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I like the breadth of the sources he considers. He blindly accepts no one, always putting effort into evaluating the source's credibility. The stories in the book (Sacajawea, Billy the Kid, and Custer to name a few) are ones known to anyone with a nodding acquaintance with Western history; in some cases I hadn't even realized there was a question as to what happened. He doesn't pander to political correctness, but he does recognize that it took two genders and a lot of colours to make the history of the West, and writes accordingly.
Highly recommended (by a lifetime Westerner, if it matters) to anyone interested in Western history.
Walker gathers evidence from surprising sources, some of them overlooked by historians, and leaves it to his readers to draw conclusions.
I heartily recommend this book to anyone who is interested in the history of the American West.
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John Paul Vann's career in Vietnam spanned a decade, from its beginning in 1962 with Vann as U.S. Army Lieutenant Colonel and advisor to the South Vietnamese, to its end in 1972 with his death in a helicopter crash, Vann having become the civilian equivalent of a two-star general. During his decade in Vietnam, Vann was consistently frustrated and angry with the pusillanimous and corrupt performance of South Vietnamese forces and the frequent incompetence of American senior political and military leaders. He repeatedly urged his superiors, through normal channels and in the press, that the U.S. government could not defeat the Communist forces in South Vietnam with its military might alone. The war could only be won by the South Vietnamese with American assistance. That help, Vann recommended, should take the form of facilitating social change and providing military equipment and advice. By the time of his death, however, Vann's views had changed. After the near destruction of the Vietcong during the 1968 Tet offensive, he came to believe that America could indeed achieve a military victory in Vietnam.
Sheehan explores every aspect of Vann's life with the keen eye of the best biographers. Vann is seen at his best: possessed with a first-rate intellect and a singleness of purpose which led him to rise above a childhood filled with poverty and neglect; highly patriotic and courageous; and imbued with a strong sense of professional integrity that gave him tremendous credibility at the most senior levels of the U.S. government. Also seen is Vann's darker side: his ability to manipulate others to his ends; his dark sexual compulsions (which ultimately led him to ruin his marraige and endanger his career); his callousness toward his friends and family; and his all-consuming self-centeredness.
Interwoven with Vann's biography is a brilliant survey of the Vietnam conflict from the time of the French defeat at Dienbienphu in 1954 to Vann's death in 1972. Three areas of this book were especially interesting to me: first, the author's account of the battle of Ap Bac in 1963, where American advisors were first seriously bloodied by the Vietcong, and Vann's attitudes about the overall conduct of the war took shape; second, Vann's efforts, after his retirement from the Army, to get the U.S. government to change its Vietnam policy - and the political machinations within the government at work against him; and third, Vann's last months in Vietnam as the "civilian general" in charge of the mountains of the highlands and the rice deltas of the central coast, and the critical role he played in several key battles as America's involvement in Southeast Asia approached its tragic coda.
"A Bright Shining Lie" is certainly one of the two best single-volume histories (along with "Vietnam: A History" by Stanley Karnow) of America's involvement in Vietnam that I've read. It's an essential book for anyone wanting to learn more about America's most regrettable war.
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As we see the formulation of a new "homeland security agency" it is a reminder to us that the best way to get good results is pay attention to every step of the process. Our Vietnam operation had great support and many poor operations with the information results (even the good information) seeming to get lost on the way to those who needed it. The lesson I see is that all of the details are important. Bottle necks can kill.
John's book provides a unique window into life in the CIA's Saigon Station. His description of Agency operations in Vietnam ranges from the controversy surrounding our best penetration of the Viet Cong leadership to the polygraphing of local employees over the disappearance of a few slices of ham at a party (an incident I remember quite well). John also gives unprecedented insights into the important role the Agency's requirement for polygraph vetting plays in keeping case officers, who work daily in the murky waters of spies, fabricators, and con-men, on the straight and narrow road of the pursuit of the truth. CIA polygraphers like John helped lead the way in the development of a systematic vetting process for use in the conduct of clandestine intelligence collection operations. The book illustrates how that process works and how, when the process is ignored or distorted, the entire system can quickly break down.
I served with John in Saigon Station and know his reputation as one of the Agency's best. As a former Saigon Station officer, some of his criticisms of personnel and procedures in Southeast Asia are painful, but their accuracy is incontrovertible. I highly recommend this book.
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You could probably retitle everything Garder wrote LIES! LIES! LIES! From the novels to the children's books, from the handbooks to the book on Chaucer. It has the properly shrill tone. It suggests what you'll find beneath the cover. A sham, a masquerade.
And it's probably his most postmodern: fragmentary, obsessed with the local, involved in pastiche, in appraisals of Mickey Spillane, in assaulting the icons of high culture (Thackeray and others), full of parody and play. Play. Play in a book by Gardner.
I have to tell you that I've taught his silly book for young writers to college students and they really can't stand it. It has the effect of shutting them up completely. It is about the poorest book on writing I have ever encountered. I'm now considering giving them this instead. They might relate to it more.
It charts the continuing development of a young writer who is urgently looking for something to believe. Desperately looking, really. Young writers might find a mirror in this. It might have the effect of comforting them.
I'm not sure how to recommend this, or to whom I should recommend it. Gardner scholars, certainly. Anyone interested in writing. Especially when that writer is, well, psychically troubled. There's a peculiarly voyeuristic angle (angel?) to this, or a psychoanalytic one, since Gardner is a very knotty, ambivalent subject.
Lies! Lies! Lies! does not confine itself to college humor, fraternity capers, and day-to-day personal events; these are in fact in the minority. Throughout the journal Gardner experiments, sometimes explicitly ("Just for fun I think I'll burlesque the passage I just quoted."), with literary forms, conventions, language, techniques. While I doubt that anyone reading the journal in 1952 would have predicted the birth of The Sunlight Dialogues twenty years later, one would certainly have observed rumblings and stirrings that moved Gardner in the direction of that major and amazing novel.
Especially in the early pages, where he writes about his college life, Gardner's journal has a characteristically moral cast, a light-hearted but notable tendency to see life in terms of rights and wrongs. His fraternity pranks are "crimes," the perpetrators of which can't be held accountable as long as Gardner can claim he was "just telling a story." Remarks such as "Somebody's naughty, I'd say" are common. Even the title page of his journal is a comically moral display, and what are his (or anyone's) novels but elaborate, extended lies? A shrewd critic might see in the journal's moral tone the foreshadowings of On Moral Fiction, the book that got Gardner into so much trouble with his fellow novelists.
The journal offers interesting, sometimes extended critical commentary on such authors of the tradition as Daniel Defoe, Henry Fielding, Jonathan Swift, and William Makepeace Thackeray, whom Gardner "hates with a beautiful, blood-dripping hate." "Reading Fielding," on the other hand, "is like going to a good play with someone who knows it well. Between the acts we have delicious commentary on the thing." Gardner also takes the time to analyze "a few of [Swift's] brilliant thrusts" and even has something to say about Mickey Spillane!
A good read in its own right, Lies! Lies! Lies! will fascinate and reward anyone with an interest in Gardner's life and work.
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Some previous reviewers claimed the writers were biased or somehow exaggerating, but I thought the book was remarkably calm considering the outrageousness, the evil, that the book discusses. I'm disgusted that the negative reviewers from the PR and journalism fields (especially those teaching our young people!) don't want to admit the seriousness of the corruption outlined in this book. Perhaps we should ask where their paychecks come from, and why they wrote anonymously.
Ironically, I now serve on a citizen advisory committee created by the Wisconsin Dept. of Natural Resources to set PCB soil criteria for Wisconsin, and this criteria could restrict the landspreading of PCB-contaminated sludges. The sewage treatment plant operators are going ballistic and pulling all kinds of lobbying and legal tricks to prevent the health standard from applying to them or being fully protective of public health --- because they want to keep landspreading toxic sludge on our food croplands. The paper mills have quietly gotten their own exemptions for their sludge, so far. Their PR responses fit this book perfectly, especially the chapter discussing sludge. The criteria battle in the DNR and legislature isn't over, but I predict it will be ugly and full of PR spin-doctoring.
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I found this an extremely compelling read - I lived in the Far EAst (Singapore and Hong Kong), and this book helped me understand Japan a little bit better - I read it while I was out there and paying visits to Japan, and I recommend it to anyone planning to visit/live there, or simply visit from the armchair.
Amazing read. Honda Katsuichi is a very impressive writer and person - he asks the reader to think about how the same kinds of crimes that Germany has admitted to are still denied in contemporary Japan! (Sadly, according to the introduction, he must travel Japan in disguise to avoid attacks from ultra-conservatives.)
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My Dad made our family stop at every historical marker in the entire West, well at least that is what it felt like, but in doing this he instilled in me an interest in the West and how it was won, etc. This book gave me a fun, entertaining look at what is true and what is not true, I would recommend it for enjoyable reading.