. Ester's Child can only be described as an epic, but unlike other sweeping historical novels, Ms. Sasson is economical in her use of words. There is not so much as a wasted sentence in the entire novel. And in spite of a large cast of characters, each one is memorable. Joseph and Ester Gale, Demetrius Antoun, Christine Kleist, and Jordan Gale evolve in Ester's Child as believably real people, living real life dramas. I will always think of them whenever I pick up a newspaper and read of the latest human tragedy in that dark and bloody ground. Likewise, there must be real people in both the Israeli and Palestinian camps who will recognize themselves and others in these characters.
If it is true that the pen is mightier than the sword, then Ms. Sasson wields one of unusual power. And if ever there was a book that should be made into a movie it is Ester's Child. I hope Stephen Spielberg reads it. I hope Ariel Sharon and Yasser Arafat read it, too.

I am an avid reader, reading at least one book a week, along with numerous magazines and newspapers. After 9/11, I wanted to know EVERYTHING about every reason listed telling us why certain Muslims feel they have a valid reason to attack America and Americans. I searched to find various books on the issue of Jews/Arabs and this book caught my attention. The current violence in Israel led me to buy ESTER'S CHILD by Jean Sasson. As I read this book, I was astonished at how little I really knew about the Jews & Palestinians who live in Israel. Why is this not taught in school? It creates such understanding to know the history of this age-old conflict, yet Jean Sasson teaches history in the most interesting manner--in the pages of a well-written and wonderfully compassionate book--without even trying.

Honestly, I cannot believe that this book is not required reading in high schools and universities. This is the kind of book that gets young people to reading!!! Young people are going to be running governments in just a few years and they need to know how people FEEL who live these events...

Wake up world! We must understand the history of these conflicts before we can stop them!!!

After reading this book, I felt compelled to buy everything by this author and I am starting PRINCESS when I finish this review.

I now have a new "favorite" author, JEAN SASSON.

Thank you Jean for this extremely compelling book... I encourage every one who reads this review to buy this book, absorb this book. You will be glad that you did...