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Isles uses an arsenal of utterly frivolous flowers, borders, insects, birds, kings and queens, fairies, and more to expand upon the imagination exhibited in Stevenson's poems. The children in these pictures are depicted as being in charge, being at one with their environment, and being delighted to be alive.
Some of the illustrations hint at the influence of artists more famed than Isles (Henri Rousseau appears to be a special favorite of hers--see the illustration for "The Unseen Playmate," in which a boy lies down in weeds that might have sprung from the edge of Rousseau's painting "The Dream"). Using both primary colors and pastels, Isles creates a world within the world of Stevenson's verse. The marriage of the two is a happy one.

You can't forget about the little toy soldiers (a poem) at your feet because when you are sick for days, you can imagine all kinds of things in your mind. The curtains billow like sails, the bedpost is your anchor. I sat there in bed and just floated away with the fun of having someone to share my illness. It seemed like a had a friend right there with me.
I loved the pictures too. The little kids are old fashioned and it made me laugh because the boys wore silly clothes, but they fit the time period, my mom said.
I love this book and keep it by my bed when I need to be relaxed.
Hayley Cohen

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When young and naive Jim Hawkins is given a treasure map from the mysterious old pirate, Billy Bones, adventure and trouble are not far behind. Soon Jim finds himself aboard a ship with a villainous crew led by the cunning and mendacious pirate, Long John Silver. Greed and the lust for gold driving the pirates, they have murder in mind when they reach the dubious Treasure Island.
Skillfully yet simply written, Robert Louis Stevenson gives us an alluring tale that sparks the imagination. With its dastardly plot and mothly crew of rogues and villains, it entrances the reader, and keeps them wanting more. "Treausure Island" is the perfect read for anyone just wanting a good, exciting story.


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This iconoclastic motorcycle-riding monster of a man (he was well over six feet and quite imposing physically) refused to be typecast, constrained, or politically correct even in the depths of the straight-laced '50s. There is an amusing story about him most graduate students have heard various versions of regarding Columbia University's vain attempts to get him into line. Mills love to teach sans tie or suit coat in an open white collared shirt and slacks. Evidently someone complained he was not meeting professional dress standards, and the Dean told him he must henceforth always wear a coat and tie in classroom. Sure enough the next day Mills showed up to teach class attired in a suit with tie dutifully tied around his neck, but with no shirt on!
Mills' prolific published work was also very controversial, from "White Collar", a well documented description of the nature of the emerging affluent American middle class, to "The Power Elite", a hard-hitting critique of the nature of wealth, status and power in the United States, to "The Sociological Imagination", an articulate and approachable appeal to a return to classic sociological perspectives and avoiding the twin horns of what he termed to be a foolish and pointless excessive focus on either "high theory" or "research methods" rather than on important and cogent sociological analysis.
Horowitz threads through Mills extraordinary life and times, and paints a not altogether glowing personality behind the bravado, brilliance, and boldness. Mills sometimes was thoughtless, tactless, and cruel to those around him, and could be close to egomaniacal about getting what he felt was his share of the credit. Yet no one can deny the sheer laser power of his piercing intellect, or his willingness to take on the establishment and tell things the way he saw them, often to the great detriment of his academic career. This is a worthwhile, carefully researched, and absolutely entertaining biography and overview of a man and his work. Enjoy.

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Bolles interweaves each figure's story and experiences as they work their way toward the discovery and acceptance of the previous Ice Ages and how they explain many argued about features of earth, such as erractic boulders and glacial moraines - many of which were accepted as the outcome of biblical events. And these primary explainations were a major hurdle to our ever-expanding understand of the earth, it's origins as ours.
The names of these three individuals will probably be familar to any reader of Arctic Exploration, Discovery and History.

Bolles displays for us an intellectual adventure I'd never thought about before, as well as ego trips, and quixotic expeditions. And what a cast of characters including Charles Darwin, the Lowell's of Massachusetts, Ralph Emerson and others who add great spice to the stories. The book is intellectually stimulating, entertaining and fun. Here is a piece of history I knew nothing about until reading Bolles book. What a bargain-all in one book.

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Hitler is not that difficult a person to write a biography of. This can be contrasted with figures such as Stalin who was able to control the materials about his life and manufacture a range of untruths. The defeat of Germany and the discrediting of Nazism meant that little was hidden.
Despite that there are some things which have occurred since this book came out which date it a little. Kershaws recent book on Hitler is thus superior simply because of this but Bullocks work is by no means badly dated.
These are to some extent a matter of emphasis but they include.
(a) Hitler seems to have falsified some aspects of his background. He exaggerated his poverty in Mein Kampf which was the source of Bullers material. (b) Hitlers rise to power depended more on the circumstances around him rather than his own actions. Hitler seemed to be rather lazy (c) During his last years Hitler spent most of his time with military personal. They portrayed him as a man who was the archetypal mad dictator. A good deal of this seems to have been made up to shield military leaders from their own actions.
Despite that Bullers work is readable and comprehensive

I've got to say this was one of the better written books I've read that concerned the Nazis. He gave detail about the different players in the Nazi Regime (Goring, Goebbels, Himmler, etc) which was nice to finally put some historical information to the infamous people. His vocabulary was sometimes written in simple-man terms, which makes this a good read for people who don't know much about the "Thousand Year Reich."
Another thing Bullock did so well was spanning all of the history of the Third Reich equally throughout the book. Although the ending wasn't quite so extensively written as the beginning or middle, I still felt it was satisfactory.
In conclusion, "Hitler: A Study in Tyranny" is a great book for both beginners that are learning about the Third Reich and people who already know information about the Nazis.


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This smaller, quieter version of Stevenson's poetry helped me finally, actually read all the Garden poetry. True, the illustrations are spare, but delightfully accurate. My children (7 and 10) were not as mesmerized by this book as they are by others with fanciful graphics, illustrations and larger type to accompany the poetry.
Still, this small book found its way into my purse to be used for waiting moments, e.g. at the orthodontist, doctor, and also to my bedside, where it's shear diminutive size did not dissuade me from reading "for only a minute or two." And within Stevenson's words and language lie the ferment of creative pictures. I liked to have my children close their eyes while I read short poems to 'force' them to use only their mind's eye.
I thoroughly enjoyed the adventures, moods, and images Stevenson conjures and at long last can understand why his poetry remains so classic.