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This 382 page book is very readable and probably appropriate in depth for a college textbook, although in this space cannot go as deep as, say, LaSor, Hubbard and Bush (Old Testament Survey). It is written from a conservative perspective but critical scholarship is presented in abbreviated form. For example, the standard dates for Second and Third Isaiah are presented in a paragraph. There is a general failure to engage such critical issues and the authors present "scholarly opinion" alongside "conservative evangelical" scholarship without always committing to a particular view. So on the authorship of Isaiah they write "There is no unanimous opinion on this issue among conservative evangelical scholars. Some prefer the multiple authorship view. Others view the entire book as the work of Isaiah of the eighth century B.C." (p 293).
Much of the content of the book summarizes the biblical content. New Testament interpretation is mentioned in theological sidebars where relevant and the reader is encouraged to apply theological insights to personal faith.
The majority of the book was written by Alex Varughese who also edited the work as a whole. Varughese and the other three authors are department heads of Christian liberal arts colleges (I do not know who Robert L. Lewis is [named in the ...description]. He is not listed on my copy).
This book will prove a colourful and readable introduction to the Old Testament, especially in terms of biblical content and life application. The numerous illustrations allow the reader to visualise Israel and modern Judaism.
This review is based on a galley proof.
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This dialectic underlies much of The Everlasting Sky. And even that trivial insight is not key to understanding or experiencing the dazzling Anishinabe voices under Vizenor's pen. Perhaps it is necessary to allow oneself to experience the pain in it, even vicariously, to progress to something like a starting point, or common ground. Then the elusive beauty that pervades the underlying cultural vision can perhaps be glimpsed or imagined.
Though it is difficult to understand those whom we have so badly hurt, it is not a punishment to read The Everlasting Sky. Rather, it is an experience of richness, like the final series of paintings of George Morrison, that work to "create a sense of that imagic moment when the water on the horizon of the lake merges with the sky (p. x)."
Nancy Lorraine, Reviewer
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