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The last story, for example, tells of four boys in Suriname two of whom bragged that their respective fathers were the best traders in town. The third, however, smiled and said that his father had them beat and the fourth boy agreed: He had with one ear of corn purchased a cow, a horse and a donkey. The father had indeed started with one ear of corn, and had indeed purchased a cow, a horse and a donkey--but not all at once, as the other boys supposed. Rather, he had planted the corn ear, sold his crop, bought a cow, sold it and bought a horse and sold it and bought a donkey.
Similarly, another tale speaks of a poet named Mutanabbi who passed by Zubeida's house one day and decided to return that evening to propose that they be married. Halfway home, he encountered a handsome young man who was on his way to see Zubeida, "the most beautiful woman in the city," whom he also wanted to marry. Mutanabbi was afraid of losing his chance, so he told the young man that he had just moments ago seen Zubeida kissing a wealthy man. The young man left, feeling lost. After learning that Mutanabbi had married Zubeida, he accused the former of lying. After all, if Zubeida had really kissed a wealthy man, why would she have chosen Mutanabbi? Why, the wealthy man she kissed was her father, of course.
Another story features a Muslim holy man on the island of Celebes, who found a dark cave and crawled inside to escape from warring enemies. "If it hadn't been for the spider," he told his friends afterwards, "I surely would have been caught and killed." No one believed him, of course. But he had spoken the truth along with a lie. The spider had spun a web over the mouth of the cave, leading the holy man's enemies to believe that no one could possibly be inside. The man, however, had neglected to tell his friends was how the spider saved him.
(This particular tale reminds me of the Jewish tale of David, who as a boy had questioned why God made spiders. Unlike the Muslim tale, however, the Midrash explains that God gave even the smallest creature a purpose. When David was grown, King Saul became angry with David and tried to kill him. David fled and hid in a cave. A spider spun his web across the cave's mouth. That night, soldiers passed the save. King Saul reasoned that no man could hide there without tearing the web. And David thanked God for making spiders.)
From this book, children learn that different traditions are often similar. They also learn to carefully examine "facts." Things presented as truth may compose only part of the picture. Alyssa A. Lappen
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This collection opens with the thought provoking "Madame Babylon", a story that immediately grabs the reader with a sexual taboo, yet reminds us that within everyone there is a bit of voyeur and exhibitionist. But Hodge doesn't stop there, like with every story in this collection, he takes the idea even further, explores a few deeper themes, themes that examine and question the very things we take for granted, and then wraps it all together in a way that leaves the reader fully identifying with the protagonist, which sometimes isn't a comfortable thought at all.
"Cancer Causes Rats" is another unique story in the collection. Part mystery, part thriller, part horror, this story will keep you guessing the outcome until then end, and that ending will leave you horrified. In this story, like many others, Hodge turns logic upside down and makes it still seem right, leaving the reader with thoughts and impressions afterwards that just can't be shaken.
Three stories in the middle of the book are set in the British Isles, and although he is a native of America, Hodge manages to capture the feel of Great Britain better than many British authors today. A line from the story "Cenotaph" sums it up best: "The thing about England was, you could scarcely throw a mossy stone without hitting something to remind you of how vastly _old_ the place was." "Far Flew the Boast of Him" is a story set in the shared-world setting of Hellboy, but Hodge tackles this in such a way that pre-knowledge of the shared-world is not required, yet he manages to contribute to the mythos in an insightful way not usually accomplished by other authors.
Leaving no genre untouched by his skills, Hodge includes a western in this collection. Not a fan of westerns myself, I expected this story to be my least favorite, and was pleasantly surprised. "Pages Stuck By a Bowie Knife to a Cheyenne Gallows" is one of the best stories of the collection. Offering more than just a typical western, Hodge pushes the boundaries of the genre in this story set in a splintered, anarchic Missouri during the Civil War.
The Endnotes offer the insatiable reader with wonderful little insights into the stories behind the stories. Where the fiction reveals Hodge's intelligence with small glimpses of his sense of humor, the Endnotes expose the author even more, leaving the reader with a warm sense of familiarity for Hodge.
Honestly, I don't know why this author isn't more widely recognized. Hodge has consistently published high quality fiction over the course of the past ten years or more, and yet remains absent from the average reader's vocabulary. With Lies and Ugliness, Hodge has delivered again. And although it has been said many times about many books, the fact remains true with this one: Those who do not read this collection will be missing out on wonderfully intelligent stories that leave long lasting impressions.
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This book is surely one giant step toward the inevitable awakening of America. An awakening that will cause the entire world to condemn the narrow-mindedness and self-interest of all race hustlers, particularly the well known intellectual Lilliputians: Jesse Jackson and Al Sharpton. The author points out the double standards of the civil rights industry whose very existence depends on pointing out racism everywhere, even when it isn't there. Perazzo exposes the hypocites with well researched facts and statistics illustrated with anecdotes.
This book harmonizes with Jared Taylor's books: "The Real American Dilemma" and "Paved With Good Intentions" et al, as isolated voices become a chorus demanding truth and reason in discussions of race.
This book should be read by everyone concerned with the future of America.
This book should be read twice, twice by everyone in Academe and in the media.