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"They found that some nights, especially, had a peaceful loveliness that repaid a hundred hours of strain. Sometimes in sheltered water, when the moon was full, they moved with the convoy past hills outlined against the pricking stars: slipping under the very shadow of these cliffs, their keel divided the phosphorescent water into a gleaming wake that curled away till it was caught and held in the track of the moon....Compass Rose, afloat on a calm sea, seemed to shed every attribute save a gentle assurance of refuge." (p 105, 1951 Knopf edition)
There was a movie made by the British earlier on, with Jack Hawkins as Ericson, the captain. The plot obviously had to be shortened, and I think the love story was changed a bit. The novel is better, still, and I do hope that they do NOT try to make another movie of it, for surely the Hollywood treatment will only cheapen this superb piece of work.
Based on his real wartime experinces, the author creates a fascinating story of "one ocean, two ships, and some 150 men". Living from day to day through the horrors of naval war in the North Atlantic with the wonderfully-crafted characters, one is only beginning to imagine just how terrible it must have been. You breathe with them, you fight with them, you sleep with them and you live through their good and bad times - finding yourself unwilling to put this book aside.
Read this book, and Buchheim's "The Boat", and you can truly say: "Now I know what it was like!"
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One of the revelations I found comforting was simply to know what the physical symptoms of grief are - that my sore throat my aching chest and my dry mouth were all manifestations of my emotional trauma.
This book felt like I was talking to a friend who had been there and back, and could take me by the hand through the healing process and help me find my way back to joy. Please read it if you are hurting from the loss of a relationship - it will comfort you a great deal and help you more forward constructively. Then lend it to someone you know who could be helped by it.
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Recently my son was diagnosed on the phone by our pediatrician with chicken pox and it was made clear that they did not want to see him for a physical exam. I was given a tiny bit of information by the office staff but was still curious for more information. I spent over an hour surfing the Internet looking for information but found watered down information, repeated many times over on multiple websites, including some written by physicians intended for laypeople to use. I looked at my parenting books written by doctors (one titled "The Portable Pediatrician", no less) and was still lacking any substantial information. When I consulted the Merck Manual home edition, (which I had forgotten I bought recently and had not yet used), I was surprised at the level of information given. There are many details that I had not found elsewhere, such as number of days from exposure to outbreak, how long it takes the pox to change from first appearance to crusted over, about how long the infection lasts, and treatment suggestions. Reasons why some children have a mild outbreak vs. a severe outbreak were even provided, something I had not found anywhere else.
The information here is not dumbed down in that it is not so vague that it is not useful. There is a lot of information here but it is written in a style for the layperson to understand. I appreciated the writing style, which presents information to the non-physician without putting on airs.
Anyone who, like me, prefers to gather information and learn about things rather than making a call or office visit to their doctor to get just one opinion will appreciate owning this book. At about 1500 pages it covers many illnesses and ailments. If you are interested in this book I suggest you buy it so that you have it at your fingertips 24 hours a day, for whatever may arise. I am not suggesting this take the place of a doctor, but I know from working with physicians that there are certain calls that are non-emergent in nature that are not appreciated when the office is closed!
If you are looking for a book about children's ailments that encompasses not only western medicine but lists an array of other treatment methods, I suggest Smart Medicine for a Healthier Child: A Practical A-To-Z Reference to Natural and Conventional Treatments for Infants and Children by Janet Zand. I found this to be an excellent companion to the Merck manual, home edition. The Merck manual gives more information about the disease or ailment itself through a Western medicine viewpoint while the Zand's books' specialty is sharing treatment options grouped by category (herbal, homeopathic, western, etc.).
In this work, I use both the "senior" Merck Manual, which is written for professionals (though many nonprofessionals have been referred to it by librarians and such), and this recently developed "home" version, which I can't praise highly enough. It is literally the first text I have encountered that provides essential medical information in terms the average educated person can understand, WITHOUT writing down to people. It covers all the basic diseases and conditions and many unusual ones, including prevention where prevention is possible. Clear, understandable charts cover such topics as common blood and laboratory tests. The index is superb, so finding things is easy, whether you are coming at the topic by way of some medical jawbreaker your doctor has mentioned (myocardial infarction) or by way of what most people call it (heart attack). Any household would benefit from having this reference on its bookshelves. Even as a professional, I look in this edition first and tackle "Papa Merck" or a specialized textbook only if I need more than the basic information.
To me, the best part of the book is that the locations are actually easy to find in Boston. So if you live in the Boston area or ever come here, you can also take your children to experience the story. I know my younger daughter thought that her first Swan boat ride in the Public Garden was the ultimate moment in her life (up to that point). She kept wanting to know which duck was Mrs. Mallard, and which one was Mr. Mallard. Then she wanted to spot Jack, Kack, Lack, Mack, Nack, Ouack (my favorite name in the book), Pack, and Quack. I had a ball! There are also statues of Mrs. Mallard and her 8 offspring that the children can touch. There's also an annual parade that you can participate in.
If you don't know the story, here's a summary: Mr. and Mrs. Mallard were looking for a place to live where they could raise a family safely. Whenever Mr. Mallard found someplace he liked, Mrs. Mallard worried about foxes and turtles. Finally they got to the pond in the Public Garden in Boston, and were too tired to go on. So they spent the night on the little island there. The next morning they could not find much food, until the people on the Swan boats began to throw them peanuts. But the Mallards were almost run over by a bicycle, so they felt they needed a safer place. They tried several, but each had a drawback. Finally, they found an island in the Charles River not far from the Public Garden that met all their requirements. Michael, the policeman, fed them peanuts. Soon, Mrs. Mallard laid 8 eggs, and stayed to hatch them. After the ducklings were born, they learned to swim and walk single file behind their Mother. One day, she walked them towards the Public Garden. But they could not get across the highway. Michael spotted them and stopped the traffic so they could cross. He called Clancy at the station and told him to send a car to help Mrs. Mallard and the ducklings cross at the Public Garden. When in the pond there, they met Mr. Mallard on the little island. They decided to live there, and followed the Swan boats for peanuts after that.
I have enjoyed reading this story and reading it to children for almost 30 years. I look forward to reading it to my grandchildren when the time comes. It has also been my favorite book to give as a gift to new parents.
Enjoy the wonderful gift of warm family feeling in this book, and leave your stalled thinking about your cares and worries behind. It will remind you what is really important in your life!
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Buck Jones: a rodeo cowboy who becomes seriously ill and must get rid of his beloved horse. I liked Buck a lot, and so did his friends in the story. He raised Old Black from a colt and only became a rodeo star after Old Black came on the scene as his roping horse. The day he got rid of his beloved pal was a heart-rending scene.
Small things impressed me. The arrival at the Bradley's farm with Jim's new horse -- he so wanted to show him off to the old black couple down the lane, but he had to wait. Things to do on the farm. Getting on the horse took some imagination for 10-year-old Jim Bradley, but he solved THAT! Then got an extension for his stirrup. Small things, but so important to the story.
Jim's first real horse show was an adventure for me. The hospitality suite he and his mother came upon, and got acquainted with the Robertsons and their daughters. Jim's performance in that western riding class was beautiful, as written.
I adored little Alexandra Meridith, her father. Her grandparents, Oscar and Ruby, were fine old people, and dearly loved by that little boy.
The series of chapters dealing with the rescue of the sheriff out in the woods was as stirring and exciting as could be. And it reeked of realism. That long episode was brought to a perfect conclusion, even if some concerns still were left dangling. But they were wrapped up later.
The funeral of a black lady was a fine piece of descriptive writing, touching.
The ending of the story was purely satisfying. The indignant lady in the stands was a good, good touch. How she finally came around to applaud Old Black after accusing him of hurting her daughters chances in the class. The unlikely but understandable award to Old Black. Then, something I can't tell because it would ruin the ending for readers, but it was just exactly what should have happened. Even if it caught be completely by surprise.
A great story.
I loved the old black couple, the Jacksons, who lived on the lane to the Bradley's little weekend ranch, and was truly touched by the genuine friendship between that couple and the Bradley family. All of the characters in the story, and there are quite a few, come vividly to life. You never have to think back and ask yourself, "Now just who is this walking on stage?" You know every one of them as if you had known them a long time.
The chapters involving the visit of Jim's Aunt Hazel and Uncle Harry are precious. Aunt Hazel has Alzheimer's disease and Uncle Harry is allowing her condition to get to him. It took the intuitive therapeutic interaction of a boy with compassion for his ailing aunt to show Uncle Har! ry, by examples, how to mitigate her suffering, how to lift her spirits. There was hilarity galore in those chapters, much of it at Aunt Hazel's expense, but it was never once in bad taste.
The rescue of Sheriff Martinez in the woods by Jim and Old Black, which consumed several chapters, was an endless stream of excitement that continued to escalate right up to the very last page of chapter 24. It was a tough job for both the boy and his horse that almost proved to be impossible, but every bit of it was entirely credible.
Old Black is a beautiful piece of creative writing. The story moved. It had a start, a middle, and definitely an ending, an ending that swept along through several chapters in such a rewarding way for the reader. Briggs never takes the writer's easy way out of a single scene or event, but works his plot with fascinating detail and excellent execution. The story was a fine blend of happiness, sadness, tragedy, and humor. Every aspect of the ending was perf! ect -- all the little loose ends that had collected along t! he way were neatly tied up in the most satisfying ways one could imagine -- even better than I ever imagined.
Without giving away the REAL treat at the very end, I will say I loved the way the jealousy toward Jim by the boy on the flashy horse was disposed of. That scene was a magnificent stroke! Then there is a very nice vignette involving that same boy at the very end that had best be left for the joy of reading it first hand. At that last horse show in the Astroarena, I swear I could hear the bawling, cackli! ng, mooing, crowing, grunting . . . of the animals, I was aware of the constant announcements over the loudspeakers, I smelled every aroma of the place, saw and heard the hay carts buzzing around, felt the presence of the activity going on all about -- I was THERE!
Old Black is a fairly long book --387 pages of text -- but I flew through it way too fast to suit me. We should be able to give an extra star to special books for appearances. This one is a beauty, with a nice oil painting for the cover, a pretty full-color map of "Old Black Territory" on the front and back endpapers, and at least five dozen gorgeous illutrations, which is why I presume the book was printed on such fine paper.
When you buy Old Black, you may as well buy two and get it over with. You'll just HAVE to let certain friends read it, and you'll sure not want to part with your own special copy.
(This review was provided by the reader, who does not have a computer, to the publisher for sending on to amazon.com.)
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This book is about Spenser's surrogate fathering of a lost 15 year old boy named Paul who is a pawn in his own life. It is sort of a coming of age novel, but really not because it is told from Spenser's perspective like all the Spenser books.
This is one of my favorite books of all time. I highly recommend it to any Spenser fan or to any one who remembers 15 and that lost in your own life feeling.
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While this is a simple adventure story on its face, it has deeper levels. First of all, there are discussions of science which are interesting and educational--look at where Kip figures to himself that they are really going to Pluto, and how he schemes to fill the cell he is in with water so he can float out the top.
There are also social messages woven in. Kip learns to appreciate his parents a bit more--to him, they are just "his parents", but through hints dropped several times in the book, we come to appreciate his father far more than for just, rather oddly, bundling up a box of small change and shipping it off to the IRS every April 15. Even if we were not explicitly told about Mr. and Mrs. Russell towards the end (and, frankly, I wish we weren't, it is too unsubtle), we would come to appreciate them for the way they steered Kip to maximize his potential. However, they were less successful in making Kip a social individual, and that is what starts to change during the novel.
At the start of the novel, Kip displays really good relations with adults, but limited, and not so good, relations with his peer group. Kip starts out a bit of a loner--he has friends, but none seem really important to him (certainly no one helps him in Oscar's renovation). At the end, he's more assertive and, having identified himself with humanity in the climactic scene, may have found himself quite a bit more. I suspect there's a lesson for Heinlein's juvenile readers there, many of whose spiritual home was in the stacks of the library. Nothing wrong with that, but . . . Heinlein manages this better than he does in Glory Road, where Scar comes home, wins the lottery, kicks sand on the bully, etc., etc.
A good read, but then go back and read it again.
I recently gave a copy to my nine year old nephew who is similarly entranced with the book; not bad for a sci-fi epic written over fifty years ago. Any book that can drag a twenty-first century schoolboy away from the high-tech amusements of today certainly qualifies as a classic.
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However, the book's jacket incorrectly claims "Here, after five decades is the first biography of this remarkable figure." Having been moved many years ago by Ernst Schnabel's book ANNE FRANK: A PORTRAIT IN COURAGE (1958) I was put off by this inaccurate statement. That Schnabel's biography is not even acknowledged by author Melissa Muller is also troubling. How could a journalist who has done such detailed historical research fail to even mention a previous author's detailed biography? Hopefully, this will be corrected in future editions.
Like Schnabel, Muller interviewed many people who knew Anne frank. Schnabel was able to speak with people not available to Muller because they had died before she started her research--such as Anne's father Otto Frank. To Muller's credit, her interviews include Frank family relatives, one of the Franks' protectors in hiding--Miep Gies--co-author of ANNE FRANK REMEMBERED as well as Jacqueling Van Maarsen ("Jopie" in the Diary)--author of MY FRIEND ANNE FRANK and Willy Lindmer--author of THE LAST SEVEN MONTHS OF ANNE FRANK.
Another nice touch is the Epilogue which sums up what happened to many of the people described in the book. For example, it is deeply sad and chilling to read about one of Anne's sweet friends, Sanne Ledermann, then turn to the Epilogue and find that she and her parents were gassed in Auschwitz.
Muller's writing varies from fascinating to overly detailed. For example, do we really need to know that one of Edith Frank's cousins divorced her husband because he was having an affair with his secretary? On the other hand, she offers new insights into who may have been the betrayer(s) of the Franks and others in hiding with them. She also sensitively describes "new" pages of the Diary that Otto Frank had deleted from the original version because he found Anne's perceptions of his marriage too embarrassing. Like other books about Anne frank, she quotes extensively from the Diary, citing many of its most moving passages. So despite the criticisms, I still believe this book is very much worth reading.
While Muller's choice of style and content may be too academic for the average reader, there are also flashes of inspiration and insight regarding Anne's deepest feelings. Schnabel's book is more consistently inspired, often expressing the heart of a spiritual poet. An example is found in his final words:
"Thus her voice was preserved out of the millions that were silenced, this voice no louder than a child's whisper. It tells how those millions lived, spoke, ate, and slept and it has outlasted the shouts of the murderers and soared above the voices of time."
Muller concludes:
"In the end, the Nazi terror oculd not silence Anne's voice, which still rings out for all of us, whom she had hoped so ardently to serve."
This worthy biography depicts with subdued insight the Frank family's relationships. I was particularly touched while reading about the Franks' love and concern for their two daughters, and by the inclusion of several letters from the Franks to extended family members, particularly those exchanged between Otto Frank and his mother.
Throughout the book, Muller's interest in the subject matter is evident and her unsensational interpretation of events rings true. The translation is flawless and the text is woven together seamlessly. All in all, this biography triumphs as one of the most well-written biographies I have read.
I agree with Miep Gies' statement at the end of the book: Anne's life does not, as some writers and historians have suggested, symbolize the millions of lives lost in the Holocaust, because her life was hers alone. Millions of individual lives were tragically and cruelly ended. After reading this book, I feel privileged to have had a poignant glimpse into one of these lives.
Written in 1951, Monsarrat bases his story on his own experience as first officer of a corvette on convoy escort duty. He clearly identifies with his primary character, Lockhart, who joins HMS Compass Rose in 1939 as a very junior Sub Lieutenant. The people and ships are fictional, but this is nevertheless a true and moving story. A brilliant story, totally unforgettable!