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Gérard Schumacher who began to apply his theories to planets motions (French Riviera Observatory) deems him a genius: "il y a eu les Grecs, Einstein, et puis Nottale."
The theory expands and complements Einstein's Relativity, identifying the De Broglie "length" as the absolute scale to Einstein's absolute velocity: the speed of light.
Nottale initially introduces the theory clearly and, after an informative backround on theoretical physics and fractal geometry, expands on it in an exhaustive and systematic manner. The conclusion includes prospects for generalizing the theory to cosmology.
"Fractal Space-Time and Microphysics : Towards a Theory of Scale Relativity" is a compelling and potentially seminal work. It is densely packed with mathematical analysis but can be navigated by the lay enthusiast who is determined. Those who are shouldn't be dissappointed.
A must read!
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Do get the memoir Gypsy by Gypsy Rose Lee. It's amazing to see how much of this show was taken directly from the pages of her autobiography. Rose and Herbie were somewhat romanticized in the show, as was Tessie the stripper and many other aspects of the story -- hey this is Broadway! There can't be *too* much misery! But the cow really did come to Rose in a dream and really did get them on the Orpheum Circuit. They really did bleach a gaggle of girls' hair blonde. Both books are great reads.
The lead part of the Mama Rose is often considered the musical theatre equivalent of Lady MacBeth or Hedda Gabler. Lucky is the woman who gets to play her. Three women have played her on Broadway: Ethel Merman (in the original production), Angela Lansbury (in a 1970's revival) and Tyne Daly (in a 1990's revival). Lansbury and Daly both won Tony awards for their perfomances. Merman lost in 1960 to Mary Martin in "The Sound Music." She was robbed!
Musical highlights of the show include the character defining "Some People," the desperate "Ev'rything's Coming up Roses" and the tour-de-force finale, "Mama's Turn." A majority of the songs are Mama Rose's, the result, apparently, of Ethel Merman's ego. Nevertheless, it works brilliantly.
If you are looking for a version of this show on video, AVOID the Rosalind Russell version from the early sixties, in favor of the recent Bette Middler version. Not only is the Middler version more faithful to the original play, Bette does her own singing (Lisa Kirk sang for Russell) and her performance rivals Merman's.
If you love musicals, you will love this book. Read it yesterday!
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The Babar books contain some of the most charming and entertaining drawings and storylines of any children's books ever written. Proof is that as one grows older, their appeal seems to grow rather than diminish. Although great in any language, Babar is best of all in its original French. The text is simple enough that even those with only a modest French reading level should be able to enjoy this book.
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Enjoy it
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Why purchase this book? Ok, here's why:
The cover and the craftsmanship of this book nearly warrant its purchase alone. The work of French designer Laurent Fétis is absolutely stunning. His style and originality has been featured on the covers of bands like Tahiti 80 and Mellow while working for labels such as Emperor, Minty Fresh, Escalator, Emi, Virgin, Universal.. and so on. His work has also been exhibited at the Pompidou Centre (Paris Museum of Modern Art). If you like colorful, vibrant, hip and swanky graphic design, buy this book. It will look great on your coffee table or as an addition to your design book collection. Enjoy.
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I highly recommend this book to ALL HITCHCOCK FANS and to all who love to read a good family biography! Thank you, Ms. Hitchcock O'Connell for this long-awaited glimpse into your family life.
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