The glory of the Imperial Guard resounds above all others in the annals of war. Created, built and nurtured as a bodyguard for Napoleon, it grew from a brigade of fewer than two thousand men into a virtual army, and became 'a human fortress which no one but [Napoleon] could dominate and no enemy could penetrate'. And, on such battlefields as Austerlitz, Jena, Friedland, Wagram and Waterloo, it won the laurels of undying fame. Written by France's foremost historian of the Napoleonic Wars, Commandant Henry Lachouque, and translated and adapted by Anne S. K. Brown, this sumptuous work is enhanced by over 180 illustrations, including 86 plates in full colour. This new printing from the second, revised edition of Lachouque's masterwork will be especially welcomed by students of Napoleonic history. The plates alone are uniquely valuable as a source of uniform colours and style, and the text provides the definitive history of an elite body of men. With its vivid narrative and lavish illustrations, The Anatomy of Glory can lay justifiable claim to be one of the most magnificent books on military history ever published. The critical acclaim that greeted it upon its first publication provides ample testimony to its reputation. The Anatomy of Glory is both informative and entertaining: a work of unquestionable quality - termed a masterpiece by Elting - and a monumental contribution to Napoleonic literature.

I concur with the supportive opinions expressed here that this book, The Anatomy of Glory by Commandant LaChouque, et al, is the ultimate reference material for serious students of the History of the Imperial Guard.

I first came upon this wonderful book as a Senior at the University of Minnesota in 1984. My senior thesis was a study of Anglo-French Diplomacy during the Napoleonic period, and I find this book to be a wonderful source of information, not only information concerning the History of the Guard, but also more generalized history of the period itself.

This book, as stated, has a fabulous collection of artwork from the Anne Brown Collection at Brown U., and also does a wonderful job getting down to the nitty gritty concerning the Marshals, the Campaigns, the Politics of the Period, etc. Commandant LaChouque leaves no stone unturned in this hugely successful documentary on the Era.

The fact that this book centers the majority of its attention on Napoleon's Guard specifically is especially attractive to me since even now with the advent of the Internet it's still a bit of a tooth pull to get so complete an analysis of the history of one of the most courageous, loyal and dedicated organizations of professional soldiers the world has ever seen...La Garde Imperiale! These hardcore heroes richly deserve to be remembered, and this book does their memory ultimate honor.

The day I lost my original copy of this book was a sad one, and I'm very pleased I have now had, thanks to Amazon.Com, the opportunity to get a replacement. I most highly recommend this book for any gung-ho student of Napoleonic History...Vive L'Empereur!

I first saw this book and read it in high school. Since then, it has been an indispensable part of my Napoleonic library. It is full of information unobtainable eslewhere in English. The superb illustrations, from the Anne S.K. Brown Collection at Brown University, greatly enhance the presentation, Mrs Brown also being the translator. The book traces the Guard from its inception during the Revolution, its emergence as the Guard of the Consuls, and into its final evolution in 1804 as the Imperial Guard. The personalities who populate it are a truly talented and colorful group, from Pere Roguet, to Napoleon himself. The book almost appears as a personal narrative of the author, Commandant Lachouque, and while he has been accused of being somewhat biased, his references used for the book itself are impeccable. That the book has already stood the test of time is a virtue in itself. The new Introduction to the latest edition is by Col John Elting the noted suthority on the Napoleonic period, and new information on the Guard was discovered by him for this introduction. It not only enhances the Guard's formidable combat reputation, but the book itself. This book is a must for every Napoleonic enthusiast.

MY GREAT GRANDMOTHER WAS IN TOWN WHEN THE BOOTLEGGER WAS SHOT AND KNEW HIM. THIS BOOK SHOWS THE TRUE LIFE AND STRUGGLES OF LIFE NOT JUST IN SMALL TOWNS BUT ACROSS AMERICA. EXCELLENT HISTORY LESSON OF SURVIVAL AND WHAT GENERATIONS BEFORE US DID TO GIVE US WHAT WE HAVE.

This is definitely a page turner--rare in nonfiction. Mr. Hallwas combines the suspense of a murder mystery and the facts of a history lesson and makes it all fascinating! I was born in the area and my family's surnames are mentioned throughout the book. Most of my family members have read the book and have SO enjoyed it! In fact it may have solved a generations-old family mystery of a missing relative! A must read for anyone with family roots in small town America!

This book is excellent. Definitely a "can't put down" book. Hard to imagine the quiet, sleepy town of Colchester was once involved with Al Capone, Shoeless Joe Jackson, bombings of homes of law enforcement agents, and murders, bootlegging and crimes of this nature!

When Stephen Vincent Benet finished John Brown's Body in 1928 and the critics awaited its issue, the South was most anxious and skeptical that they would be portrayed honestly. They were and Stephen Benet's masterpiece is America's greatest epic poem and a most unappreciated work of literature. But, I love it and always will love it, because it makes those historic figures of so long ago - come alive. Out of the mist, they ride. Come traveler, pick it up, open its pages and from fish hook Gettysburg to the end, watch them ride and try to understand over all the years what was happening and why they were fighting. It was not all about Slavery!

During the Pax Romana the emperor Augustus commissioned Vergil to write an epic history of the Romans. The result, of course, was The Aeneid, a stunning blend of epic poetry and historical fiction that some would argue has yet to be topped. John Brown's Body is the closest thing we have to an epic poem "about" America. And while it takes place during the civil war and makes no claim to be an authoritative history, the book is no less impressive as a literary feat. No book in the history of this country has so artfully depicted our nation's great schism.

Written in the 20s, John Brown's Body redefines the word ananchronism. Its contemporaries are The Great Gatsby, The Sun Also Rises, and Their Eyes Were Watching God. Professors widely praise these modern works for their groundbreaking aesthetics, and not without justification. However, it's hard to imagine a more daring or daunting task than the writing of John Brown's Body. Never mind the fact that he pulled it off marvelously. Stephen Vincent Benet remains the only writer to have even _attempted_ to write an American epic poem. Stephen Vincent Benet deserves high scores both for degree of difficulty and final product. Yet conventional education regarding 20th century American books never seems to give him these high marks.

Why Benet and his book don't get the recognition they merit is a terrific question. Is his book canonically superior to Gatsby and Their Eyes? No. And on some level, it's difficult to see what someone living in Taiwan could glean from this document of American struggle and triumph. To wit, the book can also be criticized for being slightly skewed toward a Yankee perspective. But as a whole, the book is outright better than a lot of works revered as American classics.

What does better mean? What it should mean. Simply a more impressive work of art. More entertaining. More provactive. More fun to read. More intellectual depth, conveyed subtly and beautifully, embedded skillfully but not invisibly in an absorbing tale. On these counts, John Brown's Body is vastly superior to classics like The Sun Also Rises; The USA series of John Dos Passos; Babbitt by Sinclair Lewis; and certainly Hawthorne's later novels. Yet John Brown's Body continues to get short shrift, to the point where it's well nigh unfindable in many a book store. One can only hope that the critics and canon-makers of later generations restore the book to its proper place, high atop our shining history of American letters.

This book won the Pulitzer Prize in the '40's. It covers the Civil War principally from the perspectives of a young, small town Connecticutt boy and the heir to a Geogia plantation. It begins with a gripping view of events on a slave ship and ends with two crippled young men and the women they love, beginning to rebuild ther lives. Part poetry, part prose, it all sings.

If you had a less than perfect Mom, this book is a keeper. I found it very helpful in sorting through my childhood and moving forward with my future.

I hit a point in my relationship with my mother where I realized something was terribly wrong. This book was recommended to me by a friend and was incredibly helpful in a time when I needed help. It pinpointed the type of mom I have and the feelings I feel now and felt in my childhood. It also gave practicle tips on how to make things better in your life and tools to deal with your relationship with your mother. It totally validated the feelings I've had and gives me hope that I can have healthy relationships with others.

Written with much compassion. It is not a mom-bashing book. If a reader is looking for someone to blame for his/her life, this is not the book to read. Writers are insightful in how our moms' interactions with us have influenced us and shaped how we view ourselves and relate with others. The writers explain that our moms continue to influence us, well into our adulthood, whether or not we continue to have contact with them. The writers are careful to explain that our fears and hopes have their origins in our relationships with our moms. Most importantly, the writers give guidelines, based on practical and Biblical concepts, to healthier living despite extended dysfunctional relationships with our moms. The writers are realistic about the difficulties their readers may face with such challenge. They exhibit empathy in their certainty that self-awareness and healthy living could be ultimately achieved.

OK, if the humor of the title of this review evades you, this is not the "book" for you. If you think the whole situation is funny, then get this book.

Page after page of doodles and notes that blow political correctness out of the water, and made me laugh out loud. This product is fall down funny.

Again, a classic that is out of print. Shame, shame, shame.

Here it is, four years after I first spent a summer reading and re-reading it with my friends (one of whom must still have it!). I've got to read it again. Maybe e-bay?

without a doubt, the funniest collection of drawings and text on the o.j. situation. a comical view into the demented mind of a lunatic!

I'm medical student from Hong Kong. I find it very useful in preparing Problem-based-learning tutorilas. The interpretation of the laboratory results are the most useful. It helps me understand more in the PBL cases.

Simple and delightful , filled with nice illustrations this book is necessary to every doctor not only clinical pathologists and laboratorits but everyone who handles daily with ambulatory and infirmary pacients. A must in every uptodate doctor or even meddicine students bookshelf.

This reference receives from all reviewers the top recommendations for comprehensive, concise, understandable presentations. Every laboratorian needs this reference. The 20th edition is due in February, 2001.

For anyone looking to enter the unreal realms of Henry Darger, his writings and his artwork, MacGregor's book is essential. He has both exhaustively researched and reconstructed Darger's life as an isolated, perhaps mentally disturbed individual working as a dishwasher and janitor in Chicago and delved deeply into the often gruesome content of Darger's fantasy realm. The book itself is a wonder - it is like a great independent film, unflinching, provocative, well-constructed.

As an art therapist, I read Dr.John M.MacGregor's book, 'Henry
Darger,In the Realms of the Unreal'and marvelled at the potency of art as a therapeutic agent.

Henry Darger initiated his own therapy. He painted a torrent of images representing his rage. Without his art and his writing, I wonder who would have been the target of this volcanic fury.

John MacGregor's book is a must for all art therapy faculties and departments.

Beth Robinson

Darger's voluminous work, of which the drawings are only the tip of the iceberg, are inaccessable, literally, except for fragments published in a previous collection. Even if the full opus was available it would still be a alien monument due to it's sheer size, attracting only the peculiarly curious and those who have aquired the taste for Darger's vision. This said, MacGregor's work is a valuable description by a voyager to a dark continent who is capable of expressing the awe, fear and wonder that he experienced when immersed in this strange land. The book is lush, in design and writing, and each chapter tackles a different aspect of the Darger mystery. I imagine attempting to read all of Darger would cause the odd combination of shock and boredom that de Sade's work elicits, trangressive scenes compulsively written ad nausiam. MacGregor distills the major themes of Henry's work, avoids the mind-numbing repetition, yet preserves the vertigo of scale that Darger achieved, intentionally or otherwise. An odd masterpeice written about an even odder masterpeice.

After more than half a century, I remembered still the sonorous rhythms of the prelude to Evangeline. Much has changed since I first read the tale of Arcadian innocence torn apart on order of the heartless King, and Longfellow and his poetry have fallen on hard times and harder hearts in the interim

His allusions and images are strained; his words pathetically romantic and sentimental; and the story of Evangeline barely tracks the actual events of 1755. All of the charges are true, yet much of value remains in the poem. The poet recognized instantly a crime against humanity when he first heard the tale, and he had the talent, drive, and fortitude to create this vehicle to memorialize the sad story of star crossed lovers, families, and communities divided and exiled from their adored homeland.

That a heart could be committed to a lifetime of wandering in search of a lost love seems archaic to the sophisticates of the twenty-first century, but I believe it possible, even today.

I read the poem - aloud and silently - and the beat of the accents, like operatic arias, added to the the sorrow of the sentimental story. I recommend this poem to parents who love to read aloud to their children. I'm sure that Evangeline and her beloved Gabriel have the power still to stir the hearts of the young - and of the readers, too.

A very useful notes section offsets an overly wordy foreword. I found it easy to find and reference words and phrases no longer in common use.

Read it aloud to your early adolescent sons and daughters and to your love. You'll be happy you did.

I heard about this book from my mom a few weeks ago after I went to see the movie Serendipity. I told her about the plot of the two people in love searching for one another and just missing every time. She said it reminded her of another story, Evangeline. Since i attend an engineering school I am always very eager to read books with real meaning behind them, given that all my textbooks focus on is wastewater treatment, biological processes, etc... So given that I wasn't really expecting too much but a relief from textbooks when I picked up this book. Little did I know it was soon to become one of my favorites. I was pleasantly surprised by the Christian influences behind the poem and found myself crying a lot more than I expected. I highly recommend this to anyone who has a great appreciation for well written, romantic poetry and literature.

I am not going to sit here and claim to be the expert on English language poetic literature my 12th grade English teacher would like me to be. I have often fallen prey to the boredom of reading long poems and look upon poetry generally with some weariness.

When my father went to New Orleans, I asked him to bring me something back. He brought back a copy of this poem. It was required reading for my parents growing up - I had never heard of it.

I confess I was probably hesitant when I sat down to read it. But in no time I was hooked. The poetic language is perfectly styled to slowly tell the tale of two Acadian lovers doomed by the path of Acadian history to separate lives. Reading this poem is like suckling slowly on a sweet nectar under the gently rustling leaves of an oak on the side of a gently flowing river. If this sounds appealing to you, then you will enjoy this poem.

Jessica Kruczynski English 385.04 Dr. Michelle H. Martin March 29, 2000

Keats, Ezra. John Henry: An American Legend. Toronto, Canada: Random House, Inc, 1965.

John Henry, written and illustrated by Ezra Jack Keats, tells the story of a fictitious American legend. Through the powerful illustrations, Keats portrays John Henry as a heroic man with much importance in society. Keats uses bold colors throughout the story, which help stimulate the reader's emotions. John Henry's importance is first revealed in the opening of the story. Unusual, marbalized paper illustrations accompany the words that tell of the night noises welcoming John Henry into the world. Even as a newborn child, he is the focus of the story, taking up an entire page in the book. When John Henry realizes his own strength, he makes the decision to leave his family and go out into the world. The illustration during this part of the story shows that a change is because of the bright colors and the image of waves rolling into the next page. When a storm strikes, John Henry's first act of bravery comes into play. Black and grey colors give a feeling that things are not quite right. The storm nearly causes a ship to sink, but John Henry is able to gain respect and admiration from others by bringing their ship to safety. John Henry, who was born with a hammer in his hand, feels called to go help build railroads. The illustration of him helping with the railroad tracks is much different thtn the other illustrations because John Henry is not the center of attention. Perhaps the reason for this is because helping build the railroad with a hammer in his hand is where John Henry belongs. Henry's next opportunity to be the hero occurrs when a lit fuse burns closely to dynamite in a cave, causing a very dangerous situation. Trying to put out the fuse, John Henry first trips and falls, but recovers by putting out the flame with his hammer. In this illustration, the hammer takes up and entire page! This shows that the hammer and John Henry are of equal importance; without his hammer, he is only an ordianry man. After proving himself to be a hero, John Henry develops a feeling of much confidence in himself. When told about an extremely powerful steam drill, John Henry states that he is more powerful and can drill more holes faster than six men combined. The illustrations of Henry's "race" with the machine are very effective in portraying motion. The hammer appears to be moving so fast that it becomes almost a blur. The pictures show how tired John Henry is becoming, and eventhough the steam drill is ahead of him at one point, he continues to work harder and faster. With much determination, John Henry picks up another hammer so that he can get twice as much done. In this illustration, John Henry and the two hammers take up two pages. Keats uses a bright orange color to offset Henry and the hammers. The bright color gives a feeling of excitement and makes the reader feel confident that John Henry can beat the steam machine. Througout John Henry's battle with the machine, people watch with admiration. John Henry continued to hammer, even after the steam machine collapsed. His goal was to break through the tunnel and when light began to shine through, everyone saw that his goal was reached. With hard work and determination, John Henry once again proved himself to be a hero. He died while walking out of the tunnel, carrying not one, but two hammers.

My 3 kids request I read this book every night. Its good enough that I don't MIND.

Guess which is one of the books I'm using for Black History Month this year?

McDowell and Spitz give an incredibly thorough, yet succinct overview of the field of substance abuse. The book is informative, well written, and an interesting read. It will be of great interest to all clinicians who work with substance abuse patients. I personally recommend it to anyone who encounters the problem of addiction, whether it be in a personal or professional realm.

I found this book to be an excellent introduction to the field of substance abuse. It is informative without getting bogged down in too much detail, and makes for interesting reading. The volume is also peppered with fascinating historical tidbits.

Doctors Mc Dowell and Spitz aught to be applauded for their innovative presentation. It should be a permanent fixture in the offices of every therapist as a research guide, and on the bookshelves of patients. It is a wellspring of information for both the layman and the pro. Thank you both.