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fyi. Their are several references to God by the speaker.
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Fact is, this very well-designed book is divided up in small chapters - one for each Invisibles issue. Every chapter is in its turn composed of small interviews (the bulk of them being with artist Jimenez), two separate fan-like comments from the curators and an occasional small quote from Grant Morrison himself.
Finally, in the sidebars of each page, there is a very detailed comment to each relevant panel or phrase. "Very detailed" meaning that the authors even go to the lenghts of reminding the reader that "Marylin Monroe was a big sex symbol in the late Fifties and onward..." etc etc.
I actually liked this "take nothing for granted" approach, but with it come a number of problems. First and foremost, there are no visual references, so you have to keep the orginal Invisibles book at hand to follow the notes. Then, this much detail means lots of text, which in turn had to be printed very small to fit on the sidebars - reading it might be tiring to many.
The final interview with Grant Morrison is priceless, altough it replicates much stuff that you can easily find on the sites devoted to The Invisibles.
So is this book worth the buying? My answer is maybe not if you're already heavily into fringe counterculture, as you'll already know about everything there's to know. In any other case, go for it as it can make your Invisibles reading experience much more layered and interesting.
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If it has any weaknesses, is that it fails to clearly present a coherent way of demarcating one from the other.
Michael Turton
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"The Gurdjieff-work" has been quite protected until now, but now it seems, that since most of the great followers have died, the the old saying can be applied: When the cat is out, the mice are dancing. Well, here we have quite a big mouse, rather a...
The reviews of "Eating the I" by the same author stronly
suggest that this problem is repeating itself here again!
not for the serious. Patterson gives in to the fascination of
the "rainbowpress", reducing readers and writers to this sort of "sharks, thriving in pecking in the serious work and suffering of people, who are far above them"!
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condescension towards women and lots of hidden advertisement.
It covers a period in the adult life of William Patrick Patterson. He's a writer and editor in the cutthroat milieu of New York City. He's also married, and tempted by bold, modern women. He rises like a meteor and is shot down by an office competitor. He knows wealth and poverty, arrogance and fear. He finds and honors a rare spiritual teacher. More than one in fact. There's cussing, drinking, verbal clashes, and relationships gone bad.
It's not the bald subject matter, but the insights and principles that illuminate it that distinguish this book from an ordinary memoir. Here is one of many examples: Patterson faces an ugly truth underlying his employment situation concerning the way a boss is using and mistreating him. He withdraws his cooperation from the boss at a critical moment, knowing full well the it will at least create extreme unpleasantness at the office if not result in his ultimate dismissal. He has upset an equilibrium that needed to be upset, yet what will the consequences be? Can he get control and set the situation right or not? There is no way of knowing this at the moment his decision must be made. He is on a fatal trajectory that continues when the co-worker confronts him and demands an explanation for Patterson's absence from an award dinner. Should he appease his adversary by making a phony excuse? "These two "I"'s inside me debate. The one, very rational, mature-sounding. The arguments are so reasonable, sensible. So what if I lie - so what? But then, just at the last instant, a feeling comes of total disgust - disgust for what stood before me, disgust with that whole way of life. And inside that feeling a silent voice declares: I-am-not-going-to-lie-to-him.
I tell him: "No excuse."
"What!" he screams and sags, a look of horror, bewilderment, frozen to his face .......
And something falls away and I know right then: I have broken free of him."
Later he tells his wife that he'll apologize if she really wants him too but is not optimistic about doing it, because: "I feel like there's you know, a big movement going on. Big wheels are turning. I'm at the interval in the octave. all this has to happen. I'm being moved on now."
How right he was. At the end of the book he had moved on and found some peace. With his wife, with his departed teacher the formidable Lord Pentland, and with a new career. No this is not a book claiming that the Fourth Way will make one rich, sexy, happy, or lucky. But it is about what the study and practice of the Fourth Way looks like from the inside of a modern man in modern society, which is where it was meant to be practiced all along.