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Luiz Pontual IRGET.
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The book leaves you with one conclusion. You need a Shaykh to follow the path to Allah, you need a madthab to follow Sharia, and you can't use a book for either.
Wonderful!
Al-Arabi Ad-Darqawi was follower of the Shadhili order which was founded by the great Shaykh Abu'l Hasan ash-Shadhili.
I would recommend this book to anyone who is interested to know about the practical way of Sufi path.
The translation is excellent and the authour shows true insight on the subject.
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Norman bethume was such a man and his story needs to be told again and again. I highly recommend it to anyone who values the efforts of individulas and the love of community.
Chester
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I recommend the other books in this series as well. Dorling Kindersley books original publisher of the series, now published by Scholastic, have wonderful details. Each page has a row of small sketches on the top and bottom of the page that show the fox at play at that particular stage, as well as a little photo of a fox on the spine.
I recommend the other books in this series as well. Dorling Kindersley books original publisher of the series, now published by Scholastic, have wonderful details. Each page has a row of small sketches on the top and bottom of the page that show the fox at play at that particular stage, as well as a little photo of a fox on the spine.
These stories are best approached without expectations. Their style and values are not those of western literature, yet they resonate at a deep human level. Romance, honor, betrayal, and societal change are familiar themes, but play out here in unexpected ways.
Lingering images: Runners are sent out to bring back a suspect for questioning. A schoolmaster, huddling in a crowded safe house while armies maneuver outside, wonders whether a demanding employer expects his presence in the classroom. An artist is unwilling to work a lesser medium than jade, though his distinctive style will surely disclose the hiding place in which he and his bride have escaped her vengeful and powerful family.
Reader Charlton Griffin employs only the most subtle nuance of Chinese inflection, using a palette of British accents to convey class relationships of the characters. The convention, familiar to BBC viewers, helps more than it distracts. Music is used sparingly, to set the stage and provide punctuation.
I would have preferred a bit more contextual information as a forward to each of the stories, explaining the region, the style, and clues to historical and sociological references. But that is a minor quibble. Four-and-a-half hours elapse quickly, I always wanted to hear the next side, and I was sorry to reach the end of the last tape. Fortunately, this is only Volume I and the series could go on for years without exhausting the subject material.