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how God can take an obvious tragedy and turn it into something beautiful if only we love and have faith placing all things in God's capable hands. My faith was not what it should have been, but after reading Charlie's story I can tell you it has increased a hundredfold. I wish I could have known Charlie, but thanks to Mary Jo, I now feel like I do. Not only has my faith deepened in this wonderful God we have, but by the time I finished this book I knew without any doubt in my mind that I wanted to become a physician, not only to help relieve suffering, but to help those who's suffering seems almost unbearable to know that there truly is such a thing as redemptive suffering and I believe with all my heart that Charlie is responsible for the saving of many souls. I only pray that my life's work as a physician and healer of the body can also bring about a comfort and healing to the soul. I begin my studies to become a doctor later this year. Thanks Charlie, you just scored another big TOUCHDOWN because your beautiful story has changed my life forever and brought me closer to Jesus.
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But what the story is really about is how doing one good deed for one person each day can make a long lasting difference in many peoples'lives. What begins as one perfect, heart-cheering smile passes from person to person in the form of many kind acts until it finally comes back to reward the child who began the circle with that inspiring smile.
It was author McKinley's hope to show children how powerful a single act of kindness can be. The book is recommended by the "Pay It Forward" Foundation, which is based on the book of the same name. In the novel Pay It Forward, written Catherine Ryan Hyde, the main character Trevor believes that if he does something good for three people, and they each do something good for three more, nine people will be helped, who will each do something good for three more, and the cycle continues.
One Smile presents thoughtful questions to share with your family and a family challenge to work together to help others.
Recommended for ages 3-8, the book is a great asset to any family or church youth group. Beautifully illustrated with wonderful watercolor art on each page , by Mary Gregg Byrne, the pictures come alive to tell the story.
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Written in diary from with drawing and scrapes from hear and there this book was really a very good book that gave great insight into the minds of two Union spies. I recommend anyone who likes this book to read the Dear America Series which is also historical novels written in diary form about different girl's lives in different parts of history.
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Encourages a closer relationship between mom and child. The front and back inside covers have boxes with colors, it definitely helped me teach her colors--she would point to a box and I would tell her the color, then she'd point to another one, etc. Then she was able to tell me them on her own. The book also won a literary award. Sturdy hardcover, high quality. Definitely one of our favorites, and we have over 100 books.
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In my opinion, Rodgers is the greatest songwriter in the history of Broadway and popular music. His range was simply astonishing. He could write jubilant, folksy music as in "Oklahoma" or jazzy sophisticated tunes as found in "Pal Joey". He could create soaringly romantic melodies such as those in "The King and I" or inspirational and spiritual ballads as presented in "Carousel". Many of his songs have become popular standards as well.
Rodgers adapted brilliantly to a variety of subject matter. And the longevity of his illustrious career is enviable. "Musical Stages" not only chronicles Rodgers' life and work, but it is also an overview of the development and maturation of American musical theater to which Rodgers contributed mightily.
In this autobiography, you will get to know some of the true giants of American popular music in particular Rodgers' two lyricists: the impish, undisciplined, yet lovable genius Lorenz Hart and the wise and idealistic Oscar Hammerstein II. Both of these men wrote many of the best lyrics ever composed for Broadway or popular music.
You'll also meet acting luminaries such as Yul Brynner, Gertrude Lawrence, and Mary Martin among others. "Musical Stages" is a rich addition to any theater and popular music buff's library. Read it with delight!
Rodgers' musical genius was matched in two legendary partnerhips, the first with lyricist Lorenz Hart, and the second with librettist-lyricist Oscar Hammerstein II. Rodgers' collaboration with these two gifted men elevated and transformed musical theater into a true and distinctive American art form.
There is a knee-jerk tendency by a few so-called musical "experts" to site Gershwin as the greatest American composer. But discerning authorities and audiences know better. The ENTIRE BODY of Richard Rodgers' work stands the test of time better than Gershwin's, or for that matter, better than the music of Berlin, Kern, Porter, and Arlen, all gifted composers.
Rodgers' music is universally admired and respected generation after generation among all kinds of audiences. Few, if any of his compositions sound dated which cannot be said for a significant portion of Gershwin and other composers' music.
Rodgers' music is written so brilliantly that it seems organic, as if nature itself had perfectly strung together a series of notes which sound no less than heavenly, and which seem as if they could not have been structured in any other way. In some of Gershwin's music, particularly "An American in Paris" and "Porgy and Bess", the music seems stilted, grandiose, even pretentious.
You never get that feeling with a Rodgers' composition. His music always has a quality of lightness, fluidity and sponteneity something missing in portions of Gershwin's music. Some of Gershwin's music feels leaden and redundant unlike Rodgers' works.
The breadth of Rodgers' range as a composer was limitless. And no other composer was better than Rodgers in translating character and plot into music. Here is a man who wrote scores perfectly suited to shows as diverse as "Oklahoma", "Pal Joey", "Carousel", "Sound of Music", "Cinderella", "King and I", "No Strings", etc. The list is impressive.
"Musical Stages" offers a detailed account of Rodgers' life and his incomparable career. In it, you will meet Rodgers' two most famous collaborators the undisciplined, gifted, and lovable Lorenz Hart, and the idealistic, eloquent, and reliable Oscar Hammerstein II. Rodgers also reveals behind the scenes stories about Mary Martin, Yul Brynner, Gertrude Lawrence, Julie Andrews, and other luminaries of the musical theater.
This autobiography should be required reading for fans of musical theater and popular music.
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I particularly loved the ones set in Greece which was a country that had always captured my imagination. This one in particular made me want to go to Greece and see Delphi and The Charioteer. Five years ago when I finally beheld The Charioteer myself and stood on the theater at Delphi and looked out over the mountains my first thoughts were of Mary Stewart. I recommend this book highly to anyone who can find a copy of it. It is well worth because it is a marvelous read as are all of Mary Stewart's earlier books.
Sadly it appears that most of her early wonderful books are out of print, and the only ones still available are mainly the later and less skillful novels - though a few of the good early ones are still available.
Look for this one. It's a winner.
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