This is a superb book for any practitioner working in primary care. It covers all important subjects completely and concisely. I used it to review for my boards with the review book that goes with it and I was very prepared. I highly recommend this text.

I found this review book an excellent source of knowledge and simple to understand. This book by passes all the intricate biochemical details and present the meat and potatoes so to speak. The wisdom of the pearls make this book unique. I recommend this book to any professional in a primary care setting.

This is the most comprehensive and concise medical text that I have ever used....so reader friendly. It has over 70 contributors from all over the country.

This book is full of wonderful theorems and other facts about geometry. But don't miss an equally wonderful book of his - The Penguin Dictionary of Curious and Interesting Numbers. When I semi-retired several years ago, I gave away many of my math books, but I would not part with these two.

This is my favorite David Wells book. Scads of illustrations motivate hundreds of interesting branches of Geometry. Much of the information in the book was new to me, such as the 14th tiling pentagon. This well-researched book is top-notch.

I was asked to enrich a school geometry course. Not much came off the top of my head. After discovering this book, I had so many leads I can enrich for years! It gave an insight into every topic covered in the standard course. It adds so much for those who want to teach more than just a method to get an answer.

Could it possibly be true that: (1) Cancer is preventable? (2) Government agencies and the cancer establishment, with their false optimism, their emphasis on "damage control," and their opposition to non-toxic alternative treatments, are doing far more harm than good in the "war on cancer"? (3) Each individual, armed with the right knowledge, can significantly reduce the chances of ever getting cancer?

Dr. Epstein fully documents these truths with great force and clarity. Having read the book, it would be difficult not to believe these truths, to fully take them in, and to act accordingly.

I can't remember when a book has cheered me the way this one has. As a longtime worker in the field of alternative cancer treatment, and one who has undergone his own battle with this disease, I rejoice that a voice of authority has finally stated the truth in loud, ringing tones -- the emperor has no clothes! The reiterated claim by our government and its associated medical professionals that we are "winning the war against cancer" is simply not true. And these stalwarts in the Cancer Establishment are not the selfless servants of humanity they have been portraying themselves as, either. Their ranks are shot through with cronyism, conflicts of interest, and subservience to the giant drug companies.

Masterfully, exhaustively, irrefutably, Dr. Epstein exposes this dirty little game that has been snowing the American public for the last 25 years. And he makes a powerful case that, in the field of cancer as in no other, an ounce of prevention is indeed worth a pound of cure. Cancer, once contracted, is generally a very tough disease to treat successfully. But, in very many cases, it can be prevented by avoiding known cancer-causing agents in the environment, in the workplace, and in consumer products.

Not only is "THE POLITICS OF CANCER Revisited" inspiring in its revelations and recommendations. It is a magnificent reference tool, one I have put on my shelf for ready access whenever I want to know if a particular cosmetic, food additive, drug, work setting -- or part of the country -- is carcinogenic and therefore to be avoided.

This book will likely change the way you see the world. Not only is the tripling of cancer rates in this century directly related to environmental and industrial conditions, but the same players also control the huge and hugely profitable cancer industry which has grown up arount it. Meanwhile promising nontoxic alternative treatments have been excluded from the playing field controlled by this oligopoly of self-interested players, many of whom are supposed to be the guardians of the public health. Epstein documents all this impeccably, but also lets citizens know what we can do to change the system. Highest recommendation. A must-read.

I had the pleasure of participating in a workshop with David Willcocks, and received this book as part of it. It was first published in 1987, but Sir David had some amusing anecdotes to share about how he and John Rutter, another name to reckon with in choral music circles, put it together.

This is what I like about it:

• These gentlemen are giants in the English choral music scene, and personify the English choral tradition in everything they do. So it's a pleasure to find that they have included many carols from other countries, as well as the English ones. It's very hard to find non-English-language carols, so this is a nice little collection.

• Their 4-part arrangements are imaginative but easy enough to sight-sing.

• It also includes a listing of church festivals other than Christmas, with the names and page numbers of carols that would be appropriate for each.

• For ease of navigation as you're singing, the verses are in Roman type while the refrains are in italics.

• For reasons that are not clear, they have chosen to include the text in the original language in some cases, but not all. The foreign language texts are immediately under the English translations, so you can sing in either language.

• At the very end of the book is the order of service for the traditional Festival of Nine Lessons and Carols, with instructions on the appropriate rank of each person to read, from chorister to bishop.

If you are only going to buy one carol book, this and the Oxford Book of Carols are the best ones to consider. The Oxford has more in it, and is hugely more expensive, so I recommend this one! it'll take you several Christmasses to sing your way through it.

This book is a wonderful source for any established choir. The multi-part harmonies are arranged in a unique and expressive way. The song selections range from old latin (Quem Pastores Laudavere), to religious (It came upon a midnight clear), and even encludes variations of Jingle Bells and Deck the Halls.

This is the first time that I am able to find so many Christmas Carol for Choir which is my favorite music during the whole year. I would like to see more information about the songs contained, and the title of the songs.

I'm not sure what philosophers intend to create with their endless excursions into varieties of ways to navel-gaze, but this book has helped me interrupt the endless loop I've seemed to have been caught in with philosophers for several years now. It's certainly not for lack of effort on my part that I've perpetually ended-up confused. Now I learn that increasing the level of confusion has actually been part of the philosophical agenda.

David Hildebrand does me two incredibly welcome favors with this work. First, he gets me started in the right place. That is, he gets me out of theoretical epicycles and returns me to the radical world of reality. Needless to say, having a proper starting point makes a huge difference that I notice immediately.

Next, he tells me what philosophy is capable of. That is, philosophy can actually be engaged in as a MEANS to study, perchance to improve, the experience I find myself immersed in before I open my mouth to speak or poise my pen to write or or even begin to compose sentences.

I have turned an important corner here in my own personal quest to effect improvements in the world. If I never learned where to start or how to employ philosophy, then I'd remain lost in it's self-absorbed, subjective/reflective mazes until I died.

While I admit benefitting from having an erudite response constructed logically to help contextualize Putnam & Rorty, I enjoy most of all the freedom to take my own personal set of capabilities, such that they are, and investigate whether or not I am able to effect improvement in the real world.

I feel very much liberated and very much encouraged in being a practically-minded human creature.

I will add my own deeply sincere thanks to those of the other reviewers here. I look forward to what follows this volume.

Although many essays (and anthologies of essays) have appeared on the topic of classical pragmatism versus neopragmatism, this is the first book-length project I know of to tackle the controversy from a viewpoint fully conversant with and sympathetic to Dewey's signal contribution. It is quite refreshing to discover a scholar who not is not only aware of, but champions, the vital Deweyan conceptions of having versus knowing, primary experience, and the centrality of inquiry. Hildebrand's grasp of Dewey's engagement with direct and critical realism is exemplary, and his "deconstruction" of Rorty's antirealism is nothing short of amazing-"wicked" comes to mind! Although Hildebrand's alternative "practical standpoint" falls short, in my view, of Dewey's full transactional integration of experience and nature, this book opens up an area of research of vital importance. It is well written, informed, and cogent.

This is the best book I have read about Pragmatism in a long time. Hildebrand confronts the differences between Neo-Pragmatism and the classical figures (especially Dewey). He argues that
although Putnam and Rorty consider themselves pragmatists they have failed to understand the more radical and significant insights of Dewey's philosophy. His criticism is not superficial. He
makes an effort to understand even the particular differences between Putnam and Rorty. Bravo!!!!!!!!!!

I first borrowed this book from the library by title only in an on-line search. What a surprise! The authors have distilled a lot of important ideas and facts into simple sections, with pointers & critiques along the way. A veritible small wealth of information. While a pro might find this all rather second nature, an amateur will definitely find something of value in here, and a beginner will find the whole book very valuable.

This slim volume is a comprehensive guide packed with necessary information on black and white and landscape photography. The introduction to the book states, ". . . when photographing landscapes, you are at the mercy of these elements--quickly changing weather, changing and uneven illumination, poor contrast or limited tonal range, undesirable yet unchangeable foregrounds or backgrounds, and extraneous objects in the scene which may significantly detract from your composition." The challenge of creating a dynamic black and white landscape almost makes a photographer want to quit before beginning. Yet, with the help of this book, obtaining a spectacular black and white landscape seems to be within the realm of possibility. I like the book most because there is great detail in clear and understandable terms. Along with the text are more than seventy interpretive examples of black and white landscape photographs. The first section of the book discusses "The Artist's Tools." Everything from camera format to film and tripods are thoroughly addressed, including the benefits or drawbacks of various choices, prices and recommended accessories. Section two defines the art of landscape photography. Some questions answered are, "What is art?" "What makes a good landscape photograph?" and "Why black and White?" I found section 3 to be the most informative. Visual elements are explained in detail. Among some of the aspects covered are framing, vision, viewpoint, tonality and design. "Field Techniques" are explained in section four. The sometimes confusing effects of different colored filters on black and white images are explained with the help of charts and photographic examples. A condensed, but comprehensive explanation of the Zone System ends this section. The quotation, "The darkroom . . . allows you to create an image that exactly matches your artistic conception" introduces section five. This chapter takes us into the darkroom and beyond. Section six explains "Putting it all together," and section seven gives examples of field exposure, darkroom printing and Zone System field exposure records so we can repeat the perfect image every time. A list of recommended books for further reading is supplied as is a list of Internet resources. I found this book so helpful and comprehensive, I carry it with me into the field and find myself referring to it often. A definite five star addition to your library.

I highly recommend this book to anybody interested in learning more about composing or critiquing photographs.

I think that this book was very good. It took the reader in to the private lives of both John and Yoko. It gives us an inside look on what their own private lives were really like. That being when John was with The Beatles and his life afterwards and up to the end of his life. I recommend reading this book. It takes you into John's thoughts about life!!

I love John lennon so i started reading biographys on him and interviews, etc to learn more about him. When I read "The Playboy Interviews With John Lennon and Yoko Ono" I HONESTLY COULD NOT PUT IT DOWN! I couldn't believe it; i started reading it in the afternoon and didn't put it down until late at night where i finished it! It is a wonderful, wonderful book with John's sense of humor and yoko's too and their insight into the world. It really is my favorite book because it is close to a John Lennon autobiography as the world will ever know. HIGHLY RECOMMENDED!!

This is the definitive book regarding John Lennon. He reviews almost every song he wrote with or without Paul McCartney, which alone is worth the price of admission. In addition to that, he provides insights into his personal philosophies and world views. One could call it the perfect companion to the recent Beatles Anthology book. Crucial reading. How sad he had to die a little over 2 months after these interviews were conducted. Unfortunately out of print, do yourself a favor and try an out of print book search; you won't regret it.

The author provides a well written history of plant preservation and pressing with summaries, comments, illustrations, and a comprehensive "how to" section. Anyone interested in pressed plant collecting should own this book.

As an avid fan of leaves and wildflowers, with not a few pressed examples stuck in books and files, I was glad to find a book that celebrates all kinds of pressed plants, from ferns to seaweeds (!), as art. There's an amazing fossilized impression of a prehistoric plant, photos of Victorian botanists' carefully pressed samples, and sun prints done with photographic paper over a century ago. Plus a few modern artists' examples. This book proves that Mother Nature has been one of the best artists all along, and that we humans can have a sort of artistic partnership by preserving botanical specimens in one way or another. The wide array of images is mouth-watering; and the book can be used as a sort of tasting party to get you started on a new collection, or, using the how-to at the back of the book, a new hobby or art.

For years I searched for a book that would direct me through the process of pressing ferns and other plants. This is it! This exquisite book is a treasure! The author shows the nature lover how to complete the process of preserving plants, just as the Victorians did. However, this wonderful hobby did not originate with the Victorians, they just renewed it with avid inspiration and volumes of renditons and renderings. This book takes the reader through the history of plant preservation, and shows the eager "artist" three different techniques for display: using the real thing, printing with paints and inks, and sun printing. This book is so wonderful, you may want to have two. The numerous copies of original and rare prints are so gorgeous, you may need an extra volume to "cheat" with: you know remove from the volume and, voila, inexpensive yet exquisite art!

I keep this book on my shelf as a reference to poetry techniques. It is the best book I have found on the art of writing poetry. The examples are great.

I can't go on enough about how great a poetry manual this is. It's not stuffy, and it is fun to read. Especially chapters 7 and 8, which are on sound in the English language. And they should be read out loud. Also pay special attention to chapter 13 which discusses making sense in poetry. The examples and exercises are helpful. This is the best poetry introduction I've seen. The anthology carries Mason's flair, but you could supplement this manual with R.S. Gwynn's Longman anthology.

Can a book about writing poetry be instructive AND poetic?? A few months ago I wouldn't have known quite how to answer since my experience with poetry manuals had been more in the vein of "this is good for my craft therefore I...must...continue...reading." It seems poetry and books about writing poetry often chafe on each other. Western Wind has proven the antidote to that outlook. It's the most accessible and deeply dug volume on poem-making I've found. I enjoyed it like a good novel and my work is clearly better for it.

P.S. The book "In The Palm of Your Hand" fits up against this one nicely.

This is an excellent guide for those seeking God. As I read it, though, I found I wanted to read John of the Cross' words more literally (this book is a paraphrase). Having tried translations by Peers and Kavanaugh, I prefer the latter. Hazard's paraphrase is very helpful even as an introduction, but I've discovered that as I'm ivest myself in following John's rather complex sentence structure, I find incredible richness. At this point in my journey, I find his writings far more significant and helpful for me than any contemporary writer from any stream of christianity.

I have used this for personal retreats and for Lent. My experience of this tool changes with each circumstance, it has helped me grow and the beauty of John of the Cross becomes richer and richer.

Please, read this book! Read it for your spouse. Read it for your children. Read it for everyone you love, but especially for those who you don't love. And, above all, read it for your relationship with the Lord, for it will never be the same.