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James Agee made his reputation writing sterling movie reviews for Time and The Nation magazines in the 1940's. Among other glories, he wrote a much-heralded essay titled "Comedy's Greatest Era" that helped to bring silent-comedy icons (most notably Harry Langdon) out of mothballs and caused them to be re-viewed and discussed seriously among film historians. He later went on to work on the screenplays of a couple of gems titled The African Queen and Night of the Hunter.
Unfortunately, many people who regard the critics Pauline Kael and Stanley Kauffmann have either forgotten Agee's work entirely or have assigned his own work to mothballs. But among the faithful are film director Martin Scorsese, who serves as editor of the "Modern Library: The Movies" series of film books. The series has recently reissued the AGEE ON FILM book, and re-reading Agee's work (or reading it for the first time, if you're lucky enough) proves that film criticism can make for reading material as compelling as any fictional novel.
Agee passes the acid test for any film critic: Even if you don't agree with him, his writing is so lively that you can't help enjoying it. His work ranges from three separate columns (three weeks' worth, in print terms) to Chaplin's much-maligned (at the time) MONSIEUR VERDOUX, to the most concise, funniest review ever: Reviewing a musical potboiler titled YOU WERE MEANT FOR ME, Agee replied in four simple words, "That's what *you* think."
If you want to see what high-caliber movie criticism meant in the pre-Siskel & Ebert days, engross yourself in this sprawling book. It'll make you appreciate the decades before every newspaper, newsletter, and Internet site had its own minor-league deconstructionist of Hollywood blockbusters.
I have read the book three times in the past six months, and will likely begin reading #4 very shortly.
Thank you Mr. Caidin.
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"Liberal" Christians will probably enjoy this book as well... and may even begin to regard Lao Tzu as a bit of a prophet :)
I would recomend it as a gift from Taoist to Chrisian or Christian to Taoist.... NOT as a "conversion" tool, but as a tool for mutual understanding.
Although I enjoyed seeing the parallels... I thought that some of the sayings did not really match very well as far as their actual meanings, also I was suprised by some of the verses that were *not* included... there are some better verses that show the simular intents of Lau Tzu and Jesus than some of the ones chosen by the Author.
One might do better to read the Tao Te Ching and the "words in red" of the new testiment for his/herself! However, if you can't be bothered to do that, this book is a nice quick referance and a nice teaching tool.
I wish there was a Lao Tzu and Muhammad book.. I'd like to see what would be made of that! :)
or involved with Christian, Jewish, and/or Tao outlooks.
The author and editor take the position that Jesus and Lao Tzu
represented 2 separate philosophical disciplines that branched
from the same originating river (GOD). This is,to my way of
thinking, quite extraordinary,considering the vast differences
of East and West histories and cultures, and communication.
It's too bad that this book is not in more people's hands
(and lives!). You get 3 basic things from the book:
1) An excellent overview of Jesus' and Lao Tzu's teachings,
and how they relected on each others', as presented
in the preface.
2) A breakdown of all the teachings into 9 catagories;
1 catagory per chapter. Each chapter comprises many paired
quotes from each teacher; you be the judge to just how similar
they are to each other.
3) A Commentary section following the 9 chapters/topics
that is well worth having all by itself. Tremendous insight,
backed up by the referred to precious chapters.
If all the above isn't enough, and it is, the binding
ends with a fine list of recommended books for furthur
study.
Again, if you are a serious Jew, Christian or Taoist
(or seeker of deeper meaning in life) I think you should
have this as one of your key reference books.
P.S. Jesus' sayings in the book are just Jesus' sayings
alone, not mixed up with what disciples and clergy added
to the Gospel from their vantage points.
This book deviates from the first two by including short commentiaries on each of the parallel sayings in the back of the book. The commentaries add something and I think that including, at the very least, historical backround and some additional context for the sayings gives some perspective which will hopefully be adopted in later books.
Highly recommended!
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London". Otherwise, I would have given it 5 stars.
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Another problem is the hardcover format, which makes the book difficult for field use. It's thin and tall, which doesn't help it to stay open. A spiral bound version would be better.
This is the book of those who have gone beyond "the stars are up there" stage but aren't at the Hawking level yet. I loved the crispy photos and the straight from the shoulder directions (not pretentious or dumb). I recommend it highly if you want something with a little more meat to it.
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Celebrities of the time, including pop artists, pop intellectuals, TV presenters, English film stars, and the emerging British rock glitterati. Of these last Mick Jagger appears the most frequently, evolving from A Portrait Of A Famous Person Taken By David Bailey to the most notorious man in show business by the end of the decade. A close second is fading golden boy Brian Jones. Among the more conventional celebs are Terence Stamp, Michael Caine, and Peter Sellers. Stamp is so young and unformed here that it is hard to recognize him at first; Caine is reduced to a pipe & black frame glasses Everyman; and Sellers' portrait looks like a Roman bust.
Documentary pictures of potato-nosed East Enders, including plenty of studio portraits of crime bosses the Kray brothers. Bailey won their respect for having come from the East End himself and achieving success. But, one photo shows the Kray twins with Bailey sitting in between, visibly hoping not to get bumped off.
Lots of images of the original super-model, Jean Shrimpton, mostly from Vogue layouts but also plenty from other photo dates as well. There is also a generous helping of photographs of model Penelope Tree, whose face Bailey aptly described as "an Egyptian Jiminy Cricket." We also see lots of other perfectly turned out Vogue models.
There are some exotic shots of Nepal and some snaps from his military service in Singapore, but the focus is in the main on early Sixties London. Though the book is not arranged chronologically, one can see his technical development, as he incorporates other photographers' ideas like askew framing, daylight flash, and tent lighting. There is a color section, but gorgeously inky b/w is the star here. Many of the subjects have been shorn of the celebrity that no doubt added to their portraits' impact, but that's no barrier to enjoying this big collection.
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Garrow is also unafraid to discuss King's frailties, implicitly positing (and answering) the question: don't a persons public actions and deeds outweigh their private shortcomings? (yes)
This is not only the best book on King that exists, it may very well be the best book on the Southern Civil Rights Movement of the 60's that exists.
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Interesting to me is that he spends three weeks discussing Chaplin's MONSIEUR VERDOUX, which is a most unusual movie and mostly forgotten today. This might be because he saw it as his only chance to write a poignant piece on the greatest living film artist, or it may be because he identified with the plight of mankind theme that Chaplin was reaching for. You can pick another reason, yourself, but it was a bold decision, because most critics panned the film (according to him) and most readers probably couldn't even see the movie in their small towns. It was as if he knew he would be writing for posterity. Like all critics, he cultivated his darlings. He saw much in the work of John Huston and was very skillful in his sizing up of TREASURE OF THE SIERRA MADRE. I was impressed that he predicted the all-time classic nature of the film, but also understood the studio system gimmicks that took away from the genius.
You don't have to be literary minded like W. H. Auden to enjoy this book. You'll like it, if you like movies.